Moonglow
In my grandmother’s stories wicked children received grim punishments, hard-earned success was forfeited in one instant of weakness, infants were abandoned, wolves prevailed. A clown who liked to scare children woke up one morning and found that his skin had turned paper-white and his mouth had twisted into a permanent grin. A widowed rabbi unraveled his tallis and used the thread and some of his dead wife’s clothes to sew their child a new mother, a soft golem silent as a raincoat. The stories gave me nightmares, but while she was telling them I found myself in the company of the grandmother I loved best: playful, exuberant, childlike, fey. In later years, whenever I recalled my grandmother to a close friend or a therapist, I would say that when she told a story, the actress in her came out. Her storytelling was a performance undertaken with ardor and panache. She did the different voices of animals, children, and men; if a male character disguised himself as a female, my grandmother would put on the funny, fluting voice that men affect in drag. Her foxes were suave, her dogs wheedling, her cows moronic.
If I hesitated before assenting to a story, my grandmother would rescind the offer, and weeks might pass before she offered again. So most of the time I simply nodded, unable to resolve the question of whether the company of the teller was worth the toll in bad dreams.
Almost fifty years later I still remember some of her stories. Bits of them have consciously and unconsciously found their way into my work. The stories I remember tend to be the ones I re-encountered in the plot of a film or in a book of folktales.* A few survived because some incident or sense impression of mine got tangled with or trapped inside the telling.
That happened with a story she told me about an encounter between King Solomon and a djinn. Afterward I remembered her introducing it as “from the Hebrew Bible,” but that turned out to be nonsense. Eventually I did find some Jewish folktales about Solomon matching wits with djinn but nothing like my grandmother’s story. She told me that one day Solomon, the wisest king who ever lived, was captured by a djinn. On pain of death, the djinn demanded that Solomon grant him three wishes. Solomon agreed to try. He set a condition: Granting the wishes must cause no harm to any living person. The djinn therefore wished for an end to war; Solomon reminded him that if there were no war, the swordsmith’s children would starve to death. Solomon helped the djinn to envision the disastrous outcomes of two more apparently benign wishes, and in the end the djinn was obliged to set King Solomon free. Typically the story did not quite have a happy ending, since afterward King Solomon himself could never again bring himself to wish for anything.*
I remember this story because after she was done telling it, my grandmother sent me to fetch something—a magazine, her glasses—in her bedroom. Maybe I was just snooping around. When I walked into the bedroom, I saw a shaft of afternoon sunlight, slanting in through a window, strike the eternal bottle of Chanel No. 5 on my grandmother’s vanity. A djinn kindled in the bottle. It was the very color of the way my grandmother smelled; the color of the warmth of her lap and enfolding arms; the color of her husky voice resounding in her rib cage when she pulled me close. I stared at the flickering fire imprisoned in the bottle. Sometimes I found pleasure, warmth, and comfort in that fragrance, and sometimes when she dragged me onto her lap, her perfume dizzied me and brought on a headache. Sometimes her arms would be iron bands encircling my neck, and the scrape of her laughter sounded embittered and hungry, the laughter of a wolf in a cartoon.
* * *
My five earliest memories of my grandmother:
1 The tattoo on her left forearm. Five digits encoding nothing but the unspoken prohibition on my asking her about them. The jaunty 7 with its continental slash.
2 A song about a horse, sung in French. She bounces me on her knees. Holding my hands in hers, clapping them together. Faster and faster with each line, from a walk to a trot to a gallop. Most of the time when the song ends, she folds me in her arms and kisses me. But sometimes when she gets to the last word of the song, her lap opens like a trapdoor and she tumbles me onto the carpet. While she sings me the horse song, I watch her face, looking for a clue to her intentions.
3 The crimson blur of a Jaguar. A Matchbox, a 3.4 Litre, the same color as her lipstick. She has bought it to console me after taking me to an ophthalmologist who dilated my pupils with drops of belladonna. When I panicked about the loss of vision she kept her cool, but now that I am happy again she gives way to worry. She tells me to put away the toy or I will lose it. If I play with it on the subway, one of the other boys riding on our train will envy it and steal it. The world is a blur to me, but my grandmother sees it clearly. Any of the shadows populating the 1 train might be a covetous boy bent on thievery. So I put the Jaguar in my pocket. I feel the Jaguar cool against my palm, the elegant taper of its lines, the words jaguar and belladonna that she will own forever afterward in my memory.
