She might have added "un homme très-digne." For if we have a fault to find with Maxime, it is that he seems just possibly a thought too "digne." But that is a fault common to so many men in fiction. French novelists, like English lady novelists, are terribly apt to make their men too "digne" – when they don't make them too unspeakably indigne. Maxime, however, we mustn't forget, is his own portraitist, and we'll hope in this detail the portrait errs. For the rest, we are content to accept it as he paints it. He is a poor young man, but he is also a fairy prince. Therefore he can vaunt himself as an ordinary poor young man could hardly do with taste. He can perform and narrate his prodigies of skill and valour without offending. He can rescue an enormous Newfoundland dog from a raging torrent, for example, with the greatest ease in the world, an exploit you or I might have found ticklish, and he can tell us of it afterward, a proceeding you or I might have shrunk from as vainglorious. For Maxime is a fairy prince; the dog belongs to the fairy princess; and the bad prince, the rival, who is standing by, doesn't know how to swim. Again, with splendid indifference, he can accomplish and record his leap from the Tour d' Elven to save the fairy princess from a situation that might, in Fairyland, have compromised her; hadn't the princess unjustly impugned his honour, and insinuated that the situation was one he had deliberately brought to pass? "Monsieur le Marquis de Champcey, y a t-il eu beaucoup de lâches dans votre famille avant vous?" superbly demands Marguerite; and we can see her kindling eye, the scornful curl of her lip, we can hear the disdainful tremor of her voice. Maxime would be a poor-spirited poor young man, indeed, if, after that, he should hesitate to jump. And he has his immediate compensation. "Maxime! Maxime!" cries the haughty princess, now all remorse, "par grâce, par pitié! au nom du bon Dieu, parlez-moi! pardonnez-moi!" So that, though the prince goes away with a broken arm, the lover carries exultancy in his heart.
Is Maxime perhaps just a thought too "digne," also, in his relations with his little sister – when he visits her at school, for instance, and promises to convey the bread she cannot eat to some deserving beggar? At the moment he is the most deserving beggar he chances to know of, but he is resolved to keep his beggary a secret from Hélène. "Cher Maxime," says she, "a bientôt, n'est-ce pas? Tu me diras si tu as rencontré un pauvre, si tu lui as donné mon pain, et s'il l'a trouvé bon." And Maxime, in his journal: "Oui, Hélène, j'ai rencontré un pauvre, et je lui ai donné ton pain, qu'il a emporté comme une proie dans sa mansarde solitaire, et il l'a trouvé bon; mais c'était un pauvre sans courage, car il a pleuré en devorant l'aumône de tes petites mains bien-aimeés. Je te dirai tout celà, Hélène, car il est bon que tu saches qu'il y a sur la terre des souffrances plus sérieuses que tes souffrances d'enfant: je te dirai tout, excepté le nom du pauvre." It certainly is "digne," isn't it? Is it a trifle too much so? Isn't it a trifle priggish, a trifle preachy? Is it within the limits of pure pathos? Or does it just cross the line? I don't know.
I am rather inclined to think that Maxime is at his best – at once most human and most fairy princelike – in his relations with the pre-eminently human fairy Porhoët. He is entirely human, and weak, and nice, when he blurts out to her the secret of his high birth. Hadn't she just been boasting of her own, and invidiously citing Monsieur l'intendant as a typical plebeian? "En ce qui me concerne, mademoiselle," he has the human weakness to retort, "vous vous trompez, car ma famille a eu l'honneur d'être alliée à la vôtre, et réciproquement." He remains human and weak throughout the somewhat embarrassing explanations that are bound to follow; and if, in their subsequent proceedings, after she has adopted him as "mon cousin," he will still from time to time become a trifle priggish and a trifle preachy, we must remember that mortal man, in the hands of a French novelist, has to choose between that and a career of profligacy.
It is by his Roman d'un Jeune Homme Pauvrethat Feuillet is most widely known outside of France; it is by this book that he will "live," if he is to live. Certainly it is his freshest, his sincerest, his most consistently agreeable book.
HENRY HARLAND.
