The Wild Man of the West: A Tale of the Rocky Mountains
“No fear, monsieur,” interrupted Gibault, “dat be mine comerades—Good mans an’ true every von. Dey come to land here, I see.”
A low growl in the bushes a little distance ahead of them put an abrupt termination to the conversation. Gibault threw forward the muzzle of his gun, and glanced at his comrade. The glance did not tend to comfort him. The artist was pale as death. This, and an occasional twitch of the lip, were clear and unmistakable signs to the backwoodsman that fear had taken possession of his friend, and that he was not to be counted on in the moment of danger. Yet there was a stern knitting of the eyebrows, and a firm pressure of the lips, that seemed to indicate better qualities, and perplexed him not a little.
“P’r’aps, monsieur,” suggested Gibault hesitatingly, “you had better vait for de canoe.”
“Lead on!” said the artist, cocking both pistols, and pointing with one of them to the place whence the growl had issued.
Gibault elevated his eyebrows, shrugged his shoulders characteristically, and, uttering the single word “bien!” walked quickly forward.
A few steps brought him to an open space, in the midst of which the grisly bear was discovered. It was seated on its haunches, looking sulkily about, as if it had a suspicion that enemies were tracking it. Creeping with the utmost caution on his hands and knees, Gibault got to within forty yards of the monster, whose aspect at that moment was enough to try the courage of most men. There was a wicked glare in his little eye, as he swayed his huge body from side to side, that indicated but too clearly the savage nature of his disposition. Even Gibault felt a little uneasy, and began to think himself a fool for having ventured on such an expedition alone. His state of mind was not improved by the sound of the artist’s teeth chattering in his head like castanets.
Taking a very long and deliberate aim at the bear’s heart, he pulled the trigger, but the faithless lock of his old flint-gun missed fire. Without a sign of annoyance or agitation, the trapper recocked the gun, again pulled the trigger, and with the same result. Three times this occurred, and at each click of the lock the bear cocked his ears inquiringly. The third time, he rose and sauntered slowly towards the spot where the men lay concealed.
“Stay,” whispered the artist, as Gibault was once more about to try his piece, after rubbing the edge of his flint with his thumb-nail; “stay, I will fire.”
So saying, he suddenly pointed a pistol straight at the advancing monster and fired. A tremendous roar followed the report. Gibault leaped up, exclaiming angrily, “Vat foolishness! a pistol! hah! ve must run.” He turned at once to do so.
“Stay!” cried the artist, who no longer trembled, though his countenance was still ashy pale, “I have another pistol.”
“Does you vish to die?” yelled the trapper, seizing his comrade by the collar.
Whether it was the yell of the man, or the reiterated roar of the advancing bear, or both combined, that had an effect on the artist, we cannot tell, but certain it is that he sprang up and darted after Gibault with astonishing rapidity. Being long-legged and uncommonly supple he soon passed him; but, fast though they both ran, the bear ran faster, and, having been badly cut up about the face by the slugs with which the pistol had been charged, his spirit was roused to the utmost pitch of ferocity.
Now, while this was going on in the bush, the other trappers were quietly fastening the line of their canoe to a shrub that held it floating in a pool of still water near the shore. No sooner did the pistol-shot ring upon their ears than every man seized his gun, hastily examined the priming, and scrambled up the bank, which at that spot was very steep.
Having gained the top, they paused for an instant to gaze intently at the bank of the river above them, in order to ascertain the exact spot to which they ought to hurry.
“I see no smoke,” said March Marston in a tone of deep anxiety.
“Gibault’s gun didn’t use for to bark in that sort o’ voice,” observed Bounce.
“I do b’lieve that bar’s got ’im,” cried Big Waller, bounding forward.
He had not taken a second bound when the artist, flying at full speed about three hundred yards up the river, burst upon the astonished vision of the party. His sombrero had blown off, his long hair streamed straight behind him, so did the scalp-locks on his coat, and so did his long cloak which was fastened to his neck by a clasp, and which, in his present panting and rushing condition, wellnigh strangled him.
Before the wonder-stricken trappers had time to remark on this singular apparition, or to form any opinion in regard to it, poor Gibault came tearing round the point like a maniac, with the bear close upon his heels. This was enough. The backwoodsmen no longer showed any signs of surprise or hesitancy. A grisly bear was a familiar object—a comrade in imminent danger was equally so. They sprang forward to meet the fugitives.
