The Gravity of Birds

‘You look a fright,’ she said.

He smiled at her and ran a hand through his hair. ‘Alice. What an unexpected surprise.’

‘Is it all right?’

‘Of course. Why wouldn’t it be?’

‘Where’s Neela?’ She’d grown attached to the little dog, carrying table scraps with her in case of a chance encounter. Natalie, on the other hand, referred to Neela as the vicious little cur.

‘She’ll bite you if you’re not careful,’ she’d told Alice.

‘She will not. You’re jealous because she likes me.’

‘That didn’t stop her from taking a bite out of Thomas, and he’s her owner.’

‘I don’t believe you.’

‘You should.’ Natalie had smirked. ‘I’ve seen the scar.’

Thomas turned and walked into the main room of the cabin. ‘Neela’s out visiting friends, I imagine.’ His bare feet left marks in a fine dust on the floor, and Alice trailed in after him.

‘Damn chalk dust,’ he said. ‘It gets over everything.’

‘What are you working on? Can I see?’

‘I’m not sure it’s ready for public consumption, but if you insist, I suppose you can have a preview. Stay there.’ He sorted through canvases stacked on an easel facing the bank of windows overlooking the lake. Settling on one, he picked it up by the edges and walked back across the room, sitting on an old velvet sofa, patting the cushion next to him.

The sofa was the color of dark chocolate, the fabric stained and threadbare in places, with big tapestry pillows stuffed into the corners. In spite of its condition, a shadow of elegance clung to it. That same shadow cloaked everything in the room. Beautiful books with tattered covers and pages plumped by mildew, a grandfather clock with a cracked cabinet door and a sonorous chime that sounded on the quarter hour, expensive-looking Oriental carpets with patchy fringe—all of it near to ruin, yet perfect in the way that something is exactly as you imagine it should be. The Restons’ cabin, by comparison, was a third the size and designed to look as though its owners were sportsmen, though nothing could be further from the truth. This place was like Thomas, Alice decided: flawed and sad, yet perfectly true.

She settled on the sofa next to him, folding her legs underneath her. He turned the canvas so she could see. It was a chalk sketch of the beach near town, sadly without birds. She recognized the silhouette of hemlock trees against the sky and the lip of shoreline that curled back toward itself after the point. But even though she knew the location, the way Thomas had depicted it made it unfamiliar. The pier was drawn in dark, violent slashes; the trees were leafless, charred spires; and the water looked angry, foaming against rocks and railing against the beach.

‘Why did you draw it that way? It scares me to look at it.’

‘I should thank you for preparing me for the critics. It’s supposed to do that, Alice.’

‘That stretch of beach is beautiful. It doesn’t look anything like this.’

‘But you recognized it.’

‘Yes.’

‘You recognized it even though it frightens you, even though you find it dark and ugly. So maybe those qualities are inherent, but you choose to overlook them. You don’t see the ugliness because you don’t want to. That’s the job of an artist: to make people look at things—not just at things, but at people and at places—in a way other than they normally would. To expose what’s hidden below the surface.’

Alice followed the line of a tree trunk, the tip of her finger hovering just above the paper. When she realized he was looking at her hands, she tucked them under her legs.

‘Why are you hiding them?’ His voice was patient, but firm. ‘Let me see.’

She wavered before offering them up for inspection. He took both of them in his own, his palms warm and smooth as a stone. He examined them carefully, turning over first the right, then the left. He ran his own fingers slowly down each of hers, circling her knuckles and rubbing the skin there as if trying to erase something, watching her face the whole time. Alice bit the inside of her cheek and tried not to wince, but the pain was sharp and she pulled away.

‘Be still. Why are you fidgeting?’

‘It hurts.’

‘I can see that.’ He let go of her hands, got up from the sofa, and walked to the window, resting his sketch again on the easel. ‘Have you told anyone?’

‘No.’

‘Not your parents?’

She shook her head.

He shrugged. ‘I’m not a doctor. I’m barely an artist to some people’s way of thinking. But if something hurts you, you should tell someone.’

‘I’ve told you, haven’t I?’

Thomas laughed. ‘I hardly qualify as a responsible party.’