BIOGRAPHICAL NOTE
Octave Feuillet was born at Saint-Lô, in the department of the Manche, on the 11th of August, 1821. His father, who belonged to one of the oldest Norman families, was secretary-general to the prefect, and a little later, in the revolution of 1830, played a prominent part in politics. A hereditary nervousness, amounting finally to a disease, alone prevented him, according to Guizot, from being given a portfolio in the new ministry. Octave inherited his father's excessive sensibility, although in later years he held it more under control. After the death of his mother, which occurred as he was developing in boyhood, he became so melancholy that, at the advice of the physicians, he was sent to a school in Paris, where his health gradually became re-established; afterward, at the Collège de Louis-le-Grand, he greatly distinguished himself as a scholar. It was his father's design to prepare him for the diplomatic career, but already the desire to write had awakened itself in him. When the moment came for choosing a profession, Octave timidly confessed his determination to make literature his business in life; the irascible old gentleman at Saint-Lô turned him out of the house, and cut off his allowance. He returned to Paris, and for three years had a hard struggle with poverty. During this time, under the encouragement of the great actor Bocage, Octave Feuillet brought out three dramas, "Échec et Mat," "Palma," and "La Vieillesse de Richelieu," under the pseudonym of "Désiré Hazard." These were successful, and the playwright's father forgave and welcomed him back to his favour. Octave remained in Paris, actively engaged in literary work, mainly dramatic, but gradually in the line of prose fiction also. In 1846 he published his novel of "Polichinelle," followed in 1848 by "Onesta," in 1849 by "Redemption" and in 1850 by "Bellah." None of these are remembered among Octave Feuillet's best works, but he was gaining skill and care in composition. In 1850, however, he was suddenly summoned home to Saint-Lô by the increased melancholy of his father, who could no longer safely be left alone in the gloomy ancestral mansion which he refused to leave. Octave, with resignation, determined to sacrifice his life to the care of his father, and in this piety he was supported by his charming cousin, Valérie Feuillet, a very accomplished and devoted woman, whom he married in 1851. For eight years they shared this painful exile, the father of Octave scarcely permitting them to leave his sight, and refusing every other species of society. Strangely enough, this imprisonment was not unfavourable to the novelist's genius; the books he wrote during this period – "Dalila," "La Petite Comtesse" (1856), "Le Village," and finally "Le Roman d'un Jeune Homme Pauvre" (1858) – being not only far superior to what he had previously published, but among the very finest of all his works. By a grim coincidence, on almost the only occasion on which Octave Feuillet ventured to absent himself for a day or two, to be present at the performance of his "Roman d'un Jeune Homme Pauvre," when it was dramatized in 1858, the father suddenly died while the son was in Paris. This was a great shock to Feuillet, who bitterly and unjustly condemned himself. He was now, however, free, and, with his wife and children, he returned to Paris. He was now very successful, and soon became a figure at Compiègne and in the great world. In 1862 he published "Sibylle," and was elected a member of the French Academy. A great favourite of the Emperor and Empress, he was tempted to combine the social life at Court with the labours of literature. His health began to suffer from the strain, and, to recover, he retired again to Saint-Lô, where he lived, not in the home of his ancestors, but in a little house above the ramparts, called Les Paillers; for the future he spent only the winter months in Paris. His novels became fewer, but not less carefully prepared; he enjoyed a veritable triumph with "Monsieur de Camors" in 1867. Next year he was appointed Royal Librarian at Fontainbleu, an office which he held till the fall of the Empire. He then retired to Les Paillers again, where he had written "Julia de Trécoeur" in 1867. The end of his life was troubled by domestic bereavement and loss of health; he hurried restlessly from place to place, a prey to constant nervous agitation. His later writings were numerous, but had not the vitality of those previously mentioned. Octave Feuillet died in Paris, December 28, 1890, and was succeeded at the French Academy by Pierre Loti. Octave was the type of a sensitive, somewhat melancholy fine gentleman; he was very elegant in manners, reserved and ceremonious in society, where he held himself somewhat remote in the radiance of his delicate wit; but within the bosom of his family he was tenderly and almost pathetically demonstrative. The least criticism was torture to him, and it is said that when his comedy of "La Belle au Bois Dormant" was hissed off the boards of the Vaudeville in 1865, for three weeks afterward the life of Feuillet was in danger. Fortunately, however, for a "fiery particle" so sensitive, the greater part of his career was one continuous triumph.
