Tales of the birds
“Oh, that was a beauty!” he said: “Oh, that was a tickler for you, Bill!”
“Thou beest a beast,” was Bill’s reply. He didn’t mean a pun, but perhaps there was a pleasant emphasis in the doubled syllable. “Thou beest a beast, thou beest.”
“What’s that?” said the swinger on the gate suddenly jumping down. “What am I? I’ll teach you – ” But Bill did not stop to hear what he was to be taught. He took to his heels again and ran like a deer. But the vicar’s son was more than a match for awkward Bill at running, and in less than a hundred yards he collared him and had him down in a twinkling on the snow in the deserted street.
“I’ll teach you to call me names, you young cad.” And he began his lesson by scientifically “bagging” Bill’s wind.
“Doan’t thee pummel I, doan’t thee now,” said panting Bill. “I’ll gi’ thee a bird I’se got in my pocket, if thee woan’t pummel I no more.”
“Where’s the bird? Get up and show it me directly, you young lubber,” said his conqueror, keeping a fast hold of his prisoner’s collar, the better to secure the execution of the bargain. Bill sulkily obeyed, and produced Feltie from his pocket. But the jolting and banging produced by Bill’s headlong flight in his heavy hob-nailed boots had been too much for Feltie; he still breathed, but his eyes were shut and he was in fact quite unconscious of what was going on. The vicar’s boy let go Bill’s collar, and taking Feltie in both hands, began to walk back to the vicarage gate.
In two minutes he and Feltie were in the snug warm drawing-room of the vicarage, where his mother and three sisters were sitting by the fire at work.
“My dear George,” said the mother from her armchair as the boy came in, “how can you go out a day like this without a greatcoat? And what in the world have you got there?”
“Don’t be frightened, mother,” said George, as he sat down on the hearthrug to thaw; “it’s only a fieldfare.”
“What is a fieldfare, George?” asked his youngest sister.
“First of all, Miss Minnie,” answered George, “a fieldfare is a bird; secondly, it’s a kind of thrush; thirdly, it only comes here in winter; fourthly, it eats berries; and fifthly, if you don’t go and get some brandy quickly, this one will die, for it’s all skin and bone, and hasn’t had the ghost of a berry inside it this last week, I should say.”
“Brandy, George! Who ever heard of a bird drinking brandy!”
“Now do you ladies want to save this bird’s life, or do you not?” said Master George impatiently. “Because if you do, Minnie will go and shut up the cat and dog, and Edith go and get some drops of brandy, and Katie will get me a quill pen to pour the brandy down his throat with, and mother – ”
“And mother will take care of the bird until George has changed his jacket, for he’s dripping on to the hearthrug like old Father Christmas,” said the mother, and quietly took Feltie out of his hand into her lap, where she began to stroke him gently. “Now, George, make haste, or he’ll die before you’re down again.”
They all ran off on their several commissions, and when George came down again, still putting on his jacket in his hurry, they were all assembled round the mother, who had Feltie on a napkin in her lap, and was cutting a quill pen into a proper shape for giving him the first and last medicine he ever had in his life. George held the bird’s beak open, while she deftly contrived to slip a single drop of brandy in half a teaspoonful of water down his throat; in five minutes she gave him another dose, and then another; and now Feltie’s eyes opened wide, and his feathers began to quiver slightly all over him.
“Now, mother, put your two hands over him, and keep him quite warm for a bit. He’ll do, I expect,” said George.
It was a bold experiment to give a bird brandy-and-water, but on this occasion it answered its purpose. In another hour or two Feltie was able to eat a few shreds of meat, which were given him at the suggestion of the vicar, who had now come in, and was taking much interest in his recovery. Then he wanted to go to sleep, but the bright light of the room made him feel very uncomfortable, and the loud human voices sounded harsh and strange in his ears. There was much discussion as to where he should be put for the night; but the vicar decided that he should sleep in the conservatory, which was warmed with hot water. So they carried him there in procession, and left him in a warm corner on a heap of the gardener’s matting, with plenty of scraps of meat and crumbs, and a saucer of water if he should be thirsty in the night. So Feltie fell fast asleep, and dreamt of poor Cocktail all alone and frozen under the gorse on Salisbury plain; and George too fell fast asleep in his snug bed, and dreamt that a whole flock of fieldfares were come to the vicarage, asking for brandy-and-water to be given them with a quill pen.
