Copyright
Harper
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First published by HarperCollinsPublishers 2015
Copyright © Jax Miller 2015
Jax Miller asserts the moral right to be identified as the author of this work
Cover layout design © HarperCollinsPublishers 2015
Cover photographs © Jacket layout design © HarperCollinsPublishers 2015
Cover design © www.headdesign.co.uk
Cover photographs © Anne Heine/Alamy (chapel in landscape); Stephen Mulcahey/Arcangel Images (female figure)
A catalogue record for this book is available from the British Library
This is a work of fiction. Any references to real people, living or dead, real events, businesses, organizations and localities are intended only to give the fiction a sense of reality and authenticity. All names, characters, places and incidents are either the product of the author’s imagination or are used fictitiously, and their resemblance, if any, to real-life counterparts is entirely coincidental. The only exception to this are the characters Dean Scott, Syd Fraser, and Tony Wishart – who have given their express permission to be fictionalized in this volume – and Hector, the resident Banff Police Station ghost, who hasn’t. All behaviour, history, and character traits assigned to these individuals have been designed to serve the needs of the narrative and do not necessarily bear any resemblance to the real people. The Tarlair Outdoor Swimming Pool signage appears courtesy of Aberdeenshire Council.
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Source ISBN: 9780007595914
Ebook Edition © July 2015 ISBN: 9780007595891
Version 2015-11-27
Praise for Freedom’s Child:
‘A terrific read from a powerful new voice’
Karin Slaughter
‘Original, compelling and seriously recommended’
Lee Child
‘Seldom has a literary creation bounced off the page with as much raw vitality … one of the standout debuts of the year’
Guardian
‘There’s a reckless power to Miller’s untamed prose … she’s just plain amazing’
New York Times
‘A relentless and fiercely compelling debut. Freedom’s Child will hold you captive until the very last page’
Richard Montanari
‘A propulsive, full-throttle tale of revenge and redemption’
Irish Times
‘Freedom’s Child isn’t just a great debut, it’s a great book with one of the most angry, complex and compelling heroines this side of a certain girl with a certain tattoo’
Simon Toyne
‘I loved it. Such an original new voice’
Kate Medina
‘Brilliant’
Julia Crouch
‘Freedom’s Child is a remarkable novel that is as emotionally gripping as it is pulse-pounding. Equally heartbreaking and hard-boiled, Jax Miller has delivered a sensational debut novel’
Ivy Pochoda
‘Freedom’s Child is a page-turning tale of redemption that explores the complicated, intertwined bonds of motherhood and justice’
Elizabeth L. Silver
‘Horror, mistrust, deception and a cracker of a female protagonist. A top-notch, right rollicking read’
Writing.ie
‘A ferocious, witty, tough-as-nails debut’
The Times (South Africa)
‘Abounds with a charged rawness which is quite compelling to witness’
Jaffa Reads Too
‘This is a tense, absorbing read with a restless energy about it that appealed to me completely … I’m sticking with this author for life’
Liz Loves Books
Dedication
For Babchi and the boss of the city.
And to Pat Raia, the Robin to my Gotham.
Table of Contents
Cover
Title Page
Copyright
Praise for Freedom’s Child
Dedication
Prologue
Part I
Chapter 1: Freedom and the Whippersnappers
Chapter 2: Mason and Violet
Chapter 3: The Cockroach
Chapter 4: Home to ma
Chapter 5: The Need to Know
Chapter 6: The Music of the Devil
Chapter 7: High School Sweetheart
Chapter 8: The Suicide Jar
Chapter 9: Freedom and Passion
Chapter 10: The Delaney House
Chapter 11: Copper
Chapter 12: The Firm and the Archangel
Chapter 13: On The Breast
Chapter 14: Mattley
Chapter 15: The Empty Womb
Chapter 16: Peter
Part II
Chapter 17: The Bluegrass
Chapter 18: Freedom in Jesus
Chapter 19: The Third-Day Adventists
Chapter 20: The Nose of a Viper
Chapter 21: A Favor
Chapter 22: The Land of Freedom
Chapter 23: Freedom and Sacrifice
Chapter 24: Freedom and the Road Less Traveled
Chapter 25: Cat’s Cradle
Chapter 26: The End of Autumn
Chapter 27: America the Beautiful
Chapter 28: Charmed
Chapter 29: The Legend of Freedom
Chapter 30: Cuckoo
Chapter 31: Sunset
Chapter 32: Run, Rebekah, Run
Chapter 33: Speak Udda Debble
Chapter 34: The Whipping Post
Chapter 35: Freedom and Discovery
Chapter 36: Retired
Chapter 37: Freedom and Surrender
Chapter 38: Freedom McFly
Chapter 39: The Shadows of the Phoenix
Chapter 40: The Skin of Butterfly Wings
Chapter 41: Sunrise
Part III
Chapter 42: Eggshells
Chapter 43: The General Store
Chapter 44: With Prejudice
Chapter 45: Stripped
Chapter 46: All Debts Are Paid
Chapter 47: When Life Gives You Lemons
Chapter 48: The Deacons
Chapter 49: Their Blood, Your Hands
Chapter 50: Cabin Fever
Chapter 51: A Parade of White
Chapter 52: Whistler’s Field
Chapter 53: A Parade of Black
Chapter 54: Sunday
Chapter 55: Painter
Chapter 56: Sovereign Shore
Acknowledgments
About the Author
About the Publisher
Prologue
My name is Freedom Oliver and I killed my daughter. It’s surreal, honestly, and I’m not sure what feels more like a dream, her death or her existence. I’m guilty of both.
