Further reading: Mackenzie 1967.
AGES OF THE WORLD
Since ancient times many cultures have divided the history of the world into a series of distinct ages, separated by cataclysms. The oldest documented teaching about ages of the world in the West appears in the writings of the Greek poet Hesiod, who wrote sometime in the eighth century BCE. According to Hesiod, history began with the Golden Age, when people lived without sorrow or toil; they became earth spirits, and their age ended. Next came the Silver Age, inhabited by people who refused to worship the gods and so were destroyed. The Bronze Age followed, and its people were savage warriors who ended the age by exterminating one another. The fourth age was the Age of Heroes, the setting for all the Greek heroic myths, and ended when the heroes either died in battle or went to the Elysian Fields in the far west of the world. Finally came the Iron Age of Hesiod’s own time, an age of poverty, toil, and bitter suffering. Later Greek and Roman writers suggested that the Iron Age would end with a return to the Golden Age, but Hesiod holds out no such hope; in his vision the Iron Age is fated to worsen until the gods finally abandon the world and the human race perishes.
A similar scheme appears in India, where a sequence of four yugas or world-ages sets the beat for a cosmic clock. First in the sequence comes the Satya Yuga or golden age of righteousness of 1,728,000 years, then the Treta Yuga or silver age of 1,296,000 years, then the Dvapara Yuga or bronze age of 864,000 years, and finally the sinister Kali Yuga, the iron age of darkness and ignorance, lasting a mere 432,000 years. The Kali Yuga ends in catastrophe, after which the entire cycle begins again.
Another scheme of the same type can be traced in Native American traditions. A set of myths found from Oregon to Peru divides time into world-ages called suns, of which the present is the fifth. Each sun lasts about 5125 years and ends with a disaster. The current Fifth Sun, according to the Mayan calendar, began on August 11, 3114 BCE, and will end in catastrophe on December 21, 2012. See Mayan calendar.
What lies behind these numbers, according to many scholars, is the precession of the equinoxes, a slow wobble in the earth’s orbit that moves the equinoctial and solstitial points backwards through the zodiac at the rate of one degree every-72 years: 2160 years, one Great Month, takes the markers through an entire sign of the zodiac, and 25,920 years, one Great Year, completes the full precessional cycle. For convenience, the position of the sun at the spring equinox is used to track the entire process; when the cast of the 1960s musical Hair sang about the dawning of the Age of Aquarius, they were referring to the shift of this position out of Pisces, where it has been for a little more than 2000 years, into the sign of Aquarius.
The same numbers govern most other systems of world-ages. The Fifth Sun of the Mayan calendar, for example, is almost exactly one-fifth of the Great Year, and the Kali Yuga consists of 200 Great Months. Even shorter cycles such as the system created by the German Renaissance wizard Johannes Trithemius of Sponheim (1462–1516) unfolds from the precessional cycle; the seven angels of Trithemius’s system each rule over a period of 307 years and 7 months, so that the full cycle completes in one Great Month.
Not all secret society teachings about world-ages, however, follow the movements of the precessional cycle. For more than two thousand years, Chinese revolutionary secret societies have postulated a simplified system of world-ages as part of their ideology. The length and number of previous ages vary from one secret society to another, though a three-age system is the most common. Of central importance, though, is the transition from the present dark age – identified with the then-current Chinese imperial dynasty – to the bright new age that will dawn as soon as the dynasty is overthrown and the secret society’s leader becomes the next emperor. See White Lotus societies.
A remarkably similar system can be found in nineteenth- and twentieth-century European secret societies, which borrowed it from the medieval Italian mystic Joachim of Floris. Joachim’s system originally postulated an Age of God the Father, ruled by the principle of law and lasting from the fall of Adam and Eve to the crucifixion of Jesus; an Age of God the Son, ruled by the principle of love and lasting from the crucifixion to Joachim’s own time; and an Age of God the Holy Spirit, ruled by the principle of liberty and lasting from Joachim’s time to the end of the world. Later Joachimite theologians flipped the first two to produce a more satisfying drama, in which an original blissful Age of Love gave way via the fall of Adam and Eve to the bitterness of the Age of Law, which was about to yield to the redemption of a utopian Age of Liberty.