Next morning George was down betimes, half dressed, and in a state of great excitement, to see how his fieldfare was getting on. But Feltie was awake still earlier, and had already taken his breakfast when George opened the conservatory door. He felt quite strong again, and with his strength had returned all his dread of human beings. So no sooner was the boy inside the door, than he began to flutter among the plants, and then flew up to the glass roof and tried to struggle through it. Then he came down again, and smelling the fresh air coming through the door, was attracted in that direction, and in another minute was free. Off went George after him – over the garden wall, where he dropped a slipper, for he had not had time to put on his boots; across the road, through the hedge, which tore his trousers and scratched his face; over the orchard, and up into the stubble-field beyond, where a shepherd who was tending the new-born lambs that had been dropped in spite of the snowstorm, was much astonished to see the vicar’s son tearing along without a hat, without his boots, and with his usually neat collar flying behind him secured by only a single button. But still Feltie went on, and George, seeing that he was able to shift for himself, gave up the pursuit, and consoled himself by a talk with the shepherd about the young lambs and their mothers, before he went home to dress and tell his tale.
Meanwhile Feltie had perched on a hedge some distance away, and began to look about him. “What was this he felt? Surely it was not so cold, and the wind was blowing gently from the south-west. Was not the snow melting?” (Master George’s right foot had found that out as soon as he got over the garden-wall.) “Was not it beginning to rain?”
“Chak-chak! Chak-chak!” cried Feltie, suddenly finding his voice: “the storm is over, the fields will be soft again, the worms will come to the surface, and perhaps the sun will shine again soon! Chak-chak!”
His voice was answered feebly from a distance. Then over a hedge came half-a-dozen fieldfares, flying weakly, as he had done the day before. He joined them, and they gave him welcome, and told him how they too had gone southwards, a brave band of fifteen, of whom only six were now alive; how they had gone on and on till they had reached a stormy sea which they were too weak to cross; and how they had turned back again in despair, and were now returning northwards.
Feltie told them his story too; and then the seven set out on their journey; and in the afternoon the sun shone warmly out of the rainy clouds, the lark rose in the air and sang, the robins sat on moist twigs and cheered them with a strain as they passed; the streams rose, full of melting snow, and rushed over their banks into the meadows, moistening them and making them soft and pleasant to the searching bills of hungry birds: the air was soft, wet, and delicious, and in the fields they heard the bleating of the young lambs, and the calls of neighbouring parties of fieldfares and redwings.
At last when they neared the familiar spot which Feltie had left but a few days before, he bade farewell to his fellow-travellers and turned with a beating heart in the direction of the well-known elm-trees, standing in the flat meadows where the stream wound here and there under its brambly archway.
His loud “chak-chak” was answered: there were some old friends there still. There was Jill: and there too was Jack: they had saved their lives, then, by staying in the friendly park among the thorn-trees. But that terrible storm had done its work upon the little company: more than half were still missing, and Feltie himself was almost the last straggler to arrive. Many an adventure had to be narrated, and many a story of struggle for life and death; but there was none so thrilling as the winter’s tale that Feltie had to tell, and no loss so sadly to be bewailed as the death of the brilliant Cocktail in the gorse on the dreary frozen down.
OUT OF TUNE
“Spirits are not finely touchedBut to fine issues.”In a certain manufacturing town, of no great size, there lived a musician. For the most part he gained his living by playing at concerts and giving lessons; but he was young, ardent, and clever, and he had always nursed a hope that he might one day be a great composer. He felt a soul of music within him, that wanted to come out and express itself. But, though he had had a complete training in composition, and had written much music and published a little, no one took any notice of what he composed; it was too good to sell well (so he used to say, and perhaps it was true), and he had never had a chance of having any of his larger works performed in public. And he began to get rather irritable and impatient, so that his wife was sometimes at her wits’ end to know how to cheer him up and set him to work once more with a good heart.