4 The seams of her stockings. Running true as plumb lines from the hem of her skirt to the backs of her I. Miller pumps as she feeds bones to a soup pot on the stove. Golden bangles stacked for safekeeping beside a floured marble pastry board on a countertop patterned with asterisks and boomerangs. The knob on the dial of her kitchen timer, finned and streamlined like a rocket.
5 The luminous part in her hair. Seen from above as she crouches in front of me, buttoning my pants. A ladies’ room, maybe Bonwit or Henri Bendel, a periphery of foliage and gilt. I am—in English and French—her little prince, her little gentleman, her little professor. Her coat has a fur ruff that smells of Chanel No. 5. I have never seen anything as white as her scalp. My mother would have sent me into the men’s room to do my own urinating and zip my own fly, but I am aware of no insult to my dignity. I understand that with my grandmother a different law obtains. A phrase I have heard comes to mind and along with it a sudden gain in understanding: She will not let me out of her sight.
4
On December 8, 1941, unemployed, bored, and known as a shark in every pool hall within a hundred miles of the corner of Fourth and Ritner, my grandfather enlisted in the Army Corps of Engineers. Bequeathing his custom Brunswick cue to Uncle Ray—depriving the world, in time, of a tzaddik—he boarded a troop train for Rapides Parish, Louisiana. After six weeks of basic he was sent to a Corps base near Peoria, Illinois, for training in the construction of airfields, bridges, and roads.
His hustler’s instinct was to underplay and advertise nothing, but among the raw recruits of Camp Claiborne and the bohunks and golems of Camp Ellis, he could not conceal the caliber of his game as a soldier and an engineer. He was strong and durable. His frugality with words got interpreted variously but to his advantage as manliness, self-possession, imperviousness. Inevitably word got around that he held an engineering degree from Drexel Tech, spoke fluent German, was all but unbeatable at pool,* and on intimate terms with motors, batteries, and radios. One afternoon when he and his fellow trainees were out butchering a meadow along the Spoon River, some idiot drove a truck through the line that connected their field telephone to the switchboard. My grandfather improvised a new connection using a nearby barbed-wire fence. When it started to rain and the wet fence posts grounded the line, he cut a spare inner tube into foldable bits and sent men down along the fence for two miles to insulate wire from wood.
The next day he was ordered to report to the commanding officer of his cadre. The major was a lean Princetonian, stained and yellowed by years of spanning chasms and draining swamps in malarial climes. His cheeks were all peeling skin and gin blossoms. He filled a briar pipe and took his time about it. Every now and then he sneaked a sidelong look at my grandfather, who stood uncomfortably at ease, wondering what he had done wrong. After the major had set fire to his pipe, he informed my grandfather that he was to be recommended for transfer to the Corps’s officer candidate school at Fort Belvoir, Virginia.
The atmosphere of life as an enlisted man was toxic with disdain for officers, and from the first my grandfather had breathed that atmosphere freely, without need of filter or adjustment period.
“Sir,” my grandfather replied after a moment of irresolution. He had nothing against this particular major. It was officers as a class whom he despised. “I’ll swing a hammer until we’ve built a highway from here to Berlin. But, all due respect, I’d rather be a dancing chicken in a box on the Steel Pier than a commissioned officer. No offense, sir.”
“None taken. I understand what you’re saying, and between you and me, your dancing-chicken analogy is very close to the mark.”
“Sir.”
“All the same, are you aware that if you were to make the grade as a first lieutenant, it would add fifty dollars to your monthly soldier’s pay?”
It happened that my great-grandfather’s final enterprise, a lunch counter near Shibe Park, had recently gone under. He was working now at a package store, grappling in a hernia truss with steel kegs of Yuengling. For years my great-grandmother had taken in piecework, sewing ribbon and trim for a milliner. Now she had been obliged to get a job outside the house, boxing cakes and pastries in a bakery where the bakers, two half brothers, burned off their mutual contempt by abusing the counter help. My grandfather knew that his parents would shoulder any work and stomach any companions to pay the upkeep on Ray’s education, in which they lodged their dreams.
