The Revolt of the Angels

She examined the stranger with an eye which, piercing the gloom, was anxiously surveying a vague but by no means negligible indication, and asked:

"Monsieur, is it quite certain that you are an angel?"

The apparition prayed her to have no doubt about it, and gave some precise information as to his origin.

"There are three hierarchies of celestial spirits, each composed of nine choirs; the first comprises the Seraphim, Cherubim, and the Thrones; the second, the Dominations, the Virtues, and the Powers; the third, the Principalities, the Archangels, and the Angels properly so called. I belong to the ninth choir of the third hierarchy."

Madame des Aubels, who had her reasons for doubting this, expressed at least one:

"You have no wings."

"Why should I, Madame? Am I bound to resemble the angels on your holy-water stoups? Those feathery oars that beat the waves of the air in rhythmic cadences are not always worn by the heavenly messengers on their shoulders. Cherubim may be apterous. That all too beautiful angelic pair who spent an anxious night in the house of Lot compassed about by an Oriental horde – they had no wings! No, they appeared just like men, and the dust of the road covered their feet, which the patriarch washed with pious hand. I would beg you to observe, Madame, that according to the Science of Organic Metamorphosis created by Lamarck and Darwin, the wings of birds have been successively transformed into fore-feet in the case of quadrupeds and into arms in the case of the Linnæan primates. And you may remember, Maurice, that by a rather annoying reversion to type, Miss Kate, your English nurse, who used to be so fond of giving you a whipping, had arms very like the pinions of a plucked fowl. One may say, then, that a being possessing both arms and wings is a monster and belongs to the department of Teratology. In Paradise we have Cherubim and Kerûbs in the shape of winged bulls, but those are the clumsy inventions of an inartistic god. It is nevertheless true, quite true, that the Victories of the Temple of Athena Nike on the Athenian Acropolis are beautiful, and possess both arms and wings; it is also true that the Victory of Brescia is beautiful, with her outstretched arms and her long wings folded on her mighty loins. It is one of the miracles of Greek genius to have known how to create harmonious monsters. The Greeks never err. The Moderns always."