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"In Search of Lost Time" is widely recognized as the major novel of the twentieth century."–Harold Bloom «At once the last great classic of French epic prose tradition and the towering precursor of the 'nouveau roman'.»–Bengt Holmqvist «Proust so titillates my own desire for expression that I can hardly set out the sentence. Oh if I could write like that!»–Virginia Woolf «The greatest fiction to date.»–W. Somerset Maugham «Proust is the greatest novelist of the 20th century.»–Graham Greene On the surface a traditional «Bildungsroman» describing the narrator's journey of self-discovery, this huge and complex book is also a panoramic and richly comic portrait of France in the author's lifetime, and a profound meditation on the nature of art, love, time, memory and death. But for most readers it is the characters of the novel who loom the largest: Swann and Odette, Monsieur de Charlus, Morel, the Duchesse de Guermantes, Françoise, Saint-Loup and so many others–Giants, as the author calls them, immersed in Time. «In Search of Lost Time» is a novel in seven volumes. The novel began to take shape in 1909. Proust continued to work on it until his final illness in the autumn of 1922 forced him to break off. Proust established the structure early on, but even after volumes were initially finished he kept adding new material, and edited one volume after another for publication. The last three of the seven volumes contain oversights and fragmentary or unpolished passages as they existed in draft form at the death of the author; the publication of these parts was overseen by his brother Robert.

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In Search Of Lost Time. Volumes 1 to 7

In Search of Lost Time (French: À la recherche du temps perdu)—also translated as Remembrance of Things Past—is a novel in seven volumes by Marcel Proust (1871–1922). His most prominent work, it is known both for its length and its theme of involuntary memory, the most famous example being the «episode of the madeleine.» It gained fame in English in translations by C. K. Scott Moncrieff and Terence Kilmartin as Remembrance of Things Past, but the title In Search of Lost Time, a literal rendering of the French, has gained usage since D. J. Enright adopted it for his revised translation published in 1992.
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The novel began to take shape in 1909. Proust continued to work on it until his final illness in the autumn of 1922 forced him to break off. Proust established the structure early on, but even after volumes were initially finished he kept adding new material and edited one volume after another for publication. The last three of the seven volumes contain oversights and fragmentary or unpolished passages as they existed in draft form at the death of the author; the publication of these parts was overseen by his brother Robert.
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The work was published in France between 1913 and 1927. Proust paid for the publication of the first volume (by the Grasset publishing house) after it had been turned down by leading editors who had been offered the manuscript in longhand. Many of its ideas, motifs, and scenes are foreshadowed in Proust&apos;s unfinished novel, Jean Santeuil (1896–99), though the perspective and treatment there are different, and in his unfinished hybrid of philosophical essay and story, Contre Sainte-Beuve (1908–09). The novel had great influence on twentieth-century literature; some writers have sought to emulate it, others to parody it. In the centenary year of Du côté de chez Swann, Edmund White pronounced A la recherche du temps perdu «the most respected novel of the twentieth century.»[1]

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SWANN'S WAY

A charming, funny, poignant collection of twenty-three letters from Marcel Proust to his upstairs neighbour102 Boulevard Haussmann, an elegant address in Paris’s eighth arrondissement.Upstairs lives Madame Williams, with her second husband and her harp. Downstairs lives Marcel Proust, trying to write In Search of Lost Time, but all too often distracted by the noise from upstairs.Written by Proust to Madame Williams between the years 1909 and 1919, this precious discovery of letters reveals the comings and goings of a Paris building, as seen through Proust’s eyes. You’ll read of the effort required to live peacefully with annoying neighbours; of the sadness of losing friends in the war; of concerts and music and writing; and, above all, of a growing, touching friendship between two lonely souls.‘Delightful. Big news for Proustians’ Daily Telegraph‘If you have suffered from noisy neighbours, you will sympathize with Marcel Proust’ Times Literary Supplement‘A haunting portrait of a friendship between two people who lived within earshot of one another, separated only by a few inches of plaster and floorboard, but who scarcely ever met’ New Statesman

Letters to the Lady Upstairs

Okuma Üzerine, Marcel Proust’un birey ile kitap arasındaki ilişkiyi ve özgün psikolojik edim olarak okumayı irdelediği, bu edimin kaynaklarına yaptığı yolculuğu içeren bir anlatı.

Büyük bir yazarın kitapla kurulan ilişki üstüne derin düşünme denemesi.

Aynı zamanda Proust’un kütüphanesinde bir yol haritası olan Okuma Üzerine. Bizim şimdi durduğumuz yeri de aydınlatıyor.

“Hiç kuşkusuz, dostluk, bireyler arasındaki dostluk hava cıvadır ve okuma bir dostluk biçimidir. Ama en azından dostluğun samimi bir biçimibir vb bir ölüye, olmayan birine yönelik olması ona çıkarsız, neredeyse dokunaklı bir hava verir. Dahası o, öteki bütün dostluk biçimlerini çirkinleştiren her şeyden bağımsız bir dostluktur.”
Marcel Proust