“No, sir,” he said, “I was not aware of that.”
Two weeks later—the day before the men of his cadre boarded a train for Dawson Creek, BC, where they pitched in to work on the Alaskan Highway—my grandfather was ordered to report to the Corps OCS at Fort Belvoir. It was a bitter journey.
Far from the frozen north or the war’s early battlefields, three hours from Shunk Street, more bored than ever, my grandfather began to brood. His years in poolrooms and classrooms inclined him to divide men into patsies, idiots, and shams, and there was little evidence at Fort Belvoir to debunk this taxonomy. Everywhere he looked he discovered laziness, incompetence, waste, bluster. In other soldiers’ hearts such discoveries bred cynicism, but in my grandfather’s there arose a more or less permanent state of aggravation.
Given the proximity of Fort Belvoir to Washington, D.C., it was only a matter of time before his exasperation generalized beyond the perimeter fence to encompass the seat of government itself. In spite of Pearl Harbor and the invasion panics it inspired, the capital had yet to lose its complacency toward enemies who were continents and oceans away. Anti-aircraft batteries were spotty. Elderly Curtiss biplanes patrolled sputtering overhead. A handful of Coast Guard tubs policed the rivers and bridges.
Walking the streets one afternoon on a one-day pass, my grandfather nursed his anger and amused himself by planning the conquest of Washington. For verisimilitude he enacted his role of reichsmarschall in his grandfather’s Pressburger German, debating strategy with the added relish its glottals afforded. He ordered that crack commando units be trained to crew U-boats. He landed three hundred men on the Patuxent at the spot where the British had begun their invasion of 1814. His submarine jaegers blew up the Potomac bridges and electrical power stations, seized radio towers, cut telegraph and telephone cables. They entrenched the orderly street grid with grenade craters and razor wire, piled up chicanes across the approaches to the city. Thirty men sufficed to take the Capitol, a dozen to seize the White House. By the evening of the second day of his invasion, my grandfather stood in jackboots and peaked schirmmütze at the elbow of FDR, proffering his pen for the formal surrender.
He returned to Fort Belvoir that evening alarmed by the clarity and elegance of his plan. Before retiring for the night he formulated its essentials in a typed three-page memorandum to his CO, which was afterward mislaid, ignored, or possibly forgiven. In the darkness of the dormitory room he shared with an MIT-educated civil engineer named Orland Buck, he laid out the scheme again.
By pure chance, this Buck happened to be one of the few officer candidates not readily fitted onto my grandfather’s three-part schema of humanity. Orland Buck was a Maine Brahmin whose father and grandfather both had died fighting to build heroic bridges, in Argentina and the Philippines. A history of raising hell in genteel institutions and the weight of his patrimony inclined Buck to the arts of demolition, and he zeroed in on that element of my grandfather’s plan.
“One bridge would do,” he decided. “Make it the Francis Scott Key and you would get their attention, all right.”
Weeks passed without any acknowledgment of my grandfather’s memorandum. Orland Buck and my grandfather spent their leave hours ostentatiously casing the Francis Scott Key Bridge with its arches in elegant cavalcade. Buck took documentary pictures of my grandfather taking pictures, unmolested, of the bridge’s piers and abutments. Despite their efforts, no one questioned or even appeared to remark on the young men’s fascination with the bridge, built by the Corps in the twenties, engineered by an associate of Buck’s father.
In demolition training sessions, the Corps daily broadened their expertise, and at night Buck and my grandfather studied official copies of the bridge’s construction plans in the base library.
“It will teach them a lesson,” Buck said, lying on his bunk in the darkness. A radio, tuned low, brought news of Rommel’s capture of Tobruk. “It will serve the bastards right.”
My grandfather wondered how long ago, without his having noticed, his bunkmate had passed from the conditional to the future in talking about their plan. He didn’t believe for a moment that Buck wanted to teach anyone a lesson or had the slightest interest in seeing justice done. Buck was not a sorehead, a perfectionist, or a nurser of grievances. He was in it for fun and only saying what he thought my grandfather wanted to hear.
