The Wildfire Season

Their arrival saves him from one such nightmare—in-progress. Without even the faintest pause, the dog pads across the brown shag of the living room and begins licking Rachel’s face.

‘This is Stump?" Rachel asks, the dog lapping at her laughter.

‘That’s him.’

‘Why?’

‘Why what?’

‘Why Stump?’

Miles has to think about this. It wasn’t because any part of the dog was missing. Instead, his name came from the way that, when Miles first spotted him from the side of the road, an abandoned pup sitting on his haunches in a clearcut of forest a few miles outside Teslin, he was nearly the same size and stood with the same square, unmovable silhouette as the levelled stumps of lodgepole pine and tamarack.

‘Stump!’ Miles had called to him when he pulled over in his truck, and the dog had understood that this was his new name and came trotting over to have his side thumped.

‘You’re a Stump,’ his master said again, simply, as though Miles had finally discovered another living thing that was as much a Stump as he was.

‘Because that’s his name,’ is all Miles tells Rachel now.

Miles thinks of Stump as the Mr Potato Head of dogs, his disproportionate features assembled with apparent malice, or perhaps humour. His nose as long as a ratter’s (though he fears holes of any kind, and requires some coaxing to warm Miles under the bedsheets on hungover mornings). Oversized ears that stand rigid atop his head in a kind of victory salute. Eyes as dark and bulbous as chocolate chips. For all of these handicaps, Stump made friends easily, a talent due in no small part to his indiscriminate distribution of kisses, the pink waterslide of his tongue reaching out for the faces of all who know his name, scratch his silver goatee or simply bend within range. He is so generous with these compensations that some call him ‘handsome dog,’ although it is clear that handsomeness is about five crossbreedings removed from his present appearance. Still, he’s not without his prejudices. He has never liked Wade Fuerst, for example. This for obvious reasons, even to a mongrel simpleton like Stump.

‘Comfy,’ Alex says, running her fingers over the varnished log end tables and peering up at the oil painting of a wolf howling at a too-yellow moon over the wood stove.

‘I don’t need much,’ Miles says.

He leaves the door open behind him, but the air inside the cabin remains laden with a combination of uncirculated scents: the gamy moose steaks that Miles has been thawing and eating for his dinner four nights out of seven ever since Margot started dropping them off, the mildew of the hall bathroom that no amount of ammonia scrubbings could entirely get rid of. Now, with Rachel and Alex in the room with him, Miles smells the cabin as a visitor would, and he’s embarrassed by what it says about his life. The bachelor’s neglect. The sockfarty aura that likely follows wherever he goes.

Alex circles the room, stopping to pull back the curtains and looking out at the picnic table with beer bottles sprouting up around its legs like mushrooms, and beyond it, the wall of forest that borders the backyard and marks the end of Ross River itself. She puts her cheek against the glass and looks both ways, but the cabin is far enough from the rest of town that no neighbours are visible. Even here, Alex thinks, Miles has chosen to live on the outside of things.

‘Momma! He’s following me!’ Rachel shrieks, walking backwards down the hall with Stump wagging after her.

‘He sure is,’ Alex says, pulling away from the window to study the dining-room table next to it. A plate smeared with egg yolk, three half-filled coffee mugs, and at the opposite end, a chess board with a game laid out over its squares.

‘Who are you playing?’ she asks, picking up the white queen by her crown.

‘My mother.’

‘She lives here?’

‘No. She doesn’t know that I’m here either.’

‘You don’t visit?’

Alex places the queen down on the board again. There’s a darkness under her eyes now that Miles remembers, clouds gathering over the crest of her cheekbones.

‘I went down there once a couple years ago. It wasn’t very—’ He stops, shrugs. ‘I just think it’s better if I stay up here.’

Miles tries at a laugh but nothing comes out, so that there is only his opened throat for Alex to look down.

‘How do you play?’ she says.

‘She sends me a postcard with her move on it, and then I send my move back to her. It’s slow, but you can really think out the options. I’ve given her a post office box number in Whitehorse and they forward them up to me. There’s less to worry about if nobody…’

‘If nobody knows where you are.’