Great was the poor man’s delight when one day a letter arrived from the town clerk, to tell him that on the approaching visit of the Prince of Wales to open the new Town Hall, a grand concert was to be given, in which works by natives of the town were to be performed; and that he was invited to write a short cantata for voices and orchestra. A liberal sum was to be paid him, and he was to train his own choir, to have the best artists from London to help him, and to conduct his composition himself. The news put him in such a state of high spirits that now the prudent wife was obliged to pour a little cold water on his ambition, and tell him that he must not expect too much success all at once. But she made him comfortable in their little parlour, and kept the neighbours from breaking in upon his work; and for some time the cantata went on at a flowing pace, until nearly half of it was done.
After a while however the musician’s brain began to rebel against being kept in all day hard at work, and to refuse to keep quiet and rest in soothing sleep at night. It said as plainly as possible – “If you will go on driving me in harness all day long, I shall be obliged to fidget at night, and what is more, it is quite impossible for me to do such good work in the day as I used to. So take your choice: either you must give me repose sometimes, or I must cease to be able to find you beautiful melodies, and to show you how to treat them to the best advantage.” But the musician did not know that his brain was complaining in this way, though his wife heard it quite well; and he went on driving it harder than ever, whipping it up and spurring it on, though it had hardly any strength left to pull the cantata along with it. And all this time he was shutting himself away from his friends, who used formerly to come often and refresh him with a friendly chat in the evenings; he refused to go with his wife and visit the very poor people whom they had been in the habit of comforting out of their slender store; he lost his temper several times with his pupils, and one day boxed a boy’s ears for playing a wrong note twice over, so that the father threatened to summon him before the magistrates and have him fined for assault; and his wife began at last to fear that his stroke of good luck had done him more harm than good.
One morning he got up after a restless night, in which his poor brain had been complaining as usual without being taken any notice of, and settled himself down in the parlour after breakfast with the cantata, feeling worried and tired both in his body and mind. With great labour and trouble he finished the last chorus of his first part, and uttered a sigh of relief. The next thing to be done was to write the first piece of the second part, which was to be an air for a single voice, and was to be sung at the concert by one of the best singers in the country. All the rest of the cantata had been thought out carefully before he began to write; but this song, for which beautiful words were chosen from an old poet, had never worked itself out in his brain so as to satisfy him. And now the poor brain was called upon for inspiration, just at a time when it was hardly fit even to do clerk’s work.
He tried to spur it up with a pipe of tobacco, but not a bit would it budge. Then he took a dose of sal volatile; but the effect of it only lasted a few minutes, and then he felt even more stupid than before. Then he opened the window and looked out into their little back-garden, just as a gleam of sunshine shot down through a murky sky. This made him feel a little better, and he returned to his desk, and sat for a few moments looking at the words which he was to set to music, feeling almost as if he were now going to make a little way. But the sunshine had also made the canary in the window feel a little warm-hearted, and it burst out into such a career of song, that the room seemed to be echoing all over with its strains. And all his own music fled at once out of the distracted composer’s head.
“You little noisy fiend!” he cried angrily, “putting in your miserable little twopenny pipe, when a poor human artist is struggling to sing. Don’t you know, you little wretch, that art is long and time is fleeting?”
He jumped up, took down the cage with an ungentle hand, and carried it into another room, where he drew a heavy shawl over it and shut the door. The canary’s song was stifled, but the musician’s song was not a bit the better for it. And after a while there came another annoyance. The house was small and not very solidly built, and though the room where he was at work did not look out on the street, any street-calls, bands, hurdy-gurdys, or such like noise-making enemies, could be heard there quite distinctly. This time it was a street-boy whistling a tune; it was not a bad tune, and it was whistled with a good heart; indeed the boy put so much energy into his performance, that he must have been in very high spirits. And why did he stop there so long? Generally they passed by, and the tails of their tunes disappeared in the distance, or they turned down the next street. But this one was clearly stopping there on purpose to annoy the composer.
