Книга The Lock and Key Library: The most interesting stories of all nations: American - читать онлайн бесплатно, автор Коллектив авторов. Cтраница 3
bannerbanner
Вы не авторизовались
Войти
Зарегистрироваться
The Lock and Key Library: The most interesting stories of all nations: American
The Lock and Key Library: The most interesting stories of all nations: American
Добавить В библиотекуАвторизуйтесь, чтобы добавить
Оценить:

Рейтинг: 0

Добавить отзывДобавить цитату

The Lock and Key Library: The most interesting stories of all nations: American

"Do I look like a man who makes puns?" I asked, being very conscious of my melancholy face and sad looks.

Miss Lammas eyed me critically.

"No; you have a mournful temperament. I think I can trust you," she answered. "Do you think you could communicate to my aunt the fact that you are a Cairngorm and a neighbor? I am sure she would like to know."

I leaned toward the old lady, inflating my lungs for a yell. But

Miss Lammas stopped me.

"That is not of the slightest use," she remarked. "You can write it on a bit of paper. She is utterly deaf."

"I have a pencil," I answered; "but I have no paper. Would my cuff do, do you think?"

"Oh, yes!" replied Miss Lammas, with alacrity; "men often do that."

I wrote on my cuff: "Miss Lammas wishes me to explain that I am your neighbor, Cairngorm." Then I held out my arm before the old lady's nose. She seemed perfectly accustomed to the proceeding, put up her glasses, read the words, smiled, nodded, and addressed me in the unearthly voice peculiar to people who hear nothing.

"I knew your grandfather very well," she said. Then she smiled and nodded to me again, and to her niece, and relapsed into silence.

"It is all right," remarked Miss Lammas. "Aunt Bluebell knows she is deaf, and does not say much, like the parrot. You see, she knew your grandfather. How odd that we should be neighbors! Why have we never met before?"

"If you had told me you knew my grandfather when you appeared in the garden, I should not have been in the least surprised," I answered rather irrelevantly. "I really thought you were the ghost of the old fountain. How in the world did you come there at that hour?"

"We were a large party and we went out for a walk. Then we thought we should like to see what your park was like in the moonlight, and so we trespassed. I got separated from the rest, and came upon you by accident, just as I was admiring the extremely ghostly look of your house, and wondering whether anybody would ever come and live there again. It looks like the castle of Macbeth, or a scene from the opera. Do you know anybody here?"

"Hardly a soul! Do you?"

"No. Aunt Bluebell said it was our duty to come. It is easy for her to go out; she does not bear the burden of the conversation."

"I am sorry you find it a burden," said I. "Shall I go away?"

Miss Lammas looked at me with a sudden gravity in her beautiful eyes, and there was a sort of hesitation about the lines of her full, soft mouth.

"No," she said at last, quite simply, "don't go away. We may like each other, if you stay a little longer – and we ought to, because we are neighbors in the country."

I suppose I ought to have thought Miss Lammas a very odd girl. There is, indeed, a sort of freemasonry between people who discover that they live near each other and that they ought to have known each other before. But there was a sort of unexpected frankness and simplicity in the girl's amusing manner which would have struck anyone else as being singular, to say the least of it. To me, however, it all seemed natural enough. I had dreamed of her face too long not to be utterly happy when I met her at last and could talk to her as much as I pleased. To me, the man of ill luck in everything, the whole meeting seemed too good to be true. I felt again that strange sensation of lightness which I had experienced after I had seen her face in the garden. The great rooms seemed brighter, life seemed worth living; my sluggish, melancholy blood ran faster, and filled me with a new sense of strength. I said to myself that without this woman I was but an imperfect being, but that with her I could accomplish everything to which I should set my hand. Like the great Doctor, when he thought he had cheated Mephistopheles at last, I could have cried aloud to the fleeting moment, Verweile doch, du bist so schon!

"Are you always gay?" I asked, suddenly. "How happy you must be!"

"The days would sometimes seem very long if I were gloomy," she answered, thoughtfully. "Yes, I think I find life very pleasant, and I tell it so."

"How can you 'tell life' anything?" I inquired. "If I could catch my life and talk to it, I would abuse it prodigiously, I assure you."

"I dare say. You have a melancholy temper. You ought to live out- of-doors, dig potatoes, make hay, shoot, hunt, tumble into ditches, and come home muddy and hungry for dinner. It would be much better for you than moping in your rook tower and hating everything."