“Don’t get carried away,” my grandfather told him.
“Who, me?”
In a strongbox at the back of an old Mack truck that stood rusting without engine or wheels under a tarp in the motor pool, Buck and my grandfather had stashed ten bombs of their own manufacture. The bombs’ design was plausibly straightforward and effective: empty wooden ammo boxes stuffed with guncotton, which Buck and my grandfather had spirited away in amounts small enough to go unnoticed during demolitions training. A small amount of primer and Cordtex had been obtained in the same way, just enough for my grandfather to make his point harmlessly. Twisted to the end of each coil of Cordtex was a note typed by my grandfather that read nur zu demonstrationszwecken.*
“I don’t like it when people get carried away,” my grandfather said.
“Oh, no, neither do I,” Buck said shamelessly.
On the night appointed for the exploit they strapped on tool belts, retrieved their store of demonstration bombs from the strongbox, zipped the bombs into four duffel bags, and went AWOL with an ease that bore out my grandfather’s contempt for the way things were done at Fort Belvoir. They hiked through tall weeds and trash pine, across a service road, and into some woods that had been part of the original Belvoir plantation. They stumbled cursing in the dark of the forest until they came to the tracks of the RF&P, where they hopped a freight and rode an empty flatbed into Alexandria.
They jumped off just before the train entered the rail yard, in a neighborhood of low brick houses. From the Potomac Yard came a smell of diesel, an ozone scorch of pantograph sparkings. Those smells and the houses with their puzzled expressions stirred old yearnings and rancors in my grandfather’s heart. He wondered, as in the past and for years to come, if this might be the night on which his life, his true life, began at last.
They found an old Model A pickup parked in an alley. The rear window glass of its cab had been replaced by a sheet of pegboard. My grandfather stove in the pegboard with a jab of his left elbow and wriggled through. He had never hot-wired a car before, but the principle was trivial and the Ford unresisting. It took him under a minute to turn the engine over. He unlocked the door and slid across to the passenger side. Orland Buck got in behind the wheel and pawed it for a second or two.
“You bastard,” Orland Buck said happily. “God damn you.”
“Drive.”
A body slammed against the truck on Buck’s side. Buck’s window was filled with the eyes and red jaw of a dog. A man shouted from a house that backed onto the alley. Orland Buck laughed. He fought against the clutch and the gearshift. They lurched out of the alley under escort from the outraged dog before Buck hit the gas and they left the animal in their dust. The truck was not going to afford them very much in the way of stealth. As they turned onto the Jeff Davis Highway, it sounded like they were dragging a sack full of clocks behind them.
Orland Buck took himself in hand after that. He drove with care in the darkness, meeting the speed limit. They drove past the new airport, past the wasteland where they were putting up the new War Department building, past the cemetery where Buck’s father and grandfather lay under their white crosses. They dragged their load of clock parts across the roadbed of their intended victim and turned left on the District side. Upriver a little way from Georgetown, near the old terminus of the C&O canal, Buck put the truck into neutral and cut the engine. They rolled into the gravel lot of Fletcher’s Boathouse. Before getting out of the truck, they blackened their faces with burnt cork and pulled dark watch caps over their heads. Orland Buck was in heaven. My grandfather was obliged to admit that he was also enjoying himself so far.
“Now, did you ever paddle a canoe?” said Buck, a veteran of many Down East camps.
“I’ve seen it done,” my grandfather said, thinking in particular of a silent version of The Last of the Mohicans he had taken in at the Lyric in Germantown. “If Bela Lugosi can do it, I can do it.”
The hasp on the boathouse door broke at a tap of his hammer and chisel. My grandfather eased the door open a foot on its rollers and slipped inside. The darkness smelled of old canvas tennies. Buck found the canoe, lucky number 9, in which a War Department typist named Irma Budd once sucked him off. Bowed and loping, they ran it down to the boat ramp. My grandfather loaded in the duffel bags while Buck fetched two paddles. “Ready to have some fun, Lugosi?”
My grandfather dragged the canoe to the bottom of the ramp and climbed into the stern as the hull scraped, then slid free. It was not the type of question he would ever bother to answer.