Miles nods.

‘The postcards are almost as fun as the game,’ he says, sensing that it’s better to speak than not. ‘It’s not easy finding something new in Ross River, once you’ve gone through the dog sled team and northern lights photos, and then the cards you can get anywhere on the planet, the bikini babes and the joke Yukon at Nights. I’ve been forced to make some of my own.’

‘Your own postcards?’

‘Cut and paste. A photo of George Bush’s head on top of Stump’s body. The Welcome Inn with a Royal York letterhead underneath it. Arts and crafts.’

‘You make your own postcards?’

Miles can see that Alex is about to cry, and while he doesn’t feel any particular sadness at the moment, he is more intensely humiliated than he can recall. Once more the smell of last night’s moose steak reaches him and he is sure he cannot meet Alex’s eyes again so long as the two of them remain in this room.

‘The winters are long,’ he says.

Rachel is in the kitchen, opening and closing drawers that Miles knows contain little aside from rolling mouse turds. As she moves, Stump follows her, tapping his nails over the linoleum.

‘Honey? It’s time to go,’ Alex calls to her.

‘Why?’

‘Just come here.’

Rachel trots into the living room and clasps her arms around Alex’s legs, the dog plopping down in front, so that the three of them form an instant portrait.

Halfway through the current breath he is inhaling, Miles feels a wave of fatigue so great he thinks he might fall before he gets a chance to breathe again.

‘You’re going to need a place to stay,’ he manages.

‘One with a shower would be nice.’

‘The Welcome Inn’s the only place for fifty miles. Talk to Bonnie.’

‘And tell her Miles sent us?’

‘If you want. But it won’t bring the rates down any.’

For Miles, the room is now a sickening carousel, rotating slowly, unstoppably, the different shades of brown carpet, furniture and panelling smearing together. He throws a hand out and finds the dining-room chair that his chess opponent would sit in if she were present.

‘You have to go now,’ he says.

The idea of having to bend and slap the cheeks of a passed-out Miles on the floor of his dingy cabin makes Alex turn her back to him. She takes Rachel by the hand and strides out the cabin’s open front door.

Even now, the solstice sun has not wholly surrendered to the night, so that the trees are cloaked figures against the sky. Alex has the strange sensation of being at once here and not here. Ross River. A name like a hundred others she has passed on signs hammered into the soil at town boundaries. It’s impossible to believe that this place—these ragged power lines, this gravel street—is any different. She doesn’t know what she expected of it, if she expected anything. All this time and she had never considered the place she would find Miles standing in, only Miles himself. What’s more unsettling is that now she’s standing in it with him.

It took less than an hour’s walk through this weedy, broken-hearted nowhere to forget most of what she expected he would have become. All she’s certain of is that he’s in worse shape than even her most malicious scenarios. It’s what allowed his talk of postcards and the sight of his big-eared dog to make a momentary dent. But even as she feels a brush of pity come and go, what remains is her desire to spray kerosene over the half of him the fire missed, toss a match his way, and watch. Not only for the pain it would cause, but to leave a tattoo that would forever mark his cowardice, his uncorrectable failure to the world. She has thought about this for longer and in greater detail than she would ever admit.

Alex is strangely glad to find that she still hates him. As much now that she’s found him as she had the evening she’d come home to their empty apartment and looked for the note he hadn’t bothered to leave. She’s grateful that the sight of him has done nothing to alter her fundamental judgments. Her planned retributions.

What she hadn’t seen coming is how much he frightens her. One of the things she hadn’t told him about her past four summers was that a couple of the people she’d shown his photo to had recognized him, or at least had a story to tell. A mechanic in Dease Lake said the scars made him sound like a guy ‘way far up,’ one that had nearly killed a man for looking at him and asking if Halloween had come early this year. A hardware store clerk in Telegraph Creek claimed to have heard about someone with burns down one side of his face ‘like a line of shade’ who hunted solo, living on grizzly meat and firing his shotgun at anyone who came within a half mile of his camp. Alex didn’t believe these stories, nor did she dismiss them. She simply added them to the composite portrait she was assembling in her mind. One that took hideous shape as she added a murderous grin, jellied eyes, blood-soaked teeth.