"It is rather lonely down there," I murmured, apologetically, feeling that Miss Lammas was quite right.

"Then marry, and quarrel with your wife," she laughed. "Anything is better than being alone."

"I am a very peaceable person. I never quarrel with anybody. You can try it. You will find it quite impossible."

"Will you let me try?" she asked, still smiling.

"By all means – especially if it is to be only a preliminary canter," I answered, rashly.

"What do you mean?" she inquired, turning quickly upon me.

"Oh – nothing. You might try my paces with a view to quarreling in the future. I cannot imagine how you are going to do it. You will have to resort to immediate and direct abuse."

"No. I will only say that if you do not like your life, it is your own fault. How can a man of your age talk of being melancholy, or of the hollowness of existence? Are you consumptive? Are you subject to hereditary insanity? Are you deaf, like Aunt Bluebell? Are you poor, like – lots of people? Have you been crossed in love? Have you lost the world for a woman, or any particular woman for the sake of the world? Are you feeble-minded, a cripple, an outcast? Are you – repulsively ugly?" She laughed again. "Is there any reason in the world why you should not enjoy all you have got in life?"

"No. There is no reason whatever, except that I am dreadfully unlucky, especially in small things."

"Then try big things, just for a change," suggested Miss Lammas.

"Try and get married, for instance, and see how it turns out."

"If it turned out badly it would be rather serious."

"Not half so serious as it is to abuse everything unreasonably. If abuse is your particular talent, abuse something that ought to be abused. Abuse the Conservatives – or the Liberals – it does not matter which, since they are always abusing each other. Make yourself felt by other people. You will like it, if they don't. It will make a man of you. Fill your mouth with pebbles, and howl at the sea, if you cannot do anything else. It did Demosthenes no end of good, you know. You will have the satisfaction of imitating a great man."

"Really, Miss Lammas, I think the list of innocent exercises you propose – "

"Very well – if you don't care for that sort of thing, care for some other sort of thing. Care for something, or hate something. Don't be idle. Life is short, and though art may be long, plenty of noise answers nearly as well."

"I do care for something – I mean, somebody," I said.

"A woman? Then marry her. Don't hesitate."

"I do not know whether she would marry me," I replied. "I have never asked her."

"Then ask her at once," answered Miss Lammas. "I shall die happy if I feel I have persuaded a melancholy fellow creature to rouse himself to action. Ask her, by all means, and see what she says. If she does not accept you at once, she may take you the next time. Meanwhile, you will have entered for the race. If you lose, there are the 'All-aged Trial Stakes,' and the 'Consolation Race.'"

"And plenty of selling races into the bargain. Shall I take you at your word, Miss Lammas?"

"I hope you will," she answered.

"Since you yourself advise me, I will. Miss Lammas, will you do me the honor to marry me?"

For the first time in my life the blood rushed to my head and my sight swam. I cannot tell why I said it. It would be useless to try to explain the extraordinary fascination the girl exercised over me, or the still more extraordinary feeling of intimacy with her which had grown in me during that half hour. Lonely, sad, unlucky as I had been all my life, I was certainly not timid, nor even shy. But to propose to marry a woman after half an hour's acquaintance was a piece of madness of which I never believed myself capable, and of which I should never be capable again, could I be placed in the same situation. It was as though my whole being had been changed in a moment by magic – by the white magic of her nature brought into contact with mine. The blood sank back to my heart, and a moment later I found myself staring at her with anxious eyes. To my amazement she was as calm as ever, but her beautiful mouth smiled, and there was a mischievous light in her dark-brown eyes.

"Fairly caught," she answered. "For an individual who pretends to be listless and sad you are not lacking in humor. I had really not the least idea what you were going to say. Wouldn't it be singularly awkward for you if I had said 'Yes'? I never saw anybody begin to practice so sharply what was preached to him – with so very little loss of time!"

"You probably never met a man who had dreamed of you for seven months before being introduced."

"No, I never did," she answered gayly. "It smacks of the romantic. Perhaps you are a romantic character, after all. I should think you were if I believed you. Very well; you have taken my advice, entered for a Stranger's Race and lost it. Try the All-aged Trial Stakes. You have another cuff, and a pencil. Propose to Aunt Bluebell; she would dance with astonishment, and she might recover her hearing."

