The Doomsday Conspiracy

Chapter Fifteen

DAY FOUR

London, Thursday, October 18

Leslie Mothershed's role model was Robin Leach. An avid viewer of “Lifestyles of the Rich and Famous,” Mothershed carefully studied the way Robin Leach's guests walked and talked and dressed because he knew that one day he would appear on that program. From the time he was a small boy, he had felt that he was destined to be somebody, to be rich and famous.

“You're very special,” his mother would tell him. “My baby is going to be known all over the world.”

The young boy would go to sleep with that sentence ringing in his ears until he truly believed it. As Mothershed grew older, he became aware that he had a problem: He had no idea exactly how he was going to become rich and famous. For a period of time, he toyed with the notion of being a movie star, but he was inordinately shy. He briefly contemplated becoming a soccer star, but he was not athletic. He thought about being a famous scientist, or a great lawyer, commanding tremendous fees. His school grades, unfortunately, were mediocre, and he dropped out of school without being any closer to fame. Life was simply not fair. He was physically unprepossessing, thin, with a pale, sickly complexion, and he was short, exactly five feet five and a half inches. Mothershed always stressed the extra half inch. He consoled himself with the fact that many famous men were short: Dudley Moore, Dustin Hoffman, Peter Falk …

The only profession that really interested Leslie Mothershed was photography. Taking photographs was so ridiculously simple. Anyone could do it. One simply pressed a button. His mother had bought him a camera for his sixth birthday and had been wildly extravagant in her praise of the pictures he had taken. By the time he was in his teens, Mothershed had become convinced that he was a brilliant photographer. He told himself that he was every bit as good as Ansel Adams, Richard Avedon, or Margaret Bourke-White. With a loan from his mother, Leslie Mothershed set up his own photography business in his Whitechapel flat.

“Start small,” his mother told him, “but think big,” and that is exactly what Leslie Mothershed did. He started very small and thought very big, but unfortunately, he had no talent for photography. He photographed parades and animals and flowers, and confidently sent his pictures off to newspapers and magazines, and they were always returned. Mothershed consoled himself with the thought of all the geniuses who had been rejected before their ability was recognized. He considered himself a martyr to philistinism.

And then, out of the blue, his big opportunity had come. His mother's cousin, who worked for the British publishing firm of HarperCollins, had confided to Mothershed that they were planning to commission a coffee-table book on Switzerland.

“They haven't selected the photographer yet, Leslie, so if you get yourself over to Switzerland right away and bring back some great pictures, the book could be yours.”

Leslie Mothershed hurriedly packed up his cameras and headed for Switzerland. He knew—he really knew—that this was the break he had been looking for. At last the idiots were going to recognize his talents. He rented a car in Geneva and traveled around the country taking pictures of Swiss chalets, waterfalls, and snow-capped peaks. He photographed sunrises and sunsets and farmers working in the fields. And then, in the middle of all that, fate had stepped in and changed his life. He was on his way to Bern when his motor failed. He pulled over to the side of the highway, furious. Why me? Mothershed moaned. Why do these things always happen to me?

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