Auras, like parking places, are easy to find when you aren’t looking for them. So if you want to see an aura, you need to feel as relaxed and calm as possible. Breathe slowly and deeply for a few minutes. Then, instead of looking directly at someone, look straight past them and casually glance in their direction, allowing your eyes to lose focus. The idea is to trick your rational brain by deliberately putting a lot of your concentration on something else, but to keep a vague focus on the person whose aura you want to read.
With practise you may see a dim haze of energy around someone. Keep breathing deeply, and the aura may brighten to a colour. Don’t expect people to light up like Christmas trees and stay that way. Visions of auras tend to be lightning quick, but the more you practise the more natural it will feel and the more likely it is for colour to become noticeable.
AUTOMATIC WRITING
The most common form of automatism, automatic writing is writing that does not come from the conscious mind and is done in an altered state of consciousness. Some attribute it to spiritual beings who are somehow able to manipulate a writing utensil in order to communicate. Psychical researchers believe automatic writing emanates from material in the person’s subconscious mind or is obtained through ESP.
Many people try automatic writing in an effort to make contact with spirits or to communicate with the dead. Typically the writer is unaware of what is being written and the writing is much faster, larger and expansive than their normal handwriting. Some people experience tingling in the arms or hands. Pens are a common tool, but slates and typewriters may also be used. Automatic writers have been known to produce mirror scripts, starting at the bottom right of the page and finishing at the top left. At the height of spiritualism, automatic writing was common in séances, and it replaced the much slower methods of spelling out messages from spirits with table rappings or pointers.
In some cases automatic writing occurs involuntarily, as in the case of Anna Windsor. In 1860 Windsor began automatic writing with her right hand, which she called Stump. Stump had a personality of its own, writing out verses and prose while the left hand did something else.
Through automatic writing, mediums have claimed to produce messages not just from deceased relatives or loved ones but from famous persons in history, such as Francis Bacon, Emanuel Swedenborg and even Jesus Christ. Frederick Myers, one of the founders of the Society for Psychical Research, found little evidence that spirits communicated through automatic writing but, curiously, after his death several mediums claimed to receive automatic writing messages from him.
While psychical researchers continue to investigate automatic writing as evidence for the existence of the spirit world, the field of psychology has adopted automatic writing. Psychologists use it as a way for the unconscious mind to express thoughts and feelings that cannot be verbalized. Automatic writing continues to be used as a therapeutic tool to this day. Some critics warn of dangers in automatic writing – they claim that the writer is vulnerable to harassment from
Exercise to practise automatic writing
Make sure you are in a calm and relaxed mood. If you feel stressed or anxious, leave it and try another day.
Find a good pen or pencil and a quiet place at a table. Sit there and let your hand move as it will. You may like to ask your hand if it has any messages for you. Hold your pen loosely in whichever hand you normally write with and let your mind roam freely. Write down whatever comes into your head for about five to ten minutes at the most.
If nothing happens, visualize a column of light made up of golden letters, forming and reforming words. Focus on one letter, and let the light flow down into your fingers and the pen. Wait until you feel your pen tremble, and let it move. At first it may scribble and make patterns, but words may follow. Don’t try to read or make sense of them or you will lose the spontaneity.
When you feel you are losing concentration, stop. Lay your pen down and see the column of light fading. Read what you have written. It may seem to relate to you or to another person in your life, perhaps a persona that is deep within you. Don’t be concerned if your first attempts appear nothing more than random scribbles or a jumble of disconnected words. It takes practise to establish a clear delivery of information.
Do something mundane or physical to bring you back to earth.
the evil-minded dead. However, psychologists maintain that the real danger is in exposing material from the unconscious that has been repressed.
AUTOMATISM
Automatism is divided into two categories: motor automatism and sensory automatism. Motor automatisms are unconscious movements of the muscles, which seem to be directed by supernatural guidance. The most common forms of motor automatism are automatic writing and automatic painting or psychic art, and other creative pursuits such as speaking, singing, composing and dancing. Dowsing is a type of motor automatism, an extrasensory guidance influenced by the movements of the rod held by a dowser. Other types of motor automatisms include impulsive behaviour, such as deciding to do or not do something at the last minute without knowing why, sudden inhibitions and sudden physical incapacities.
Sensory automatisms are thought to be produced by an inner voice or vision and can include apparitions of the living, inspirations, hallucinations and dreams. Hallucinations were once assumed to be caused by physical disorders, but Edmund Gurney, an early psychical researcher and a founder of the Society for Psychical Research, established that paranormal visions and sounds can occur without the presence of physical disorders.
After automatic writing and drawing, automatic music composition is perhaps the most common form of automatism. An unusual case was that of a London woman called Rosemary Brown, who, although she had limited musical ability, began in 1970 to compose music that she said was channelled to her from dead composers such as Chopin, Liszt and Beethoven. Recordings were made, and the works did indeed resemble the various styles of the composers, but critics declared them not as good as definitive compositions by these musical geniuses.
