Книга Neæra. A Tale of Ancient Rome - читать онлайн бесплатно, автор John Graham. Cтраница 3
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Neæra. A Tale of Ancient Rome
Neæra. A Tale of Ancient Rome
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Neæra. A Tale of Ancient Rome

‘I am – of your insolence, you dog,’ was the rapid and burning answer. ‘A less enduring man would have had your ribs tickled, or your tavern cup flavoured long ere this, most noble Cestus.’

The man palpably changed colour and winced; but if the words of his patron had not the effect of quelling him, they instantly changed his easy impertinence and effrontery into a sullen, dogged front.

‘Come,’ growled he, with a dark, lowering visage, ‘if we get to threatenings, you shall find that two can play at that game. Give me some money and let me go – I must have it, and no more trifling!’

‘Good! If you must have it you must, and I cannot refuse,’ answered the knight, whose humour seemed as suddenly to change, as if in triumph, for he actually allowed a smile to part his lips. ‘I grieve that words of mine should have ruffled you. As I am not in the habit of carrying about with me such an amount of money as you will doubtless consider proper to ask, perhaps you will do me the favour to walk with me as far as my house, dear Cestus?’

Cestus hesitated, and looked doubtingly on the unexpected spectacle of his patron’s politeness. His cunning nature was suspicious.

‘What a changeable man!’ was the bland remark of the other; ‘a minute ago he was demanding his wants, like a robber tearing spoil from a victim. Now when he is asked to walk a short way to receive it, he hangs back.’

‘No tricks, master – or else!’ said Cestus, eyeing him keenly.

‘Tricks! Certainly not. You are very coarse. Come!’

Afer then led the way with the man at his heels, so close indeed that he turned and motioned him to keep at a greater distance. Their course lay through the middle of the Subura, a district which lay in the valley, between the Eastern hills and the Fora. It was one of the most ancient districts of the city, as well as the most densely peopled, and noted for its crowded thoroughfares, its low society, its noise and dirt. Occasionally the traffic would come to a dead-lock, amid much shouting and forcible language, caused, perhaps, by the stoppage of some heavy wain, laden with blocks of building material, hauled along with ropes. Or, again, some great man, in his litter, surrounded by his servants, thought fit to halt, for some purpose, in the narrow ways. His suite would, thereupon, become the nucleus of a squeezing crush of pedestrians, who cast frowning glances at the litter and its occupant. At another place, his greatness, moving along, would meet with a like obstruction, and there would be seen the spectacle of rival slaves battling a passage through. Nor were the customs of the tradesmen calculated to increase the public convenience, for they intruded their business into the already too limited space. Their stalls jutted out, and even then failed altogether to confine their occupations. A cobbler hesitated not to ply his awl in public, nor a barber to shave his customer outside his door. The gutters were frequented by noisy hucksters plying their trade, and selling all kinds of articles, from sulphur matches to boiled peas and beans. Importunate beggars were rife with every sorrow, complaint, and ailment; from the lame, sick, and blind, to the shipwrecked sailor, carrying a fragment of his ill-starred ship over his shoulder, as a proof of his sad lot. Down the narrower alleys were noisome, reeking dens crammed with the scum of the city. Thieves, murderers, blackguards, bullies loafed about; fallen women also loitered and aired themselves till the evening approached, when all this daylight idlesse of human filth betook itself to its frightful occupations of crime and wickedness, either in its own refuges, or flooded abroad upon the city. Yet this district, from its central position, was necessarily frequented, and even inhabited, in a few cases, by the higher orders of society. To imagine an unsealed Whitefriars, or a tract of the east end of modern London, cramped and narrowed, after the style of the old Roman city, and placed between two fashionable quarters, would give the best idea of the character of the Subura of Rome. It was the peculiar situation of the city which led to this intermixing of classes. In a city of a plain, where no part of the ground offers any advantage over another, the wealthy naturally form a district select from the poor. In Rome, the great and wealthy sought the elevated and pleasanter faces of the hills, while the poorer people remained beneath. Thus the intermediate valleys, however populated, unavoidably became thoroughfares, and no doubt, to a certain extent, the haunts of all classes.

