Name: The Rest is Noise: Listening to the Twentieth Century
Rating: 3 (1 reviews)
Author: Alex Ross
ISBN: 9780007380862

Winner of the Guardian First Book Award 2008.A sweeping musical history that goes from the salons of pre-war Vienna to Velvet Underground shows in the sixties.In ‘The Rest is Noise’, Alex Ross, music critic of the New Yorker, gives us a riveting tour of the wild landscape of twentieth-century classical music: portraits of individuals, cultures, and nations reveal the predicament of the composer in a noisy, chaotic century. Taking as his starting point a production of Richard Strauss's Salome, conducted by the composer on 16 May 1906 with Puccini, Schoenberg, Berg and Adolf Hitler seated in the stalls, Ross suggests how this evening can be considered the century's musical watershed rather than the riotous premiere of Stravinsky's Rite of Spring seven years later. Ross goes on to explore the mythology of modernism, Sibelius and the music of small countries, Kurt Weill, the music of the Third Reich, Britten, Boulez and the post-war avant-garde, and interactions between minimalist composers and rock bands in the sixties and seventies.

культура и искусство

музыка

The Rest is Noise: Listening to the Twentieth Century

The Rest Is Noise Series: Invisible Men: American Composers from Ives to Ellington

Listen to This

The Rest Is Noise Series: The Art of Fear: Music in Stalin’s Russia

The Rest Is Noise Series: The Golden Age: Strauss, Mahler, and the Fin de Siecle

The Rest Is Noise Series: Zero Hour: The U.S. Army and German Music, 1945–1949

The Rest Is Noise Series: Zion Park: Messiaen, Ligeti, and the Avant-Garde of the Sixties

The Rest Is Noise Series: “Grimes! Grimes!”: The Passion of Benjamin Britten

The Rest Is Noise Series: City of Nets: Berlin in the Twenties