Problems associated with automatisms include compulsion, obsession and a feeling of possession. The practice may grow until a person feels taken over by it. Some people talk of possession by demons, but psychologists say that the effects are created by paranoia, not demons.
Since ancient times, inspired activity has always been attributed to the divine, the supernatural or the spirits, but today’s view is that automatisms are products of ESP or secondary personalities who produce knowledge or information that has been repressed or forgotten.
AVALON
According to Celtic legend, a mystical land of immortal heroes where the enchanted sword Excalibur was forged and where a mortally wounded King Arthur was taken after a bloody battle.
The story of King Arthur may be based on a historical figure of a Celtic king of the sixth century, who defended his kingdom against Saxon invaders, but it is the legends of King Arthur that have had a timeless, mystical hold over people’s imagination for centuries. According to legend Arthur came to power when he pulled a magical sword from a stone with the help of the wizard Merlin, an act that proclaimed his royal heritage. He started the Order of the Round Table, peopled by noble and virtuous knights, and married the beautiful but adulterous Guinevere who betrayed him for his best friend Lancelot. Arthur was mortally wounded by his treacherous nephew, Mordred, and is said to be buried on the mythical Isle of Avalon, from where he will rise again in Britain’s hour of need.
There is a tradition that Glastonbury was the Isle of Avalon. In 1191 the monks of Glastonbury unearthed, from 16 feet under the ground, an oak coffin that they said was Arthur’s. They showed an inscription: ‘Here lies beneath the renowned King Arthur with his beloved Queen Guinevere his second wife in the Isle of Avalon’ on a lead cross, which they said had been found in the coffin.
With its miraculous weapon of destiny, its goddess-like Lady of the Lake appearing by moonlight from the water and, most of all, the mysterious realm of Avalon, where Arthur journeys by water to be healed from death, the Arthurian world shimmers with a Celtic supernatural glow. Like a faraway, half-heard song, Avalon conveys a sense of something lost forever, never to be found – the mystical quest for the lost land, the lost world, the lost self and lost psychic powers.
AVATAR
Derived from the Sanskrit word avatora, which means ‘descent’, avatar is used in Hinduism to denote a god who has descended, by way of incarnation, to either human or animal form, coming into this world for the duration of one lifespan. An avatar is believed to be a mediator between people and the divine.
An avatar is similar to the Christian figure of an incarnated being but is different in two ways. First, a Hindu god can become incarnate in many places at the same time through partial avatars (amshas); second, the avatars do not fully participate in human activity or lose the knowledge and power of their divinity.
Exceptional holy men and women in India are called avatars. Hindus accept Gautama, Buddha, as an avatar. Vishnu, sky god and protector of the universe, is most famous for his numerous avatars, which include Krishna and Rama, but other gods, such as Shiva, also have avatars. Many charismatic leaders, such as the Indian mystic Chaitanya (c.1486–1533), have been regarded as avatars. In our own time, Ammachi – Mata Amritanandamayi – the South Indian woman who was given the Gandhi-King award at the United Nations in Geneva in 2002 for her promotion of non-violence, and who greets her long lines of followers by giving each person a warm hug, is considered an avatar of the Great Mother.
The bhakti (devotional) movements of Hinduism have often centred round avatars who are supposed to possess psychic abilities and paranormal powers, such as the ability to levitate or bilocate.
AVEBURY
A village in Wiltshire, England, eighty miles west of London, and site of the Avebury stone circle, one of the oldest prehistoric monuments in Britain. More extensive than Stonehenge, Avebury is large enough that it is said more than a quarter of a million people could stand within the boundaries of its circle. The circle was in active use in later Neolithic/early Bronze Age times, between 2600 BC and 1600 BC, so it pre-dates the Druids.
The Avebury circle was probably constructed by people from the Beaker culture. It is the largest stone circle in Europe; its 100 standing stones, reaching up to 14 feet high, mark a circle that is 1,100 feet in diameter. Another nearby landmark, Windmill Hill, bears an earthwork on top and may pre-date Avebury as a cattle market or ritual site. The purpose of Silbury Hill, yet another nearby landmark and Europe’s tallest man-made mound, remains unknown.
No records survive attesting to the original purpose and uses of the Avebury stone circle, and excavations have yielded few insights. According to theories Avebury may have been used for religious festivals to honour the Goddess, or it may have had astronomical purposes, as the stones align to the May Day sunrise. It is believed by some that the Avebury stones are repositories of Earth and psychic energy, which can be detected by clairvoyance and dowsing and that tapping the stones can enable communication with other megalithic sites. Such psychic energy may be responsible for paranormal phenomena that have long been reported at this site, including strange lights drifting on the ground and eerie small figures and apparitions flitting around the stones. In the 1980s Avebury became a major site of mysterious crop circles, geometric patterns made in arable fields that defy explanation.