Through the teeming Subura, then, we will follow our two characters. They each threaded their way after their own manner. The knight, slim, supple, and quick, slipped along like an eel, avoiding all contact and gliding through every opening with the accustomed ease of a person city bred. On the other hand the Subura was the home of Cestus, to whom every nook and corner was familiar. This fact, combined with his superior weight and bulk, rendered his movements more careless and independent of passers-by, some of whom came into collision with him, to their own sorrow. He was, moreover, recognised by more than one fellow inhabitant as he passed along. Two or three fellows, as idle and rough looking as himself, leered knowingly at him from the open front of a wine-shop where they were lounging. Another one nodded and winked to him from out of a reeking, steaming cook-shop where he was munching a light meal of the simplest character. Among the many street idlers, one greasy vagabond, with an evil, bloated face, went so far as to catch his arm and whisper, with a coarse laugh, ‘What, Cestus, boy, hast hooked thy patron? Thou wilt come back like a prince!’ But Cestus shook him off, and having cleared the Subura, he and his patron entered on a less crowded path, and the short, steep ascent of the Esquiline Hill.

At the summit they passed a statue of Orpheus. He was represented playing on the lyre to a group of wild animals, exquisitely modelled in the attitudes of rapt attention to the inspired music. The group was placed in the centre of a large circular basin for the reception of the spray, which usually danced and sparkled from the head of the immortal musician. On this day, however, for some reason, the fountain was dry.

As he passed, the knight turned round, and, pointing with his finger to draw his follower’s attention to the fact, said, with a cold smile, ‘My Cestus, when you likened the supply of my funds to the feeding of that fountain, you made a bad comparison – it is a bad omen, good and faithful man. Do you accept it? – I do.’

Cestus was in no way behind the age in superstition.

‘Humph!’ muttered he, bestowing a parting glance at the dry figures and empty basin; ‘plague on the aediles for falling short of water just at this time! No matter – water, or no water! omen, or no omen! I shall still remain a faithful client to my patron.’ And he followed on with a grin. After proceeding another hundred yards Afer stopped before the porch of a dwelling, small and modest, but pleasantly situated, overlooking no small portion of the city.

‘Step in, man, and drink a cup of wine while we arrange terms,’ said he, with ironical politeness.

But some suspicion was awakened in the breast of the other and he did not stir. ‘Bring it to me – I will wait here,’ said Cestus, with a shake of his head.

‘But you have not told me what you want.’

‘Six thousand will serve me.’

‘You are growing modest, Cestus – come and I will give it you.’

But Cestus still refused to proceed inside the house.

‘Why – what do you fear?’ demanded Afer.

‘You said something over there, where we met, that I liked not, patron,’ returned Cestus doggedly; ‘there is something about you now that bodes no good. I will, therefore, put no wall between me and the open street.’

‘What I said over there was true enough,’ said the knight, drawing near and fastening upon him a peculiar look; ‘there are scores in Rome who would have said “dead men tell no tales,” and, acting on that, would have made you a breathless carcase long ago, if they had suffered the behaviour which you have favoured me with. Fool, do you think I would hurt you any more than you would harm me. No; you are as necessary to me as I to you – I have more work for you to do – come!’

He went inside, and proceeded to one of the doorways which opened off the spacious hall, or atrium, as it was called, which had a tesselated floor and a small fountain in the midst. At the sound of his foot appeared two or three slaves to wait upon him. Cestus followed more slowly, with a keen, wary glance at the various doors and passages around, as though they might, at any moment, belch forth vassals to fasten on him. The knight lifted the curtain of an apartment and beckoned him to follow. He did so, and found himself, with no small amount of misgiving, in a small room, lighted by a narrow window of glass. There were a couple of couches, for furniture, and a small carved table, and, for ornament, three or four bronze statues of exquisite workmanship. In addition to these the walls were adorned with frescoes of mythological subjects, done by no unskilful hand. Afer, standing with the curtain still uplifted in one hand, pointed with the other to a couch, and, bidding his follower wait, disappeared. Cestus remained motionless, watching the screen of the doorway, with all his senses strained like a beast of prey, to catch the least sound. But nothing reached his ear, till, at the end of a quarter of an hour, his patron returned. He came to the table and threw a bag thereon. It jingled as it fell, and the eyes of Cestus flashed and fastened on the precious object.

‘There, my worthy Cestus, are six thousand sesterces; take them and use them economically.’

The broad hand of the man fell upon the bag and thrust it away in the breast of his tunic.

‘What – are you not going to tell it over to see that I cheat you not?’ said Afer mockingly.

