Mrs Whistler

Miss Corder was growing yet more impassioned and voluble about the various deficiencies she’d observed in the other artworks of the Grosvenor display. Maud was wondering whether she should interrupt, to point out the attendants perhaps, when her companion withdrew abruptly from this somewhat one-sided debate, casting not so much as a parting glance at her chortling adversaries.

‘Come Miss Franklin,’ she said, starting towards the curtained entrance, and the wide stairway beyond. ‘I believe we’re due at the Café Royal.’

*

Outside, the heat was starting to lift, a breeze snapping the shop awnings taut in their frames. Miss Corder walked along New Bond Street with a pronounced, leisurely sway, her hips swinging out a couple of inches with each footstep, unperturbed by either the clash in the gallery or the manner of their exit.

‘Ned Jones,’ she said. ‘Good God. Or Burne-Jones, as we must call him now. Charles knows the fellow. Used to know him. Even back then his style was said to be ponderous and overworked. All those hard lines, all that intricacy. And for such a wretchedly insipid result. But I suppose I should hope that the popularity of his pictures grows yet further. The blasted things would be easy indeed to replicate.’

Maud frowned a little, and began to ask what was meant by replicate, but Miss Corder was crossing a side street, moving around the back of a carriage, out of earshot. While Maud bent to gather up her hem, Miss Corder was just letting hers trail where it would, dragging through the summer dust. They were drawing stares – being unaccompanied and rather conspicuous – none too pleasant, some of them. The attention fell upon Miss Corder like sea spray on the prow of a gunboat.

‘I understand why you wished to leave so soon,’ she said, when Maud caught up. ‘To be honest, Miss Franklin, I can only stomach brief visits myself. The Grosvenor is a worthy venture, all things considered. It provides a place of exhibition to the occasional true talent, like your Jimmy. But I cannot help thinking it corrupt. They do it by invitation, you know, rather than merit. Amateurs, friends of Sir Coutts Lindsay and his wife, shown alongside proper artists. It is a game, a game for the rich.’ Her lip twitched. ‘But works are shifting nonetheless. They are going for hundreds of pounds, if Charles is to be believed. I am beginning to think that I should have tried to get something of my own in there.’

There was a pause. Maud looked at a bolt of burnt-orange silk arranged in a draper’s window. ‘You’re an artist,’ she said.

‘More than that,’ replied Miss Corder, lifting her chin. ‘I am a professional, Miss Franklin. I make my living at it. But I am also a woman. And my father was a lighterman, down at Rotherhithe. And so I am kept always at the margins. Versatility is demanded of me, if I am to survive – a versatility that I’ll bet Mr Millais or Mr Leighton, or Lady Butler even, would struggle to summon.’ She stopped, checking the fervour that was returning to her voice. ‘But of course you know all this. You are an artist yourself. Charles says that Jimmy rates you highly – that he had you at work on the Peacock Room, in fact, repainting flowers. Before he brought the scheme to its final form.’

‘Before he covered them all up, you mean. Painted the whole thing blue.’

Maud was embarrassed, and faintly annoyed; Jimmy knew she didn’t like him telling people about her attempts at art – boasting about them, as he couldn’t help but do, despite having obliterated her painstaking labour at Prince’s Gate with barely a second’s hesitation. She’d protested about this, just once, trying to sound as if she was joking.

‘I had to Maudie,’ he’d answered simply. ‘It didn’t go.’

‘That was necessary,’ Miss Corder told her. ‘A sacrifice, you might say. Charles tells me that Jimmy regards you as a pupil as much as a model. That he’ll have your pictures selling before the decade is out.’

Maud felt herself colouring. She stared down at her boots. ‘I don’t know about that. I’ve barely begun.’

‘The best models,’ Miss Corder continued, ‘often have a painter in them as well. I have always thought this. It refines your sense of what’s needed. Of what it is to stand on the other side of the easel. And I must say that you are in the very best place. Jimmy Whistler is the finest teacher – the finest protector that you could ask for.’

It was rare indeed for Maud’s situation to be met with such approval. Edie, so careful in her respectability, didn’t even like to think of it. The other models she knew regarded it simply as a deft manoeuvre, a tidy bit of luck. How could she help feeling a flicker of affinity now with Miss Rosa Corder? Perhaps it wouldn’t be so bad to talk of art with a professional woman painter. Someone unmarried and young, and without social advantage. Someone who seemed interested in her, furthermore, and who could surely offer guidance when she felt able to work again. Questions began to occur also about Miss Corder and the way she lived. The pictures she’d painted, where they’d been shown and to whom they’d sold. Her own protector, the Owl.