Stripped of its theological framework, this latter scheme became the most common system of world-ages in the modern West. Karl Marx and Friedrich Engels redefined it in economic language to become the basic historical scheme of communism, with primitive communism as the Age of Love, capitalism as the Age of Law, and the workers’ paradise of communism as the future Age of Liberty. Aleister Crowley used Egyptian mythology rather than political economy to define history in terms of the Aeons of Isis, Osiris, and Horus, with himself the prophet of the latter. A string of feminist writers, in turn, subjected gender relationships to the same scheme and saw the Age of Love reflected in their hypothetical ancient matriarchal utopias, the Age of Law in Indo-European patriarchy, and the future Age of Liberty in a “Partnership Society” of gender equality in which, to adapt George Orwell’s phrase, women would be noticeably more equal than men. See Communism; Crowley, Aleister; Matriarchy.
These two grand schemes – the precessional cycle and the myth of fall and redemption – define most of the systems of world-ages circulated in secret societies during the last four hundred years or so, but the sheer creativity of the secret society underground has guaranteed a hearing for other, unique systems. One of the best examples is the work of Sampson Mackey (1765–1843) of Norwich, a shoemaker and self-taught cosmologist, who argued that Earth’s poles gradually turned over in a vast cycle no less than 2,332,800 years in length. When the poles were perpendicular to its orbit, Earth basked in perpetual springtime; when the poles were parallel to the orbital plane, it entered an “Age of Horror” in which its inhabitants alternately froze and fried in nights and days that were each six months long. This vision of prehistory found a home in the teachings of the Hermetic Brotherhood of Luxor, an influential magical secret society of the late nineteenth century. See Hermetic Brotherhood of Luxor (H.B. of L.).
The popularity of teachings about world-ages shows no signs of ebbing at present, and recent discoveries about natural catastrophes in the distant and not-so-distant past have provided a good deal of fodder for present and future theories about ages of the world. Whatever else can be said about the present world-age, it is one in which world-ages are a perennially hot topic!
Further reading: de Santillana and von Dechend 1977, Godwin 1993, Hesiod 1973.
AGHARTA
An underground city supposedly hidden away somewhere in the vast-nesses of central Asia, Agharta – also spelled Aghartta, Agharti, Agartha, and Arghati – has become a fixture of modern occultism, the secret teachings of numerous secret societies, and the further shores of contemporary conspiracy theory. Unlike its twin and rival Shambhala, which has deep roots in Tibetan Buddhist traditional lore, the hidden city of Agharta was concocted out of Norse mythology and thin air by two nineteenth-century French authors. Its invention and spread is one of the most remarkable tales in hidden history. See Shambhala.
The story begins with Louis Jacolliot (1837–90), a French official in Chandernagore, India, who eked out a sparse salary by writing for the popular press. Jacolliot made several contributions to the field of rejected knowledge; the Nine Unknown Men, one of many groups claimed as the secret masters of the world, was another of his inventions. One of Jacolliot’s favorite themes was euhemerism, the idea that ancient mythology recounted events from even more ancient prehistory. In 1871 he published a bestseller, Le Fils de Dieu (The Son of God), supposedly recounting the 15,000-year-old history of India, as revealed to him by friendly Brahmans. See Euhemerism; rejected knowledge.
Suspiciously, the “history” in Jacolliot’s book has almost nothing in common with the traditional history of India as recounted in Hindu scriptures and epics, and almost everything in common with the Norse mythology then wildly popular in Europe as a result of the folklore collections of the Brothers Grimm and the operas of Richard Wagner. The city of Asgartha, capital of the ancient Indian empire at the center of Jacolliot’s history, is a case in point. This is simply Asgarth – an alternative spelling of Asgard, the home of the Norse gods – with an a tacked on the end to make it look like a Sanskrit word.