By this time the cloak had so retarded and strangled the poor artist that he had fallen a pace or two behind Gibault, and it seemed almost certain that he would fall a victim to the furious bear before the trappers could kill it, for they could not venture to fire at it while the fugitives almost screened it from their view. As they drew near to each other the trappers almost instinctively divided into two parties. Redhand and Hawkswing went a little to the right; Bounce, Waller, and our hero, diverged to the left, so as to let the flying men pass between them, and thus attack the bear on both sides at once.
Gibault attempted to cheer as he darted through the friendly line, but he could only give forth a gasp. At that moment an unexpected incident contributed to the deliverance of the artist. The bear was within a yard of him as he came up; just then the clasp of his cloak gave way, and the huge garment instantly enveloped the head of the bear and a considerable portion of its body. It tripped, rolled over, and, in attempting to free itself, tore the cloak to shreds.
At the same instant a volley was fired by the trappers, and three balls pierced its body. None of them, however, seemed to have hit a mortal part, for the infuriated animal instantly rose and glared from side to side in disappointed malice, while the trappers who had fired were reloading, each behind a bush, with perfect coolness, but with the utmost celerity.
While the bear was on the ground, the fugitives had each sprung into the bush, and found a place of concealment. Redhand on the one side, and Bounce on the other, had reserved their fire; the wisdom of this was now shown. The bear made a rush at the bushes on one side, and instantly received a shot from the other. It turned at once to rush on the concealed enemy there, but, before it had made a stride in that direction, another ball was lodged in it from the opposite side. The vacillations thus produced gave the other trappers time to reload, and, before it had made up its mind which to attack, another volley was fired, and three balls took effect, Redhand and Bounce still reserving their fire as at the first.
The impotent fury of the creature was now awful to behold. It was mortally wounded; there could be no doubt as to that, for the trappers were all pretty good shots and knew where to fire, but they had not succeeded yet in reaching the seat of life. One ball had broken the bear’s shoulder, and the blood flowed from its wounds, while churned blood and foam dropped from its jaws.
Before another volley could be fired it made a furious rush at the three men who had kept away to the left, namely, Big Waller, Bounce, and March. There was no help for it; not having completed their loading, they had to drop their guns and run. We have already said that these three had diverged towards the river. It now proved to be unfortunate that they had done so, for the bank at that place jutted out into the stream in such a way that it was impossible for them to avoid leaping into the river. The bank overhung the stream and was fully twenty feet high. Big Waller, who reached it first, hesitated to take the leap. Bounce, who came next, rushed violently against him, and the two went over together, fell into the water with a tremendous splash, and sank. March come up the instant after, and sprang far out at once with a bold, unhesitating spring. The bear was so close upon the youth that for one moment they were both in the air at the same time, but the former had not gone off with a spring, he merely tumbled over, half involuntarily, so that when they struck the water there was at least a yard between them. But this was not a long space. The superior swimming powers of the bear over the man would have diminished the distance to nothing in a minute or so. Even as it was, the bear was within six inches of March’s heels when Hawkswing and Redhand gained the edge of the bank.
Redhand was armed with a rifle—an old and trusty weapon that had been the means of saving his own life and the lives of comrades in many a doubtful encounter with beast and with man. Kneeling down, he took a rapid aim and fired. The bullet sped true. It entered the back of the bear’s head, and the lifeless carcass floated down the stream. The three men, instantly observing the effect of the shot, turned round, and, swimming towards their late enemy, laid hold of him, and dragged and pushed him with some difficulty towards the shore.
Meanwhile Black Gibault, who had issued from his hiding-place and had witnessed Redhand’s successful shot, began to caper and dance and shout in the exuberance of his glee. Most men are apt to suffer when they give way to extravagant action of any kind. Gibault forgot that he was on the edge of an overhanging bank. The concussion with which he came to the ground after the performance of a peculiarly complicated pirouette broke off the edge of the bank, and he was precipitated headlong into the river, just a yard or so from the spot where his comrades were engaged in landing the bear.
A loud laugh greeted his sudden and unexpected descent. Scrambling on shore, and laying hold of the bear’s tail, he exclaimed—
“Hah! mes garçons, heave avay. I have come down for to give you leetle help. Splenderous hear! Pull avay!”