Miss Corder was talking herself, though, expanding upon her admiration for Jimmy and of her sense of the war that had begun, between the forces of artistic righteousness and a broad, determined coalition of enemies. It was being fought on the walls of the Grosvenor Gallery apparently, and in numerous other places besides, with this Ruskin review being merely the latest offensive launched against them. Maud thought of that strange moment down in the studio – the suggestion that there was fresh trouble with the Leylands. It had slipped her mind until she’d stood before the Harmony in Amber and Black. They started down a lane and the wind picked up, overturning a metal pail and sending it rolling noisily across the pavement. Miss Corder paused; Maud saw her chance.

‘What of the Leylands? What’s going on there?’

‘Oh, nothing,’ Miss Corder replied, without much interest. ‘You mustn’t worry. A couple of accidental meetings between Jimmy and the wife, at the houses of mutual friends. The husband wasn’t best pleased. He still considers Jimmy and himself to be at odds, it seems.’

Not a word had passed between Jimmy and Frederick Leyland since the previous winter. The shipbroker had responded to his reworked dining room – to the Prussian blue walls, and the mural, with its spilled silver shillings and puffed-up, befrilled peacock – only with silence. They had been left to wonder, a very deliberate form of torture. The decorative scheme remained intact – that much they knew. But no more.

Maud had other questions, a long list of them; Miss Corder was back on the Grosvenor, though, and the dismal quality of so much of its display, a topic that sustained her without interruption until they reached Regent Street. It was packed solid, traffic inching and creaking around the dust-hazed Quadrant. Miss Corder weaved along the busy pavement, leading Maud beneath the red and white striped canopy that shivered above the entrance of the Café Royal. Jimmy’s preferred table was off to the side, next to one of the broad front windows, providing a commanding view of both the restaurant and the street. It was large, able to accommodate double their number, in case any notable passers-by were waved over to join them. Jimmy was at the head, listing things on his fingers; Owl sat to the right, nodding in understanding as he reached for his glass. The two women went in. A smart, portly waiter was there at once, asking their business in a heavy French accent.

‘We have come to meet our husbands,’ Miss Corder told him. ‘They are over there, by that window.’

‘Husbands,’ the waiter repeated. He took their hats, though, standing aside to admit them. Maud saw Miss Corder’s orchid smear pollen across his black silk waistcoat.

Both men rose at their approach. Jimmy’s eyeglass dropped out; Owl set down his drink. There were kisses and embraces. Miss Corder sat on the seat opposite the Owl, with her back to the window. Maud joined her gratefully, nearly groaning aloud in relief, kneading her aching knees beneath the table. She’d walked further that afternoon than she had in the previous month.

The Café Royal was decorated in the Parisian style, with tall mirrors in ornate, gilded frames, tabletops of veined marble and a black-and-white tiled floor. It was about a quarter full, perhaps slightly less; waiters roamed about the empty tables, polishing cutlery in the pre-supper lull. At that moment it seemed to Maud a haven of airy comfort and tranquillity. She smiled at Owl, at Miss Corder, and they smiled back at her; and there was a tiny flash of strangeness. The scene was that of four friends, four dear friends, settling in for a celebration. Yet she barely knew this pair. She’d met them only once before. Jimmy had mentioned that he and Owl had been on decent terms a few years previously, prior to her arrival at Lindsey Row, and had recently renewed their association. But this hardly justified all the confidences he appeared to be piling on the fellow.

The flash faded. A flute was placed in front of her and filled with sparkling wine. The day’s exertions had left her utterly parched. It was nothing short of beautiful, that glass: tall and delicate, frosted with moisture, the wine golden in the light of the declining sun. She picked it up, chimed the rim against Miss Corder’s, and Owl’s, and Jimmy’s, and drank deep – almost half the contents in one gulp.

‘And now, Maudie,’ said Jimmy, ‘you must tell, in precise detail, sparing me nothing,’ – here he screwed the eyeglass back in, and fixed the blue eye behind upon her with semi-comical intensity – ‘What. You. Thought.’