It wasn’t long ago that this field would ripple and rustle with a warm breeze, gold dancing under the blazes of a high noon sun. The Thoroughbreds, a staple of Goshen, would canter along the edges of Whistler’s Field. If you listen close enough, you can almost hear the laughter of farmers’ children still lace through the grain, a harvest full of innocent secrets of the youthful who needed an escape but didn’t have anywhere else to go. Like my Rebekah, my daughter. My God, she must have been beautiful.
But a couple weeks is a long time when you’re on a journey like mine. It could almost constitute something magnificent. Almost.
I catch my breath when I remember. Somewhere in this field, my daughter is scattered in pieces.
Goshen, named after the Land of Goshen from the Book of Genesis, somewhere between Kentucky’s famous bourbon trails in America’s Bible Belt. The gallops of Thoroughbreds that haunt this dead pasture are replaced with the hammering in my rib cage. The mud cracks below me as I cross the frostbitten field, steps ripping the earth with each fleeting memory. The skies are that certain shade of silver you see right before a snowstorm; now, the color of my filthy fucking soul.
I’m reminded of the sheriff behind me with an itchy finger and a Remington aimed between my shoulder blades. I’m reminded of my own white-knuckled grip on my pistol.
Call me what you will: a murderer, a cop killer, a fugitive, a drunk. You think that means anything to me now? In this moment? The frost pangs my lungs in such a way that I think I might vomit. I don’t. Still out of breath, I use the dirty robe to wipe blood from my face. I don’t even know if it’s mine. There’s enough adrenaline surging through my veins that I can’t feel pain if it is.
“This is it, Freedom,” the sheriff calls out in his familiar southern drawl. The tears make warm streaks over my cold skin. The cries numb my face, my lips made of pins and needles. There’s a lump in my throat I can’t breathe past. What have I done? How the hell did I end up here? What did I do so wrong in life that God deemed me so fucking unworthy of anything good? I’m not sure. I’ve always been the one with the questions, never the answers.
1
Freedom and the Whippersnappers
Two Weeks Ago
My name is Freedom, and it’s a typical night at the bar. There’s a new girl, a blonde, maybe sixteen. Her eyes are still full of color; she hasn’t been in the business long enough. Give it time. Looks like she can use something to eat, use some meat on her bones. I know she’s new because her teeth are white, a nice smile. In a month or two, her gums will shelve black rubble, and she’ll be nothing but bone shrink-wrapped in skin. That’s what happens in that line of work. The perks of being young are destroyed by the lurid desires of men and the enslavement of drug addiction. Such is life.
A biker has her by her golden locks, heading for the parking lot. The place is too busy, nobody notices. He blends in with the other leather vests and greasy ponytails, the crowd crammed from entrance to exit. But I notice. I see her. And she sees me, eyes glassed over with pleading, a glint of innocence that may very well survive if I do something. But I have to do something now.
“Watch the bar,” I yell to no one in particular. I’m surprised by my own agility as I jump over the bar and into the horde, pushing, elbowing, kicking, yelling. I find them, a trail of perfume behind the young girl. I take the red cap of the Tabasco sauce off with my teeth and spit it out. The biker can’t see me coming up behind him as he tries to leave the bar; he towers over me by a good foot and a half. I cup my palm and make a pool of hot sauce.
* * *
I still own the clothes I was raped in. What can I say? I’m a glutton for punishment. My name is Freedom, though seldom do I feel free. Those were the terms I made with the whippersnappers; if I did what they wanted, I could change my name to Freedom. Freedom McFly, though I never got to keep the McFly part. They said it sounded too Burger King-ish. Too ’80s. Fucking whippersnappers.
Freedom Oliver it is.