The bear was then dragged out of the water and stretched upon the green sward, where for some time the trappers stood round it in a picturesque group, commenting upon its size and appearance, and remarking upon the various incidents of the chase.
As the exact dimensions of this particular bear were taken and noted down on the spot, we will give them here for the benefit of inquiring minds. It weighed, as nearly as could be guessed by men who were practised in estimating weights, 600 pounds. On its hind legs it stood 8 feet 7 inches. Round the chest it measured 5 feet 10 inches; round the neck 3 feet 11 inches. The circumference of the thickest part of the fore leg was 2 feet, and the length of each of its claws was 4 and a quarter inches. It was whitey-brown in colour, and a shaggier, fiercer, uglier monster could not well be imagined.
“But, I say,” cried Bounce, looking round suddenly, “wot’s come o’ yon ’xtraor’nary feller as—”
Bounce paused abruptly, for at that moment his eye fell on the “’xtraor’nary feller” in question. He was seated quietly on a large stone, not many yards distant, with book on knee and pencil in hand, making a rapid sketch of the party and the surrounding scene!
“Wot is he?” inquired Bounce of Gibault in a whisper.
“I calc’late,” observed Waller in a low voice, at the same time touching his forehead and looking mysterious; “I calc’late, he’s noncombobble-fusticated.”
“Perhaps,” said Redhand with a quiet laugh.
“Whatever he is, it’s bad manners to stand starin’ at him,” said Redhand, “so you’d better go and pick up yer guns and things, while Bounce and I skin this feller and cut off his claws.”
The party separated at once, and the artist, who seemed a little disappointed at being thus checked in his work, no sooner observed the flaying process begin than he turned over the leaf of his book, and began a new sketch.
Not many minutes were required for the skinning of the bear. When it was done, it, along with all the scattered things, was placed in the canoe, and then Redhand, approaching the artist, touched his cap and said—
“You have shared our hunt to-day, sir; mayhap you’ll not object to share our camp and our supper.”
“Most willingly, my good friend,” replied the artist, rising and holding out his hand, which the trapper shook heartily. “You seem to be trappers.”
“We are, sir, at your service. It’s gettin’ late and we’ve a good bit to go yet, before we come to the place where we mean to camp, so you’d better come at once.”
“Certainly; by all means; let us embark without delay,” replied the artist, pocketing his sketch-book.
“Pardon me, sir,” said Redhand, with some hesitation, “are you alone?”
“I am,” replied the other sadly; then, as if a sudden thought had struck him—“I had two pistols and a cloak once.”
“We’ve picked ’em up, sir. They’re in the canoe now. At least the pistols are, an’ what’s left o’ the cloak.”
“Ha! ’twas an old and cherished friend! Are you ready?”
“All ready, sir.”
So saying, the old man led the way to the canoe and embarked with his strange companion. Then, pushing out into the stream just as the shades of night began to descend upon the wilderness, the trappers paddled swiftly away, wondering in their hearts who and what the stranger could be, and talking occasionally in subdued tones of the chief incidents of the exciting combat through which they had so recently passed.
Chapter Five
Fiery Remarks and Cogitations—Round the Camp Fire—The Artist gives an Account of Himself—Value of a Sketch-Book—Discoveries and Dark Threats—The Bear’s-Claw CollarThere is no doubt whatever that a western trapper knows how to make a fire. That is an axiomatic certainty. He also knows how to enjoy it. He is thoroughly conversant with it in all its phases, and with all the phenomena connected with it, from the bright little spark that flies from his flint and steel, and nestles on his piece of tinder, to the great rolling flame that leaps up among the branches of the forest trees, roaring lustily as it goes out upon the night air, like a mighty spirit set free from some diminutive prison house, rejoicing in being once more permitted to reassume its original grand dimensions.