The first summer had been something of an accident. A weekend drive out of the city after the end of term. She spent her first night in a creepy motel near the marina in Parry Sound, and found herself enjoying the creepiness, the foolish thrill of being a young mother on the lam. In the morning, instead of heading back, she turned north, then west. At lunch, she bought a half-dozen identical postcards showing a row of oiled men’s torsos frying on a beach and sent them to the people who might be wondering where she’d gotten to. ‘I’m taking our show on the road,’ she wrote. ‘We’ll be gone for as long as the credit card and Pampers hold out. Please don’t worry.’ She signed each of them ‘Love, Alex and Rachel (a.k.a. Thelma and Louise).’

She bought a tent and sleeping bag in Dryden, a camp stove in Medicine Hat, matching toques for her and Rachel in Jasper. Even as far as Fort St John she still wasn’t looking for Miles in any concerted way. And yet, more and more, Alex found herself glancing through the windows of roadhouses, waiting for heads to turn her way in convenience store lineups, judging each town she passed through on its merits as a hiding place.

The next year, once school was out, Alex had plans to spoil herself for a change, a splurging on cheap good-for-you treats. She would catch up on the prize-winning novels she’d seen praised in the paper for their ‘affirming’ and ‘meditative’ qualities, start jogging again, plant tomatoes in her building’s communal garden. To steal a few hours of freedom during the week, she enrolled Rachel in a daycare downtown. The girl’s resistance, however, became apparent almost immediately. The daycare workers called with reports of her clawing at the fence around the Astroturfed playground. When asked to come inside with the other kids, she would only stare up between the surrounding buildings at the postage stamp of blue above.

The daycare people suggested it was homesickness, but Alex recognized the real cause of the girl’s protest. After the long, indoors winter, Rachel had taken Toronto’s warm sun as a broken promise. In the stifling evenings of their apartment, she would uncharacteristically cry, refuse favourite foods, fuss before being put down to sleep. She wanted out.

In the middle of June, overheated and underslept herself, Alex rented a car and took Rachel up to Algonquin. The idea was for the girl to sleep on the drive and be rewarded with a swim in one of the park’s thousand green lakes. As soon as the hazy suburbs’ brew-yer-owns, discount warehouses and twenty-four-screen multiplexes shaped like UFOs had given way to regrowth forests and grazing fields, the girl was quiet. Not asleep, but tranquilized, her fingers splayed against the car’s window like an antenna receiving signals that had been unreadably scrambled in the city. Once at the park, Rachel’s mood was wholly transformed. Alex hadn’t realized how much she missed seeing her child smile, and how long she had gone without.

When they returned to the apartment two days later, it was only to buy a used truck, pick up the tent and camping gear and leave messages with family and friends. They were heading west again. Looking back on it now, Alex sees the last thing she brought along as almost an afterthought. A photo of Miles she’d slipped in an envelope and stuck in the glove compartment.

She’d done it for Rachel. She’d done it for herself. She swung between these justifications from day to day, often between the hours. Both were true. Alex had vowed from the beginning not to keep Miles’s existence a secret from the girl. And letting her see him at least once might help put some of her brewing questions to rest in advance.

Alex had her own dark wishes. More than anything, she wanted Miles to hurt. There was little she would be able to do all alone on this count. But with the girl, there might be enough left in him that could still be poisoned.

Yet now, as she walks with Rachel, her pink sneakers skipping over the stones, she feels the careful plans she’d devised shift an inch under her feet. Miles ran away. She chased him down. Other than this, all she’s sure of is that whatever is going to jump out at her, she won’t turn away from it. That’s Miles’s trick. Hers is to sink her teeth into the truth of a thing and not let go until she’s tasted it.

‘I like him,’ Rachel says.

‘Oh yeah, baby? You like Miles?’

‘Miles?’ The child stops and stares up at her mother. ‘I like Stump, Momma. Stump licked me.’

Chapter 6

All of Ross River has gone to bed, though many, tonight, cannot sleep.

