‘That all seemed to go well. All those hours splashing about in the water, and we never even took a dip. Amazing weather for June.’
Ash smiled and shook his head. ‘You can keep your dips. I would never swim in the North Sea, never. My health is precious to me.’ He looked mock-solemn. Ash was a small round man, his fringe of long grey untidy hair sprouting round a freckled bald patch giving him a monkish air. By contrast, and possibly to prove he was a dedicated media man, he wore a gaudy flowered shirt that recalled Hawaii and British Home Stores, although Squire had been with him when he bought the garment in Orchard Road, Singapore, to the derision of the camera crew.
On their many trips to locations at home and abroad, Grahame Ash had shown himself to understand perfectly Squire’s material, and had made contributions they had incorporated in the script. In particular, he had proved himself visually inventive. He was a north countryman, his soft-spoken vowels adding to a general impression of comfortable command.
‘It’s supine, Grahame, supine, that sea, a reformed teddy bear sea, promising never to play rough again.’
‘I never swim with teddy bears.’ He emptied sand from his canvas shoes. ‘It must be tea-time. I need a drink.’
‘What’s next in the script?’
‘A word about advertising supporting newspapers, television companies, colour supplements, sport, pointing out its virtues in a capitalist society.’
Ash climbed into the Peugeot and pulled the script of the episode of ‘Frankenstein Among the Arts’ they were filming from the crammed glove compartment. Squire went to the sheltered side of the vehicle and pulled an old pair of slacks over his swimming trunks.
‘Okay. Perhaps we should scrap that as a bit didactic and say instead that advertising – like the Andrex ad – reinforces a rather dangerous Western obsession with cleanliness.’
‘My father served three years in the mud and trenches in World War I and was never the same afterwards, at least according to mother. Perhaps in reaction against the mud, his devotion to cleanliness spilled over into pacifism.’
‘Interesting,’ said Squire. He climbed into the passenger seat beside Ash. ‘How much is the unpreparedness of the West due to fear of war, how much to advertisements with perpetual stress on avoidance of dirt – meaning death as well as excreta.’
‘Bit difficult to avoid either if you ask me.’
‘Yes, but you can avoid thinking about them.’ It was seven months since his mother died, yet the loss was still with him. ‘I mean, do we see the shiny packaging of purchasable objects as guardians against evil, like Chinese temple dogs? Why is packaging so often of more durable material than the object being packaged?’
Ash backed the car out onto the road. ‘That would fit more appropriately into Episode Twenty, “Shiny Surfaces”, where we’re dealing with Jasper Johns, Warhol, Claes Oldenburg, and the pop artists’ interest in commercial packaging.’
Laura Nye came over to them. She had changed into a frilled blue shirt and jeans. The blond wig had gone, to reveal her own neat crop of chestnut hair.
‘Are you going to go to the pub?’ Squire asked. She was staying at The Lion in Hartisham, like most of the crew, for the four days they were working here.
‘No, darling, not tonight. I’ve got to dash to London. See you tomorrow, okay?’
Her smile echoed the note of interrogation in her voice.
He squinted against the sun in order to study her expression, shielding his eyes in an instinctive attempt to conceal his alarm.
‘You’ve got a hell of a drive from here all the way to London. Can’t it wait? We’ll be back in the Smoke in a couple of days.’
She glanced unnecessarily at her wrist watch.
‘I’ll be in town by seven, no bother. I’m looking forward to the drive. I must go. Sorry.’
‘Are you going to see Peter?’
‘I must, Tom. Besides, you’re going to see Teresa.’
She smiled soberly across at Ash. ‘I’ll be back for work on time tomorrow, Gray.’
The two men watched her retreating behind in silence. Sunlight glinted through the characteristic female crutch gap.
‘Let’s go,’ Squire said, with a sigh. ‘Pippet Hall.’
Ash said nothing. He drove.
The Norfolk coast road from Hunstanton meanders eastwards towards Sheringham and Cromer. On its way, it calls at a number of small towns which are never quite on the sea, whatever their intentions. Blakeney, for instance, gazes placidly across tidal river and marshes to its distant head, with scarcely a glimpse of the real sea. It once held fairs which were among the excitements of the Middle Ages; Muscovite ships visited it, with cargoes of silver, sable, caviar and bear grease. Three stout ships sailed from Blakeney against the Spanish Armada.
Only at Wells-next-Sea is there still clear sight of the open waters leading on to Norway, the Arctic, or Ostend. At Wells tourists can walk with their ice creams and fish’n’chips straight across the road, to view little Egyptian freighters or the modern, hammer-and-sickle-flying descendants of the Muscovites who reached Blakeney, all moored peaceably against the quayside.
Take one of the minor roads which turn southwards off the coast road between Wells and Blakeney. After a few miles’ drive, you will arrive at the pretty village of Hartisham. Hartisham is set half on a small eminence, half in a small valley, through which the small River Guymell runs. The higher village contains a manor house, a vicarage, and a fine church, dedicated to St Swithun, and refaced with knapped flint in the eighteen-eighties. The lower part contains most of the village, its dwellings (mainly cottages, built blind side to the street), a few shops, and Pippet Hall, through the modest grounds of which the River Guymell flows.