Yes, a western trapper has a grand, massive notion of a fire, and his actions are all in keeping with that notion. Almost everything is small at the fountain. A mighty river usually begins in a bubbling spring or a tiny rivulet. So the trapper’s initial acts are delicate. He handles the tinder gently, and guards it from damp. He fosters the spark, when caught, and blows upon it softly, and wraps it up in dry grass, and watches it intently as a mother might watch the life-spark of her new-born babe. But when once the flame has caught, and the bundle of little dry twigs has been placed above it, and the pile of broken sticks has been superadded, the trapper’s character is changed. He grasps the ponderous hatchet, and, Homerically speaking—
“Now toils the hero: trees on trees o’erthrown,Fall crackling round him, and the forests groan.”These, “lopp’d and lighten’d of their branchy load,” he assaults singly. Heaving the huge axe with lusty sweeping blows, he brings it down. Great wedgy splinters fly and strew the plain like autumn leaves. Then, with massive logs, full six feet long, he feeds the hungry fire until it leaps and roars in might, and glows full red and hot and huge enough to roast him a bison bull for supper, an he should feel so disposed.
Descending now from the abstract to the concrete, we would remark that, whether the reader does or does not admit the general proposition, that western trappers are pre-eminently up to fire (not to mention smoke or snuff), he cannot deny the fact that Big Waller, the Yankee trapper, was peculiarly gifted in that way. On the evening of the day on which occurred the memorable encounter with the grisly bear, as related in the last chapter, that stalwart individual heaved his ponderous axe and felled the trees around him in a way that would have paled the ineffectual fires of Ulysses himself, and would probably have induced that hero not only to cease cutting trees, but to commence cutting his stick thenceforth from the field of competition! March Marston meanwhile kindled the spark and nursed the infant flame. The others busied themselves in the various occupations of the camp. Some cut down pine-branches, and strewed them a foot deep in front of the fire, and trod them down until a soft elastic couch was formed on which to spread their blankets. Others cut steaks of venison and portions of the grisly bear, and set them up on the end of sticks before the fire to roast, and others made fast and secured the canoe and her lading.
The artist, seating himself beside the fire, just near enough to profit by the light, but far enough away to obtain a general view of everything and everybody, proceeded with enthusiasm to sketch the whole affair, collectively and in detail. He devoted his chief attention, however, to Big Waller. He “caught” that gigantic Yankee in every conceivable action and attitude. He photographed him, we might almost say, with his legs apart, the hatchet high above his head, and every muscle tense and rigid, preliminary to a sweeping blow. He “took” him with a monstrous pile of logs on his brawny shoulder; he portrayed him resting for a moment in the midst of his toil; he even attempted to delineate him tumbling over one of the logs, and hurling a shoulder-load upon the ground; but he failed utterly in the last attempt, being quite destitute of comical perception, and he did not finally conclude until Gibault went forward and informed him that supper was ready. Then he shut up his book, and, taking his place beside the trappers, began supper.
“This is comfortable—this is pleasant!” remarked the artist, as he sat down before the warm blaze, and applied himself with infinite relish to the venison steak placed before him by Bounce. “You live well here, it would seem.”
This latter remark was addressed to Hawkswing, who sat close beside him; but that imperturbable worthy shook his head gravely.
“He don’t understand ye,” interposed Bounce, “knows, nothin’ but his own mother tongue. We do live pretty middlin’ so so hereabouts when we ain’t starvin’, w’ich it isn’t for me to deny is sometimes the case, d’ye see.”
Bounce stopped his own talk at this point by stuffing his mouth so full of meat that no word, not even a word of one syllable, could have forced itself out, had it tried ever so much. A long silence now ensued, during which the clack of seven pairs of active jaws was the only sound that broke upon the ear. It might have been observed, however, that all eyes were fixed more or less wonderingly on the stranger. Big Waller in particular looked him, figuratively speaking, through and through. He did not remove his eyes off him for an instant, but devoured his food with somewhat the expression of a dog that expects his bone to be snatched from him.
“Try a duck,” said March Marston to the artist, observing that he had finished his steak.
“Thank you,” answered the artist, accepting the proffered bird, which happened to be a teal, and beginning to carve it with a pen-knife. He had no fork, but used the fingers of his left hand instead.
Silence again ensued.
“Try another,” said March again.
The artist hesitated.
“You’d better; it’s a fat un.”
“N–no. No!” said the artist, shutting up his knife with an air of decision. “No, thank you, I always advocate moderation, and it would ill become me to set an example of glut—ah, of the reverse.”
“Wal, stranger,” said Waller, who, having finished eating, wiped his mouth with a tuft of grass, and began to fill his pipe. “You do come out in the way o’ moderation rather powerful. Why a teal duck an’ a ven’son steak is barely enough to stop a feller dyin’ right off. I guess a down-east baby o’ six months old ’ud swab up that an’ axe for more.”
