Hostage Tower

When all three security men came out, the nervous man stood in the doorway, watching them depart. He shut the front door behind them, and checked that it was fully locked.

The driver glanced up again at the big clock. It gave the time as three minutes after six. ‘Home then,’ he said.

Number Four, Weesperplein, was an impressive, even beautiful, building, and the Gothic-script ornamental letters forming the frieze around the clock described in two succinct words what went on behind the imposing facade. The legend was ‘AMSTERDAM DIAMANTBEUR’.

A brass plate on the wall carried a translation for the benefit of foreigners: ‘AMSTERDAM DIAMOND EXCHANGE’.

Sabrina Carver made her first steal when she was seven.

She lived then – and for the next ten years – in her native town of Fort Dodge, Iowa, county seat of Webster County, as Sabrina learned at an early age, and immediately forgot.

It was also patiently explained to her that Fort Dodge had started life in 1850 as Fort Clarke, but the following year a pressing need arose to honour a certain Colonel Henry Dodge, and the name was changed. The fort was abandoned in 1853, so the tiny settlement, struggling to make ends meet in its uncompromising bed of river clay and gypsum, assumed the name.

‘Good for Colonel Dodge,’ thought Sabrina, and immediately forgot him, too.

The Des Moines River, on which Fort Dodge stands, is still picturesque at that point, though it no longer rings to the cries of marauding Indians and defending settlers. It figured prominently in Sabrina Carver’s young life, though, since it was the scene of that very first theft.

She was on a river trip with family and friends, and she calmly picked a tiny, silvery brooch off the coat of the lady who was sitting next to her, talking animatedly to Sabrina’s own mother. The larceny passed unnoticed for half an hour, until Sabrina’s mother spotted the brooch on her daughter’s dress.

Though she was straightway forgiven by the gushing owner – ‘The poor, innocent little darling doesn’t know, does she’ – Sabrina made no fuss about giving the brooch back.

For this act of mature contrition, she received a quarter from the gushing lady, who petted her like a doll, for Sabrina had appealing dark eyes, long red-blonde hair and a serious, saintly little face. As they were parting from her new-found friend, Sabrina stole the brooch again, and this time made sure her mother didn’t see it.

She sold the bauble to the roughest boy in school for two bucks. It was a gross under-payment, for the brooch had three diamonds set into a silver clasp. But at that time, Sabrina failed to recognize them as diamonds. She thought they were glass.

She never made that mistake again.

From then on, Sabrina stole regularly to brighten her comfortable but tedious middle-class life. She had unearthed a professional fence by the time she was nine, and impressed him with her ability to deliver her dentist father’s instruments, one at a time, over a space of three months. In that ongoing heist, she used a different modus operandi each time. The police were baffled.

All her education, her astonishing physical fitness, her command of sports and special skills, even her flowering beauty, were ruthlessly channelled into serving her over-weening ambition to become one of the great thieves of all time. She chose new clothes, picture shows, books, lectures, holidays, only if they would widen her experience, or add to her prowess, or make the art of stealing easier for her.

Sabrina was, then, supremely dedicated. On her seventeenth birthday she left high school laden with prizes, and clutching a letter from the Principal urging that she go on to Vassar, or at least Bryn Mawr, since she was the brightest student the school had ever known.

Her fence held sixty-seven thousand dollars for Sabrina in his own deposit account. By the end of the following week she had almost doubled her nest-egg with the proceeds of a raid on a Des Moines hotel, which the police said could only have been committed by a small squad of acrobatic commandos.

Sabrina warmly thanked her friend the fence, withdrew every cent of the capital, and disclaimed the current interest. She used the money to set up in business for herself in New York, later establishing branch offices in Paris, Monte Carlo, Rome and Gstaad.

She never once went back to Fort Dodge, Iowa, and had not made the slightest attempt to contact her parents.

Sabrina was a healthy girl and, at the age of twenty-five, almost indecently beautiful. Sex was easy to find, and she frequently found it.

At no time, however, did she allow any ulterior consideration to interfere with what, for Sabrina, was the ruling passion, the most intense pleasure, of her life. Not merely stealing, but stealing diamonds.