E.G.THE ROMANCE OF A POOR YOUNG MAN
Sursum corda!PARIS, April 25, 185-.The second evening I have passed in this miserable room, staring gloomily at the bare hearth, hearing the dull monotone of the street, and feeling more lonely, more forsaken, and nearer to despair in the heart of this great city than a ship-wrecked man shivering on a broken plank in mid-ocean.
I have done with cowardice. I will look my destiny in the face till it loses its spectral air. I will open my sorrowful heart to the one confidant whose pity will not hurt, to that pale last friend who looks back at me from the glass. I will write down my thoughts and my life, not in trivial and childish detail, but without serious omissions, and above all without lies. I shall love my journal; it will be a brotherly echo to cheat my loneliness, and at the same time a second conscience warning me not to allow anything to enter into my life which I dare not write down calmly with my own hand.
Now, with sad eagerness I search the past for the facts and incidents which should have long since enlightened me, had not filial respect, habit, and the indifference of a happy idler blinded me. I understand now my mother's deep and constant melancholy; I understand her distaste for society, and why she wore that plain, unvaried dress which sometimes called forth sarcasms, sometimes wrath from my father. – "You look like a servant," he would say to her.
I could not but be conscious that our family life was broken by more serious quarrels, though I was never an actual witness of them. All I heard were my father's sharp and imperious tones, the murmur of a pleading voice, and stifled sobs. These outbursts I attributed to my father's violent and fruitless attempts to revive in my mother the taste for the elegant and brilliant life which she had once enjoyed as much as becomes a virtuous woman, but into which she now accompanied my father with a repugnance that grew stronger every day. After such crises, my father nearly always ran off to buy some costly trinket which my mother found in her table-napkin at dinner, and never wore. One day in the middle of winter she received a large box of rare flowers from Paris; she thanked my father warmly, but directly he had left the room, I saw her slightly raise her shoulders and look up to heaven with an expression of hopeless despair.
During my childhood and early youth I had a great respect for my father, but not much affection. Indeed, throughout this period I saw only the sombre side of his character – the one side that showed itself in domestic life, for which he was not fitted. Later, when I was old enough to go out with him, I was surprised and charmed to find in him a person perfectly new to me. It seemed as if, in our old family house, he felt himself constrained by some fatal spell; once beyond its doors, his forehead cleared, his chest expanded, and he was young again. "Now, Maxime," he would cry, "now for a gallop!" And joyously we would rush along. His shouts of youthful pleasure, his enthusiasm, his fantastic wit, his bursts of feeling, charmed my young heart, and I longed to bring something of all this back to my poor mother, forgotten in her corner at home. I began to love my father; and when I saw all the sympathetic qualities of his brilliant nature displayed in all the functions of social life – at hunts and races, balls and dinners – my fondness for him became an actual admiration. A perfect horseman, a dazzling talker, a bold gambler, daring and open-handed, he became for me the finished type of manly grace and chivalrous nobility. Indeed, he would speak of himself – smiling with some bitterness – as the last of the gentlemen.
Such was my father in society; but as soon as he returned to his home my mother and I saw only a restless, morose, and violent old man.
My father's outbursts to a creature so sweet and delicate as my mother would certainly have revolted me had they not been followed by the quick returns of tenderness and the redoubled attentions I have mentioned. Justified in my eyes by these proofs of penitence, my father seemed to be only a naturally kind, warm-hearted man sometimes irritated beyond endurance by an obstinate and systematic opposition to all his tastes and preferences. I thought my mother was suffering from some nervous derangement. My father gave me to understand so, though, and as I thought very properly, he only referred to this subject with great reserve.
I could not understand what were my mother's feelings towards my father; they were – for me – beyond analysis or definition. Sometimes a strange severity glittered in the looks she fixed on him; but it was only a flash, and the next moment her beautiful soft eyes and her unchanged face showed nothing but tender devotion and passionate submission.
My mother had been married at fifteen, and I was nearly twenty-two when my sister, my poor Hélène, was born. One morning soon afterwards my father came out of my mother's room looking anxious. He signed to me to follow him into the garden.
"Maxime," he said, after walking in silence for a little, "your mother gets stranger and stranger."
"She is so ill just now, father."
"Yes, of course. But now she has the oddest fancy: she wants you to study law."
