The Letters of Charles Dickens. Vol. 2, 1857-1870

1857

This was a very full year in many ways. In February, Charles Dickens obtained possession of Gad's Hill, and was able to turn workmen into it. In April he stayed, with his wife and sister-in-law, for a week or two at Wate's Hotel, Gravesend, to be at hand to superintend the beginning of his alterations of the house, and from thence we give a letter to Lord Carlisle. He removed his family, for a summer residence in the house, in June; and he finished "Little Dorrit" there early in the summer. One of his first visitors at Gad's Hill was the famous writer, Hans Christian Andersen. In January "The Frozen Deep" had been played at the Tavistock House theatre with such great success, that it was necessary to repeat it several times, and the theatre was finally demolished at the end of that month. In June Charles Dickens heard, with great grief, of the death of his dear friend Douglas Jerrold; and as a testimony of admiration for his genius and affectionate regard for himself, it was decided to organise, under the management of Charles Dickens, a series of entertainments, "in memory of the late Douglas Jerrold," the fund produced by them (a considerable sum) to be presented to Mr. Jerrold's family. The amateur company, including many of Mr. Jerrold's colleagues on "Punch," gave subscription performances of "The Frozen Deep;" the Gallery of Illustration, in Regent Street, being engaged for the purpose. Charles Dickens gave two readings at St. Martin's Hall of "The Christmas Carol" (to such immense audiences and with such success, that the idea of giving public readings for his own benefit first occurred to him at this time). The professional actors, among them the famous veteran actor, Mr. T. P. Cooke, gave a performance of Mr. Jerrold's plays of "The Rent Day" and "Black-eyed Susan," in which Mr. T. P. Cooke sustained the character in which he had originally made such great success when the play was written. A lecture was given by Mr. Thackeray, and another by Mr. W. H. Russell. Finally, the Queen having expressed a desire to see the play, which had been much talked of during that season, there was another performance before her Majesty and the Prince Consort at the Gallery of Illustration in July, and at the end of that month Charles Dickens read his "Carol" in the Free Trade Hall, at Manchester. And to wind up the "Memorial Fund" entertainments, "The Frozen Deep" was played again at Manchester, also in the great Free Trade Hall, at the end of August. For the business of these entertainments he secured the assistance of Mr. Arthur Smith, of whom he writes to Mr. Forster, at this time: "I have got hold of Arthur Smith, as the best man of business I know, and go to work with him to-morrow morning." And when he began his own public readings, both in town and country, he felt himself most fortunate in having the co-operation of this invaluable man of business, and also of his zealous friendship and pleasant companionship.

In July, his second son, Walter Landor, went to India as a cadet in the "Company's service," from which he was afterwards transferred to the 42nd Royal Highlanders. His father and his elder brother went to see him off, to Southampton. From this place Charles Dickens writes to Mr. Edmund Yates, a young man in whom he had been interested from his boyhood, both for the sake of his parents and for his own sake, and for whom he had always an affectionate regard.

In September he made a short tour in the North of England, with Mr. Wilkie Collins, out of which arose the "Lazy Tour of Two Idle Apprentices," written by them jointly, and published in "Household Words." Some letters to his sister-in-law during this expedition are given here, parts of which (as is the case with many letters to his eldest daughter and his sister-in-law) have been published in Mr. Forster's book.

The letters which follow are almost all on the various subjects mentioned in our notes, and need little explanation.

His letter to Mr. Procter makes allusion to a legacy lately left to that friend.

The letters to Mr. Dilke, the original and much-respected editor of "The Athenæum," and to Mr. Forster, on the subject of the "Literary Fund," refer, as the letters indicate, to a battle which they were carrying on together with that institution.

A letter to Mr. Frank Stone is an instance of his kind, patient, and judicious criticism of a young writer, and the letter which follows it shows how thoroughly it was understood and how perfectly appreciated by the authoress of the "Notes" referred to. Another instance of the same kind criticism is given in a second letter this year to Mr. Edmund Yates.

My dear Procter,

I have to thank you for a delightful book, which has given me unusual pleasure. My delight in it has been a little dashed by certain farewell verses, but I have made up my mind (and you have no idea of the obstinacy of my character) not to believe them.

Perhaps it is not taking a liberty – perhaps it is – to congratulate you on Kenyon's remembrance. Either way I can't help doing it with all my heart, for I know no man in the world (myself excepted) to whom I would rather the money went.

My dear Tennent,

I must thank you for your earnest and affectionate letter. It has given me the greatest pleasure, mixing the play in my mind confusedly and delightfully with Pisa, the Valetta, Naples, Herculanæum – God knows what not.