The success of Jacolliot’s book put Asgartha on the map in French popular culture, but it is not quite clear how the city came into the hands of the next major figure in the Agharta saga, the eccentric French occultist J.-A. Saint-Yves d’Alveydre (1842–1909). Saint-Yves claimed that he was taught about Aghartta (his preferred spelling) by Haji Sharif, whom Saint-Yves called “a high official in the Hindu church” but who had a Muslim name and seems to have been a parrot-shop proprietor in Le Havre. According to the researches of Joscelyn Godwin, one of the few capable historians to explore the Agharta myth, Haji Sharif taught Sanskrit to Saint-Yves, and also passed on some material derived from Jacolliot’s book. From there, Saint-Yves went on to create the entire modern mythology of Agharta.
In 1886 Saint-Yves privately published a book about Aghartta titled Mission de l’Inde en Europe (The Mission of India in Europe). He then became convinced he had revealed too much, recalled the entire edition, and had all but two copies burned. Not until 1910, a year after his death, was the book reissued. It proved to be an account of astral journeys in which Saint-Yves went in search of Aghartta and found a living city deep underground, inhabited by millions of people under a Sovereign Pontiff whose absolute rule was backed up with technological marvels as well as mystical powers. Much of the book expounds Saint-Yves’ political philosophy of synarchy, and the whole account shows obvious borrowings from Jacolliot’s Le Fils de Dieu, Edward Bulwer-Lytton’s occult novel The Coming Race, and the “Mahatma letters” circulated by the Theosophical Society. See synarchy; Theosophical Society.
Well before Mission de l’Inde’s reissue, rumors about Agharta circulated in occult circles in Paris, and the Martinist order headed by Papus (Dr. Gérard Encausse), one of Saint-Yves’ closest students. The republication of the book instantly made the hidden city a hot topic throughout the European occult underworld. This was probably the channel by which it reached its next major publicist, Polish adventurer Ferdinand Ossendowski. After traveling through central Asia in the throes of the Russian Revolution and the civil war that followed it, Ossendowski published the sensational bestseller Beasts, Men, and Gods (1922). Large portions of the first three chapters were plagiarized from Saint-Yves’ book, though Ossendowski changed the spelling of most of the proper names: Saint-Yves’ Aghartta, for example, became Agharti in Ossendowski’s tale. See Martinism.
Ossendowski’s book was published in several languages and brought Agharta into a blaze of publicity that has never really faded. The Traditionalist philosopher René Guénon took time from his abstruse studies of Vedanta to write Le Roi du Monde (The King of the World, 1927), turning the story of Agharta into vehicle for subtle analyses of symbolism and myth. On the other end of the cultural spectrum, the pulp science fiction magazine Amazing Stories, under its legendary editor Raymond Palmer, made room for stories about Agharta in the 1940s. See Palmer, Raymond.
In the second half of the twentieth century, Agharta became a fixture in New Age and alternative reality circles in America and elsewhere, and found itself associated and at times confused with Shambhala, the other mysterious city in central Asia. During these same years, however, most serious occult secret societies dropped the entire superstructure of occult alternative history that had accumulated during the “Theosophical century” (1875–1975), and few if any magical secret societies include teachings about Agharta at present. Further reading: Godwin 1993, Guénon 1983, Kafton-Minkel 1989.
AKHENATEN
Pharaoh of Egypt, c.1400–c.1350 BCE. The second son of Amenhotep III of Egypt’s 18th Dynasty, the future Pharaoh Akhenaten was originally named Amenhotep. There may have been ill feeling between father and son, as the young Amenhotep is never named or portrayed alongside his siblings on his father’s monuments, but he became crown prince after the death of his older brother Thothmes and took the throne a few years later as Amenhotep IV.
Shortly after his enthronement, he proclaimed that the gods of Egypt’s polytheism were lifeless and powerless, and the only real god was Aten, the physical sun. In the first four years of his reign he imposed a religious revolution on Egypt, abolishing the priests and temples of all gods but his own and changing his name from Amenhotep, meaning “Amen is satisfied,” to Akhenaten, “spirit of Aten.”
In the fifth year of his reign, Akhenaten abandoned the capital city at Thebes and built a new capital for himself nearly a hundred miles down the Nile, at Tell el-Amarna, across the river from the ancient city of Hermopolis. Akhetaten, “Horizon of Aten,” contained a huge temple to Aten and a grandiose palace for Akhenaten himself, built and decorated in a style that flouted the traditional geometries of Egyptian art. Surrounded by his courtiers and favorites, the pharaoh pursued his religious vision and isolated himself from the world outside Akhetaten’s walls.