‘No – I can trust your counting, noble patron,’ answered Cestus hurriedly; ‘and now I will go, for I am craving with hunger.’

‘And thirst!’ added Afer, clapping his hands loudly.

The echo had hardly died away when a young Greek slave entered, bearing a cup and a larger vessel of variegated glass. At a nod from his master he filled the cup with wine from the flagon and handed it to Cestus. But that individual hesitated and declined with some amount of confusion. Nothing but the direst need could have compelled him to make such a sacrifice.

‘I dare not drink with an empty stomach – I dare not indeed; ’tis rare wine, but allow me to go, or I shall drop from sheer want of food, most noble patron – indeed I shall!’

‘Then I will drink it for you, O man of tender stomach – you grow delicate,’ said Afer, with a derisive laugh; ‘fortune to us both!’

He drained it off, and the slave disappeared with the emptied cup.

‘If I want thee soon I can hear of thee at the same place, Cestus?’

‘As usual!’

‘I will keep you no longer. Go and feed on the best sausages you can find.’

‘Thanks, noble patron – you will find me ever ready and devoted.’

‘As I found thee this morning. Expect to hear of me very soon.’

With these words they emerged into the hall, and Cestus, drawing a long breath as he saw the way clear, went off at a pace which utterly belied his fainting state.

CHAPTER III

From the centre of his atrium Afer watched his well-furnished client retreat down the passage or lobby which led to the street, and marked, with a sour smile, the hasty stride, or almost leap, with which he vanished out of the sunlight which filled the porch. He stood a while with lips compressed, as, with a heart aching with wrath and mortification, he pondered on what had passed, on the sum of money he was lacking, and the hateful manner of its extortion. Then he turned and bade his slaves prepare to accompany him to the bath, which was an indispensable daily luxury to a Roman, and usually indulged in previous to the dinner hour.

Though not what Rome would call a wealthy man, T. Domitius Afer was of sufficient means, and from his connection with Fabricius, we may gather, of sufficient right of birth, to rank him among the equestrian order. His house, though small, was incontestably ruled by a master possessing the somewhat rare quality of exquisite taste. Harmony and symmetry reigned over all its appointments, ordered by the still more rare magic of the hand, which rounds off the formal chilliness of perfect chastity and regularity, by an artful and timely touch of graceful negligence.

There was no painting, statue, nor carved vase, nor couch, which might not, from its beauty and delicacy of design and finish, have had a place amid the household magnificence of Caesar. The combination of faculties which we call taste can perform wonders of delight with the meanest appliances. It requires inexhaustible resources, together with barbaric ignorance and coarseness, to shock the senses.

Afer remained some minutes pacing up and down the atrium of his house in deep thought. Then rousing himself he beheld his slaves awaiting his departure, with towels, unguents, and other necessaries. Without further delay, therefore, he left the house and proceeded to some private baths in the neighbourhood, where he enjoyed the company of some acquaintances, as well as the physical refreshment of what moderns call a Turkish bath. When he had leisurely gone through this delightful process; when he had finally been scraped with the strigil, rubbed dry and anointed from head to foot with a perfumed unguent, his youthful Greek attendant robed him with most elaborate care to suit his exacting taste, and he left the baths to step into a kind of sedan chair, which awaited him at the doors. He was borne thus, the short distance which intervened, to the house of one Apicius, on the Palatine, the most fashionable quarter in Rome, and finally to become almost the exclusive property of the emperors.

He alighted in a courtyard, whereon opened the magnificent entrance of a very large and imposing mansion. He went in. The lofty interior gleamed with rich marbles and gilding, and the air was laden with the scent of the perfumed fountain which twinkled and sparkled in the shaft of light, descending from the blue sunny sky through the square opening in the centre of the roof. Beyond was the vista of the entire length of the house, through its columns and peristyle to a portico and ornamental garden beyond. The sumptuous magnificence which met the eye at every turn, the priceless statuary, the frescoes on every wall, the rare, polished, carved wood and stone, the ivory, gilding, and tapestries, betokened the lavish extravagance of vast wealth. Crossing the spotless floor of marble, Afer was ushered into a reception room of the same rich character, where lounged or stood some half dozen guests engaged in conversation. Our knight’s attire, though of irreproachable taste and fashion, was modest compared with the superlative richness displayed by some of those he now rubbed against.