At stealing diamonds, Sabrina was indeed internationally acknowledged to be the very best.

There are probably more diamonds in Amsterdam than in any other single place in the world. Diamonds were first discovered in India, but the Dutch – who are inclined to treat anything of value with exaggerated respect – have been cutting and polishing them since the sixteenth century. At factories like Asscher’s, eagle-eyed cutters peer at cleavage panes parallel to the octahedral faces, and divide the fabulous crystals with immense care, skill and courage.

Asscher’s it was who cleft the 2024-carat Cullinan Diamond. Joseph Asscher himself struck the master blow. Had he messed it up, his firm would doubtless have gone bankrupt, and the British Crown Jewels would have a lot of empty spaces in them.

Asscher’s, and other manufacturing plants, are the places where the glamorous work of the diamond trade is done, but for dealing, the centre is the Amsterdam Diamond Exchange. The Exchange, in fact, handles bullion of all kinds, which was why its security manager did not for a moment hesitate to grant a request from an important client, concerning not gems, but a consignment of gold ingots.

‘I would not trouble you,’ the client, Kees van der Goes, had said, ‘except that I owe a favour to this friend of mine. He’s got a big shipment of gold passing through Amsterdam at the weekend … at least, it was supposed to, but the outward journey to London has been delayed. He’s asked me if you’d look after the crates for him until Monday morning. They’ll reach you on Friday night.’

Van der Goes, a well-known diamond and bullion dealer, was a valued customer of the Exchange. The security manager, whose nervousness was endemic, and practically boundless, agreed immediately.

‘We’ll keep the vaults open for the consignment,’ he promised, ‘though if you could possibly arrange for the crates to be delivered by six o’clock, then the time-lock can run its routine, you know.’

Van der Goes said he would try, and the security men backed him to the hilt. They had all, however, reckoned without the dealer’s pedantically fussy agent, who arrived at the Exchange shortly before the shipment, and insisted on examining at least part of the contents of both crates.

They had been carried through to the rear lobby, and there, the massive steel door to the vaults stood open, even though the electric wall clock showed seven minutes after six. The crates stood side by side on the metal floor. The fussy agent had just finished sealing one crate, and was about to open the other.

The nervous security manager’s anxiety increased with each second that passed.

‘Must you check the second crate?’ he pleaded. ‘It’s probably just the same as the first.’

‘I sincerely trust that it is,’ remarked the agent, ‘because it’s supposed to be, after all, isn’t it?’

‘So?’

‘But one must be positive, my dear fellow,’ protested the agent. ‘You would not wish me to do half my job, would you?’ ‘My job is to close the vault.’ ‘And so you shall. All in good time.’ The security manager shot the agent a glance of pure detestation, which was completely ignored. The agent unlocked the seals, and prised off the lid of the second crate. Like the first, it was filled to the brim with shiny gold ingots. As he had done before, however, the agent insisted in lifting up ingots from various places, to check the tier beneath. Finally satisfied, he lowered the lid, and laboriously replaced the clasps and seals.

Mopping his brow, the nervous one pushed home the vault door, spun the locking wheels, dialled the combination, and set the clock for the time-lock. The Amsterdam Exchange vaults would now remain shut, sound-proof and air-tight, until nine o’clock on the following Monday morning.

No human agency except a massive bomb could open the door from the outside.

And no way had yet been devised for performing the operation from the inside.

The stillness within the vault was almost palpable, the air heavy and hot. No sound came, and no living thing stirred.

So the shattering noise as the end panel of one of the crates was violently kicked out, seemed all the more horrendous because of the oppressive silence.

Feet first, a dark figure wriggled into the total blackness of the vault. Despite the increasing warmth (which would eventually come under thermostatic control at 70 degrees Fahrenheit), the intruder shivered, for the place had about it the feel of the tomb.

The beam of a slim torch cut through the Stygian darkness, and illuminated the other crate. With tools from the air-conditioned ‘living space’ in the first box, the burglar levered off the end panel of the second, and drew out more tools, plus battery lights, portable breathing apparatus, a radio, and a plentiful and varied supply of food and drink.

A battery light came on, and the dark form of the thief was revealed, clad from head to foot in the sinister all-black garb and hood of a Ninja Assassin.

