гуманитарные и общественные науки

книги по философии

социология

As an exile in America during the War, Theodor Adorno grew acquainted with the fundamentals of empirical social research, something which would shape the work he undertook in the early 1950s as co-director of the Frankfurt Institute for Social Research. Yet he also became increasingly aware of the ‘fetishism of method’ in sociology, and saw the serious limitations of theoretical work based solely on empirical findings. In this lecture course given in 1964, Adorno develops a critique of both sociology and philosophy, emphasizing that theoretical work requires a specific mediation between the two disciplines. Adorno advocates a philosophical approach to social theory that challenges the drive towards uniformity and a lack of ambiguity, highlighting instead the fruitfulness of experience, in all its messy complexity, for critical social analysis. At the same time, he shows how philosophy must also realise that it requires sociology if it is to avoid falling for the old idealistic illusion that the totality of real conditions can be grasped through thought alone. Masterfully bringing together philosophical and empirical approaches to an understanding of society, these lectures from one of the most important social thinkers of the 20th century will be of great interest to students and scholars in philosophy, sociology and the social sciences generally.


звезды

учебная и научная литература

научно-популярная литература

зарубежная образовательная литература

естественные науки

астрономия

космос

Галактика

Вселенная

астрофизика

научные исследования

занимательная наука

космические исследования

современная наука

знания и навыки

физика и математика

космос и вселенная

Philosophical Elements of a Theory of Society

This volume comprises Adorno's first lectures specifically dedicated to the subject of the dialectic, a concept which has been key to philosophical debate since classical times. While discussing connections with Plato and Kant, Adorno concentrates on the most systematic development of the dialectic in Hegel's philosophy, and its relationship to Marx, as well as elaborating his own conception of dialectical thinking as a critical response to this tradition. Delivered in the summer semester of 1958, these lectures allow Adorno to explore and probe the significant difficulties and challenges this way of thinking posed within the cultural and intellectual context of the post-war period. In this connection he develops the thesis of a complementary relationship between positivist or functionalist approaches, particularly in the social sciences, as well as calling for the renewal of ontological and metaphysical modes of thought which attempt to transcend the abstractness of modern social experience by appeal to regressive philosophical categories. While providing an account of many central themes of Hegelian thought, he also alludes to a whole range of other philosophical, literary and artistic figures of central importance to his conception of critical theory, notably Walter Benjamin and the idea of a constellation of concepts as the model for an 'open or fractured dialectic' beyond the constraints of method and system. These lectures are seasoned with lively anecdotes and personal recollections which allow the reader to glimpse what has been described as the 'workshop' of Adorno's thought. As such, they provide an ideal entry point for all students and scholars in the humanities and social sciences who are interested in Adorno's work as well as those seeking to understand the nature of dialectical thinking.

An Introduction to Dialectics

The surviving correspondence between Walter Benjamin and Theodor W. Adorno. This is the first time all of the surviving correspondence between Adorno and Benjamin has appeared in English. Provides a key to the personalities and projects of these two major intellectual figures. Offers a compelling insight into the cultural politics of the period, at a time of social and political upheaval. An invaluable resource for all students of the work of Adorno and especially of Benjamin, extensively annotated and cross-referenced.

The Complete Correspondence 1928 - 1940

In December 1945 Thomas Mann wrote a famous letter to Adorno in which he formulated the principle of montage adopted in his novel Doctor Faustus. The writer expressly invited the philosopher to consider, with me, how such a work and I mean Leverkhns work could more or less be practically realized. Their close collaboration on questions concerning the character of the fictional composers putatively late works (Adorno produced specific sketches which are included as an appendix to the present volume) effectively laid the basis for a further exchange of letters. The ensuing correspondence between the two men documents a rare encounter of creative tension between literary tradition and aesthetic modernism which would be sustained right up until the novelists death in 1955. In the letters, Thomas Mann openly acknowledged his fascinated reading of Adornos Minima Moralia and commented in detail on the Essay on Wagner, which he was as eager to read as the one in the Book of Revelation consumes a book which tastes as sweet as honey. Adorno in turn offered detailed observations upon and frequently enthusiastic commendations of Manns later writings, such as The Holy Sinner, The Betrayed One and The Confessions of Felix Krull. Their correspondence also touches upon issues of great personal significance, notably the sensitive discussion of the problems of returning from exile to postwar Germany. The letters are extensively annotated and offer the reader detailed notes concerning the writings, events and personalities referred or alluded to in the correspondence.