Charinus was a dandy of the first water, whose glorious garments, oppressive perfumes, smooth, well-tended, effeminately handsome face and languid hauteur, at once betrayed his disposition and ambition. Flaccus was a dandy, whose still youthful and ambitious mind animated a physical organisation long since bereft of vigour and beauty. Art did its best to disguise the ruthless blight of time, and age put a good face on its impotence, whilst it was being racked with follies and excesses which belonged to its grandchildren. So the withered old trunk stuck itself over with green boughs, seeking to hide its sapless rottenness, but succeeding only in rousing the laughter of men.

In the puffy face, and uncertain wavering eyes of Pansa, together with his nervous, trembling fingers, could be seen the demon of drunkenness; whilst his seat apart, and his sullen, dejected, downcast looks, marked a nightmare depression of spirits, during a brief separation from the wine cup.

Torquatus, unlike Flaccus, retained no foolish vanity in his advanced years, and his simple attire bore a strong contrast to the rest. Curiosity might be awakened as to the reason why he was included in the company present, for peevish, snappish acidity was plain as written symbols in his prying, sharp, small eyes, in his hard, withered, wrinkled face, and thin, sourly down-drawn lips. To the host, in the middle of these, Afer proceeded to pay his respects. Unheedful, unanswering to the chatter around his chair, the lord of the house sat absorbed in his reflections. He leant his head first on one hand and then on the other, shifting continuously and restlessly, as if a prey to uneasy thoughts. His face was pale, and his brows slightly contracted. Ever and anon, when his attention was desired to hear something of interest, he gave a nod, or glimmering smile, rather weary and ghastly than otherwise. His dress was the envy even of the dandies, his guests; for his ‘synthesis,’ or loose upper garment, which all wore, as more convenient for table than the toga, was made of silk – a fabric, at that time, in Rome, of such extravagant cost, as to be forbidden by imperial edict only a few years before the date of this story. The appearance of Afer before him roused him from his reverie.

‘Welcome, my friend,’ said he, extending his hand, and shaking himself, as if to clear away all thoughts that interfered with his duties as host; ‘welcome to my poor house!’

‘I trust you marked the poverty as you came through,’ rasped the voice of Torquatus, the sour, ever on the watch to vent a sneer.

‘I came hastily to greet Apicius, our generous host,’ returned Afer, as he exchanged courtesies with the smiling guests, all of whom he knew.

‘And faster still to eat his dinner,’ added the old man.

‘Ho! ho! Torquatus, I see you are in your best humour,’ cried Apicius, joining in the laugh, with more vivacity and briskness in his appearance.

‘Who arrived first to his appointment, Apicius?’ inquired Afer.

‘When my slave called me to the room, I found Torquatus here alone to greet me,’ replied the host.

‘Then has Torquatus the best right to the best part of your dinner, noble host, since his eagerness to eat it outstripped us all. Hungry Torquatus!’

Loud laughter from all drowned the snarling reply of the old man, but his scowling eyes spoke volumes.

‘Thou hast it fairly,’ said Apicius, when the merriment ceased; ‘but don’t be ill-humoured, Torquatus – it so ill becomes thee.’

The juvenile mirth of Flaccus shook his sides at this, and dislocated some of the enamel on his face; and ere the amusement had subsided, the heavy purple curtain of the doorway was drawn aside to admit another comer, a man in the prime of his age, of tall commanding presence and handsome countenance. He bestowed one rapid glance upon the occupants of the room, and ere their eyes, in turn, were drawn towards him, his lips were wreathed in a bland smile.

‘The Prefect Sejanus!’ announced the slave at the door.

As the name of the most powerful man in Rome fell on the ears of the company, it banished the laughter from their lips. Following the example of their host, they pressed around the new arrival, eager to salute him. Flaccus, the elderly dandy, who was a small man, tried to strain himself, like the frog in the fable, into an individual of imposing appearance. Torquatus posed himself into a caricature of a philosopher of elevated and dignified severity. Even the nerveless Pansa elevated his tremulous eyes, and rose from his chair. But when the first greetings were over, the conversation soon fell back once more into a current of liveliness and jest, under the influence of the imperial minister’s good humour and indiscriminate affability.