“Nevertheless it is quite enough for me,” replied the artist, leaning down on his elbow. “I could, indeed, eat more; but I hold that man should always rise from table capable of eating more, if required.”
Here was a proposition that it had not entered into the minds of the trappers, even in their most transcendental efforts of abstruse meditation, to think of! They gazed at each other in amazement.
“Wot! not eat yer fill w’en ye git the chance,” exclaimed Bounce.
“No, certainly not.”
“I say, stranger, when did you feed last?” inquired Big Waller.
“Why do you ask?” said the artist, looking quickly up.
“’Cause I wants to know.”
The artist smiled. “My last meal was eaten yesterday morning.”
“Ha! I was sure ob dat,” cried Gibault; “your face look like as if you be full ob starvation.”
“An’ wot did ye eat last?” inquired Bounce, laying down his pipe and looking at their guest with much interest not unmingled with pity.
“I breakfasted on a little bird about the size of a hen’s egg. I know not what it is named, but it was excellently flavoured. I relished it much.”
On hearing this, Gibault pressed his hand on his stomach, as if the mere thought of such a delicately minute breakfast caused him pain in that region.
“I say, stranger,” broke in Waller, in a tone of voice that seemed to imply that he was determined to be at the bottom of this mystery, and would stand it no longer—“wot’s your name?”
“Theodore Bertram,” replied the artist without hesitation.
“Where do you come from?”
“From England.”
“Where air you a-goin’ to?”
“To the Rocky Mountains.”
“Wot for to do there?”
“You are inquisitive, friend,” said Bertram, smiling; “but I have no reason for concealing my object in travelling here—it is to sketch, and shoot, and take notes, and witness the works of the Almighty in the wilderness. I hold it to be an object worthy the ambition of a great man to act the part of pioneer to the missionary and the merchant in nature’s wildest and most inaccessible regions; and although I pretend not to greatness, I endeavour, humbly, to do what I can.”
“No one can do more than that,” said Redhand, regarding the young enthusiast with interest. “But surely you have not travelled to this out-o’-the-way place without a guide?”
Bertram pointed to the stars.
“These are my guides,” said he; “the man who can read the heavens needs no guide.”
“But that book ain’t always readable,” said Redhand; “when clouds are flying what do you do then?”
“Fur-traders in the far north have taught me how to ascertain the north by the bark on the trees; besides this I have a bosom friend who always points the way.” So saying he pulled a small compass from an inner pocket and held it up.
“Good,” rejoined Redhand; “but a compass is not food, neither will it kill game. Have you nought but them pistols?”
“I have none other arms now but these, save this good sword. They will serve to defend me in the hour of need, I trust; though now that I have seen the grisly bear I should doubt my chance of success were I to cope with him alone. I should imagine that monster to be worse even than the Wild Man of the West himself.”
“The Wild Man o’ the West!” echoed March Marston eagerly; “have you seen him?”
“Nay, verily; but I have heard of him,” replied the artist, smiling, “and a strangely ferocious creature he must be, if all that’s said of him be correct. But, to say truth, I believe the stories told of him are idle tales. Indeed, I do not believe there is such a man at all!”
March Marston’s countenance fell. No Wild Man of the West at all! The bare possibility of such a crushing blow to all his romantic hopes and dreams caused his heart to sink. Bertram observed the change in his countenance, and, quickly divining the cause, added, “But I am of a sceptical turn of mind, and do not easily believe unless I see. There is one thing I have observed, however, which is in favour of his existence.”
“What’s that?” inquired March, brightening up. “That the nearer one comes to his reputed dwelling-place, this wild man assumes smaller and more natural proportions. I first heard of him in the Red River Prairies, where he is held to be a giant who devours men as well as brutes. As I came nearer to the Missouri, I found that the people there do not believe him to be either a cannibal or a giant, but assert that he is an enormously tall and powerful man, exceedingly fierce, and the sworn enemy of the whole human race; a species of Cain, whose hand is against every man, and every man’s hand against him. The last white man I met—about two weeks ago—told me he had been with a tribe of Indians, some of whom had seen him, and they said that he was indeed awfully wild, but that he was not cruel—on the contrary, he had been known to have performed one or two kind deeds to some who had fallen into his power.”