She knew something was wrong; she’d known for a while now. She limped when she got out of bed in the morning, not every morning, but often enough that she wouldn’t be able to blame it on something random much longer: a twisted ankle, a stone bruise, a blister. Fevers came on like sudden storms at night, leaving her flushed and dizzy, then vanished by the time she got up and went to the medicine cabinet for an aspirin. Rashes dotted her trunk and disappeared along with the fevers. Her joints warred with the rest of her body, using tactics that were simple but effective: flaming the skin around her knees to an unappealing red, conjuring a steady, unpleasant warming that annoyed like an itch. She’d never been blessed with Natalie’s natural grace, but lately she was wooden and clumsy. Balls, pencils, the handles of bags—all fell from her fingers as if trying to escape. She stumbled over her own feet, even when staring at them. At night, time slowed to the point of stopping, each tick of the clock’s minute hand stretching longer as she tried to distract herself from the pain in her joints.

She’d said something to her mother, but only in the vaguest of terms, making every effort to sound unconcerned. Her mother’s reactions tended toward the extreme and Alice had no interest in finding herself confined for the entire summer. But her mother, who’d been getting ready for a dinner party at the time, had answered absently, ‘Growing pains. They’ll pass. You’ll see.’

‘Sometimes my hands shake,’ she told Thomas.

‘Sometimes my hands shake, too. That’s when a little whiskey comes in handy.’

She couldn’t help smiling. ‘I don’t think my parents would approve of that.’

‘Hmm. I imagine you’re right. Do you think you could sit still for a bit?’

‘I suppose so. Why?’

‘I just want to do a quick sketch. That is, if you don’t mind.’

‘You already did the drawing of all of us.’

‘I know. But now I just want to sketch you. Is it all right or not?’

‘As long as you don’t draw my hands.’

He rolled up his shirtsleeves and shook his head. ‘Don’t start hating parts of yourself already, Alice; you’re too young. I won’t sketch your hands if you don’t want me to, but they’re lovely. Hold them up. See? Your fingers are perfectly tapered. You could hold a brush or play a musical instrument more easily than most people because of the distance from the middle joint of your finger to the tip. Ideal proportions.’

He picked up a pencil and sharpened it against a small square of sandpaper. ‘Why do we lack the capacity to celebrate small bits of perfection? Unless it’s obvious on a grand scale, it’s not worth acknowledging. I find that extremely tiresome.’

‘Birds are perfect. Yet most people completely overlook them.’

‘Well, if birds are perfect, then you are as well. And I can’t imagine anyone failing to notice you, Alice. Now, hold up your hand. I want you to study it.’

She was suddenly self-conscious, aware of her unruly hair, her dirty feet. She held up one hand and stared at the back of it, wondering what it was she was supposed to see, while Thomas went to the phonograph in the corner of the room and thumbed through a stack of albums before taking one from its sleeve. He set the needle down on the record, then poured himself a drink and lit a cigarette. The voice that filled the room was French and mournful, the singer entirely alone in the world.

‘Are you concentrating on your hand? Do you see that river of blue running just beneath your skin? It’s a path begging to be followed, or a stream running over a crest of bone before dipping into a valley. Now sit still and let me sketch you. I’ll be quick.’

‘Who is that?’

‘Edith Piaf.’

‘She doesn’t sound happy.’

He sighed. ‘You’re going to have to stop talking. Your expression keeps changing. She’s called the Little Sparrow—ah, something bird-related! If she doesn’t sound happy it’s because she hasn’t had reason to be. Married young. Got pregnant. Had to leave her child in the care of prostitutes while she worked.’ He paused and looked up from his easel. ‘Am I shocking you?’

She shook her head, secretly alarmed over the woman’s circumstances, but thrilled with the image that formed: an insignificant brown-gray bird with a stubby beak breaking forth into magnificent, sorrowful tones.

‘The little girl died when she was just two years old from meningitis. Piaf was injured in a car accident and became a morphine addict. Her one true love died in a plane crash. She’s quite a tragic figure. But her history flavors her music, don’t you think? She’s haunted. You hear it in her voice.’ He hummed along, apparently pleased with his macabre story.

‘You’re not happy. Are you haunted?’

He peered at her from the side of his sketch pad before setting the pencil down on the easel tray. He was scowling, but one corner of his mouth curved up, as if she’d amused him. ‘What makes you think I’m unhappy?’

