Preoccupied with the question of how I could approach this task, I was walking along the lake as usual one day, picking stones out of the gravel on the shore. Suddenly I caught sight of a red stone, a four-sided pyramid about an inch and a half high. It was a fragment of stone which had been polished into this shape by the action of the water – a pure product of chance. I knew at once: this was the altar! I placed it in the middle under the dome, and as I did so, I recalled the underground phallus of my childhood dream. This connection gave me a feeling of satisfaction.
I went on with my building game after the noon meal every day, whenever the weather permitted. As soon as I was through eating, I began playing, and continued to do so until the patients arrived; and if I was finished with my work early enough in the evening, I went back to building. In the course of this activity my thoughts clarified, and I was able to grasp the fantasies whose presence in myself I dimly felt.
Naturally, I thought about the significance of what I was doing, and asked myself, “Now, really, what are you about? You are building a small town, and doing it as if it were a rite!” I had no answer to my question, only the inner certainty that I was on the way to discovering my own myth. For the building game was only a beginning. It released a stream of fantasies which I later carefully wrote down.
This sort of thing has been consistent with me, and at any time in my later life when I came up against a blank wall, I painted a picture or hewed stone. Each such experience proved to be a rite d’entrée for the ideas and works that followed hard upon it. Everything that I have written this year
(#ulink_53697ba9-9dd9-5f0b-9313-f815862f56a8) and last year, “The Undiscovered Self,” “Flying Saucers: A Modern Myth,” “A Psychological View of Conscience,” has grown out of the stone sculptures I did after my wife’s death.
(#ulink_4381f82a-3751-5181-a1f5-cd70d4b546e3) The close of life, the end, and what it made me realize, wrenched me violently out of myself. It cost me a great deal to regain my footing, and contact with stone helped me.
Towards the autumn of 1913 the pressure which I had felt was in me seemed to be moving outwards, as though there were something in the air. The atmosphere actually seemed to me darker than it had been. It was as though the sense of oppression no longer sprang exclusively from a psychic situation, but from concrete reality. This feeling grew more and more intense.
In October, while I was alone on a journey, I was suddenly seized by an overpowering vision: I saw a monstrous flood covering all the northern and low-lying lands between the North Sea and the Alps. When it came up to Switzerland I saw that the mountains grew higher and higher to protect our country. I realized that a frightful catastrophe was in progress. I saw the mighty yellow waves, the floating rubble of civilization, and the drowned bodies of uncounted thousands. Then the whole sea turned to blood. This vision lasted about one hour. I was perplexed and nauseated, and ashamed of my weakness.
Two weeks passed; then the vision recurred, under the same conditions, even more vividly than before, and the blood was more emphasized. An inner voice spoke. “Look at it well; it is wholly real and it will be so. You cannot doubt it.” That winter someone asked me what I thought were the political prospects of the world in the near future. I replied that I had no thoughts on the matter, but that I saw rivers of blood.
I asked myself whether these visions pointed to a revolution, but could not really imagine anything of the sort. And so I drew the conclusion that they had to do with me myself, and decided that I was menaced by a psychosis. The idea of war did not occur to me at all.
Soon afterwards, in the spring and early summer of 1914, I had a thrice-repeated dream that in the middle of summer an Arctic cold wave descended and froze the land to ice. I saw, for example, the whole of Lorraine and its canals frozen and the entire region totally deserted by human beings. All living green things were killed by frost. This dream came in April and May, and for the last time in June, 1914.
In the third dream frightful cold had again descended from out of the cosmos. This dream, however, had an unexpected end. There stood a leaf-bearing tree, but without fruit (my tree of life, I thought), whose leaves had been transformed by the effects of the frost into sweet grapes full of healing juices. I plucked the grapes and gave them to a large, waiting crowd.
At the end of July 1914 I was invited by the British Medical Association to deliver a lecture, “On the Importance of the Unconscious in Psychopathology,” at a congress in Aberdeen. I was prepared for something to happen, for such visions and dreams are fateful. In my state of mind just then, with the fears that were pursuing me, it seemed fateful to me that I should have to talk on the importance of the unconscious at such a time!
On 1st August the world war broke out. Now my task was clear: I had to try to understand what had happened and to what extent my own experience coincided with that of mankind in general. Therefore my first obligation was to probe the depths of my own psyche. I made a beginning by writing down the fantasies which had come to me during my building game. This work took precedence over everything else.
