Книга The Year I Met You - читать онлайн бесплатно, автор Cecelia Ahern. Cтраница 4
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The Year I Met You
The Year I Met You
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The Year I Met You

‘Did you hear about your friend’s son?’

‘What friend?’

‘Matt Marshall,’ Bianca says.

‘He is not my friend,’ I say, annoyed. Then, deciding it’s best not to argue with a woman who has just given birth, I ask, ‘What did his son do?’

‘He put a video up on YouTube telling the world how much he hates his dad. Mortifying, isn’t it? Imagine talking about a family member like that.’

The baby in Bianca’s arms lets out a scream.

‘This little fucker keeps biting my nipple,’ she hisses, and I’m immediately silenced as her mood swings again and darkness descends in the hospital room.

She moves her three-day-old son into a different position, holding him like a rugby ball, her enormous breast bigger than his head and looking like it’s smothering him. The baby sucks and is silenced again.

It is almost a beautiful moment, apart from the fact that when I look at her she has tears streaming down her face.

The door opens and her pale husband Tristan ducks his head in. He sees his firstborn and his face softens, then he looks up and sees his wife and his face tightens. He swallows.

‘Hi, Jasmine,’ he steps inside and greets me.

‘Congratulations, Daddy,’ I say gently. ‘He’s beautiful.’

‘He’s got a mouthful of fangs, is what he has,’ Bianca says, wincing again.

The baby screams as he’s pulled away from her chapped red raw nipple.

‘Seriously, Tristan, this is … I can’t …’ Her face crumples.

I leave them to it.

I tell myself while driving that I am not interested in watching your son on YouTube. I tell myself I won’t stoop to your level, that I have far more important things to do than think about you and absorb myself in your world, but all I actually have to do that day is shop for dinner. Shopping for one person doesn’t depress me as it does some of my other single friends; I am happy to be alone and everybody needs to eat, but it has come to this. Eating. Eating was something I had to squeeze into my busy day because I had to, to stay alive. Now it is something to string out, make an afternoon of. The last few days I have made elaborate meals for myself. Yesterday I spent fifty-five minutes in Eason’s browsing the shelves for recipe books, spent sixty minutes buying the ingredients, which took me two and a half hours to prepare and cook, and then I ate it in twenty minutes. That was my entire day yesterday. It was enjoyable but the novelty has worn off many of the things I was looking forward to doing in my ‘time off’.

When I pull into the supermarket car park, the day surprisingly bright and sunny for the first time in weeks though it is still cold, I take my phone out of my bag and go straight to YouTube. I type in Matt Marshall and immediately ‘Matt Marshall’s son’ pops up as an option. I select it. Posted late last night, it already has thirty thousand views – which is impressive.

Though I have never seen your son close up, the image of him is immediately familiar to me. It is what I see most days as he leaves for school, head hidden under a hood, his face downward, earphones on his head, red hair peeking out from under his hood as he walks from the house to the bus stop. I have been his neighbour for four years and it occurs to me I don’t even know his name, but the comments beneath the video tell me that it is Fionn.

Way to go, Fionn!

My dad is a loser 2, know how u feel!

Your dad shud be locked up 4 da shit dat he says.

I am a registered psychologist and I am concerned by your outburst, please contact me, I can help.

I’m a big fan of your dad, he helped my son when he was being bullied in school, he helped shed light on bullying laws in Ireland.

May the angels heal your inner anger.

Your dad’s a loser and you’re a fag.

A small slice of the supportive comments the viewing public have made.

Fionn is fifteen years old and from his uniform each morning I can tell he attends Belvedere, a costly private school in Dublin. Though I haven’t watched it yet, I already know that they will not like this. Here on the screen I can see he has brown eyes, his cheeks and nose are lightly freckled. He is looking down at the webcam, his laptop at an angle to take him all in so that the lights on the ceiling are blaring in the camera. His nostrils are wide and flaring with anger. There is music in the background, I guess he is at a party, I’m guessing he is drunk. His pupils are dilated, though perhaps the anger is causing that. What ensues is a four-minute rant about how he would officially like to separate himself from his loser dad, you, who he believes is not a real dad. He says that you are an embarrassment, a waster, his mum is the only person who keeps things going, you have no talent. And on it goes, a well-spoken boy, attempting to be harder than he is in a badly constructed attack on you, outlining why he believes you should be fired and never rehired. It is a rather embarrassing rant that makes me cringe and watch from behind my hands. The music in the background gets louder, as do male voices. He takes a quick look behind him and then the video is over.