III

That was how I first asked Margaret Lammas to be my wife, and I will agree with anyone who says I behaved very foolishly. But I have not repented of it, and I never shall. I have long ago understood that I was out of my mind that evening, but I think my temporary insanity on that occasion has had the effect of making me a saner man ever since. Her manner turned my head, for it was so different from what I had expected. To hear this lovely creature, who, in my imagination, was a heroine of romance, if not of tragedy, talking familiarly and laughing readily was more than my equanimity could bear, and I lost my head as well as my heart. But when I went back to England in the spring, I went to make certain arrangements at the Castle – certain changes and improvements which would be absolutely necessary. I had won the race for which I had entered myself so rashly, and we were to be married in June.

Whether the change was due to the orders I had left with the gardener and the rest of the servants, or to my own state of mind, I cannot tell. At all events, the old place did not look the same to me when I opened my window on the morning after my arrival. There were the gray walls below me and the gray turrets flanking the huge building; there were the fountains, the marble causeways, the smooth basins, the tall box hedges, the water lilies and the swans, just as of old. But there was something else there, too – something in the air, in the water, and in the greenness that I did not recognize – a light over everything by which everything was transfigured. The clock in the tower struck seven, and the strokes of the ancient bell sounded like a wedding chime. The air sang with the thrilling treble of the song-birds, with the silvery music of the plashing water and the softer harmony of the leaves stirred by the fresh morning wind. There was a smell of new-mown hay from the distant meadows, and of blooming roses from the beds below, wafted up together to my window. I stood in the pure sunshine and drank the air and all the sounds and the odors that were in it; and I looked down at my garden and said: "It is Paradise, after all." I think the men of old were right when they called heaven a garden, and Eden a garden inhabited by one man and one woman, the Earthly Paradise.

I turned away, wondering what had become of the gloomy memories I had always associated with my home. I tried to recall the impression of my nurse's horrible prophecy before the death of my parents – an impression which hitherto had been vivid enough. I tried to remember my old self, my dejection, my listlessness, my bad luck, my petty disappointments. I endeavored to force myself to think as I used to think, if only to satisfy myself that I had not lost my individuality. But I succeeded in none of these efforts. I was a different man, a changed being, incapable of sorrow, of ill luck, or of sadness. My life had been a dream, not evil, but infinitely gloomy and hopeless. It was now a reality, full of hope, gladness, and all manner of good. My home had been like a tomb; to-day it was Paradise. My heart had been as though it had not existed; to-day it beat with strength and youth and the certainty of realized happiness. I reveled in the beauty of the world, and called loveliness out of the future to enjoy it before time should bring it to me, as a traveler in the plains looks up to the mountains, and already tastes the cool air through the dust of the road.

Here, I thought, we will live and live for years. There we will sit by the fountain toward evening and in the deep moonlight. Down those paths we will wander together. On those benches we will rest and talk. Among those eastern hills we will ride through the soft twilight, and in the old house we will tell tales on winter nights, when the logs burn high, and the holly berries are red, and the old clock tolls out the dying year. On these old steps, in these dark passages and stately rooms, there will one day be the sound of little pattering feet, and laughing child voices will ring up to the vaults of the ancient hall. Those tiny footsteps shall not be slow and sad as mine were, nor shall the childish words be spoken in an awed whisper. No gloomy Welshwoman shall people the dusky corners with weird horrors, nor utter horrid prophecies of death and ghastly things. All shall be young, and fresh, and joyful, and happy, and we will turn the old luck again, and forget that there was ever any sadness.

So I thought, as I looked out of my window that morning and for many mornings after that, and every day it all seemed more real than ever before, and much nearer. But the old nurse looked at me askance, and muttered odd sayings about the Woman of the Water. I cared little what she said, for I was far too happy.

At last the time came near for the wedding. Lady Bluebell and all the tribe of Bluebells, as Margaret called them, were at Bluebell Grange, for we had determined to be married in the country, and to come straight to the Castle afterwards. We cared little for traveling, and not at all for a crowded ceremony at St. George's in Hanover Square, with all the tiresome formalities afterwards. I used to ride over to the Grange every day, and very often Margaret would come with her aunt and some of her cousins to the Castle. I was suspicious of my own taste, and was only too glad to let her have her way about the alterations and improvements in our home.

We were to be married on the thirtieth of July, and on the evening of the twenty-eighth Margaret drove over with some of the Bluebell party. In the long summer twilight we all went out into the garden. Naturally enough, Margaret and I were left to ourselves, and we wandered down by the marble basins.