An incessant stream of fantasies had been released, and I did my best not to lose my head but to find some way to understand these strange things. I stood helpless before an alien world; everything in it seemed difficult and incomprehensible. I was living in a constant state of tension; often I felt as if gigantic blocks of stone were tumbling down upon me. One thunderstorm followed another. My enduring these storms was a question of brute strength. Others have been shattered by them – Nietzsche, and Hölderlin, and many others. But there was a demonic strength in me, and from the beginning there was no doubt in my mind that I must find the meaning of what I was experiencing in these fantasies. When I endured these assaults of the unconscious I had an unswerving conviction that I was obeying a higher will, and that feeling continued to uphold me until I had mastered the task.
I was frequently so wrought up that I had to do certain yoga exercises in order to hold my emotions in check. But since it was my purpose to know what was going on within myself, I would do these exercises only until I had calmed myself enough to resume my work with the unconscious. As soon as I had the feeling that I was myself again, I abandoned this restraint upon the emotions and allowed the images and inner voices to speak afresh. The Indian, on the other hand, does yoga exercises in order to obliterate completely the multitude of psychic contents and images.
To the extent that I managed to translate the emotions into images – that is to say, to find the images which were concealed in the emotions – I was inwardly calmed and reassured. Had I left those images hidden in the emotions, I might have been torn to pieces by them. There is a chance that I might have succeeded in splitting them off; but in that case I would inexorably have fallen into a neurosis and so been ultimately destroyed by them anyhow. As a result of my experiment I learned how helpful it can be, from the therapeutic point of view, to find the particular images which he behind emotions.
I wrote down the fantasies as well as I could, and made an earnest effort to analyse the psychic conditions under which they had arisen. But I was able to do this only in clumsy language. First I formulated the things as I had observed them, usually in “high-flown language,” for that corresponds to the style of the archetypes. Archetypes speak the language of high rhetoric, even of bombast. It is a style I find embarrassing; it grates on my nerves, as when someone draws his nails down a plaster wall, or scrapes his knife against a plate. But since I did not know what was going on, I had no choice but to write everything down in the style selected by the unconscious itself. Sometimes it was as if I were hearing it with my ears, sometimes feeling it with my mouth, as if my tongue were formulating words; now and then I heard myself whispering aloud. Below the threshold of consciousness everything was seething with life.
From the beginning I had conceived my voluntary confrontation with the unconscious as a scientific experiment which I myself was conducting and in whose outcome I was vitally interested. To-day I might equally well say that it was an experiment which was being conducted on me. One of the greatest difficulties for me lay in dealing with my negative feelings. I was voluntarily submitting myself to emotions of which I could not really approve, and I was writing down fantasies which often struck me as nonsense, and towards which I had strong resistances. For as long as we do not understand their meaning, such fantasies are a diabolical mixture of the sublime and the ridiculous. It cost me a great deal to undergo them, but I had been challenged by fate. Only by extreme effort was I finally able to escape from the labyrinth.
In order to grasp the fantasies which were stirring in me “underground,” I knew that I had to let myself plummet down into them, as it were. I felt not only violent resistance to this, but a distinct fear. For I was afraid of losing command of myself and becoming a prey to the fantasies – and as a psychiatrist I realized only too well what that meant. After prolonged hesitation, however, I saw that there was no other way out. I had to take the chance, had to try to gain power over them; for I realized that if I did not do so, I ran the risk of their gaining power over me. A cogent motive for my making the attempt was the conviction that I could not expect of my patients something I did not dare to do myself. The excuse that a helper stood at their side would not pass muster, for I was well aware that the so-called helper – that is, myself – could not help them unless he knew their fantasy material from his own direct experience, and that at present all he possessed were a few theoretical prejudices of dubious value. This idea – that I was committing myself to a dangerous enterprise not for myself alone, but also for the sake of my patients – helped me over several critical phases.
It was during Advent of the year 1913 – 12th December, to be exact – that I resolved upon the decisive step. I was sitting at my desk once more, thinking over my fears. Then I let myself drop. Suddenly it was as though the ground literally gave way beneath my feet, and I plunged down into dark depths. I could not fend off a feeling of panic. But then, abruptly, at not too great a depth, I landed on my feet in a soft, sticky mass. I felt great relief,although I was apparently in complete darkness. After a while my eyes grew accustomed to the gloom, which was rather like a deep twilight. Before me was the entrance to a dark cave, in which stood a dwarf with a leathery skin, as if he were mummified. I squeezed past him through the narrow entrance and waded knee deep through icy water to the other end of the cave where, on a projecting rock, I saw a glowing red crystal. I grasped the stone, lifted it, and discovered a hollow underneath. At first I could make out nothing, but then I saw that there was running water. In it a corpse floated by, a youth with blond hair and a wound in the head. He was followed by a gigantic black scarab and then by a red, newborn sun, rising up out of the depths of the water. Dazzled by the light, I wanted to replace the stone upon the opening, but then a fluid welled out. It was blood. A thick jet of it leaped up, and I felt nauseated. It seemed to me that the blood continued to spurt for an unendurably long time. At last it ceased, and the vision came to an end.
