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Heart Of Evil
Heart Of Evil
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Heart Of Evil

History was history. Donegal was steeped in it, good and bad, and they didn’t hide any of it.

“Charles, they’re right. It’s a performance, you know,” Ashley said. “It’s a show, maybe even an important show in its small way. It’s where people can see the weapons of the day, the uniforms that were worn. And, actually, remember, this particular fight started because men had a bar brawl—and then an excuse to fight because the war was getting underway. You’re all examples of keeping history alive, and I’m so grateful to all of you.”

Charles stared back at her blankly; the other men were smirking.

Why didn’t they all get it? They were actors in a show, hopefully teaching American history, with several perspectives, along the way. But some things died really slowly here, in plantation country. Family was still everything. Loyalty to hearth and home, kin, parish and state. They’d been wrong; they’d been beaten, and they knew it, but still, only one side of the cast of players was considered to be elite. And the reenactors could be incredibly snobbish.

That made Charles Osgood the odd man out.

Toby Keaton cleared his throat and then said softly, “Charles—come on. You’re lucky to be in with the 27th Bayou Militia Cavalry Unit. Most of the time, the fellows taking part in the reenactments here are direct descendants of those who fought before. You’ve got to see the truth of this thing. You claim your place in the ranks through marriage—your stepfather was an O’Reilly, and I know he raised you, but, you know, in other old Southern units, that wouldn’t count.” Toby was forty-four, and Ashley’s next-door neighbor at Beaumont, his Creole plantation, though they both had acres and acres of land. Toby grinned as if to cut the harshness of his words. “Newcomer—odd man out. You’re a Yankee if I’ve ever seen one!”

“Great! So now I’m a newcomer—and that makes me an outsider?” Charles asked, staring around the room. “Come on, guys, you’ve just got to understand. This will really make it look as if I don’t belong here at all!”

He gave his appeal to the others gathered at the horse master’s office in the old barn at Donegal Plantation that day—Cliff Boudreaux, Griffin Grant, Toby Keaton, Ramsay Clayton, Hank Trebly, all still with property in the general area, John Ashton, tour director from New Orleans, and Ashley herself. The “Yankees” were gathering in the old smokehouse—a separate building, and now a small apartment. Charles would be joining them soon; all of the reenactors gathered together for their roundtable discussions on the war, but each side met separately first on the day of the reenactment to make sure that every member knew the character he was playing. Later, they’d all meet back here to make sure that everyone was apprised of all the safety factors involved.

One, Charles, so it seemed, would have to play a Yankee, and go join the group in the apartment. They were short a Yankee, and that’s the way it was. All of them belonged to Civil War roundtables, and these days, none of them really cared about sides—they just liked to discuss tactics and procedure. They often met in the dining room at Donegal; Ashley loved to listen, because they also knew their history, and they spoke about events in the lives of many of the key players in the war, and the fact that the generals had often been best friends before they had been forced to choose sides in the bloody conflict. They knew about weapons, uniforms, sad stories about treason and resisters, draft riots, food, clothing, trade and so much more.

“Charles,” Cliff Boudreaux said patiently. “We’re all just teasing you here, really. We’re short on Yankees today, on account of Barton Waverly being sick with the flu. We’re pretty desperate. And that’s the rule; newcomers play Yankees when our brothers from up North ask for help. Hell, remember that year when half of us were laid up with the croup? Three of them Yankees had to come play Southern boys. We’re not doing anything bad to you—really.”

Ramsay Clayton was seated across the table from Cliff. Ramsay looked like an artist; he was tall, with a wiry muscle structure, long dark hair and classical features. He owned a small place down the road, but he spent a lot of time in New Orleans, where he sometimes showed his work at Jackson Square and sometimes had showings at the galleries. He grinned at Charles. “Yeah, and don’t forget, the Yankees won. Hell, come to think about it, where were all the Southern boys when we were losing this thing?” he asked lightly. “Ah, well. Born in our day and age, it’s easy to look back at the South’s part in the Civil War and wonder, ‘What the hell were we thinking?’”

Ashley smiled. She liked Ramsay. He was a good guy.