зарубежная старинная литература

Correspondence 1943-1955

Despite all of humanity's failures, futile efforts and wrong turnings in the past, Adorno did not let himself be persuaded that we are doomed to suffer a bleak future for ever. One of the factors that prevented him from identifying a definitive plan for the future course of history was his feelings of solidarity with the victims and losers. As for the future, the course of events was to remain open-ended; instead of finality, he remained committed to a Hölderlin-like openness. This trace of the messianic has what he called the colour of the concrete as opposed to mere abstract possibility. Early in the 1960s Adorno gave four courses of lectures on the road leading to Negative Dialectics, his magnum opus of 1966. The second of these was concerned with the topics of history and freedom. In terms of content, these lectures represented an early version of the chapters in Negative Dialectics devoted to Kant and Hegel. In formal terms, these were improvised lectures that permit us to glimpse a philosophical work in progress. The text published here gives us an overview of all the themes and motifs of Adorno's philosophy of history: the key notion of the domination of nature, his criticism of the existentialist concept of a historicity without history and, finally, his opposition to the traditional idea of truth as something permanent, unchanging and ahistorical.

зарубежная классика

литература 19 века

History and Freedom

Adorno was twenty-one years old when he traveled to Vienna in March 1925 to study musical composition with Alban Berg. Twenty years later, Adorno wrote: «how much of my writing will remain is beyond my knowledge or my control, but there is one claim I wish to stake: that I understand the language of birds,» It was no less than the desire to learn to speak this language that drew him to Berg. Adorno already knew what he wanted to drew to compose before he went to Berg, and the aim of his stay in Vienna and the following years was to learn to put this knowledge of musical composition into practice. His correspondence with Berg, who was soon to be world famous, is partly defined by his engagement with the compositional problems posed for the musical avant-garde by Schoenberg’s discovery of the twelve-tone technique, for which Adorno was to become an advocate, not least in Vienna and through Berg. This correspondence documents how he wrote numerous essays on Berg, Webern and Schoenberg during this time, and tried in vain to establish a platform for the Second Viennese School against «moderated modernity» in the journal Anbruch, where he exerted considerable editorial influence. It also shows how much Adorno – continually admonished by Berg to focus only on his musical composition – strove to reconcile his academic duties and his literary and journalistic work with the constant which to do nothing more than compose.

Correspondence 1925-1935

At the beginning of his career in the 1920s, Adorno sketched a plan to write a major work on the theory of musical reproduction, a task he returned to time and again throughout his career but never completed. The choice of the word reproduction as opposed to interpretation indicates a primary supposition: that there is a clearly defined musical text whose precision exceeds what is visible on the page, and that the performer has the responsibility to reproduce it as accurately as possible, beyond simply playing what is written. This task, according to Adorno, requires a detailed understanding of all musical parameters in their historical context, and his reflections upon this task lead to a fundamental study of the nature of notation and musical sense. In the various notes and texts brought together in Towards a Theory of Musical Reproduction, one finds Adorno constantly circling around an irresolvable paradox: interpretation can only fail the work, yet only through it can musics true essence be captured. While he at times seems more definite in his pronouncement of a musical scores absolute value just as a book is read silently, not aloud his discourse repeatedly displays his inability to cling to that belief. It is this quality of uncertainty in his reflections that truly indicates the scope of the discourse and its continuing relevance to musical thought and practice today.

фэнтези

городское фэнтези

детективное фэнтези

мистические тайны

загадочные события

детективное расследование

опасные приключения

Towards a Theory of Musical Reproduction

Beethoven is a classic study of the composer's music, written by one of the most important thinkers of our time. Throughout his life, Adorno wrote extensive notes, essay fragments and aides-memoires on the subject of Beethoven's music. This book brings together all of Beethoven's music in relation to the society in which he lived. Adorno identifies three periods in Beethoven's work, arguing that the thematic unity of the first and second periods begins to break down in the third. Adorno follows this progressive disintegration of organic unity in the classical music of Beethoven and his contemporaries, linking it with the rationality and monopolistic nature of modern society. Beethoven will be welcomed by students and researchers in a wide range of disciplines – philosophy, sociology, music and history – and by anyone interested in the life of the composer.

любовные романы

эротика и секс

современные любовные романы

эротические романы

современная русская литература

секс / секс-руководства

романтика

любовные испытания

любовный треугольник

страстная любовь

секс и отношения

Beethoven

This book provides an invaluable introduction to his historical and conceptual engagement with sociology.