I was stunned by this vision. I realized, of course, that it was a hero and solar myth, a drama of death and renewal, the rebirth symbolized by the Egyptian scarab. At the end, the dawn of the new day should have followed, but instead came that intolerable outpouring of blood – an altogether abnormal phenomenon, so it seemed to me. But then I recalled the vision of blood that I had had in the autumn of that same year, and I abandoned all further attempt to understand.
Six days later (18th December, 1913), I had the following dream. I was with an unknown, brown-skinned man, a savage, in a lonely, rocky mountain landscape. It was before dawn; the eastern sky was already bright, and the stars fading. Then I heard Siegfried’s horn sounding over the mountains and I knew that we had to kill him. We were armed with rifles and lay in wait for him on a narrow path over the rocks.
Then Siegfried appeared high up on the crest of the mountain, in the first ray of the rising sun. On a chariot made of the bones of the dead he drove at furious speed down the precipitous slope. When he turned a corner, we shot at him, and he plunged down, struck dead.
Filled with disgust and remorse for having destroyed something so great and beautiful, I turned to flee, impelled by the fear that the murder might be discovered. But a tremendous downfall of rain began, and I knew that it would wipe out all traces of the dead. I had escaped the danger of discovery; life could go on, but an unbearable feeling of guilt remained.
When I awoke from the dream, I turned it over in my mind, but was unable to understand it. I tried therefore to fall asleep again, but a voice within me said, “You must understand the dream, and must do so at once!” The inner urgency mounted until the terrible moment came when the voice said, “If you do not understand the dream, you must shoot yourself!” In the drawer of my night table lay a loaded revolver, and I became frightened. Then I began pondering once again, and suddenly the meaning of the dream dawned on me. “Why, that is the problem that is being played out in the world.” Siegfried, I thought, represents what the Germans want to achieve, heroically to impose their will, have their own way. “Where there is a will there is a way!” I had wanted to do the same. But now that was no longer possible. The dream showed that the attitude embodied by Siegfried, the hero, no longer suited me. Therefore it had to be killed.
After the deed I felt an overpowering compassion, as though I myself had been shot: a sign of my secret identity with Siegfried, as well as of the grief a man feels when he is forced to sacrifice his ideal and his conscious attitudes. This identity and my heroic idealism had to be abandoned, for there are higher things than the ego’s will, and to these one must bow.
These thoughts sufficed for the present, and I fell asleep again.
The small, brown-skinned savage who accompanied me and had actually taken the initiative in the killing was an embodiment of the primitive shadow. The rain showed that the tension between consciousness and the unconscious was being resolved. Although at the time I was not able to understand the meaning of the dream beyond these few hints, new forces were released in me which helped me to carry the experiment with the unconscious to a conclusion.
This dream is typical of dreams occurring in middle life when a change in attitude is demanded. It was about this time (1913) that Jung gave up his position as lecturer (Privatdozent) in the University of Zurich, thus abandoning his academic career. Jung felt that this sacrifice was required of him as surely as the sacrifice of Siegfried was demanded in the dream; but it nevertheless cost him a great deal to make it.
From “Confrontation with the Unconscious” MDR, pp. 185–6/193–4 (#ulink_c88b372a-7c0e-57e3-8c24-6f99b5916405)
In the midst of this period when I was so preoccupied with the images of the unconscious, I came to the decision to withdraw from the university, where I had lectured for eight years as Privatdozent (since 1905). My experience and experiments with the unconscious had brought my intellectual activity to a standstill. After the completion of The Psychology of the Unconscious I found myself utterly incapable of reading a scientific book. This went on for three years. I felt I could no longer keep up with the world of the intellect, nor would I have been able to talk about what really preoccupied me. The material brought to light from the unconscious had, almost literally, struck me dumb. I could neither understand it nor give it form. At the university I was in an exposed position, and felt that in order to go on giving courses there I would first have to find an entirely new and different orientation. It would be unfair to continue teaching young students when my own intellectual situation was nothing but a mass of doubts.
I therefore felt that I was confronted with the choice of either continuing my academic career, whose road lay smooth before me, or following the laws of my inner personality, of a higher reason, and forging ahead with this curious task of mine, this experiment in confrontation with the unconscious. But until it was completed I could not appear before the public.
Consciously, deliberately, then, I abandoned my academic career. For I felt that something great was happening to me, and I put my trust in the thing which I felt to be more important sub specie æternitatis. I knew that it would fill my life, and for the sake of that goal I was ready to take any kind of risk.