Maud had been furnishing Jimmy Whistler with opinions for a while now. For one who courted disfavour, who made out that he revelled in it, he could be acutely, damnably sensitive. Snide phrases penned in seconds by some newspaper critic were branded forever on his brain; there were a couple that Maud was pretty certain he would be reciting on his deathbed. Her actual views, therefore, were unimportant. She knew what he needed from her, and she supplied it without thinking.

‘Wonderful,’ she said. ‘It was wonderful. The hall was yours, Jimmy. No contest.’

The moustache bristled with satisfaction. Miss Corder spoke up as well, poised and formidably eloquent, reporting on the crowds, the regrettable popularity of Mr Burne-Jones, and in particular on the reception of the firework painting – the Nocturne in Black and Gold.

‘The philistines were out in force,’ she said. ‘They were reciting Ruskin’s words before the picture. He has given licence to ignorant disdain. A refusal to look, or to see.’

Owl was shaking his head. ‘I tell you, Jimmy, the old goat’s been beyond the pale for a good while now. But this is a step further still. Ad hominem, as the lawyers say. Actionable.’

Jimmy was grave. ‘You aren’t the first to say this,’ he said.

‘What was in it?’ Maud asked, by now rather anxious. ‘What did he write that could be so bad?’

They shared a look; then three indulgent expressions were turned her way.

‘You deserve to know,’ Jimmy said. ‘I’d hoped I could spare you, but this may now be unavoidable. It was brief. Published in that peculiar private paper he puts out. But picked up since by everyone.’ He spoke slowly, assuming a terrifyingly steely smile. ‘The fellow wrote that my poor picture approached the aspect of wilful imposture.’

Maud gripped the stem of her flute. This was Ruskin’s own phrase, she could tell. The dreadful notice had plainly been memorised in its entirety.

‘He wrote that I was a coxcomb, Maudie. A coxcomb. That I was asking two hundred guineas to – how was it put? – fling a pot of paint in the public’s face. That the Black and Gold displayed only what he felt qualified to term cockney impudence.’

At this Maud let out an involuntary laugh, a flat, nervous whinny. ‘You’re no blessed cockney, Jimmy.’

Owl was grinning too. ‘It is absurd,’ he said. ‘Completely absurd. And actionable, as I say. In the course of my life, I have learned a thing or two about the law, and there is no doubt in my mind that you have been libelled. He attacks your person, my friend. Your character.’

‘The rogue denies me my fundamental right,’ Jimmy stated, ‘to call myself an artist. He says my work is not art. This is why no one buys. But what right do they have to pass judgement in this manner? These self-appointed critics, these ignoramuses, these blasted fools? What goddamned right do they have?’

‘None,’ said Miss Corder. ‘None at all.’

Owl nodded in sympathy. ‘You must go to court, Jimmy. I have said this to you several times now. The public chastisement of John Ruskin for the abuses of his pen is long overdue. And there must be compensation for the damage he has sought to inflict.’

‘That he has inflicted already,’ said Jimmy.

‘Compensation?’ Maud asked. ‘You mean – you mean money?’

The Owl turned to her in an attitude of apologetic explanation. ‘I know Ruskin, Miss Franklin. Better than any man alive, I should think. I was his – well, I suppose you might call it his private secretary, back before my association with Gabriel Rossetti. I undertook many missions on his behalf, and became familiar with every part of his affairs – some dark regions, Miss. And he has grown yet more strange since. The lunatic’s beard. The demented air that attends on his manners and his writings. It is said—’

‘Owl,’ Jimmy interrupted, dragging on his cigarette. ‘Not now.’

‘He must pay,’ said Owl, changing tack. ‘He can afford to, certainly. His father traded in wines, he traded very well, and left his only child rich indeed. The wretched fellow squats up north somewhere, among the Lakes, atop a veritable mountain of gold. It is your duty, old man, if you ask me, to have some clever lawyer relieve him of a portion of it.’

Jimmy seemed to see the sense in this. ‘We are down, I won’t deny it. To be completely honest, mon cher, we suffer still from the lack of Leyland’s thousand. That is the root of the trouble. Most of what he paid was already owed, you see – it’s long gone.’

Leyland. Maud sat up. ‘The Amber and Black,’ she said.