Periodically, the hood was lifted to enable the intruder to breathe through a mask attached to an oxygen tank.

Finally, Sabrina Carver pulled the hood off altogether, and released her flowing hair. She switched on the radio, and settled down to a packet of smoked salmon sandwiches and a bottle of excellent Pouilly Fuissé.

It was going to be a long wait until Monday morning, she thought, with only the theft of a small fortune in diamonds to while away the time.

The electric clock controlling the time-lock jumped from two minutes of nine to one minute. The security manager started in sympathy, despite the fact that his Monday morning routine of opening the vaults had not varied since he joined the staff of the Amsterdam Diamond Exchange twelve years before.

The machinery had merely got more sophisticated, and though the clock made no noise as it ticked off the minutes, the security manager, being nervous, acted as if the passage of the long hand was the crack of doom.

He was accompanied by the Deputy Director of the Exchange – again, as normal – and lurking discreetly behind them were two armed and uniformed guards. One kept a wary eye on van der Goes’s fussy little agent.

Nine o’clock.

A white bulb over a switch box next to the vault door blinked on. A plaque in the wall identified the box as the ‘Time Vault Release’. A security guard reached out a long arm and, on the nod of the Deputy Director, pressed down a lever.

The security manager breathed a sigh of heartfelt relief, and stepped forward to turn the large combination dial, and spin the wheels in reverse direction.

The guards lifted their weapons and flanked the two executives.

With a solid metallic ‘clunk’, the bolts inside the vault slid along their tracks, and the mighty door swung soundlessly out.

The security manager looked over his shoulder at his boss, smiling for the first time during the entire weekend.

The five men outside the vault barely had time to register the unbelievable scene … steel deposit boxes lying open, some scattered on the floor, clearly empty, alongside a trio of equally empty wine bottles.

Then the bizarre black hooded figure was on them.

The guards did little more than gape, because the intruder was clear past before they realized there had been anyone in the vault at all.

They were left with one scarcely possible, lunatic impression: of the sound of whirring wheels.

It was only when the hooded figure had gone that one guard turned on his heel, loosed off a departing shot, and shouted, ‘Roller skates! It had roller skates!’

In the outer lobby, secretaries and early arriving businessmen dived for safety as the apparition sped across the marble floor in long, crouching strides. Sabrina saw the far wall looming up, and made a dramatic power leg-over-leg turn.

The racing wheels of the skates fixed to her boots screeched jarringly on the marble as she clipped a corner and shot into a corridor.

The few girl clerks, more soigné secretaries, and portly office managers in her way, scattered in horror and flattened themselves against walls or ducked into open doors to give her a clear passage.

Accelerating all the time, she pumped powerfully and unstoppably down the corridor, and from there to another, hunched forward in racing style, her arms swinging in surging rhythm, her eyes pools of brightness in the dark hood, a black knapsack clipped to her back.

Through a third corridor she rushed and a fourth, navigating a half-open glass door, and with more hair-raising right-angled turns, until she knew she was once more at the rear of the building.

It was an exhibition of breathtaking skill, streaking through knots of terrified people, skimming obstacles, trolleys, file-toting clerks, all the while gaining power and acceleration.

And finally, she was in a cul-de-sac.

She looked steadily ahead, gritting her teeth, bunching her muscles.

The passage ended not in a wall but in a floor-to-ceiling picture window. Sabrina careered towards it, went into an even lower crouch, let loose a yell of exultation, and sprang into the air.

She launched herself at the glass, booted feet and gloved fists leading, and pulped it to smithereens, bursting through into the cool air in a shower of splintered fragments.

Arms wheeling like a ski-jumper, she cleared the sidewalk and a disbelieving pedestrian. She landed fully-balanced in the roadway and, without stopping, leaned into a turn and roared away down the slight gradient.

An areaway, no more than an alley, came up on her right, just where it should have been, just the way she had planned it.

She sped into it, dodging garbage bins, and reached a sheltered open space at the back of an off-centre theatre.

Behind her she heard the wailing of klaxons, and the shouts of guards and police who were belatedly on her track. Sabrina spun to a stop, and slipped off her skates, stowing them in the unclipped haversack. With a key from her belt she let herself into the almost deserted theatre.