“Well, I wish I could just step up to the plate, but I can’t. I can’t play a Yankee—I just can’t,” Toby Keaton said. “Hell, my great-great-great-whatever grandfather was the first one to answer Marshall Donegal’s call for volunteers. He was one of his best friends. I think he’d roll in his grave if I played a Yankee. Good God! I own a plantation! Wouldn’t be fitting for me to play a Yankee. Lord knows, it could be bad for business.”

Hank Trebly grinned. “Well, I’m just big sugar. I don’t really give a whit. I see the war as over, over, over, and that’s the way it is. Lord A-mighty! The damn thing ended in 1865.” Hank owned the property next to Donegal, and his ancestors had owned it forever. The old plantation had been replaced by a sugar refinery years ago. He was a small man, in his early forties, and his business meant everything to him.

John Ashton shrugged. “My family might have been here, but I don’t care,” he said. “The Civil War means my income these days—tourists love to go back. But I love ‘em all. Yankees, rebels, Brits, Brazilians! Bring them on. They all spend money and take tours.”

“And what happened here was in 1861, for God’s sake, before the thing had really even gotten going,” Griffin said, shaking his head. “Come on, now! My ancestor went on to die at the Second Battle of Manassas—now, that’s a damned big battle. We’re here to teach, and to remember everything that happened in the past—and how it made us what we are today. Let’s have fun, folks. C’mon—I come out here to forget the office and programming and statistics, computers and red tape. I don’t care who plays what. It’s just for a good time.”

“I spend most of my time in New Orleans, art on the square and all that—you can call me a doughboy for all I care. It’s the spirit of this thing,” Ramsay said. “And Lord knows, what happened here couldn’t even be called a battle. My ancestor and most of the Southern boys except for Marshall survived, but, as we’ve all pointed out now—the North won. We are living the United States of America. This wasn’t even really a battle.”

He was right. What had taken place late in 1861 hadn’t even been a battle. Drinking downriver, toward New Orleans, two Yankee spies had heard about Donegal’s then-owner—Marshall Donegal—preparing a major summons to area troops to prepare them for an invasion of New Orleans. In trying to draw Marshall Donegal’s men out further on the subject, they had all gotten into a fistfight when one made a ridiculous statement about Northerners being chickens. The two Confederates suspected the men of being spies, and had run back to Donegal. The spies went back to their headquarters, but they were spies, and thus their numbers were small. On each side, six men were mustered—and, rather than be executed as spies if they were caught, the Union men donned their uniforms.

The fighting had ranged from the stables to the porch of the main house and out to the chapel and cemetery—ending when Captain Marshall Donegal had died of a bayonet wound in his own family graveyard. The enemy had “skedaddled,” according to the Southern side; the rebels had been left in utter defeat, according to their Northern counterparts.

Now, the “battle” was something that taught history, and, largely due to its small size—and the fact that the current owner of the plantation, Ashley’s grandfather, Frazier Donegal, was a history buff and glad to welcome the units on his property—it was a popular event. “Living history” took place frequently at Donegal, as often as once a week, but an actual reenactment was done only once a year. Sometimes the actors doing the reenactments were involved in other locations. Some belonged not just to Civil War units, but Revolutionary War units, and it just depended on where the biggest shindig was going on. Luckily, most of the men who could claim to have had ancestors in the brawl loved the plantation and the nearly exact-to-the-past-moment location of the place, and they usually made this reenactment a priority.

Donegal House was surely one of the prettiest places left on the river road, with memories of the antebellum era held in place. The great house still maintained a gorgeous front. It had been built with magnificent Greek columns and wraparound porches, and elegant tree-shaded entries stretched forever before the front and back doors. The currently used stables, housing only six horses, were next to the house, while the larger stables needed in a bygone era were far back from the house, to the left, riverside, and offered three apartments for those who wanted to stay for the night. The old smokehouse and servants’ quarters were available for rent as well, and sometimes they even rented out five of the rooms in the main house. With Beth there, Ashley’s extraordinarily talented friend and chef, and the efforts they were making with the restaurant and the crazy business that came along with the reenactment, they had chosen this year just to let rooms in the outbuildings.

All this—living history and their bed-and-breakfast rentals—was done to survive into the twenty-first century. But the Donegal family had been letting the place out for nearly thirty years now. And the living history and the reenactments were the true highlights to be found here, distinguishing it from other great plantations along the river.