I live in Painter, Oregon, a small town showered in grit, rain, and crystal meth, where I tend a rock pub called the Whammy Bar. My regulars are fatties from the West Coast biker gangs like the Hells Angels, the Free Souls, and the Gypsy Jokers, who pinch my husky, tattooed flesh and cop their feels.
“Let me get a piece of that ass.”
“Let me give you a ride on my bike.”
“How ’bout I give you freedom from those pants?”
I hide my disgust behind a smile that convinces the crowd and stick my chest out a little more; it brings in the tips, even if it makes me shudder. They ask where my accent’s from and I tell them Secaucus, New Jersey. Truth be told, it’s from a shady area on Long Island, New York, called Mastic Beach. It’s not like the peckerwoods can tell the difference.
I tear out my umbrella in the early morning after my shift is over and the bar is closed. I squint through the October rains and the smoke of a Pall Mall. I swear to God, it’s rained every day since I was born. To my left, adjacent to the Whammy Bar, is Hotel Painter. The neon letters drone through the rain, where some key letters are knocked out so the sign spells HOT PIE. Appropriate, given that it’s one of those lease-by-the-hour roach motels that offer ramshackle shelter to anyone wanting to rent cheap pussy. The ladies huddle under the marquee of the reception desk to hide from the rain and yell their good-byes my way. I wave back. Goldilocks isn’t there. Good. Looks like the night’s slowed down.
Fuck this umbrella if it doesn’t want to close. I chuck it to the dirt lot and climb into the rusty hooptie of a station wagon. I remove my nose ring and put the smoke out in an overflowing ashtray.
“Jesus Harry Christ,” I scream, alarmed by a knock on the window. I can’t see through the condensation and open it a crack to find a couple suits. “Whippersnapping jack holes.” They look at me like I’m nuts, but I’m pretty sure they expect it. People have a hard time trying to understand what I say most of the time. “Isn’t it late for you guys?”
“Well, you keep making us come out here like this,” says one of them.
“It was an accident.” I shrug as I get out of the car.
“Trying to blind a man with Tabasco sauce was an accident?”
“Semantics, Gumm,” I say as I fiddle with the keys. “Guy got rough with one of the girls, so I slapped him on the cheek. Only I missed his cheek and got his eyes. I only just so happened to have Tabasco sauce spill in my hand not a moment before. Besides, he’s not pressing charges, so I’m sorry you guys had to make the trip from Portland.”
“You’re walking on thin ice,” says Howe.
“Tabasco won’t blind you.” I shake the rain from my hair. “Just hurts like fuck and keeps you awake.”
“Well, he was mad enough to call the cops. If it weren’t for us, you’d be sitting in jail right now,” says Gumm.
“Besides, an eye patch suits him.” I lead them into the closed pub, turn on the power, and grab three Budweisers. They eyeball the beverages. “Relax. I won’t tell,” I offer.
The lights are dim, borderline interrogational, above the island bar in the middle of a large, old wooden floor furnished with the occasional pool table. The scent of stale smoke hangs heavy, etched in the wood’s grooves like a song impressed on a vinyl record. The music turns on to Lynyrd Skynyrd. U.S. Marshals Gumm and Howe each flip a stool down from the bar and sit.
“You know how it goes,” says Agent Gumm, with his salt-and-pepper hair, handlebar mustache, and sagged jowls. He doesn’t want to be here, I can tell. I don’t want him here either. Court-mandated. Fuck the system. Let’s get this over with. We’ll fill out the forms, I’ll get a lecture. Consider this a warning. Yeah, yeah, it’s always considered. To Gumm’s side is Agent Howe, who does a quick read over the files in their manila envelopes. “How’s this job treating you, Freedom?”
“I’d come up with a clever remark, but I’m too tired for the bullshit.” I wipe my leather jacket with a bar towel. “Just slap me on my wrist and we can all be on our way, why don’t you?”
“Was just asking about the job, is all,” says Howe, a handsome man in his early forties with jet-black hair and green eyes. I’d bang him. Well, maybe if he wasn’t such an asshole. Though I doubt that’d stop me anyway.
“Let’s cut the shit. You two didn’t come all the way here from Portland to get on my ass about a tiny bar scuffle.”
They twirl their bottles between their palms. Gumm uses his sleeve to wipe the sweat from his beer off the wood. They look at each other with those raised eyebrows, the kind of look that says, Are you going to tell her or should I?
“Will ya just spit it out?” I roll my eyes and hop onto the bar in front of them. I pull their envelopes from under me and sit Indian-style, their eyes level with my knees.