Despite the way I feel about you, this does not fill me with any kind of happiness or entertainment. I feel bad for watching it, I feel bad for you, for all of you.

I do a quick shop, feeling glum as I hurry down the aisles. Sometimes I forget why I feel that way, I just have this feeling that something bad has happened to me and affected my life. Then I remember why I feel down and I try to shake it off, because it has nothing to do with me. Trouble is, even though I know it’s silly of me, I can’t help feeling connected to what happened.

I keep the dinner simple – aubergine parmigiana – and I finish the last glass of the bottle of red wine from the night before. I settle down to ponder your problem as if it is mine. What should we do about Fionn, Matt? There is no action in your house. Your wife’s car is gone, and you are all out. Nothing.

Dr Jameson’s bedroom light goes out. I have no solutions, Matt.

I have fallen asleep on the couch for the first time in my life and at some hour I wake up, very confused as to where I am; the only light in the room is the flickering, muted TV. I jump up and kick my plate and cutlery to the floor, smashing my wine glass. I’m fully alert now, heart pounding, and I realise what has woken me. It is the familiar sound of your jeep speeding down the street. Avoiding the broken glass at my feet, I go to the window to see you driving erratically, swerving into your driveway coming dangerously close to your garage door as usual. However this time you don’t brake and you crash directly into the white door. The garage door shudders and vibrates, the noise echoing loudly off the sleeping houses. I can picture Dr Jameson waking with a start, fumbling to remove his eye mask. On cue, Dr Jameson’s bedroom light goes on.

The garage door stays standing, the house doesn’t topple on to your car. Unfortunate really. Nothing happens for a while. ‘Paradise City’ is still playing, blaring. I can see you, unmoving in the driver’s seat. I wonder if you’re okay, if the airbag has exploded and knocked you out. I think of calling an ambulance for you, but I don’t know if it’s needed and it could be seen as wasting emergency services’ time. Though I very much do not want to leave the safe haven of my home, I know I can’t just leave you there.

You slept in the car last night, not even bothering with your usual routine of banging at the doors and windows of the house, but somewhere between me falling asleep and waking up, you’d managed to get inside the house. I wonder if your son let you in. I wonder if it had become too much for him and he’d disobeyed his mum’s orders to ignore you and instead answered the door and confronted you. Already fired up from the video he’d made, he told you what he thought of you. I’d like to have seen that. I know that’s weird.

Tonight you are worse than usual. I suspected this would be the case. I’m sure you know about the YouTube posting. I listened to the radio to see if was true about your suspension and there was another DJ filling in for you and the team. You and the team have all been suspended for your naughty New Year’s Eve antics and I see you have used your time not to spend a rare midweek evening at home with your family or to ponder your actions, but by drinking the night away. It was odd not to hear your voice on air; you’ve become synonymous with that time of night in most people’s homes, cars, workplaces, vans and lorries on long overnight drives. Learning of your suspension makes me surprisingly not as happy as I’d imagined, but then I come to the conclusion that it might be a good thing. It might make you think about all the lowly things you have said and discussed on your show, and how that has affected people and how you can improve yourself and thereby improve the lives of so many that you have such influence over. It makes me think of the one that makes me hate you, the entire reason for this anger I feel towards you.