The last decade of his reign was a period of continual crisis, as the burden of rising taxes and forced labor for Akhenaten’s building programs crushed the Egyptian economy, and the rising power of the Hittite Empire in what is now Turkey challenged a military already stretched to the limit by Egypt’s own internal troubles. Meanwhile epidemic disease swept through Egypt, adding another strain to a crumbling society. Many Egyptians believed that the gods were abandoning Egypt because Egypt had abandoned the gods.
In the midst of these crises, Akhenaten died. Three short-lived successors – a shadowy figure named Smenkhare, the boy-king Tutankhamen, and Akhenaten’s elderly Prime Minister Ay – struggled with the situation without resolving it. Finally, on Ay’s death, the throne passed to Horemheb, commander of the army. Often tarred as the villain of Akhenaten’s story, Horemheb was a canny realist who understood that Akhenaten’s disastrous experiment had to be reversed if Egypt was to survive. During Horemheb’s 25-year reign, Egypt returned to peace and prosperity, but the price was the total destruction of Akhenaten’s legacy. Akhetaten was razed to the ground, the temples of Aten were torn down stone by stone to provide raw materials for new temples to the old gods of Egypt, and every trace of Akhenaten’s reign, his image, his name, and his god was obliterated.
The destruction was systematic enough that historians afterwards had only scattered references to “the accursed one of Akhetaten” and a confused legend of a time of troubles to suggest that something unusual had happened near the end of the 18th Dynasty. Not until the 1840s did the wall of silence raised by Horemheb break down, as European archeologists carried out the first surveys at Tell el-Amarna and found puzzling images of people worshipping the sun’s disk, carved in a style utterly unlike traditional Egyptian art. Curiosity about these so-called “disk worshippers” led to systematic digs at Tell el-Amarna and the gradual uncovering of the facts about Akhenaten.
The discovery of the tomb of Akhenaten’s son, the boy pharaoh Tutankhamen, in 1922 finished the process and catapulted the “heretic pharaoh” into public awareness throughout the western world. Akhenaten’s monotheism guaranteed that most portrayals of his life and reign during the early twentieth century were strongly favorable, and this made him an easy target for retrospective recruitment. H. Spencer Lewis of AMORC and Savitri Devi, the first major theoretician of the neo-Nazi movement, were among the many who found a place for Akhenaten as a forerunner of their own ideas. See Ancient Mystical Order Rosae Crucis (AMORC); National Socialism; retrospective recruitment.
Further reading: Aldred 1988, Redford 1984.
ALBIGENSIANS
A common term for the Cathars, derived from the town of Albi, where the Cathar faith first established itself in France. See Cathars.
ALCHEMY
One of the core elements of the western esoteric traditions, the science of alchemy has had an important part in the teachings of secret societies from ancient times up to the present. Today’s popular culture and the publicists of modern western science portray alchemy as a failed predecessor of chemistry that wasted centuries in an attempt to turn lead into gold by hopelessly inadequate means, but alchemy was much more than this.
A comprehensive philosophy of matter, alchemy included physics, chemistry, biology, meteorology, medicine, herbalism, embryology, the environmental sciences, psychology, economics, and mystical religion. Alchemists in China more than a thousand years ago successfully extracted steroidal sex hormones from human urine and used them to treat cases of hormonal insufficiency, and produced metallic aluminum. In the same way, the first distillation of alcohol, the discovery of phosphorus, the invention of organic fertilizers, and the first successful treatment for syphilis can be credited to western alchemists.
Nor is it certain that the central goal of western alchemy, the transformation of base metals to silver or gold, is entirely a will-o’-the-wisp. Such transmutations were witnessed more than once by qualified and skeptical observers, who used the best available technology to check their results. Nature doubtless has nooks and crannies that modern western science has not yet discovered, and alchemists in the past might have stumbled across one or more of those. The alchemists themselves claimed that a mysterious substance called the “secret fire” was necessary for transmutation; might this have been electricity, produced by simple lead-acid batteries, and transmutation akin to the “cold fusion” that set the scientific world on its ear a few years ago? No one knows.