Some wonder about the woman and girl who had come all the way here only to walk with the fire chief around town like tourists with a guide. One sees an animal’s eyes peering out from the closet. One wishes the self-pitying child’s wish to never have been born.

Another cannot believe it was only this morning. Both his waking mind and dreams confirm it. Only this morning he was thinking the firestarter’s thoughts. Whether he lies with eyes open or closed, he lives through the same hours. When he comes to the end he can only return to the beginning to live them over again.

He lies awake through the night, certain he can smell it. A lick of heat. Barbecued pine. Sulphur curling his nosehairs. A memory of fire in place of fire itself. He knows this even as he sits up all at once and fights to reshape his gasp into a yawn.

He assumed that creating the firestarter would be a convenience. A temporary alter ego that would allow him to return wholly to himself after he was finished with it, cut free like a booster rocket once gravity has been defeated. Instead, the firestarter clings to him. In fact, he can feel the beginnings of a struggle, another’s hand on the wheel. It is still weaker than he. Thoughtless and mute. But it has a desperate tenacity he hadn’t expected, an unmanageable weight. It threatens to take him down with it like a drowning dog.

He thinks of what he would give in dollar terms to sleep without dreams until morning. Starts at two-fifty and soon approaches everything he has.

It’s not guilt. Not exactly. It’s not yet worry, either. Tonight, what denies his rest is what the firestarter would say to him if it ever learned to speak.

Chapter 7

Even from four miles off, during the few hours of a July night’s darkness, the bear can smell Ross River before she spots the orange glow of its homes. Melted lard, yeast, the generator’s dizzying fumes. All of it attracts her, so much stronger in its promises than the highbush cranberries and wild sweet pea, the only other food she can detect in the vicinity. They have been moving continuously for a full day without eating, and now hunger sharpens her senses as do the distant traces of smoke that have been pursuing them the whole time. She allows her cubs to rest, rolled back on their haunches, chewing at air. The three of them have made their way to the top of a rock outcropping that pokes through the treeline, midway up the slope of the Tintina Trench.

The sow has been here before. Last autumn, with her mate. It’s how she knows that, in daylight, they could see the entire Pelly valley from where they are. Now, with the dawn only a blue thread atop the horizon, the killing ground is a field of shadow. Below them, the town throbs in electric flames.

She doesn’t fear the people she knows to be there, but unless she has to, she will go no closer. It would be easy to push through one of the many breaks in the fence around the dump and feast on whatever spilled out of the piled bags she gutted. During the summer her mate stayed with her (far longer than other wandering, rutting boars), they would come here from time to time. The decision arose less out of necessity than as an addiction to the landfill’s exotic pleasures. On the rare occasions that the dump manager came by to throw the beam of his flashlight over one of them, the other would bark from the opposite direction, diverting his attention. The beam leapt blindly in his hands. In seconds the sow and her mate would be through the fence.

But there is only the cubs with her now. They have never been close to people, and she wonders if their curiosity would cause them to pause, blinking at the light. She has seen this hypnotism used on other animals by hunters in the woods at night. No amount of barking could wake them once the dazzling bulb had captured their eyes.

They will not go closer to town. They will not run any farther away either. Over the other side of the range to the south is a river that, by now, will be running with easily scooped grayling and trout. And here, in the St Cyr foothills, they are the only bears. Whatever food is available will be theirs without competition. She looks at her cubs. It will be another year before they will begin to make these calculations on their own, and for a moment, the thought of the time ahead exhausts her.

She lifts her snout and turns to the east in the direction they have come from. The cubs do the same. The oddly stringent smoke is still there. Stronger than the hour before. Though it hasn’t moved, the sow feels that it wants to. And when it does, it will come this way.

In the morning, Miles stands in the shower until the hot water in the tank goes dry, and after it does, stands a while longer under the cold. It doesn’t make him feel clean as much as raw, a layer of skin peeled off, leaving him tenderized. Sometimes it helps him to think. Today, the water draws all thought out of him, washing half-formed sentences down the drain. By the time he turns off the taps he’d be slow in coming up with his birthday, his postal code. When he steps out of the stall the only thing he recognizes is Stump’s tongue licking his legs.