Sixteen years ago, on another station at another hour, you hosted a discussion about Down syndrome. It was about many aspects of Down syndrome, and some of it was informative, thanks to the angry but firm woman who called in from Down Syndrome Ireland to explain the realities. Unfortunately she was deemed too calm and patient for your show and you quickly hung up on her. The others were uneducated, obnoxious ignoramuses who were given far too much airtime. Much of the discussion was about CVS, Chorionic Villus Sampling, and amniocentesis, also referred to as amniotic fluid test or AFT, which is a medical procedure used in prenatal diagnosis of chromosomal abnormalities and foetal infections. The most common reason to carry out such a test is to determine whether a baby has certain genetic disorders or a chromosomal abnormality such as Down syndrome. Women who choose to have this test are primarily those at increased risk for genetic and chromosomal problems, in part because the test is invasive and carries a small risk of miscarriage. I can see why you wanted to have this conversation; it is worth having the conversation, it could help women make the decision, if dealt with in a mature and honest way – but not in your way, not in the way your show handles things, trying to stir up controversy and drama. Instead of handling it in a mature, honest way you invited lunatics on to show the worst side and voice their uninformed opinions of Down syndrome. For example, an eejit anonymous man who had just discovered his girlfriend was having a baby with Down syndrome and what rights did he have about stopping this?

I was seventeen years old, at a party with a guy I had fancied for ages. Everyone was drunk, someone’s parents had gone away, and instead of listening to music it had been cool to listen to Matt Marshall. I didn’t mind you then; in fact I thought you were cool, because it was cool to hear the kinds of things you were discussing back when we were still trying to find our own voice. But the conversation made me feel ill, the conversation drifted from the speakers and continued into our room at the party and I had to listen to my friends, who should have known better, and to people I didn’t know, and the guy that I fancied, giving their opinions on the matter. Nobody wanted a child with Down syndrome. One person said they’d prefer one to a baby with AIDS. I was sickened by what I heard. I had a beautiful sister asleep at home, with a mother who was undergoing treatment for cancer who was more distraught about leaving my sister than leaving anything else in her life, and I couldn’t quite take what I was hearing.

I just got up and walked out. The guards picked me up along the coast road. I wasn’t falling around the place, but I was quite emotional and the alcohol only made me worse so they brought me to the station for my own safety, and a warning.

Mum was sick, she needed her rest. I couldn’t call my aunt after what had happened over the past few weeks in her house between me and her son Kevin, nor could I go back to stay in her house after the event, so they called Dad. He’d been out on a date with a new girlfriend, and they collected me in a taxi, him in his tuxedo and her in her ballgown, and they brought me back to his apartment. They’d both been throwing eyes at each other and giggling in the cab; I could tell they were finding the entire thing so much fun. As soon as we got to the apartment they went straight out again, which was a blessing.

So I stand at the window now and watch your unmoving body in your jeep, not caring whether you see me watching or not because I’m worried. Just as I’m thinking about going outside to assist you, the jeep door opens and you fall out. Head first, your back facing out as if you’ve been leaning it against the door. You slide down slowly and your head hits the ground. Your foot is tangled in the seat belt on the leather seat. You don’t move. I look around for my coat and then I hear you laughing. You struggle to untangle your foot from the seat belt, your laugh dying down as you become irritated and need to concentrate on freeing yourself as the blood rushes to your head.

You finally free yourself to begin your shouting/doorbell-ringing/banging act, but there is no response from the house. You honk the horn a few times. I’m surprised none of the neighbours tell you to be quiet; perhaps they’re asleep and they can’t hear. Perhaps they’re afraid, perhaps they watch you as I do, though I don’t think so. The Murphys go to bed early, the Malones never seem to be disturbed by you and the Lennons beside me are so timid I think they would be afraid to confront you. It is only Dr Jameson and I who seem to be disturbed by you. Your house is completely still and I only notice now that your wife’s car is not parked on the street as it usually is. The curtains are not drawn on any of the windows. The house appears empty.