In canoe number 9, silent as Piscataways, they breasted the Potomac. This was the part of the exploit that would expose them most to public view, and they had decided it would be better to get across and hug the Virginia bank, in those days still half wilderness. Adventure silenced Orland Buck. It brought out in him the sobersided Yankee, two wiry hands on a wooden shaft. For most of the crossing my grandfather was as useless as a Hungarian actor, though he did not give way to distress or embarrassment. By design they had chosen a moonless night, but the weather was clear, and over my grandfather’s head the circuitry of heaven was printed in bright joints of solder. By the time Buck brought them around for the short downstream run to the Key Bridge, my grandfather was handling his own paddle with aplomb. He was as happy as he had ever been.
The bridge seemed to hold itself in tension, straining at its tethers as Orland Buck and my grandfather slid beneath its haunch. It thrummed with the passage of a car overhead. My grandfather shipped his paddle and crouched, rocking the canoe a little as Buck eased them to the foot of the abutment that buried its massive burden in the soil of Virginia. Buck reached out to steady the boat. My grandfather zipped open one of the duffel bags and took out the first bomb and a roll of adhesive tape they had boosted from the infirmary. Given time and actual malicious intent, they would have holed the concrete with a pick or borer to sink the bombs, to give the blasts some muscle. Concrete was a bastard, and my grandfather estimated that to bring the Key Bridge down in earnest might take a thousand pounds of guncotton. He taped the first bomb to the bridge’s great concrete hoof. The strips of sticky tape as he unrolled them resounded in the arch like thunder cracks.
“Next,” he said.
Orland Buck stroked at the water and they went farther in under the bridge. The water slapped against the canoe and against the abutment.
The Francis Scott Key Bridge has five arches, three that take giant steps across the water, one at either end to anchor the bridge to land. Orland Buck and my grandfather took turns taping three bombs to each of the four central piers, six bombs per man. When they had finished, it was nearly four in the morning. My grandfather looked up at the belly of the bridge. He admired the way the gap between the top of each arch and the flat bridge deck was taken up by a series of daughter arches, each inverted U obliged to descend farther from the deck than the last as the mother arch curved down and away. The whole space hummed as the wind passed through it. Beyond the vault of steel and concrete the vernal animals and heroes wheeled in the greater vault of the sky. Arch upon arch upon arch bearing up, craving the weight, crushed by the force that held it together. He looked down at Orland Buck in the stern of the stolen canoe. Buck was holding a time pencil and a 150-foot coil of Cordtex my grandfather had never seen and knew nothing about.
“You probably want to grab a paddle and put some distance between here and this boat,” said Orland Buck.
My grandfather nodded. On some level he had suspected Buck was planning something of this nature. He sat down and deftly turned the canoe upstream. Buck paid out the coated cord with one hand, taking care not to dislodge the detonator pencil. When they had gone about a hundred and forty feet along the bank on the District side, my grandfather swung the paddle up out of water and ensured that it made solid contact with the side of Orland Buck’s head. Buck fell onto his face. My grandfather twisted the time pencil free of the Cordtex and tossed it into the river. He sat Buck up, made sure that his friend was unconscious and not dead, and laid him out in the stern of the canoe. Then he paddled back to Fletcher’s. When they got there, Buck was still out cold. My grandfather returned the canoe to the shed by himself, leaving three dollars to pay for the broken hasp. He shoved the empty duffel bags into a trash bin and loaded Buck into the cab of the stolen truck.
When they were crossing the Key Bridge, Orland Buck made a noise, and opened his eyes. He looked out the window and saw where they were. He experimented with his fingers at the site of his injury and groaned again. He shook his head. “Christ,” he said with bitter respect.
“You got carried away,” said my grandfather.
The next afternoon, when my grandfather returned to quarters after Maps and Surveying, there was an MP stationed on either side of his door. My grandfather braced himself to flee and then accepted his fate as it bore down on him. His cheeks, ears, and inner organs burned at the thought that his mother would now be obliged to let those two bakers shit on her head for the rest of her life.
The snowdrops in their spotless helmets held still as he approached them. They stared death, hatred, and tedium at him, and my grandfather stared those things back.