Again all three of them looked her way, curious and vaguely condescending. A connection had been forming in the back of her mind, since the walk over from New Bond Street. While visiting Lindsey Row in the years before the Peacock Room, Frederick Leyland would surely have seen the Amber and Black when it had Florence’s features. And then he would have seen it again in the Grosvenor Gallery.

‘I saw what you did to it. To Leyland’s daughter. You scraped off her face.’

They laughed hard at this, did Jimmy and the Owl, slapping their palms against the tabletop and stamping their boots upon the floor. It was more than Maud had expected, a lot more, and it knocked her off-course. She found herself smiling too, even as she tried to raise her voice over the uproar.

‘Something else has happened, hasn’t it, Jimmy? Why would you do that?’

‘You see the eye on this one, my dear Owl! A goddamned painter’s eye, it is! Nothing escapes it. Rien de tout!’

And somehow, before Maud could say anything else, she was under discussion as an artist for the second time in an hour. Jimmy trotted out a little legend of his own devising, in which the eighteen-year-old model Maud Franklin, soon after her arrival at Lindsey Row, had happened to discover an album of Japanese prints. The detailed studies of flowers within had inspired her to such a degree, he claimed, that she’d picked up the brush at once, and displayed an obvious gift for it. Owl said that he would very much like to see her latest drawings; as did Miss Corder, who declared that Maud simply must visit her studio on Southampton Row, within the week if it could be arranged. The attention and encouragement flattered Maud to the point of giddiness. Her skin flamed radish red, perspiration stippling her brow. Frederick Leyland and the Amber and Black quite left her mind.

‘I haven’t done anything for a while,’ she said, as her glass was refilled, ‘you know, on account of – of being away and …’

They told her that she must reapply herself at the first opportunity. That it was her responsibility to humankind. To leave such a talent unused, they said, was an unforgivable waste. She had to paint.

Maud nodded, and sipped, and promised that she would.

*

Dusk was shading the grand bend of the Quadrant by the time they decided to eat. As always, Jimmy insisted upon everyone having the same, with him ordering: Homard en Croute, a favourite of his. Maud would have eaten this gladly, but Miss Corder’s sylph-like form, snaking against the table beside her, served as a stern admonition. She had to recover her own figure as soon as possible, so she picked at the little pie, trying to look like she was making a start on it, breaking a hole in the buttery crust and prodding at what lay beneath.

Owl’s serving, in contrast, was gone in moments. Noticing Maud’s reluctance, he offered and then engineered a discreet swap of their dishes. It was a mystery, how he managed to eat such quantities while talking – for talk he most certainly did. Even Jimmy stayed quiet, or mostly quiet, to hear him. In that impressive voice of his, he began to tell them of a certain period of his youth – always brought to mind, he claimed, by the taste of lobster. He was Portuguese, as it turned out, not Spanish as Maud had assumed; or rather a half-Portuguese, the son of an English wool merchant and a noble lady of Oporto.

‘Their final child,’ he said. ‘No fewer than thirteen others preceded me. My father expired, in fact, not long after my birth.’ The cause was exhaustion.’

Left destitute, his widowed mother had moved out of the city with her six youngest to a village down the coast. There, some years later, the teenage Owl had supported them all by diving for treasure. The Barbosa, a mighty galleon from the time of King Alfonso VI, had been wrecked just offshore, the hull lying untouched in shallow waters. And so, an India rubber air tube clenched between his teeth, he’d set about groping through the seaweed-coated timbers – braving the snapping jaws of monstrous eels, the tentacles of octopi and heaven knows what else – returning to the surface only when his fishing net was filled with gold doubloons.

‘On occasion, in the Barbosa’s innermost crevices, I would encounter these gigantic lobsters. These turquoise leviathans, like creatures from dreams or the paintings of madmen. I see you laughing there, Jimmy Whistler, but you wouldn’t have laughed if you’d been in the water beside me. You’d have spat out your air tube and screamed like a horse.’

Jimmy was rolling a cigarette and smirking so hard he dislodged his eyeglass.

‘I swear the blasted things were two feet long,’ Owl continued. ‘The size of a small dog, and deuced lively with it. Spines like you wouldn’t believe. Claws the size of coconuts. I’d wrestle them up from the wreck, through the surf, to the beach where my mother and sisters would be waiting. Often we’d make a fire in the sand and roast the beast in its shell. Feast on it before the sunset. This,’ – he held up a forkful of pinkish flesh, the last of Maud’s pie – ‘can’t really compare.’