“Okay, sure. You all are right,” Charles said. “It’s over. Long over. Hell, the Yankees did win the war.”

Cliff laughed. “Still hard to convince my mama and a few other folks I know that it’s true. But thanks, Charles, that’s great. The Yanks are good guys. Man, it’s sad to think back, though, huh? We would have wound up being enemies.”

“Who knows what our feelings would have been back then?” Ashley asked. “We might have chosen to fight for the North.”

“It was a different time, a different lifestyle,” Griffin pointed out. “You’re all indignant now about injustice, but you didn’t live back then. You didn’t grow up in an economy of cotton and sugar.”

“Rich men wanted to stay rich,” Ramsay agreed dryly.

“Who’s being Marshall Donegal today?” Charles asked.

“That would be me,” Ramsay said. “I’ve done it the past five years.” He was quiet a minute; he had done it since Ashley’s father had passed away. “Ashley could don a uniform herself, but she thinks we boys should just be boys. So I get the honor.”

Ramsay was trying to move quickly past the mention of her father, Ashley knew. He had been gone five years now; he had died shortly after her mother. She had accepted their loss—and she knew as well that there would still be a little core of pain when she thought about them, even if she lived to be one hundred. Inwardly, she winced. She hadn’t just lost her father that day; that had been the end of her and Jake. Her fault, her call, and she still wasn’t sure why. He had frightened her, she thought. It seemed he had scratched the surface of something, and she didn’t want to know what was beneath. And still, to this day, she knew that although she had closed the door, she missed Jake. And missing Jake had colored everything else in her life.

“He died,” Charles reminded him. “Marshall Donegal was killed, you know,” he added quickly.

“Well, as we’ve said, the war is long over, so I guess they’re all dead now anyway,” Ramsay pointed out.

“Gentlemen,” Ashley said, speaking at last, “I want you all to know that you are greatly appreciated. You’re all such wonderful actors, taking on whatever role is needed, whenever it’s needed! Charles, the Yankees are great guys. Michael Bonaventure lives in town, and his ancestors lived there as well, right in the heart of the French Quarter. His family left when the war started, because Bonaventure’s ancestor was fighting for the Union. Hadley Mason is from Lafayette, but his ancestors agreed with the Northern cause as well. It will be fun for you to be a Yankee. It’s acting, just like when we act out the encampments. And I truly appreciate you taking on the role.”

“It’s really amazing,” Griffin said. “We do get all tied up in what was. The way the past still has so much to do with the present! Charles, come on, you’re a stepchild. We all really had ancestors back then who were involved with this thing. You’re welcome among us—totally welcome. But, hey, if I had come in on this recently, I’d be happy just to be a part of it all.”

Charles Osgood offered Ashley a weak smile. “Sure. You know me—I’m just happy to be here.”

To Ashley’s surprise, Ramsay Clayton suddenly spoke up again. “Charles, I have an idea. Some of those guys really are my friends. My good friends. I’ll be a Yankee today. You be Marshall Donegal.”

Charles opened his mouth, stunned, and stared at Ramsay. “Oh! Oh, no. I couldn’t take that honor away from you!”

“You get killed, you know,” Ramsay reminded him.

“Oh, like you said, they’re all dead now. I just couldn’t—I really couldn’t.”

“Hey, I think I want to be a Yankee for once,” Ramsay said. “It’s cool. You be Marshall Donegal, and I’ll be a Yankee. No arguments—it’s decided. I’ll be a winner for a change!”

“I don’t know what to say!” Charles told him.

“Say thanks, and let’s get on with it. We have to finish planning this thing,” Ramsay said.

“I’m going to be Marshall Donegal!” Charles said, still awed.

Ashley lowered her head, hiding her laughter. These guys really were like children when it came to the reenactment. They were so dedicated. But it was really good, she reminded herself. They kept history alive. It had been on a trip to Europe with her parents when she had seen the quote that meant so much to her: “Those who cannot remember the past are condemned to repeat it.” It was the philosopher George Santayana who had written those words, and she had seen them above the gates of a concentration camp. So, whether history was sterling or not—pitting man at his best and his worst—it was necessary to remember.