The people goggling at the unaccustomed activity in the quiet street, took the dazzlingly lovely girl in the pant suit for an actress, even if only because she had exited from a theatre. She had a large tote-bag slung over her shoulder, and she smiled winningly at the guards tearing past her.

Once in the Weesperplein, Sabrina caught a tram to the Rijksmuseum, spent half an hour there soaking up the Rembrandts, and walked through the pedestrian precinct to the Grand Hotel Krasnapolsky in Dam Square.

At the Amsterdam Diamond Exchange, the Deputy Director and the security manager were comparing notes with the police.

‘I make it probably four hundred thousand dollars’ worth in the unlocked boxes,’ the Deputy Director said, ruefully. ‘Thank God it was a slack weekend, and there wasn’t more there.’

‘It was enough,’ the security manager intoned. ‘My, oh my, it was enough.’ He breathed out noisily, and shook his head in tragi-comic weariness. ‘Roller skates. I ask you – roller skates.’

‘What about my client’s gold?’ demanded the agent of Kees van der Goes.

‘Nothing leaves here,’ interjected a stern-faced and harassed policeman. ‘Those are the orders.’

‘But the seals,’ the agent bleated, ‘they are untouched. The crates are as they were on Friday evening.’

And they were. With the sole exception of the wine bottles – which she left on the floor out of sheer devilment – Sabrina had stowed everything carefully away in the crates, and repaired the end panels. With luck, they would pass scrutiny.

‘So where, then,’ the policeman inquired icily, ‘did the guy in black spring from? Hey? And where did these bloody bottles come from? Huh?’

For once, the agent had no ready answer.

THREE

Enter the Black Spider-man.

There are times, even at night, when New York City – and particularly the canyons of the great avenues – seems to be made of glass.

Curtain walls of opaque smoothness, rising hundreds of feet into the air, suddenly, from different angles, come on like Christmas Trees, and reflect the whole exotic panorama of skyscraper and strip-bar, cathedral and cat-house.

Generally speaking, the bigger buildings are where the bigger people live, or work, or occasionally love, when they are not too preoccupied with living and working.

The big people like to have the trophies, the spoils, of their rich and rewarding lives around them, if only to remind them how richly rewarded they are. Then they pay other, more talented, people to arrange the trophies in the most aesthetically pleasing ways, and invite yet more people, who are less richly rewarded than they are, to come to their palaces and admire both them and their gewgaws.

The process serves two useful purposes: it teaches the visitors that the deadly sin of envy is a magnificent driving force; and it provides the means for the Pollocks, the Ming jars and the Mayan masks to get the occasional dusting.

There is, though, one drawback: certain small-minded persons are importunate enough to wish to steal the spoils of the moguls. Thus, the trophies have to be guarded with such fanatical zeal that the pretty penthouse palaces become fortresses, or, worse, virtually prisons.

Happily, most of the lairs of the truly rich are well-nigh impregnable, and it must be a source of comfort to the criminal classes that these good citizens can sleep easily in their beds at night. So euphoric do the big people sometimes feel, that they will gladly lend out their treasures for public exhibition so that a great many people may see them, and slaver at the unostentatious plaque that makes it perfectly plain who is doing the lending.

If anything, these public displays are protected with even greater care and devotion than the private gloatings, for while the truly rich may not sincerely appreciate their treasures, they are the very devil when it comes to collecting insurance pay-offs.

When the Black Spider-man gets bored with stealing from the millionaires’ palaces, he will penetrate the public exhibition places with equally contemptuous ease.

In Manhattan’s Fifth Avenue there are many glass mansions, as a latter-day prophet might put it. One stands in the block between 5th and 58th and 59th. A poster tastefully mounted on an easel outside the building says: ‘LOAN EXHIBITION. THE T’ANG TREASURES. 38th FLOOR EXHIBITION HALL’.

Much of the building is in darkness, but the lobby is well-lit, especially the elevators. Two men, both armed and in the livery of security guards, sit and talk and smoke …

Up the steel-beamed glass wall C.W. crept. He was black-clad and black of skin, his bare toes as prehensile as his gloved hands. He did not have far to go. Twenty feet above him sat a window washer’s gondola, attached to the vertical inset steel I-beam by a wheeled device.