Alchemy first surfaced in China, India, and Hellenistic Egypt around the second century BCE. The question of its origins remains wide open; scholars have argued inconclusively for many years whether it began in one of these areas and spread to the others, whether it emerged independently in all three, or if it originated in some other area that has not yet been traced.
Common to all alchemical traditions is the use of symbolism and evasive language to communicate alchemical secrets to those who already know the craft, while hiding them from all others. According to all accounts, the only way to understand the core secrets of alchemy is to receive them from an experienced alchemist, or to grasp them through a sudden flash of insight after careful reading of alchemical texts. Alchemists themselves claimed that openly publishing the secrets of their art might literally bring about the destruction of the world. Since those secrets are still hidden today, the reality behind these dire warnings remains anyone’s guess.
While these common themes connect all the different branches of alchemy, the art went through many changes in its history. The Chinese alchemical tradition spread throughout the Far East but had only indirect contact with traditions further west until recent times. It focused on creating the elixir of life. The original wai dan or “Outer Elixir” school, which attempted to create this substance in the laboratory, was largely replaced in medieval times by a newer nei dan or “Inner Elixir” school, which used meditation, breathing, and subtle energy exercises (qigong) to create the elixir within the body using the body’s own internal substances. Important elements of Taoist meditation, Chinese medicine, and “internal” martial arts such as tai chi developed out of this alchemical tradition. Chinese secret societies such as the White Lotus societies adopted many of these practices in past centuries and some offshoots of the White Lotus tradition still teach them today. See White Lotus societies.
In India, alchemy paid more attention to the creation of gold, but underwent the same transformation as in China. The art of laboratory alchemy, known as rasayana in India, was cultivated using simple equipment but complex vegetable compounds, while on the internal side alchemy fused with yoga and Tantric spirituality to create subtle sciences of physiological and psychological transformation.
In the West, the alchemy of Hellenistic Egypt failed to catch on in Greece or Rome, but found eager pupils among the Arabs. Arabic alchemists such as Jabir ibn Hayyan (c.720–810 CE) focused their efforts on metallic alchemy and invented most of the later toolkit of the western alchemist, perfecting the athanor (the alchemist’s furnace) and making important advances in laboratory technique. Beginning in the twelfth century, Arabic alchemical writings made their way to medieval Europe and launched a widespread alchemical movement there.
During the Renaissance, the golden age of European alchemy, tens of thousands of alchemists bent over retorts and crucibles in an attempt to wrest the secrets of gold-making from mute matter. Most of these were “puffers,” untaught novices motivated by greed, but some of the greatest alchemical writings of all time came out of the ferment of the Renaissance – works such as Salomon Trismosin’s Splendor Solis, Basil Valentine’s Triumphal Chariot of Antimony, and the lavishly illustrated writings of Michael Maier. These same years saw alchemical studies expand to include almost every branch of human knowledge from theology to agriculture.
It was the alchemy of the late Renaissance that flowed into secret societies in the early modern period, as the spread of the scientific revolution forced all occult sciences underground and esoteric secret societies tried to salvage everything they could of the occult traditions before they were lost forever. The complexity of Renaissance alchemical studies means, though, that a secret society that claims to teach and practice alchemy may be doing almost anything. When the eighteenth-century German Orden des Gold- und Rosenckreuz (Order of the Golden and Rosy Cross), an influential Rosicrucian order of the time, boasted of its alchemical teachings, it meant that its initiates spent long hours in laboratories over crucibles and retorts, attempting to create the philosopher’s stone that enabled common metals to be turned into gold. When the Octagon Society, an American esoteric order founded in the 1920s, refers to its alchemical teachings, it means that its initiates practice a system of psychological healing meant to turn the “lead” of painful memories and unproductive mental states into the “gold” of mental healing and joy. Both of these can be very worthwhile pursuits, but they have little in common beyond the label “alchemy” and a handful of symbolic themes drawn from alchemical teachings. See Octagon Society; Order of the Golden and Rosy Cross.