You disappear around the back of the house and then I hear you before I see you. You reappear pulling a six-seater wooden table across the grass. The legs of the table destroy the grass, digging up the soil, leaving deep tracks as though you’ve been ploughing. You heave the table from the grass and on to the concrete. The wood drags across the ground, across the driveway behind the car, making an awful screeching sound which goes on for almost a minute. Sixty seconds of screeching and I see the Murphys’ lights go on down the street. Once you have dragged the wooden table on to the grass in the front garden, you disappear into the back garden again and take three trips to carry the six matching chairs. On the last trip you return with the sun umbrella and struggle to position it in the centre hole. You fire it across the garden with frustration and as it flies through the air, it opens like a parachute, takes flight and then lands, open, in a tree. Out of breath, you retrieve a carrier bag from the jeep. I recognise it as being from the local off-licence. You empty the bag, line up the cans on the table and then you sit down. You put your boots up on the wooden table, making yourself at home, and settle down as though you couldn’t be more comfortable and you couldn’t be more at home. You invade my head with your voice and now you are an eyesore, right in front of my house.

I watch you for a while but I eventually lose interest because you’re not doing anything other than drinking and blowing smoke rings into the still night sky.

I watch you watching the stars, which are so clear tonight that Jupiter can be seen next to the moon, and I wonder what you’re thinking about. What to do about Fionn. What to do about your job. Are we not so different after all?

6

It is 8.30 a.m. and I am standing in the garden with a builder named Johnny, a large red-cheeked man who acts like he detests me. Nobody is saying anything; he and his colleague, Eddie, leaning on the jackhammer, are just looking at me. Johnny peers over at you in the front garden, asleep in your garden chair with your boots up on the table, and then back at me.

‘So what do you want us to do? Wait until he wakes up?’

‘No! I—’

‘Well, that’s what you said.’

It is exactly what I said.

‘That’s not what I said,’ I say, firmly. ‘Isn’t eight thirty too early to start making so much noise? I thought the official start time for building works was nine a.m.’

He looks around. ‘Most people are at work.’

‘Not on this street,’ I reply. ‘No one works on this street.’ Not any more.

It is an unusual thing to say, but it is entirely true. He looks at me, confused, then back at the guy with the jackhammer like I’m crazy.

‘Look, love, you said you needed this done immediately. I have two days to finish this job and then I’m on to something else, so I either start now or—’

‘Fine, fine. Start now.’

‘I’ll be back at six to take a look.’

‘Where are you going?’

‘Another job. Eddie can handle it.’

Without a word, Eddie, who looks about seventeen, puts on his headphones. I hurry inside. I stand at the window in the TV room that faces your garden and I watch you at the table, head back, in a peaceful sleep after your drunken stupor. You have a blanket draped over you. I wonder if your wife did this or if you got it from the car during the night after you woke up, freezing. Common sense ought to have told you to stay in the car and put the heater on, but you’re not one for listening to sense.

Something most definitely seems off this morning. Aside from the fact you are sleeping in the middle of your destroyed garden on lopsided, badly placed garden furniture for everybody to see, your house would usually be busy at this hour. The kids are back at school, your wife should be coming and going as she drops them off and goes about her errands, but there’s nothing happening this morning. There have been no signs of life from the house, the curtains are exactly as they were yesterday morning. Your wife’s car is gone. The umbrella is still stuck in the tree. There are no visible signs of your family at home.

Suddenly the jackhammer starts up and even from inside the house the noise is so loud that I feel the vibrations in my chest. I think for the first time that I should have alerted the neighbours to the disruption that will be occurring over the next few days as they dig up my perfectly fine paving to make way for some grass. They would have done that for me, I’m sure.

You leap up from the chair, arms and legs flying everywhere, and look around as if you’ve come under attack. It takes you a moment to assess where you are, what’s happening, what you have done. And then you take in the builder in my garden. You immediately charge over to my house. My heart pounds and I don’t know exactly why. We have never spoken before, not so much as a hello or a wave in passing. Apart from when you caught me watching you from my bedroom window on New Year’s Eve, you have never even acknowledged my existence, nor I yours, because I detest you and everything you stand for, because you couldn’t understand how any mother, even a dying mother, could be sad about leaving her child with Down syndrome in the world without her. I relive the comments I heard you and your callers say on that night that I fell in hate with you and by the time you reach my garden I am ready for the fight.