Beyond the bathroom window the morning sun is so bright it looks to Miles like the prolonged flash of some distant megaton explosion. And maybe it is. It is a summer of fire everywhere but here.

Even in a place as disconnected as Ross River, the images of disaster have found their way to him. On the TV hanging from chains in the Lucky China’s ceiling, he has crunched and tartar-sauced his way through lunch while watching evacuations of famous ski villages and less-famous pulp towns on the lower mainland of British Columbia, the ruin of Washington State vineyards, flames licking against million-dollar glass cubes terraced over the hills of San Bernardino and the Simi Valley. Crews from as far as Ohio, Minnesota and Georgia have been dispatched to assist on the suburban infernos of Oregon and California. Reporters can’t get through a story without speaking of it, with a grimness only half disguising their excitement, as ‘possibly the worst wildfire season in living memory.’ Every time they use the phrase, Miles can’t help wondering whose living memory they’re talking about. He’s still alive. They should ask him sometime.

That the fires are so vast that smoke has been carried on the prevailing winds to redden the sun as far east as Winnipeg and St Louis might surprise some of the experts, but not Miles. He has seen a summer like this one coming for a long time. Global warming. Continental drought. Fuel loading. The last of these being the biggest factor. After years of urban sprawl and ‘development’ of what remains of the western forests, fighting fires has become more necessary in order to protect man-made values. The trouble is, the more smokers you put out, the more deadwood there is to blow up the next time around. Fire doesn’t like being made to wait.

When he’s dressed, Miles walks out to the main road and along the half mile to the fire office. The morning light continues to dazzle him, glinting off anything it can find, even the gravel, white as chalk. The rust-stained tin of the fire office looks as though it’s been painted silver overnight.

Miles had expected the place to be empty, but King is already there, sipping at a mug of instant coffee. When Miles walks in he barely turns. Dreamy. That’s what the kid is. Which makes him a little dangerous, too.

Patrick ‘King’ Lear is this year’s part-timer sent up from the University of Northern British Columbia’s forestry management program to fill out the crew. He’s not the worst that Miles has seen, a physically strong boy who obviously loves the bush and, like Miles, sees firefighting as a way to get paid for living in it. But there’s an absence about King that made Miles at first suspect the kid was on drugs of some sort, one of the new kinds that make you rapturously amazed by everything. Now, he has come to believe that this is simply King’s nature. What’s worrying is that, on a burn site, it’s not exactly the optimum mental state for your men to be in. Crookedhead may not be any better on the raw intelligence side of the ledger, and Jerry is always looking for a way out of the hottest or heaviest work, but at least their defects are predictable. With King, you can’t tell when he might stop clearing deadwood or hacking out a fireline, hypnotized by the beauty of embers floating through a stand of aspens. Miles can only thank Christ that there hasn’t been a fire of any substance for the length of his tenure as supervisor. They’re good men. He cares for them more than he’s comfortable admitting. But Miles would prefer to not see them tested by anything bigger than the bonfires of discarded mattresses they practise on out at the dump on Sundays.

‘King,’ Miles says.

‘Hey there, boss.’

‘You looked at the morning spotter reports?’

‘Nothing.’

‘Not a thing?’

‘It’s almost weird. There’s smokers in every district but ours.’

‘And the towers—?’

‘Aren’t seeing anything but a sunny day.’

‘How nice.’

Miles looks at King and, for the first time, sees a younger version of himself in the hard brow, the blue, elsewhere eyes. He wishes he hadn’t. And in a sense, he hadn’t—King doesn’t really look like Miles, not in the way you would ever confuse the two. It’s only that King’s self-containment, his distracted temperament that disguised something you might not want to get too close to, makes Miles think that those may well be the same impressions he leaves with others.

‘I sent Mungo to check on you last night,’ Miles says.

‘Three sheets to the wind, and he’s checking to see if I’m awake.’

‘I wanted to get him out of the bar more than anything else. I was hoping that once he’d said hello to you, he’d find his way home to say hello to Jackie.’