It was a fault of hers, telling people exactly what was on her mind. You should practice the art of subtlety, Natalie had told her once.

‘I shouldn’t have said anything.’

‘Alice.’

She bit the inside of her cheek before answering him. ‘Unhappiness is easy to see. People try so hard to hide it.’

‘Very astute. Continue.’

‘Maybe you hide it by the way you look at people. You only focus on their bits and pieces. Like you don’t want to get to know them as a whole person. Or maybe you just don’t want them to get to know you. Maybe you’re afraid they won’t like you very much.’

He stiffened at the last. ‘I’m finished. I told you I’d be quick. It’s an interesting theory, especially coming from a fourteen-year-old.’

‘You’re angry.’

‘With someone as precocious as you? That would be dangerous.’

‘Don’t call me that.’

‘You don’t like it? It’s meant as a compliment.’

‘It’s not a compliment.’ A flush of heat swept her cheeks and her eyes started to tear. She was miserable realizing she’d said the wrong thing. ‘It only means you know more than adults think you should, and that you make them uncomfortable. They’re not sure what they can and can’t say around you. Besides, it sounds too much like precious. I hate that word.’

He walked over to the sofa and offered her a handkerchief crusted with paint, but she pushed it back toward him, blinking in an effort not to cry. Thomas chuckled. The thought that he was laughing at her made her furious, and she started stammering until he put a finger under her chin and turned her face up to his.

The air in the room grew warm. The sound of her own heart startled her, the racing thump of it so obvious, so loud in her ears. How could he not hear? It drowned out the Little Sparrow, roaring over her words, her melancholy cry. The contents of the room twisted and Alice’s mouth went dry. She couldn’t get enough air into her lungs. Soon she’d be gasping to breathe, a fish flailing in shallow water. Her eyes darted from his feet, to the cuff of his sleeve, to the needle of the phonograph, gently bobbing along the surface of the record. Her skin tingled. There was no help for it. She had to look at him and, when she did, his expression changed from mock remorse, to concern, and then to understanding. Her face burned.

He dropped his hand and stepped back, studying the floor for a moment before looking at her again. ‘Fine. From this point forward, I will eliminate both precocious and precious from my vocabulary. Am I forgiven?’ He made a face and pressed his hands together, as if praying.

He was making fun of her in a kind way, or else trying to make her laugh. The world righted itself as quickly as it had been thrown off its axis. He was sorry he’d hurt her feelings. He wanted to be forgiven. A small current of power coursed through her.

‘Yes. I forgive you. Besides, I’ll bet if I asked your parents, they’d say you weren’t very mature yourself. You can’t be that much older than I am, Thomas.’

This time he didn’t smile. ‘Subterfuge doesn’t suit you, Alice, and I hope it’s not something you’ll grow into. If you want to know how old I am, just ask. Although I wouldn’t recommend it as a common practice. Most people would take offense. Fortunately, I am not most people.’ He bowed at the waist. ‘I’m twenty-eight. Worlds older than you. Ancient.’

‘You don’t seem ancient.’

‘Well, I am. I was born old. My mother told me once that I looked like a grumpy old man from the moment I was born—wrinkled, pruney face, rheumy eyes. You’ve heard the expression an old soul? I was born with a head full of someone else’s failed dreams and a heart full of someone else’s memories. There’s nothing to do for it, I suppose, although if I knew I was going to turn out this way, I would have preferred to choose whose memories and heartbreaks I’d be saddled with.’ He looked at her. ‘And you? I suppose, like most people your age, you’re anxious to be older.’

She ignored the pointed people your age. She didn’t want to admit that whatever serious plans she’d made for herself changed depending on the day of the week, or on the book she’d just read, or whether she felt strong from a full night of sleep or weak from a fevered one. The future was a dark cave yawning just ahead, beckoning her to enter.

‘Not anxious. You get older, whether you want to or not.’ She shrugged. ‘Maybe we’ll all be blown up and it won’t matter.’

‘What? You mean by the Communists? I shouldn’t think so.’

‘Why not?’

‘I don’t suppose the majority of them want to blow us up any more than they’d want us blowing them up.’

Alice nodded, remembering other conversations she’d overheard. ‘Mutual assured destruction.’