As to the play itself; when it is made as good as my care can make it, I derive a strange feeling out of it, like writing a book in company; a satisfaction of a most singular kind, which has no exact parallel in my life; a something that I suppose to belong to the life of a labourer in art alone, and which has to me a conviction of its being actual truth without its pain, that I never could adequately state if I were to try never so hard.

You touch so kindly and feelingly on the pleasure such little pains give, that I feel quite sorry you have never seen this drama in progress during the last ten weeks here. Every Monday and Friday evening during that time we have been at work upon it. I assure you it has been a remarkable lesson to my young people in patience, perseverance, punctuality, and order; and, best of all, in that kind of humility which is got from the earned knowledge that whatever the right hand finds to do must be done with the heart in it, and in a desperate earnest.

When I changed my dress last night (though I did it very quickly), I was vexed to find you gone. I wanted to have secured you for our green-room supper, which was very pleasant. If by any accident you should be free next Wednesday night (our last), pray come to that green-room supper. It would give me cordial pleasure to have you there.

My dear Cerjat,

So wonderfully do good (epistolary) intentions become confounded with bad execution, that I assure you I laboured under a perfect and most comfortable conviction that I had answered your Christmas Eve letter of 1855. More than that, in spite of your assertions to the contrary, I still strenuously believe that I did so! I have more than half a mind ("Little Dorrit" and my other occupations notwithstanding) to charge you with having forgotten my reply!! I have even a wild idea that Townshend reproached me, when the last old year was new, with writing to you instead of to him!!! We will argue it out, as well as we can argue anything without poor dear Haldimand, when I come back to Elysée. In any case, however, don't discontinue your annual letter, because it has become an expected and a delightful part of the season to me.

With one of the prettiest houses in London, and every conceivable (and inconceivable) luxury in it, Townshend is voluntarily undergoing his own sentence of transportation in Nervi, a beastly little place near Genoa, where you would as soon find a herd of wild elephants in any villa as comfort. He has a notion that he must be out of England in the winter, but I believe him to be altogether wrong (as I have just told him in a letter), unless he could just take his society with him.

Workmen are now battering and smashing down my theatre here, where we have just been acting a new play of great merit, done in what I may call (modestly speaking of the getting-up, and not of the acting) an unprecedented way. I believe that anything so complete has never been seen. We had an act at the North Pole, where the slightest and greatest thing the eye beheld were equally taken from the books of the Polar voyagers. Out of thirty people, there were certainly not two who might not have gone straight to the North Pole itself, completely furnished for the winter! It has been the talk of all London for these three weeks. And now it is a mere chaos of scaffolding, ladders, beams, canvases, paint-pots, sawdust, artificial snow, gas-pipes, and ghastliness. I have taken such pains with it for these ten weeks in all my leisure hours, that I feel now shipwrecked – as if I had never been without a play on my hands before. A third topic comes up as this ceases.

Down at Gad's Hill, near Rochester, in Kent – Shakespeare's Gad's Hill, where Falstaff engaged in the robbery – is a quaint little country-house of Queen Anne's time. I happened to be walking past, a year and a half or so ago, with my sub-editor of "Household Words," when I said to him: "You see that house? It has always a curious interest for me, because when I was a small boy down in these parts I thought it the most beautiful house (I suppose because of its famous old cedar-trees) ever seen. And my poor father used to bring me to look at it, and used to say that if I ever grew up to be a clever man perhaps I might own that house, or such another house. In remembrance of which, I have always in passing looked to see if it was to be sold or let, and it has never been to me like any other house, and it has never changed at all." We came back to town, and my friend went out to dinner. Next morning he came to me in great excitement, and said: "It is written that you were to have that house at Gad's Hill. The lady I had allotted to me to take down to dinner yesterday began to speak of that neighbourhood. 'You know it?' I said; 'I have been there to-day.' 'O yes,' said she, 'I know it very well. I was a child there, in the house they call Gad's Hill Place. My father was the rector, and lived there many years. He has just died, has left it to me, and I want to sell it.' 'So,' says the sub-editor, 'you must buy it. Now or never!'" I did, and hope to pass next summer there, though I may, perhaps, let it afterwards, furnished, from time to time.

All about myself I find, and the little sheet nearly full! But I know, my dear Cerjat, the subject will have its interest for you, so I give it its swing. Mrs. Watson was to have been at the play, but most unfortunately had three children sick of gastric fever, and could not leave them. She was here some three weeks before, looking extremely well in the face, but rather thin. I have not heard of your friend Mr. Percival Skelton, but I much misdoubt an amateur artist's success in this vast place. I hope you detected a remembrance of our happy visit to the Great St. Bernard in a certain number of "Little Dorrit"? Tell Mrs. Cerjat, with my love, that the opinions I have expressed to her on the subject of cows have become matured in my mind by experience and venerable age; and that I denounce the race as humbugs, who have been getting into poetry and all sorts of places without the smallest reason. Haldimand's housekeeper is an awful woman to consider. Pray give him our kindest regards and remembrances, if you ever find him in a mood to take it. "Our" means Mrs. Dickens's, Georgie's, and mine. We often, often talk of our old days at Lausanne, and send loving regard to Mrs. Cerjat and all your house.