The reenactors did a fantastic job. Although there had been only a small encampment at Donegal Plantation at the time, they recreated a larger one, complete with a medical tent, where surgeries were acted out, officers’ quarters and tents for enlisted men.

“This is a right nice place to meet, but we need to get to business,” Griffin said, winking at Ashley.

“Yeah, Ramsay, looks like you need to skedaddle!” Cliff teased.

“I’m out of here!” Ramsay said, rising. He looked around. “Sadly, I do like Cliff’s digs better than being cramped up in an apartment!”

Griffin was right: they were in a nice place to meet. The office/living quarters in the stables were extremely pleasant; there was no heavy smell of hay, horses or droppings in any way, since the office had long ago been fitted out with air-conditioning and an air purifier to boot. There were a number of trophies along with books on horses, horse care, tack and maps on the shelves around the old massive desk with its iMac and printer. It was the horse master’s realm. No matter the state of riches or poverty the Donegal Plantation might be in, there was always a horse master. These days, the horse master did more than look after the six horses that remained. He was a tour guide, overseer—though they didn’t grow anything other than a few flowers now and then and a tomato plant or two—and general man about the house.

Ashley stood and gave him a shove. “Our apartments are beautiful. Get on out of here, and get this all moving!” She spoke with teasing force. “I’m going out to check on the camp setup and see that everything is running smoothly, then get ready. I’ll leave you gentlemen to agree on the final assignments and action. The day is moving on. We need to be prepared to start with the battle at sundown.”

“Hell, I hope they got a uniform that will fit me!” He winked. Ramsay was a good guy. He had a small house that had once been a working plantation, but his land had been eaten up over the years. Plantation actually meant farm, and Ramsay had no farmland left at all. He spent most of his time in the city, where he actually was a working artist making a nice income.

“I’m off to join the Yankees!”

“Thanks!” Charles Osgood lifted a hand to Ramsay, and then to Ashley, looking dazed. He was getting the prime role for the day, and he still seemed to be surprised.

It didn’t mean as much to Ramsay, Ashley thought, watching him as he walked from the stables to the old barn. He was from here; he’d been born a part of it all. He’d played soldiers over and over again, and though it had been magnanimous of him to hand over the role, she wasn’t sure that Ramsay hadn’t decided that being a Yankee might not be that bad a thing for the day. After all, they ended the day with the Pledge of Allegiance and the “Battle Hymn of the Republic.” Even if they did begin it with a rousing chorus of “Dixie”!

She left Cliff’s to make a quick check of the horses. “Thank God you darlings don’t care if you’re Yankees or rebels!” she said affectionately, pausing to rub Abe’s ears. She saw that the tack for the Northern cavalry was ready for each of the mounts, saddles and saddle blankets set on sawhorses and the bridles with their insignias hanging from hooks right outside the stalls. Abe, Jeff, Varina, Tigger, Nellie and Bobby were all groomed and sleekly beautiful, ready to play their parts. She paused to give Varina a pat; she loved all the horses, but Varina was her special mare, the horse she always chose to ride.

Leaving the stables, Ashley paused for a moment to look across the expanse of acreage to the left, where the tents of the living encampment had been set up. She could see the sutler’s stretch of canvas, and she walked over to see who was working that day. Tourists—parked way down the river road—were milling around the goods for sale. She heard children squealing with delight as they discovered toys from the mid-nineteenth century, just as she heard women ooh and aah over some of the corsets and clothing. She saw that a crowd had gathered around the medical tent where reenactors were doing a spectacular job of performing an amputation. The patient let out a horrific scream, and then passed out. Dr. Ben Austin—playing his ancestor, also Dr. Ben Austin—stood in an apron covered in stage blood and explained the procedure. Ben would later be part of the battle reenactment, but for now, he was explaining medicine. Ashley reached him in time to capture part of his spiel.

“Amputation was frequently the only choice for a Civil War surgeon, and field surgeons could perform an amputation in as little as ten minutes,” Ben told the crowd. “Chloroform existed, but it was scarce. The South had alcohol. When the surgeon could, he would do everything in his power to make the traumatic operation easier for his patient, but at major battles, the pile of amputated limbs could easily grow to be five feet tall. There was no real understanding of germs, and more men died from disease than from wounds or bullets. To carry that further, more men died in the Civil War than in any other American war, and more men died at Sharpsburg, or Antietam, as those of you from the North might know it, than died during the D-Day invasion.”