Siegfried is one characteristic personification of the archetype of the hero. Hero myths are found all over the world; and, from whatever culture they originate, show striking similarities. The archetype does not correspond to the actual manifestation produced by any particular culture; yet it underlies all manifestations produced by all cultures.
From “Psychological Aspects of the Mother Archetype” CW 9 i, par. 155 (#ulink_b51a4d5a-a838-5588-a355-1830b360565e)
Again and again I encounter the mistaken notion that an archetype is determined in regard to its content, in other words that it is a kind of unconscious idea (if such an expression be admissible). It is necessary to point out once more that archetypes are not determined as regards their content, but only as regards their form and then only to a very limited degree. A primordial image is determined as to its content only when it has become conscious and is therefore filled out with the material of conscious experience. Its form, however, as I have explained elsewhere, might perhaps be compared to the axial system of a crystal, which, as it were, preforms the crystalline structure in the mother liquid, although it has no material existence of its own. This first appears according to the specific way in which the ions and molecules aggregate. The archetype in itself is empty and purely formal, nothing but a facultas praeformandi, a possibility of representation which is given a priori. The representations themselves are not inherited, only the forms, and in that respect they correspond in every way to the instincts, which are also determined in form only. The existence of the instincts can no more be proved than the existence of the archetypes, so long as they do not manifest themselves concretely. With regard to the definiteness of the form, our comparison with the crystal is illuminating inasmuch as the axial system determines only the stereometric structure but not the concrete form of the individual crystal. This may be either large or small, and it may vary endlessly by reason of the different size of its planes or by the growing together of two crystals. The only thing that remains constant is the axial system, or rather, the invariable geometric proportions underlying it. The same is true of the archetype. In principle, it can be named and has an invariable nucleus of meaning – but always only in principle, never as regards its concrete manifestation. In the same way, the specific appearance of the mother-image at any given time cannot be deduced from the mother archetype alone, but depends on innumerable other factors.
(#ulink_6ac2d4a9-b68a-58cc-95d3-1d1ee8ac98bf)As the author subsequently learned, the 1910 edition was actually the second, there having been a first edition in 1903.
(#ulink_fc0a0dba-5186-5d81-a095-4d4eb4793e85)Robert Mayer, Kleinere Schriften und Briefe (Stuttgart, 1893), p. 213 (letter to Wilhelm Griesinger, June 16, 1844).
(#ulink_82375422-9194-53e2-80ed-aaab93c3d628) G. F. Helm, Die Energetik nach ihrer geschichtlichen Entwicklung (Leipzig, 1898), p. 20.
(#ulink_8cc014ab-2d8d-51f6-b0ca-00f3d6ca7a7e) Generally called mana.
(#ulink_f976f5fd-3e94-5a84-b5e8-562b7dc4ebf2)Freud speaks of “archaic vestiges.”
(#ulink_d8e3be53-b373-526a-8ede-730b22f0beee)1957.
(#ulink_d8e3be53-b373-526a-8ede-730b22f0beee) 27th November, 1955.
Part 4. Archetypes: Shadow; Anima; Animus; the Persona; the Old Wise Man (#ulink_abed7e7f-a6e6-5dda-9ab0-5c7cac1bf0ec)
In Jung’s dream about Siegfried (quoted in Part 3 (#ucf70fff8-c6ef-5d79-b39d-faa86e004ea1)), it will be recalled that he was accompanied by a “small, brown-skinned savage” who initiated the killing. This figure, Jung affirms, “was an embodiment of the primitive shadow.”
By shadow I mean the “negative” side of the personality, the sum of all those unpleasant qualities we like to hide, together with the insufficiently developed functions and the contents of the personal unconscious. [CW 7, par. 103n]
The shadow is one example of an “unconscious personality” which possesses a certain measure of autonomy. The shadow might be said to be responsible for those slips of the tongue and other “mistakes” which Freud catalogues in The Psychopathology of Everyday Life; mistakes which reveal feelings and motives which the conscious self disowns. The shadow is also often projected on to others. Examination of those attributes which a man most condemns in other people (greed, intolerance, disregard for others etc.) usually shows that, unacknowledged, he himself possesses them.
The shadow is usually the first archetype to be encountered during analysis. In the dreams of Europeans, the shadow appears as a figure of the same sex as the dreamer; usually as dark-skinned, alien or primitive, as in Jung’s own dream. Jung makes the point that making conscious the repressed tendencies and confessing the less desirable aspects of personality which the shadow portrays does not rid us of them.
From Psychology and Religion, CW 11, pars. 130–4 (#ulink_9cbe66a1-243c-58d2-8df9-9010101e7f7d)