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BA
In ancient Egyptian mythology the Ba is what we would call ‘soul’, but there are differences. According to the Book of the Dead, after death the Ba rises up out of the body in the shape of a falcon, with a human head, that can fly between the tomb and the underworld. It was also believed that the Ba could take on any form it chose but that it had to reunite itself with the deceased every night in order for the deceased person to live forever. So the Ba remains very much attached to the physical body, contrary to the concept of the soul or spirit separating from the body at death. It was thought that the Ba had the same physical needs as the person, like food and water, so offerings of cake and water were left at tombs for the Ba.
BACHELOR’S GROVE CEMETERY
A small, abandoned cemetery that is overgrown, unkempt and subject to vandalism, Bachelor’s Grove Cemetery is one of Chicago’s most haunted sites. It is located on the edge of the Rubio Woods Forest Preserve, near the suburb of Midlothian, Illinois. There have been over a hundred paranormal incidents reported here, including inexplicable lights and voices, apparitions, strange photos, anomalous recordings and even sightings of magical creatures.
The first burial took place in 1844, but it wasn’t until 1864 that the cemetery became known as Bachelor’s Grove. This may have been because around this time a group of German immigrants, hired to help build the Illinois–Michigan Canal, settled on small farms nearby, and most of these settlers were unmarried men. Burials became less frequent in the 1960s, and the last recorded burial was in 1989.
It was in the 1960s that stories of hauntings began. Unfortunately, this was also when the vandalism and desecration began, and today the cemetery is in a terrible condition. Vandals have left few of the graves still standing, and many tombstones have been stolen or dumped elsewhere, giving rise to legends that the gravestones sometimes move by themselves.
The reporting of strange phenomena peaked in the 1970s and 1980s, but hauntings continue to be reported to this day, including flashing lights and phantom vehicles. The strange lights are said to be red or blue in colour, dancing just out of reach of those who chase them, as if the lights had an intelligence of their own. Phantom cars appear and disappear on the cemetery path. One couple even had a car crash with a vehicle that vanished before their eyes, leaving their own untouched despite the sounds of bending metal and breaking glass.
The most-often reported apparition at Bachelor’s Grove is a vanishing house or floating house. Access to the cemetery is gained by way of a narrow gravel trail that was once a main road through the area. Along this trail, many visitors have reported seeing a phantom farmhouse that seems to appear and disappear at random. The house is always seen from a distance and described in the same way, as a white house with porch pillars, a swing and a soft light burning in the window, but it is never reported in the same place. As witnesses approach the house, it shrinks and disappears. According to legend, anyone who succeeds in entering the house will never return.
Just past the fence surrounding the cemetery is a small lagoon that borders the nearby turnpike road. This pond was a favourite corpse dumping ground for Chicago gangsters during the years of Prohibition, so it isn’t surprising that the pond is thought to be haunted. One ghost linked to the lagoon is said to be a two-headed man, reported on many occasions. Others report seeing a ghostly farmer who was pulled into the water by his plough and horse in the 1870s. The horse was drowned by the weight of the plough, taking the farmer with it.
Still others report seeing people dressed in monks’ robes, and in 1984 the vision of a glowing yellow man was reported. In the 1990s several people reported seeing a large black dog near the entrance, which would vanish as people appeared, perhaps as a warning to go no further. The most famous ghost is the ‘White Lady’ or the ‘Madonna of Bachelor’s Grove’, who has been seen on nights of the full moon, wandering the cemetery with a baby in her arms. She is said to be the ghost of a woman buried there, next to her young son.
Paranormal investigators have reported electronic voice phenomena at Bachelor’s Grove, with the names of those buried there being called out repeatedly. There have been many attempts to capture Bachelor’s Grove phenomena on film, and plenty of photographs exist with images resembling ectoplasm. Perhaps the most famous photograph of Bachelor’s Grove was taken in 1991 by Mari Huff, a member of the Ghost Research Society. It shows a waif-like transparent young woman dressed in old-fashioned clothes sitting on a crumbling tombstone. According to Huff, this woman was not visible when the picture was taken. Sceptics argue that the photo is a double exposure, but a number of professional photographers do believe it to be genuine.
BAKECHOCHIN
Translated as ‘haunted lantern’, in Japanese folklore a bakechochin is a lantern inhabited by ghosts. According to lore the lantern has a long tongue and wild eyes and is home for the ghosts of people who died with hate in their hearts; for this reason, they are doomed to haunt the earth for all time. If someone should light one of these haunted lanterns, it is thought that a hateful ghost may leap out of it and attack.
BALLECHIN HOUSE