“Freedom, Matthew was released from prison two days ago. He was granted an appeal and won.” Gumm pretends to cough with the words. Well, isn’t that just dandy? I rest my elbows on my knees, chin on my fists. Which facial expression shall I feign? I go for ignorance, as if I have no idea who this Matthew is that they’re talking about. But I do. It’s why I am a protected witness. In the Witness Protection Program. WPP. Whips. Whippersnappers. But lucky me, I was dismissed with prejudice, meaning I cannot be charged for the same crime twice. Thank God for small favors.
“And?” I don’t want them to know that my heart is pounding and I’m starting to sweat.
Gumm leans in closer. “For a time to be determined, we are heightening your protection. We’ll have one of ours come see you on a weekly basis. Keep a low profile.”
“You mean lower than a biker bar in the middle of nowhere?”
“A small cross to bear for killing a cop, Freedom.” And there are those nasty looks and curled lips from these guys that I know all too well. “C’mon, you’ve got nothing to lose if you admit it already. I mean, you can’t be tried again for it. We know you did it.”
“Good luck proving it. And nice of you assholes to give me a heads-up.” I chug my beer and aim my chin at the door. “Be careful driving back to the big city in that rain. Don’t want you two dying in some terrible accident.” I finish the beer. “That’d just be terrible.”
At least they take the hint. Sometimes they don’t. Sometimes they overstay their welcome. Sometimes they do it on purpose just to piss me off. “By the way.” Howe rises from his stool and closes his coat. “I have to ask. Procedure, you know …” He speaks through his teeth like he has thorns in his ass.
I’ll save him the trouble, if only to get them the hell out of here faster. Their files stick to my wet boots as I bounce from the bar. I grab the soggy pages from under me and hand them over. “Don’t worry, I’m still on my meds,” but this is a blatant lie. And I think they know it’s a lie but don’t care. “No need to ask.”
* * *
I think about Matthew, released from prison after eighteen years; eighteen years of his imprisonment that secured my eighteen years of freedom.
Alone in the shitty apartment, I crawl out of wet clothes and dry my naked body against the cushions of a musty tweed couch. Alone I cry. Alone I look at an old picture of my dead husband, Mark, the one photo that survived an incident with a sink and a book of matches a couple decades ago. Alone I open a bottle of whiskey. Alone I whisper two names in the dark.
“Ethan.”
“Layla.”
Alone. Fucking whippersnappers.
2
Mason and Violet
I am a boy. This woman’s arms protect me from the vastness of the ocean, blue as far as the eye can see until it forms a gray line dotted with ships. I bury my face in her neck; her laughter moves my small body. But I don’t know who she is. I look up at the sky through her red hair; pockets of sunshine flash spellbindingly through wet locks. Her body, warmer than anything I’ve ever known, a blanket in the coolness of the waves. Her skin smells of coconut and lime. The sounds of seagulls roll in my ears, and I know I love this woman, I just don’t know who the hell she is. “Who are you?” I ask. She never answers in these dreams, just a straight row of blinding white from her mouth. I can’t wake up and I’m not so sure that I want to. She turns so the waves crash into her back, screams of delight in my neck. I wrap my legs tighter around her waist. And during the stillness between the wallops, I trace the tattoos on her shoulders, pick grains of sand from the ends of her hair, and tell her I love her.
“Where is your sister?” she asks.
Mason Paul wakes, shivering in his own sweat, the air still thick even hours after making love, her taste still on his lips. What makes this recurring dream a nightmare, he doesn’t know. He uses his thumb and index finger to gently grab the bones of Violet’s wrist, moving her arm from his stomach. Mason grabs a pack of cigarettes hidden in his sock drawer and sneaks outside, his movement delicate so as not to wake her.
Still too warm for an October night in Louisville, Kentucky, Mason stands naked at the double doors of his balcony, unsure whether his shoulders are an inch higher because of the satisfaction she left with him or with trepidation from the dream. Behind him, Violet snores, sprawled on top of silk sheets the color of her name. He pulls on the Marlboro and watches the stars that glow orange to correlate with the nearing of All Saints’ Day. He pours a bourbon Manhattan with a splash of butterscotch schnapps. It smells like candy corn. It smells like Halloween. These dreams, you’d think I’m some damn mental case. He clears the phlegm of a mild hangover from his throat.
The branches of black willows swing in the large backyard of the Victorian home, a Queen Anne architecture of ivory with black fringes, one that probably housed masters and slaves more than a century ago. He brings his silver necklace to his lips, warming the cross with his breath, but it’s just habit. In recent years, Mason decided it might be less disappointing to consider God as a loosely thrown noun instead of something profound. But it reminds him of his younger sister, Rebekah, the only member of his family who hasn’t shunned him. He misses her greatly. The bourbon doesn’t help.