He went softly into the front room, keeping out of sight from the window. He was seized with a desire to wreak vengeance on this tormentor, but he was not quite clear how to do it, and must survey his ground first. Stepping behind the window-curtain, he peeped out between the curtain and the window-frame, and saw a small boy, whistling hard, with a long string in his hand, which descended into the area below. The musician stood on tiptoe, and looked down into the area; it was a sort of relief to him to see what this urchin was about. At the end of the string he perceived a dead mouse, which was being made to jump up and down and counterfeit life, as well as was possible under the circumstances, for the benefit of a young cat of the household, who was lying in wait for it, springing on it, and each time finding it drawn away from her just as she thought her claws were fast fixed in it. This boy was in fact an original genius, who had invented this way of amusing himself; he called it cat-fishing, and it was excellent sport.
The musician suddenly flung up the window, and faced the boy, who seemed by no means disconcerted; he only left off whistling and looked hard at the musician.
“What are you doing with the cat?” said the latter, with all the dignity he could put on. “What business have you to meddle with my cat, and make that infernal din in front of my house?”
The boy began slowly to haul up the string, looking all the while steadily at the composer.
“I say, guv’nor,” he said, with a mock show of friendly interest, “do you know as you’ve got a blob of ink at the end o’ your nose?”
The composer was taken aback. He certainly did not know it, but nothing was more likely, considering how he had been pulling his moustache and scratching his head with fingers which, as he glanced at them, showed some traces of ink. He put his hand involuntarily to his nose, and half turned to the glass over the chimney-piece. There was not a stain there: the nose was innocent of ink. Instantly he returned to the window, but the boy was gone; all that was left of him was a distant sound of “There’s nae luck aboot the house” far down the street. The composer went gloomily back to his study, without a particle of music in his brain; the canary and the whistler had driven it all away. He sat down mechanically at his desk, but he might as well have sat down at the kitchen-table and tried to make it play like a piano.
He got up once more, and looked out of the window. The sun was again shining, and the little garden, fenced in between brick walls which caught the sunshine, and enlivened with a few annuals (for it was early summer), did not look altogether uninviting. At the end of it was a little arbour which he had built himself, and a rose tree that he had planted against it was already beginning to blossom. The composer thought he would go and quiet himself down in this little arbour, and try and get his thoughts fixed upon the air he was to write. Out he went, and seated there, began to feel more at ease. After a while he began to think once more of the old poet’s lines; and feeling as if music were coming into his brain again, went and fetched his manuscript and his pen and ink, to be ready in case he should have musical thoughts to write down.
Suddenly there broke in upon his peace the loud, shrill song of a wren. It was close to him, just outside the arbour; and when a wren sings close to you, it pierces your ears like the shrillest whistle ever blown by schoolboy. It was all unconscious of the presence of the composer so close to its nest, which it had built in the branches of the rose-tree that climbed up outside; and it hopped down for a moment on the gravel just in front of the arbour to pick up some fragment of food. The composer’s nerves were quite unstrung by its sudden outburst of self-asserting song; it was an insult to music, to the poet, and to himself. No sooner did the tiny bird appear, as complacent and hearty as all wrens are, than he seized the ink-bottle, and like Luther at Wittemburg, flung it wildly at the little fiend that thus dared to disturb his peace. Of course he missed his aim; of course he broke the ink-bottle and spilt the ink; and alas! when he returned from picking up the bits, a splash from the bottle had fallen in a grand slanting puddle over the neat manuscript of the last page of the chorus which concluded his second part. And as he stood beholding it in dismay, lo! the voice of that irrepressible little wren, as shrill and pert as ever, only a little further off!