‘We should go,’ said Miss Corder. Her eyes were dark with love; she reached between the dishes for Owl’s hand. ‘You should take us – the three of us. We could find a house on a cliff-top, overlooking the ocean. The wild Atlantic. Think of it, Carlos. Think of what Jimmy could paint.’

The Owl – Carlos – agreed. ‘A fellow’s shilling goes far over there,’ he said. ‘Damned far. Why, we could take a castle. Live like royalty.’

Right then, with a newly refilled glass raised to her lips, this struck Maud as a truly brilliant idea. Why on earth shouldn’t they? Venice had been the plan, the promise, but elsewhere could surely be as good, especially in such enlivening company. The land of Carlos the Owl. She very much liked the sound of it. She glanced at Jimmy. Eyeglass reinserted, cigarette lit, he was studying the Portuguese with wry affection.

‘We’ll be expecting lobster every night, Owl, you know,’ he said. ‘You’d better bring along your bathing suit.’

They toasted their expedition, several times over and with much laughter. The last traces of formality fell away: Miss Corder and Miss Franklin were shown the door, with Rosa and Maud taking their place. Various far-fetched arrangements were made. Goals were set, both artistic and gastronomic. A warm camaraderie enfolded the table.

Shortly afterwards, as the dishes were removed, an unspoken communication passed between the men. They excused themselves and rose, disappearing into the rear of the restaurant.

‘Cigars, most probably,’ said Rosa, looking over her shoulder, out at the street.

Maud emptied her glass. She was feeling pretty damned tight, in truth, having drunk a good deal and eaten next to nothing. She fell to staring at Rosa’s hair. It was tied up in a plait, the coil as elaborate and perfect as a carving in a church. Until then it had simply seemed a yellowish shade of brown. Now, though, in the candlelight, Maud could see something much paler in it – a lustre that was almost metallic.

Abruptly, Rosa turned back to the table. Her eyelids lowered a fraction; she gave Maud a look of fond assessment. ‘You are brave,’ she said.

‘Beg pardon?’

‘To have done what you did. What was needed. All by yourself. And to be here again, at his side. It is very brave.’

Maud saw her meaning now, and her woozy happiness – all the pleasure she’d been taking in this place and this singular couple, so convivial and ambitious and full of spirit – went in an instant, vanishing as if it had never been, leaving her with the cold and simple fact that she was sitting there in a swell restaurant, pickling herself in sparkling wine like she hadn’t a care in the whole bloody world, while her child, her baby, was away several miles to the north in the care of a woman who could be anybody, who could be anything, who could be about to bake the infant alive in an oven and there would be nothing, absolutely nothing, that she could do about it. She put down her glass. She felt panic rising. It quivered inside her, urgent and hopeless. It bolted her to the spot.

‘You mean with my daughter,’ she said. ‘You mean with Ione.’

The smallest crack ran through Rosa’s self-possession. She’d plainly thought they would discuss Jimmy – the importance of loyalty or something. Not this. ‘Yes,’ she said, ‘your daughter.’

‘I chose the name. Ione Edith Whistler. On my own. While I was – just after. I had to tell it to Jimmy. He hadn’t—’

Maud was going to say that he hadn’t asked what the name might be, that she’d given him three days to do it and he hadn’t, so she’d snapped and simply told him, shouted it at him in fact; but recounting this, trying to untangle it all for the first time, proved too much. She slumped forward onto the table, pressing her cheek hard against the marble. A slick of liquid – tears or wine, she couldn’t tell which – made her head slip an inch to the left.

‘I thought I could just leave her. I thought it wouldn’t matter. I—’

Rosa eased her back upright, wiped her face with the cuff of her silver-grey jacket, and proposed that they take some air – walk down to Piccadilly, perhaps. Maud was signalling her assent when the men came back into view on the other side of the room. They were speaking loudly in French to the head waiter, talking over each another with much gesticulation. Maud followed their approach with a prickle of resentment.

Jimmy noticed at once that something was wrong. ‘What’s this?’ he said. ‘An excess of cheer?’

‘She’s tired,’ Rosa told him, ‘that’s all. A little weak still.’

Sliding his wiry frame onto the seat beside her, Jimmy plucked Maud’s hand from her lap and squeezed it between his. ‘Is everything well, Maudie?’ he asked, gently as you like. ‘What’s the difficulty here?’