"Law! What! Does my mother want me, at my age, with my birth and position, to sit among school-boys on the forms of a college classroom? It is absurd."
"So I think," said my father dryly, "but your mother is ill, and – there's no more to be said."
I was a young puppy then, puffed up by my name, my importance, and my little drawing-room successes; but I was sound at heart, and I worshipped my mother, with whom I had lived for twenty years in the closest intimacy possible between two human souls. I hastened to assure her of my obedience; she thanked me with a sad smile and made me kiss my sister who was sleeping on her lap.
We lived about a mile and a half from Grenoble, so I could attend the law classes at the university without leaving home. Day by day my mother followed my progress with such intense and persistent interest that I could not help thinking that she had some stronger motive than the fancy of an invalid; that perhaps my father's hatred and contempt for the practical and tedious side of life might have brought about a certain embarrassment in our affairs which, my mother thought, a knowledge of law and a business training would enable me to put right. This explanation did not satisfy me. No doubt my father had often complained bitterly of our losses during the Revolution, but his complaints had long ceased, and I had never thought them well-founded, because, as far as I could see, our position was in every way satisfactory.
We lived near Grenoble in our hereditary château, which was famous in our country as an aristocratic and lordly dwelling. My father and I have often shot or hunted for a whole day without going off our own land or out of our own woods. Our stables were vast, and filled with expensive horses of which my father was very fond and very proud. Besides, we had a town-house in Paris on the Boulevard des Capucines, where comfortable quarters were always reserved for occasional visits. And nothing in our ordinary way of living could suggest either a small income or close management. Even as regards the table, my father insisted upon a particular degree of delicacy and refinement.
My mother's health declined almost imperceptibly. In time there came an alteration in her disposition. The mouth which, at all events in my presence, had spoken only kind words, grew bitter and aggressive. Every step I took beyond the house provoked a sarcasm. My father was not spared, and bore these attacks with a patience that seemed to me exemplary, but he got more and more into the habit of living away from home. He told me that he must have distraction and amusement. He always wanted me to go with him, and my love of pleasure, and the eagerness of youth, and, to speak truly, my lack of moral courage, made me obey him too readily.
In September, 185-, there were some races near the château, and several of my father's horses were to run. We started early and lunched on the course. About the middle of the day, as I was riding by the course watching the fortunes of a race, one of our men came up and said he had been looking for me for more than half an hour. He added that my father had already been sent for and had gone back to my mother at the château, and that he wanted me to follow him at once.
"But what in Heaven's name is the matter?"
"I think madame is worse," said the servant.
I set off like a madman.
When I reached home my sister was playing on the lawn in the middle of the great, silent courtyard. As I dismounted, she ran up to embrace me, and said, with an air of importance and mystery that was almost joyful:
"The curé has come."
I did not, however, perceive any unusual animation in the house, nor any signs of disorder or alarm. I went rapidly up the staircase, and had passed through the boudoir which communicated with my mother's room, when the door opened softly, and my father appeared. I stopped in front of him; he was very pale, and his lips were trembling.
"Maxime," he said, without looking at me, "your mother is asking for you."
I wished to question him, but he checked me with a gesture, and walked hurriedly towards a window, as if to look out. I entered. My mother lay half-reclining in an easy-chair, one of her arms hanging limply over the side. Again I saw on her face, now as white as wax, the exquisite sweetness and delicate grace which lately had been driven away by suffering. Already the Angel of Eternal Rest was casting the shadow of his wing over that peaceful brow. I fell upon my knees; she half-opened her eyes, raised her drooping head with an effort, and enveloped me in a long, loving look. Then, in a voice which was scarcely more than a broken sigh, she slowly spoke these words:
"Poor child! … I am worn out, you see! Do not weep. You have deserted me a little lately, but I have been so trying. We shall meet again, Maxime, and we shall understand one another, my son. I can't say any more… Remind your father of his promise to me… And you, Maxime, be strong in the battle of life, and forgive the weak."
She seemed to be exhausted, and stopped for a moment. Then, raising a finger with difficulty, and looking at me fixedly, she said: "Your sister!"
Her livid eyelids closed; then suddenly she opened them, and threw out her arms with a rigid and sinister gesture. I uttered a cry; my father came quickly, and, with heartrending sobs, pressed the poor martyr's body to his bosom.