‘I’m shocked at the knowledge you possess. At your tender age I think it might be healthier for you to be less well-informed. At the very least, it would make for better sleeping. You’ll grow up fast enough as it is. One becomes jaded and cynical so quickly.’ He tore a filmy piece of vellum from a roll, placing it over the sketch and rolling the pieces into a tube.

‘Maybe one should try harder not to be so jaded and cynical.’

Thomas laughed and poured himself another drink. ‘A toast to you, Alice. You’re a young lady wise beyond your years. Wise beyond mine, as well. May nothing, and no one, disappoint you. Now take your drawing and go. I’ve got work to do.’

‘Can I come again tomorrow?’

‘I’ll likely go mad if you don’t. And as you kindly indicated, I need help improving my perspective.’

She was almost all the way down the drive and back to the Restons’ cabin before she realized she’d left her books sitting on the end table next to the sofa. She hadn’t even asked him about the poem. Tomorrow, she thought. But there was a sketch she wanted to finish—the domino-marked bufflehead she’d spotted scooting through the lake’s shallows that morning—and other poems waiting to be read. So she retraced her steps.

The wind picked up. A flock of grackles darkened the sky overhead, their raucous chatter filling the air like the swing of rusty gates. There was another storm coming in and if she wasn’t quick she’d be drenched, even though the walk back was no more than five minutes. She left the door to the cabin ajar when she went in, calling his name softly, but there was no answer. Work to do most likely meant sleep, she imagined, seeing his empty glass. She hurried into the main room. The doors leading to other parts of the house were closed and everything was quiet. The cabin itself seemed to have stopped breathing, its creaks and settlings absent in spite of the wind outside. She could still see his footprints in the chalk dust on the floor, like a ghost’s, leading to and away from his easel.

A gust swept into the room and sent the pile of drawings resting on the easel flying. Why hadn’t she thought to close the door? She started to pick them up, intending to put them back before he noticed anything was out of place, but stopped when she glanced at the first piece of paper she touched, a colored pencil sketch. Her breath caught in the back of her throat and her skin turned clammy. She sank to her knees, unable to breathe.

Even if she hadn’t looked at the face, she would have known it was Natalie. Those were her sister’s arms and legs flung so casually across the sofa, the pale thread of a scar just below her knee from a skiing accident two years prior. That was Natalie’s hair, mussed and wild, like caramelized sand, one long curl wrapped around a finger. That was the necklace from her latest boyfriend, the tiny pearls glowing against the skin of her neck. The tan line crossing the slope of her breasts, the small whorl of her belly button, the pale skin stretched taut between her hip bones, all the secret, private pink of her. And, erasing any hope or possible doubt, Natalie’s knowing smile.

Chapter Two October 2007

Finch groped for the belt of his raincoat as he got out of the cab, holding his arm up in an attempt to shield his bare head from the late October rain. He crossed the sidewalk in two steps and took the steep flight of stairs, steering clear of the refuse and odors percolating on either side of him, but landing squarely in the puddles that had formed in the centers of the treads. The wet seeped into his socks as he watched the cab disappear. Stranded. He briefly considered calling a car service and returning to his own apartment, a warmly lit, tidy brownstone in Prospect Heights, where, thanks to his daughter, the refrigerator would be well-stocked with wholesome if uninteresting food. Your blood pressure, she would say. Your heart. Your knees. He would ask, How are prunes going to help my knees?, wondering if he had remembered to hide his pipe, and she would simply shrug and smile at him and in that smile he would see for the briefest of moments his wife’s mouth, and his entire perfect world, all as it had once been.

When he’d arranged for the Williamsburg apartment for Thomas Bayber five years ago, the neighborhood was in what the smiling real estate agent termed ‘a period of transition.’ Finch had considered it an investment, optimistically assuming it would transition for the better, but gentrification had yet to make its way this far south. He peered through a grimy, cracked pane of glass. He could barely open the front door, swollen from all the rain, and when he pressed the buzzer for 7A there was, as always, a comedic interlude when buzzer and buzzee could not coordinate their efforts and Finch yanked impatiently at the elevator door several times, always managing to turn the knob just as the lock reengaged. After three thwarted attempts and much cursing under his breath, he turned down the hall and headed toward the stairs.