My dearest Macready,

Your friend and servant is as calm as Pecksniff, saving for his knitted brows now turning into cordage over Little Dorrit. The theatre has disappeared, the house is restored to its usual conditions of order, the family are tranquil and domestic, dove-eyed peace is enthroned in this study, fire-eyed radicalism in its master's breast.

I am glad to hear that our poetess is at work again, and shall be very much pleased to have some more contributions from her.

Love from all to your dear sister, and to Katie, and to all the house.

We dined yesterday at Frederick Pollock's. I begged an amazing photograph of you, and brought it away. It strikes me as one of the most ludicrous things I ever saw in my life. I think of taking a public-house, and having it copied larger, for the size. You may remember it? Very square and big – the Saracen's Head with its hair cut, and in modern gear? Staring very hard? As your particular friend, I would not part with it on any consideration. I will never get such a wooden head again.

My dear Mary,

Half-a-dozen words on this, my birthday, to thank you for your kind and welcome remembrance, and to assure you that your Joseph is proud of it.

For about ten minutes after his death, on each occasion of that event occurring, Richard Wardour was in a floored condition. And one night, to the great terror of Devonshire, the Arctic Regions, and Newfoundland (all of which localities were afraid to speak to him, as his ghost sat by the kitchen fire in its rags), he very nearly did what he never did, went and fainted off, dead, again. But he always plucked up, on the turn of ten minutes, and became facetious.

Likewise he chipped great pieces out of all his limbs (solely, as I imagine, from moral earnestness and concussion of passion, for I never know him to hit himself in any way) and terrified Aldersley1 to that degree, by lunging at him to carry him into the cave, that the said Aldersley always shook like a mould of jelly, and muttered, "By G – , this is an awful thing!"

P.S. – I shall never cease to regret Mrs. Watson's not having been there.

My dear White,

I send these lines by Mary and Katey, to report my love to all.

Your note about the Golden Mary gave me great pleasure; though I don't believe in one part of it; for I honestly believe that your story, as really belonging to the rest of the narrative, had been generally separated from the other stories, and greatly liked. I had not that particular shipwreck that you mention in my mind (indeed I doubt if I know it), and John Steadiman merely came into my head as a staunch sort of name that suited the character. The number has done "Household Words" great service, and has decidedly told upon its circulation.

You should have come to the play. I much doubt if anything so complete will ever be seen again. An incredible amount of pains and ingenuity was expended on it, and the result was most remarkable even to me.

When are you going to send something more to H. W.? Are you lazy?? Low-spirited??? Pining for Paris????

My dear Mr. Dilke,

Forster has another notion about the Literary Fund. Will you name a day next week – that day being neither Thursday nor Saturday – when we shall hold solemn council there at half-past four?

For myself, I beg to report that I have my war-paint on, that I have buried the pipe of peace, and am whooping for committee scalps.

My dear Lord Carlisle,

I am writing by the river-side for a few days, and at the end of last week – appeared here with your note of introduction. I was not in the way; but as – had come express from London with it, Mrs. Dickens opened it, and gave her (in the limited sense which was of no use to her) an audience. She did not quite seem to know what she wanted of me. But she said she had understood at Stafford House that I had a theatre in which she could read; with a good deal of modesty and diffidence she at last got so far. Now, my little theatre turns my house out of window, costs fifty pounds to put up, and is only two months taken down; therefore, is quite out of the question. This Mrs. Dickens explained, and also my profound inability to do anything for – readings which they could not do for themselves. She appeared fully to understand the explanation, and indeed to have anticipated for herself how powerless I must be in such a case.

She described herself as being consumptive, and as being subject to an effusion of blood from the lungs; about the last condition, one would think, poor woman, for the exercise of public elocution as an art.

Between ourselves, I think the whole idea a mistake, and have thought so from its first announcement. It has a fatal appearance of trading upon Uncle Tom, and am I not a man and a brother? which you may be by all means, and still not have the smallest claim to my attention as a public reader. The town is over-read from all the white squares on the draught-board; it has been considerably harried from all the black squares – now with the aid of old banjoes, and now with the aid of Exeter Hall; and I have a very strong impression that it is by no means to be laid hold of from this point of address. I myself, for example, am the meekest of men, and in abhorrence of slavery yield to no human creature, and yet I don't admit the sequence that I want Uncle Tom (or Aunt Tomasina) to expound "King Lear" to me. And I believe my case to be the case of thousands.