Some weeks later, at the formal request of my father, who said that he was obeying the last wishes of her whom we mourned, I left France, and began that wandering life which I have led nearly up to this day. During a year's absence my heart, becoming more affectionate as the selfish frenzy of youth burnt out, urged me to return and renew my life at its source, between my mother's tomb and my sister's cradle. But my father had fixed the duration of my travels, and he had not brought me up to treat his wishes lightly. He wrote to me affectionately, though briefly, showing no desire to hasten my return. So I was the more alarmed when I arrived at Marseilles, two months ago, and found several letters from him, all feverishly begging me to return at once.
It was on a sombre February evening, that I saw once more the massive walls of our ancient house standing out against the light veil of snow that lay upon the country. A sharp north wind blew in icy gusts; flakes of frozen sleet dropped like dead leaves from the trees of the avenue, and struck the wet soil with a faint and plaintive sound. As I entered the court a shadow, which I took to be my father's, fell upon a window of the large drawing-room on the ground floor – a room which had not been used during my mother's last days. I hurried on, and my father, seeing me, gave a hoarse cry, then opened his arms to me, and I felt his heart beating wildly against my own.
"Thou art frozen, my poor child," he said, much against his habit, for he seldom addressed me in the second person. "Warm thyself, warm thyself. This is a cold room, but I prefer it now; at least one can breathe here."
"Are you well, father?"
"Pretty well, as you see."
Leaving me by the fireplace, he resumed his walk across the vast salon, dimly lighted by two or three candles. I seemed to have interrupt this walk of his. This strange welcome alarmed me. I looked at my father in dull surprise.
"Have you seen my horses?" he said suddenly, without stopping.
"But, father – "
"Ah, yes, of course, you've only just come." After a silence he continued. "Maxime," he said, "I have something to tell you."
"I'm listening, father."
He did not seem to hear me, but walked about a little, and kept on repeating, "I have something to tell you, my son." At last he sighed deeply, passed his hand across his forehead, and sitting down suddenly, signed to me to take a seat opposite to him. Then, as if he wanted to speak and had not the courage to do so, his eyes rested on mine, and I read in them an expression of suffering, humility, and supplication that in a man so proud as my father touched me deeply. Whatever the faults he found it so hard to confess, I felt from the bottom of my heart that he was fully pardoned.
Suddenly his eyes, which had never left mine, were fixed in an astonished stare, vague and terrible. His hand stiffened on my arm; he raised himself in his chair, then drooped, and in an instant fell heavily on the floor. He was dead.
The heart does not reason or calculate. That is its glory. In a moment I had divined everything. One minute had been enough to show me all at once, and without a word of explanation – in a burst of irresistible light, the fatal truth which a thousand things daily repeated under my eyes had never made me suspect. Ruin was here, in this house, over my head. Yet I do not think that I should have mourned my father more sincerely or more bitterly if he had left me loaded with benefits. With my regret and my deep sorrow there was mingled a pity, strangely poignant in that it was the pity of a son for his father. That beseeching, humbled, hopeless look haunted me. Bitterly I regretted that I had not been able to speak a word of consolation to that heart before it broke! Wildly I called to him who could no longer hear me, "I forgive you, I forgive you." My God, what moments were these! As far as I have been able to guess, my mother, when she was dying, had made my father promise to sell the greater part of his property; to pay off the whole of the enormous debt he had incurred by spending every year a third more than his income, and to live solely and strictly on what he had left. My father had tried to keep to this engagement; he had sold the timber and part of the estate, but finding himself master of a considerable capital, he had applied only a small portion of it to the discharge of his debts, and had attempted to restore our fortunes by staking the remainder in the hateful chances of the Stock Exchange. He had thus completed his ruin. I have not yet sounded the depths of the abyss in which we are engulfed. A week after my father's death I was taken seriously ill, and after two months of suffering I was only just able to leave my ancient home on the day that a stranger took possession of it. Fortunately an old friend of my mother's, who lives at Paris, and who formerly acted as notary to our family, has come to my help. He has offered to undertake the work of liquidation which to my inexperienced judgment seemed beset with unconquerable difficulties. I left the whole business to him, and I presume that now his work is completed. I went to his house directly I arrived yesterday; he was in the country, and will not return till to-morrow.