‘Come, friends, it is time to get to table,’ said Apicius; ‘and for the laggards who are yet absent, let them abide by what their unpunctuality may bring them. Ha! here comes one. Caius, I cannot enter my dinner as an equal attraction to love; but yet, for once – ’

‘What is the finest feast to a man in love! Heed him not, Martialis,’ said Sejanus, grasping the hand of the newcomer. The latter, a young man of about thirty, smiled in response to a shower of badinage which followed this initiative, until a slave entered and announced the feast in readiness to be served.

‘Come, then!’ cried the host; ‘we lack one, but he is ever behind – ’tis part of his religion. Let him take the empty place when he thinks fit.’ So saying, he took Sejanus, as his most distinguished guest, by the hand, and, followed by the others, led the way to the dining apartment, where a table, blazing with an equipage of precious metal, awaited them.

It is no purpose of these pages to enter into a detailed description of the extravagance, the innumerable and curious dishes, of a Roman banquet of the first order. Antiquaries have already done so in accounts which are easily to be met with. The recital of the ingenuity, invention, and wealth lavished on a meal is extraordinary to modern measurement of luxury and extravagance. Fish, fowl, and beast were brought from the ends of the earth, in order that jaded appetites might nibble at them, or at some particular part of them, dressed by a chef of the highest art; and, in the present instance, nothing was likely to be lacking from the feast of one who won historic fame as a gourmand.

Nor was the entertainment deemed sufficient of itself, but it must be served in an apartment of splendour equal to the occasion. That of Apicius did not aspire to the novelty and outlay brought to bear on the saloon of Nero’s golden house of a few years later, which was constructed like a theatre, with scenes which changed at every course. But, for a private individual, of a period just launching fairly into degraded luxury, his dining-room was, perhaps, the most magnificent in the city.

Along with the cunning of workers in ivory and precious metals, the hand of the painter and sculptor had adorned it with the best children of their genius. In the centre of the apartment was placed the square dinner-table, which had the repute of costing the owner a fortune in itself. It was made from the roots of the citron tree, whereby the perfection of beautiful markings was obtained. It was highly polished, and the massive legs which supported it were of ivory and gold, elaborately carved at the extremities into the semblances of lions’ feet. On three sides of the table were ranged three couches of the same costly workmanship. They were spread with deeply-fringed cloth of gold and cushions to match. The latter were to assist the diners in their attitude, for the Roman reclined at full length at his meals; and, while he reached for his food with his right hand to the table, on a lower level than the couch, his left elbow and hand, aided by the cushions, supported his head and upper part of his body in a convenient lounging posture.

The knotty face of Torquatus involuntarily twisted into a grimace of delight as he and his companions stretched themselves in their places around the glittering table. The failing eyes of Pansa emitted a feeble flash as they fell on the old jars of Falernian wine of the Opimian brand, the most celebrated vintage of all, and perfectly priceless.

When all the diners were placed according to the marshalling of the slave who acted as master of ceremonies, the slippers of each guest were drawn off by their own domestics, who attended them to table. A company of musicians struck up a slow measured strain, and the professional carver of the establishment forthwith commenced to show his dexterity in dividing the dressed viands to the beat of the music. Then the diners spread their napkins of fine linen edged with gold fringe, and directing their servants to set before them whatever delicacy they fancied, they forthwith gave their utmost energy and attention to the business of the evening with a zest as critical as keen.

Torquatus gobbled and ravened like a beast of prey. The hard, protuberant muscles of his face heaved and fell, and worked, incessantly, under the skin, which soon began to shine and glisten with perspiration. Charinus, the exquisite, nibbled at the most curious and highly-seasoned delicacies, with the pampered appetite of a gourmand. The first deep draught of old Falernian restored Pansa and restrung his drooping nerves. His eyes brightened, his face lightened, and, with a smack of his lips, he reached briskly forward to the golden platter, which his slave had just placed before him. It was the custom of his countrymen to temper their wine with water; but, beyond cooling it with the snows of the Apennines, Pansa approved of no such folly, so that his slave troubled the water pitcher no more than to give an appearance of decency. As cup rapidly succeeded cup his vivacity returned and his tongue became witty. It was a marvellous restoration. The guest who in the greatest measure followed his example, though still at a considerable distance, was Caius Martialis, who occupied the place next and above his host, on the left hand, or third couch. Dissipation had placed its marks on the noble features of this young man, and he appeared to drink and talk with an increasing recklessness, and even desperation.