Ben saw Ashley watching him and lifted a bloody hand. Well, it was covered in faux blood from the faux surgery. Ben knew how to be dramatic. She smiled and waved in return and went on, stopping to chat with some of the women who were cooking, darning or sewing at the living-encampment tents. There were soldiers around as well, explaining Enfield rifles to little boys, whittling, playing harmonicas or engaging in other period activities. One laundress was hanging shirts and long johns out to dry—a nice touch, Ashley thought.

“When the war started, the North already had a commissary department—and the South didn’t,” Matty, the sutler’s wife, was explaining to a group who stood around the campfire she had nurtured throughout the day. “Hardtack—dried biscuits, really—molasses, coffee, sugar, salted beef or pork and whatever they could scrounge off the land was what fed the soldiers, and the South had to scramble to feed the troops. Didn’t matter how rich you were—you were pretty much stuck with what could be gotten. There were points, especially at the beginning of the war, during which the Southern soldiers were doing all right. They were on Southern soil. But war can strip the land. What I’m doing here is boiling salted beef and trying to come up with something like a gravy to soften up the hardtack. With a few precious spices, salt and sugar, it won’t be too bad. A few people can taste, if they like! Of course, I’ve made sure that our hardtack has no boll weevils. The soldiers were fighting every kind of varmint, big and small, to keep their own food.”

Everything seemed to be in perfect order; Ashley’s dreams had been for nothing.

Except, of course, that the reenactment always made her think about Jake.

They were due to leave soon, within the next few days, but since Adam Harrison’s group was still in New Orleans, they finished with the training they were doing there, and waiting for the move, Jake had agreed to go wandering around the French Quarter with his fellow newly minted agent, Whitney Tremont.

“I must admit, I’m going to be sorry to leave New Orleans,” Whitney said. She stared out toward Jackson Square. “There was so much paperwork after the Holloway case, it felt like we were picking up the pieces for days at first. But it’s been nice to have this bit of time to get ready for our move, since we’re all taking up residence in the D.C. area. Though, I’m ex-cited—I mean, we’re going to have offices, Jake. Like really cool offices, in a building in Alexandria—with help! A forensics lab! State-of-the-art equipment.”

Jake grinned. “Yes, it’s going to be interesting to get settled in.”

Whitney grinned back. Her skin was like the café au lait that sat before them. He knew that the others had thought the two of them might wind up together, but what they had formed instead was a friendship, deep and binding.

“But it was good, I think—just being thrown together as freelancers of a sort for our first case. Don’t you think?” she asked. “But federal positions … though I don’t think we really get to stay in those fancy buildings that often, do you?”

“We’re like any other team or unit for the FBI, I believe. The cases come in, and I’m assuming that Adam Harrison and Jackson Crow decide what looks like something we should take on. We’ll get to discuss the situation then. And make the plans.”

“Do you think that any of us could put a case forward?” she asked.

“Sure.” He smiled. “Let’s face it, Whitney, we are an experiment in paranormal investigations. We’re unique, and I’m sure there are those who will make fun of the ‘Krewe of Hunters’ unit.”

“Not anymore. Not after the Holloway case,” she said proudly.

“We have to keep proving that we’re good at what we do,” Jake said. The name “Krewe” they’d given themselves had begun as a joke, but they’d become a real crew through their passion for the work.

“Hmm,” Whitney said, twirling her straw in her iced café au lait. “It’s here somewhere.”

“Here? What’s here? Sometimes you make no sense.”

That made her laugh. “Only sometimes? I think that our new case is going to be here. Somewhere in Louisiana.”

“We’re about to move to Alexandria,” he pointed out.

“I don’t know … I just have a feeling. I don’t think we’ll be going yet. You wait and see.”

“What makes you think that?” Jake asked. Whitney’s prowess was with film, sound and video. But she also seemed to have amazing intuition. Of course, they had all been gathered into the group because of their intuition, their ability to solve problems where others could not, but where Angela Hawkins was quiet, finding what she found without much ado, and Jackson would always be the skeptic, Whitney went in wide-eyed, eager for whatever might not be considered normal.