I can see you shouting at Eddie. Eddie cannot possibly hear you over the noise and the headphones, but he can see the man standing in front of him, mouth opening and closing angrily, hand on one hip, the other arm pointing to a house, demanding to be heard. Eddie ignores you and continues digging up my expensive paving. I make my way to the hall and I pace before the door, waiting for you to call. I jump when the doorbell rings. Just once. Nothing rude about it at all. A single push, a bright briiing, nothing at all like the routine with your wife.

I open the door and you and I are face to face for the first time ever. This is for my sister, this is for you, Heather, this is for my mother, for the unfairness in her having to leave the daughter she never wanted to leave. I say this to myself over and over, opening and closing my hands, ready to fight.

‘Yes?’ I say, and already it’s confrontational.

You seem taken aback by my tone.

‘Good morning,’ you say patronisingly, as if to tell me, that’s how to begin a conversation, as if you know the tiniest, minutest thing about polite conversation. You hold out your hand. ‘I’m Matt, I live across the road.’

This is very difficult for me. I am not a rude person, but I look at your hand and back at your unshaven face, your bloodshot eyes, the smell of alcohol emanating from every pore, your mouth that I dislike so much because of the words that come out of it, and I move my hands to the back pockets of my jeans. My heart drums maniacally as I do this. For you, Heather, for you, Mum.

You look at me, incredulous. You take your hand back, shove it into your coat pocket.

‘Have I missed something? It’s eight thirty a.m. and you’re digging up the ground! Is there something we should all know about? Some oil reserves, perhaps, that we can all share?’

You are still drunk, I can tell. Despite your feet being planted firmly on the ground, your body is moving in a circular motion like Michael Jackson’s leaning dance move.

‘If it’s disturbing you so much, maybe you’d find it easier to camp in your back garden for the next few days.’

You look at me like I’m the biggest, craziest bitch and then you walk away.

There are many things that I could have said. Many many ways I could have conveyed my disappointment in the way you discussed Down syndrome. A letter. An invitation to coffee, perhaps. An adult conversation. Instead I said that, on our first meeting. I am immediately sorry, not because I may have hurt you, but because I think I may have wasted an opportunity to actually do something important in the right way. And then it occurs to me for the first time that you probably don’t even remember that particular show. You have done so many, they probably mean nothing to you. I’m just an obnoxious neighbour who didn’t tell you about her building works.

I watch you cross the road to your house. Eddie is still ignoring the world and digging up the ground, the sound of it drumming in my head. You walk up and down the front and back of your house, staring in the windows, trying to figure out how to get in. You stagger a little, still drunk. Then you go to the table and I think you’re going to sit down but instead you pick up a garden chair and carry it to the front door. You swing it back with all your might and then slam it once, twice, three times against the window beside your front door, smashing the glass. None of this can be heard over the sound of the drill. You turn your body sideways, your stocky build making it difficult for you to slide in through the narrow space you’ve created, but eventually you gain entry to your house.

Despite the fact I have witnessed you do this, you once again have made me feel like the irrational one.

7

Eddie works solidly for two hours, then disappears for three hours. During this time the machine is sitting in my front garden, which now resembles the scene of an earthquake. He has wreaked mayhem and I hate looking at it, but I can’t help it because I am watching out the window, not for you – I know you won’t surface for hours – but for Eddie who wandered off down the road still wearing his hard hat and never came back. I call Johnny, who doesn’t answer and his phone has no messaging service. This is not a good sign. He was recommended to me by the landscaper I’ve hired for my garden, which is also not a good sign.

My mobile rings and it’s a private number so I don’t answer. My aunt Jennifer has told me, drunkenly on Christmas Day, that my cousin Kevin is coming home in the New Year and wants to get in touch. This is the New Year and I have been fielding my calls like the CIA. Kevin left Ireland when he was twenty-two, at first travelling the world, and then eventually settling in Australia, though I don’t think Kevin ever settled. He went off to find himself after a flurry of family drama and never came back, not even for Christmas, birthdays or my mum’s funeral. This is the same Kevin who told me I’d die when I was five – and who told me he was in love with me when I was seventeen.