I trouble you with this much about it, because I am naturally desirous you should understand that if I could possibly have been of any service, or have suggested anything to this poor lady, I would not have lost the opportunity. But I cannot help her, and I assure you that I cannot honestly encourage her to hope. I fear her enterprise has no hope in it.

In your absence I have always followed you through the papers, and felt a personal interest and pleasure in the public affection in which you are held over there.2 At the same time I must confess that I should prefer to have you here, where good public men seem to me to be dismally wanted. I have no sympathy with demagogues, but am a grievous Radical, and think the political signs of the times to be just about as bad as the spirit of the people will admit of their being. In all other respects I am as healthy, sound, and happy as your kindness can wish. So you will set down my political despondency as my only disease.

On the tip-top of Gad's Hill, between this and Rochester, on the very spot where Falstaff ran away, I have a pretty little old-fashioned house, which I shall live in the hope of showing to you one day. Also I have a little story respecting the manner in which it became mine, which I hope (on the same occasion in the clouds) to tell you. Until then and always, I am, dear Lord Carlisle,

My dear Forster,

I have gone over Dilke's memoranda, and I think it quite right and necessary that those points should be stated. Nor do I see the least difficulty in the way of their introduction into the pamphlet. But I do not deem it possible to get the pamphlet written and published before the dinner. I have so many matters pressing on my attention, that I cannot turn to it immediately on my release from my book just finished. It shall be done and distributed early next month.

As to anything being lost by its not being in the hands of the people who dine (as you seem to think), I have not the least misgiving on that score. They would say, if it were issued, just what they will say without it.

Lord Granville is committed to taking the chair, and will make the best speech he can in it. The pious – will cram him with as many distortions of the truth as his stomach may be strong enough to receive. – , with Bardolphian eloquence, will cool his nose in the modest merits of the institution. – will make a neat and appropriate speech on both sides, round the corner and over the way. And all this would be done exactly to the same purpose and in just the same strain, if twenty thousand copies of the pamphlet had been circulated.

My dear White,

My emancipation having been effected on Saturday, the ninth of this month, I take some shame to myself for not having sooner answered your note. But the host of things to be done as soon as I was free, and the tremendous number of ingenuities to be wrought out at Gad's Hill, have kept me in a whirl of their own ever since.

We purpose going to Gad's Hill for the summer on the 1st of June; as, apart from the master's eye being a necessary ornament to the spot, I clearly see that the workmen yet lingering in the yard must be squeezed out by bodily pressure, or they will never go. How will this suit you and yours? If you will come down, we can take you all in, on your way north; that is to say, we shall have that ample verge and room enough, until about the eighth; when Hans Christian Andersen (who has been "coming" for about three years) will come for a fortnight's stay in England. I shall like you to see the little old-fashioned place. It strikes me as being comfortable.

So let me know your little game. And with love to Mrs. White, Lotty, and Clara,

My dear Stone,

I know that what I am going to say will not be agreeable; but I rely on the authoress's good sense; and say it, knowing it to be the truth.

These "Notes" are destroyed by too much smartness. It gives the appearance of perpetual effort, stabs to the heart the nature that is in them, and wearies by the manner and not by the matter. It is the commonest fault in the world (as I have constant occasion to observe here), but it is a very great one. Just as you couldn't bear to have an épergne or a candlestick on your table, supported by a light figure always on tiptoe and evidently in an impossible attitude for the sustainment of its weight, so all readers would be more or less oppressed and worried by this presentation of everything in one smart point of view, when they know it must have other, and weightier, and more solid properties. Airiness and good spirits are always delightful, and are inseparable from notes of a cheerful trip; but they should sympathise with many things as well as see them in a lively way. It is but a word or a touch that expresses this humanity, but without that little embellishment of good nature there is no such thing as humour. In this little MS. everything is too much patronised and condescended to, whereas the slightest touch of feeling for the rustic who is of the earth earthy, or of sisterhood with the homely servant who has made her face shine in her desire to please, would make a difference that the writer can scarcely imagine without trying it. The only relief in the twenty-one slips is the little bit about the chimes. It is a relief, simply because it is an indication of some kind of sentiment. You don't want any sentiment laboriously made out in such a thing. You don't want any maudlin show of it. But you do want a pervading suggestion that it is there. It makes all the difference between being playful and being cruel. Again I must say, above all things – especially to young people writing: For the love of God don't condescend! Don't assume the attitude of saying, "See how clever I am, and what fun everybody else is!" Take any shape but that.