If the musician had not quarrelled with his brain, and if the struggle between them had not put his nerves all out of tune – if he had been then the gentle and sweet-tempered artist he generally was – he would have laughed at the idea of such a little pigmy flouting him in this ridiculous way. As it was, he growled under his breath that everything was against him, crushed his hat on his head, took the manuscript into the house and locked it up in a drawer, wrote a hurried note to his wife, who had gone put, to say he had gone for a long walk and would not be back till late, and sallied out of the house where no peace was any longer possible for him.
He walked fast, and was soon out of the town and among the lanes. They were decked with the full bloom of the wild roses, and the meadows were golden with buttercups; but these the composer did not even see. Birds sang everywhere, but he did not hear them. He was just conscious that the sun was shining on him, but his eyes were fixed on the ground, and his mind was so full of his own troubles that there was no room in it for anything nicer to enter there. He was thinking that his song would never be written, for he could not bear to write anything that should be unworthy of those words, or second-rate as music; and it seemed as if his brain would never again yield him any music that he could be satisfied with. “I shall be behindhand,” he thought to himself. “I shall have to write and say I can’t carry out my undertaking; my one chance will be lost, and all my hopes with it. I shall lose my reputation and my pupils, and then there will be nothing left but beggary and a blighted life!” And he worked himself up into such a dreadful state that when he was crossing a river by a bridge, it did actually occur to him whether it would not be as well to jump over the parapet and put an end to his troubles once for all. His mind was so full of himself that for a moment he forgot even his wife and child, and all his friends and well-wishers.
He stood by the parapet for some minutes looking over. The swallows and sand-martins were gliding up and down, backwards and forwards through the bridge, catching their food and talking to themselves. A big trout rose to secure a mayfly from the deep pool below, and sent a circle of wavelets spreading far and wide. A kingfisher flashed under the bridge, all blue and green, and shot away noiselessly up the stream; and then a red cow or two came down to drink, and after drinking stood in the water up to their knees, and looked sublimely cool and comfortable. And the river itself flowed on with a gentle rippling talk in the sunshine, hushing as it entered the deep pool, and passing under the bridge slowly and almost silently – “like an andante passing into an adagio,” said the musician to himself; and he walked on with eyes no longer fixed on the ground, for even this little glimpse of beauty from the bridge had been medicine to the brain, and it wanted more – it wanted to see and to hear more things that were beautiful and healing.
He went on, still gloomy, but his gloom was no longer an angry and sullen one. Through his eyes and ears came sensations that gradually gladdened his heart, and relieved the oppression on his brain: he began to notice the bloom on the hedges and in the fields; and the singing of the larks high in air, though he hardly attended to it, made part of the joyousness of nature which was beginning to steal into his weary being. Presently he came to a little hamlet, hardly more than a cottage or two, but with a little church standing at right angles to the road. The churchyard looked inviting, for rose-bushes were blooming among the graves, and it was shut out from the road by a high wall, so that he would be unobserved there. He walked in and sat down on a tombstone to rest.
He had not been there long, and was beginning to feel calmed and quieted, when there broke out on him from the ivied wall the very same shrill wren’s song that had so wounded his feelings in the morning. It sent a momentary pang through him. There started up before his eyes the broken ink-bottle, the smeared page, the bitter vexation and worry, and the song not even yet begun. But the battle of body and brain was no longer being waged, and as the tiny brown bird sang again and again, and always the same strain, he began to wonder how such cheerful music could ever have so maddened him. It brought to his mind a brilliant bit of Scarlatti, in which a certain lively passage comes up and up again, always the same, like a clear, strong spring of water bubbling up with unflagging energy, and with a never-failing supply of joyousness. And the wren and Scarlatti getting the better of him, he passed out of the churchyard, and actually began to feel that he was hungry.
Just across the road was a thatched cottage, standing in a little garden gay with early summer flowers; beehives stood on each side of the entrance, and a vine hung on the walls. It looked inviting, and the musician stepped over the little stile, and tapped at the door, which was open. A woman of middle age came forward.
“Can you tell me,” said he, “whether there is an inn anywhere near where I could get some bread and cheese?”