The countryside is undulating hereabouts, rather than flat. It is very fertile, and must once have abounded in the deer for which the village is named. Pippet Hall estate consists of under one hundred acres since the Squire family had to sell land off to meet death duties. The modest farmhouse, now occupied by the manager of the estate, lies in a bend of the Guymell. The manager frequently eats trout for his supper. The Hall itself stands on a slight eminence. It is mentioned and often pictured in all the guide books of the area, and also in Nikolaus Pevsner’s architectural guides. It was named after the meadow pipits which used to nest abundantly hereabouts.
The house is visible from the front gate, but to reach the front porch the drive curves elegantly and crosses an ornamental stone bridge over a small lake which was created by a Squire ancestor with advice from Thomas Repton. The cedars Repton planted, the blue cedars of Lebanon, still stand in a noble group of four on the north side of the lake. It is tradition that, when the weather is cold enough and the ice will hold, the local population enters the grounds of Pippet Hall and skates or slides on the frozen lake.
‘I love this place,’ Ash said, as he braked the Peugeot in the drive outside the porch. ‘I’ll buy it off you.’
A dog barked somewhere in an offhand manner.
‘Let’s see if Teresa’s at home.’
The house was early Georgian, built of brick cornered with stone. It replaced a smaller building on the same site which had been destroyed by fire. It owed its existence to an earlier Squire, the vigorous Matthew, born in Norfolk in 1689, in the reign of King James II.
Matthew Squire bought himself a commission in Marlborough’s army and served as liaison officer between Marlborough and Prince Eugene at the battle of Oudenarde in 1708, in which the French were defeated. Matthew’s bravery, his dash, and his command of the German tongue, commended him to Eugene.
The bravery must have been inborn; the command of German was acquired from young Matthew’s mistress, Caroline, the illegitimate daughter of a Westphalian captain of dragoons. With Caroline following behind, Matthew joined Eugene’s army to fight at Peterwardein in 1716. There the Turks were defeated for the last time on European soil.
As victory bells pealed throughout Christendom, Matthew found he had lost a finger and gained a reputation. He was decorated and rewarded by Eugene. He acquired a substantial train of Ottoman booty. Whereupon he retired with his beloved Caroline to his native village, Hartisham. There in the seventeen-thirties he had the present house built and, it is claimed, was the first man to introduce coffee to North Norfolk. Despite lavish expenditures, he ensured the modest fortunes of the Squire family for the next two and a half centuries.
Caroline’s sturdy Westphalian loins provided for the continuance of Matthew’s line. She outlived her husband. He died, a slightly dotty old man with a cork finger, in his seventy-first year, and was buried in St Swithun’s churchyard at almost the same time as Horatio Nelson was entering the world, only a few miles away across the Norfolk meadows.
As the two men climbed from Ash’s Peugeot, a Dalmatian bitch came bounding from the rear of the house and flung herself at Squire.
At the same time, a female voice was heard calling, in hopeless tones, ‘Nellie, Nellie, good girl!’
A plump white-haired lady appeared, carrying a trug in one hand. She paused, then came up smiling, saying, ‘Tom, your dog is quite uncontrollable.’
Squire introduced her to Ash as Mrs Davies, his mother-in-law. She was recently widowed.
‘Where’s Teresa?’ he asked her, patting Nellie’s back.
‘This sunny spell we’re having is beautiful, and yet you know I get so hot,’ she told Ash, with the confidence of one who has regularly enjoyed the attention of men. ‘I never used to get so hot. I mustn’t do any more, but I couldn’t resist pottering. All the poor plants need water. Tess feels the heat too, and I would not be surprised if she hasn’t retired to her own room for a shower and rest. You must have found filming on the beach intolerably hot today, Mr Ash.’
‘Don’t forget that Mr Squire and I were filming in Singapore three months ago,’ said Ash, smiling. ‘It was really warm there.’
They paused on the lower step of the house, Ash slouching, smiling in his flamboyant shirt, hands in his pockets, Mrs Davies shortish but erect, her white hair carefully tended, talking but keeping an eye on Squire, who stood square-based, legs apart, twiddling his bunch of keys. The dog disappeared into the cool of the house.
The symmetry of Pippet Hall was emphasized by its red brick and its white paint, with the plum-coloured door centrally placed. The complete entablature of the doorcase, with a pediment over it, in turn emphasized the sensible centrality of this feature. It was a three-storeyed house, the four sashed windows of the ground floor running almost from floor to ceiling, but diminishing in height floor by floor. A brick parapet ornamented with recessed panels rose above the second-floor windows, half-concealing the truncated pyramid of roof. The chimneys were grouped at either end of the roof, emphasizing the symmetry of the whole.