He made it as far as the fifth-floor landing before he stopped, sitting down on a step and rubbing his throbbing knees. These persistent fissures in the machinery presented themselves with stunning diligence. His head ached, whether from guilt or anger, he couldn’t be sure. He only knew he didn’t enjoy being summoned. There was a time he might have chalked this visit up to a responsibility of friendship, stretching the very definition of the word. But he had moved beyond the requirement of an explanation and now saw things for what they were. He was useful to Thomas at times, less so at others. It was as simple as that.

His wife would not have wanted him here. Claire might even have surprised him by voicing the words she’d kept tied beneath her tongue for so many years. Enough is enough, Denny. She would have been right. Even the elaborate funeral spray Thomas had sent to the church—Finch couldn’t help but wonder whether he’d paid for that expression of Thomas’s largesse as well—wouldn’t have appeased Claire. Nor had it been of any particular comfort to him. Thomas, or things regarding Thomas, had consumed too many of their hours together to be balanced by one obscene display of orchids. A wave of grief washed over Finch, and he was overcome with her absence. Eleven months was not long—he still found the occasional sympathy card in his mailbox—but time had expanded and slowed. His days swelled with the monotony of hours, piling up in colossal heaps before and after him, the used the same as the new.

He shuddered to his feet and grabbed the stair rail, reminding himself to be thankful for this diversion. Would he have otherwise left the house today? This week? It was far more likely he’d have barricaded himself in the brownstone, surrounded by dissertations and examinations, half-listening to Vaughan Williams’s Tallis Fantasia and allowing a sharp red pencil to float just above the surface of a paper. The text would waver in front of his eyes and he would lose interest in whatever thought his student had been struggling to express, instead becoming maudlin and drifting in and out of sleep, his head snapping to attention before sinking again to his chest.

Even the small distraction of teaching might soon be behind him. Dean Hamilton had strongly suggested a sabbatical at the beginning of the new term next year, a suggestion Finch had opted not to share with his daughter or anyone else. ‘Take some time, Dennis,’ Hamilton had said to him, smiling as he stuffed wristbands and racquetball goggles into a shiny gym bag. It was all Finch could do not to throttle the man. Time. There was too damn much of it. If only he could wish it away.

When he was younger, he had often wondered about the kind of old man he was likely to become. His father had been a well-grounded person, amiable and easygoing with strangers, though rigorous with his own son. Finch assumed when he reached his own waning years he’d likely be the same, perhaps slightly more reserved. But in the void left by Claire, he found himself morphing into someone less agreeable. It was apparent to him that while they’d been together, he’d viewed people through his wife’s far more generous lens. The neighbors she’d always insisted were thoughtful, he now found prying and meddlesome, cocking their heads with an expression of concern whenever he passed, clucking noises of pity escaping from their mouths. The woman across the street, for whom Claire had cooked unsettled, custardy things, seemed helpless and completely incapable of the smallest task, calling on Finch whenever she needed a lightbulb changed or her stoop swept. As if he were a houseman. The general rudeness, the lack of civility, the poor manners—all of humanity appeared to be crashing in on itself, exhibiting nothing but bad behavior.

Reaching the sixth floor, he realized it was easy enough to shift all the blame to Thomas. The man made himself an obvious target. But with each step, he recalled some slight, some other way he himself had no doubt hurt his wife over the years. The gallery openings and the parties, any occasion where Thomas held court, his arm snug around the waist of a lovely young thing. The girl would be draped in fabric that clung to her sylphlike frame; hair polished and floating about her shoulders, buoyant with light; lips stained dark and in a perpetual pout, close to Thomas’s ear. These were the girls who looked off to a point just beyond Finch’s shoulder, never at his face, never interested enough to pretend to commit anything about him to memory. In spite of these offhanded dismissals, how many times had he casually unlaced his fingers from Claire’s or let his arm slide, almost unbidden, from her waist to his side? How many times had he taken a half step in front of her? Created a meaningful wedge of distance by gently grasping her elbow and turning her in the direction of the bar or the nearest waiter? As if she wasn’t quite enough, not in this situation, not with these people. His head throbbed and a slow burn flickered and ignited somewhere near the base of his spine as he forced himself up the final flight of stairs. She had been more real than anything else in those carefully ornamented rooms, the chill so prevalent he could almost see his own breath.