C.W. reached it without breaking sweat, and climbed in. Slowly the gondola rose, almost to the peak of the building. C.W. scorned to count the floors: he would know the 38th when he reached it.

He looked down, and from side to side. The avenue, stretching out as far as he could see in one direction, was a ribbon of moving light-specks. The other way lay the dark menace of Central Park.

The 38th floor exhibition suite was not completely darkened. Though the exhibition had closed for the night, the choicest masterpieces of Chinese sculpture and metalwork were perman ently illumined; some gaudily, where they needed it, others hardly touched by fingers of light that picked out salient features of wonderful artistry and delicacy.

C.W. peered through the window, and located the centrepiece – a magnificent T’ang Dynasty Flying Horse. The Black Spider-man drew in his breath. The sculpture was almost too exquisite to handle. But it was his target. He had a commission to steal it, and in any case he would own it for a few brief, precious hours.

C.W. also noted the other form of illumination in the exhibition suite’s main hall. Light-beams, laser-powered, criss-crossed each other like searchlights, seeking out and protecting the exhibits with a sureness that no human guard could match.

An intruder had merely to touch one of the glowing rays, and alarm bells rang out – not just in the exhibition suite and the lobby, and in the apartment of the building’s security chief, but also at Manhattan Central and two other police precincts. The Flying Horse sat there, graceful and elegant, but dramatically charged with the suggestion of enormous, coiled power.

C.W. conceived the loony notion that all he had to do was whistle, and the horse would leap out of its prison into his arms. He tried it, and his warm breath blew back into his face from the window. He thought the horse winked, but he wasn’t sure.

He sighed, and picked up from the floor of the gondola a large rubber suction cup. He clamped the cup to the window, and fixed the cord running from it to the stanchion of the I-beam. Then he took from his belt a diamond-tipped scalpel, and patiently traced a perfect circle around the perimeter of the cup.

He completed the manoeuvre several times, and replaced the scalpel. With the knuckles of both hands, he rapped the area of glass surrounding the suction cup, which was sitting on the skin of the window like a black carbuncle.

The ring of glass broke free, and C.W. carefully caught the suction cup and allowed it and its new glass cap to hang by the cord against the side of the building. He crawled through the circular hole, carefully avoiding a low, slanting light-beam, and stood in the exhibition hall getting his bearings and adjusting his eyes and body to the changed lighting and temperature. He breathed in deeply and evenly, and tensed his muscles for what, at best, could be only a ten-second sprint to the horse, and back out to freedom.

For the Black Spider-man knew that he had not even the remotest chance of stealing the horse and escaping undetected. That might be achieved by an army of electronic experts and technicians, but C.W., as always, was one man, alone. For him, it had to be the hard way.

His sole aids were his pantherish strength, his astonishing nerve, his natural ferocity, and his boundless contempt for danger.

He had one other (for his chosen trade) admirable quality: he was always self-contained, and rarely dealt in violence. Violence against things, or obstacles – yes. Against locks, doors, safes, secur ity devices; but hardly ever against people. C.W. valued people – even the truly rich – almost as much as he valued the beautiful creations they owned.

Drawing breath again, he let it out explosively, and launched himself towards the centre of the room.

When you are baptized Clarence Wilkins Whitlock and your schoolfriends ask you which name you want them to call you by and you say ‘Neither’, then you might have to fight to protect your nominal integrity. Clarence Wilkins Whitlock reached this small crisis early on in life, and established his right to be known simply as ‘C.W.’ over a bloody, but gratifyingly brief, period in one of the less favoured districts of Tallahassee, Florida.

C.W. came from the wrong side of the tracks before the tracks were even laid. He had an innate appreciation of the natural beauty of that part of Northern Florida where Tallahassee sits on its perch high above the sea, in a nest of rolling hills, lakes and streams. When C. W. could get away, this was where he liked to be, sitting by – or more likely in – the little tumbling brooks, sunning himself on the quiet uplands, and climbing the giant magnolia trees and majestic oaks, hung in season with Spanish moss.