"It is an odd coincidence," I said; "it was on this very night last year that I first saw you."

"Considering that it is the month of July," answered Margaret with a laugh, "and that we have been here almost every day, I don't think the coincidence is so extraordinary, after all."

"No, dear," said I, "I suppose not. I don't know why it struck me. We shall very likely be here a year from today, and a year from that. The odd thing, when I think of it, is that you should be here at all. But my luck has turned. I ought not to think anything odd that happens now that I have you. It is all sure to be good."

"A slight change in your ideas since that remarkable performance of yours in Paris," said Margaret. "Do you know, I thought you were the most extraordinary man I had ever met."

"I thought you were the most charming woman I had ever seen. I naturally did not want to lose any time in frivolities. I took you at your word, I followed your advice, I asked you to marry me, and this is the delightful result – what's the matter?"

Margaret had started suddenly, and her hand tightened on my arm.

An old woman was coming up the path, and was close to us before we saw her, for the moon had risen, and was shining full in our faces.

The woman turned out to be my old nurse.

"It's only Judith, dear – don't be frightened," I said. Then I spoke to the Welshwoman: "What are you about, Judith? Have you been feeding the Woman of the Water?"

"Aye – when the clock strikes, Willie – my Lord, I mean," muttered the old creature, drawing aside to let us pass, and fixing her strange eyes on Margaret's face.

"What does she mean?" asked Margaret, when we had gone by.

"Nothing, darling. The old thing is mildly crazy, but she is a good soul."

We went on in silence for a few moments, and came to the rustic bridge just above the artificial grotto through which the water ran out into the park, dark and swift in its narrow channel. We stopped, and leaned on the wooden rail. The moon was now behind us, and shone full upon the long vista of basins and on the huge walls and towers of the Castle above.

"How proud you ought to be of such a grand old place!" said

Margaret, softly.

"It is yours now, darling," I answered. "You have as good a right to love it as I – but I only love it because you are to live in it, dear."

Her hand stole out and lay on mine, and we were both silent. Just then the clock began to strike far off in the tower. I counted – eight – nine – ten – eleven – I looked at my watch – twelve – thirteen – I laughed. The bell went on striking.

"The old clock has gone crazy, like Judith," I exclaimed. Still it went on, note after note ringing out monotonously through the still air. We leaned over the rail, instinctively looking in the direction whence the sound came. On and on it went. I counted nearly a hundred, out of sheer curiosity, for I understood that something had broken and that the thing was running itself down.

Suddenly there was a crack as of breaking wood, a cry and a heavy splash, and I was alone, clinging to the broken end of the rail of the rustic bridge.

I do not think I hesitated while my pulse beat twice. I sprang clear of the bridge into the black rushing water, dived to the bottom, came up again with empty hands, turned and swam downward through the grotto in the thick darkness, plunging and diving at every stroke, striking my head and hands against jagged stones and sharp corners, clutching at last something in my fingers and dragging it up with all my might. I spoke, I cried aloud, but there was no answer. I was alone in the pitchy darkness with my burden, and the house was five hundred yards away. Struggling still, I felt the ground beneath my feet, I saw a ray of moonlight-the grotto widened, and the deep water became a broad and shallow brook as I stumbled over the stones and at last laid Margaret's body on the bank in the park beyond.

"Aye, Willie, as the clock struck!" said the voice of Judith, the Welsh nurse, as she bent down and looked at the white face. The old woman must have turned back and followed us, seen the accident, and slipped out by the lower gate of the garden. "Aye," she groaned, "you have fed the Woman of the Water this night, Willie, while the clock was striking."

I scarcely heard her as I knelt beside the lifeless body of the woman I loved, chafing the wet white temples and gazing wildly into the wide-staring eyes. I remember only the first returning look of consciousness, the first heaving breath, the first movement of those dear hands stretching out toward me.

That is not much of a story, you say. It is the story of my life. That is all. It does not pretend to be anything else. Old Judith says my luck turned on that summer's night when I was struggling in the water to save all that was worth living for. A month later there was a stone bridge above the grotto, and Margaret and I stood on it and looked up at the moonlit Castle, as we had done once before, and as we have done many times since. For all those things happened ten years ago last summer, and this is the tenth Christmas Eve we have spent together by the roaring logs in the old hall, talking of old times; and every year there are more old times to talk of. There are curly-headed boys, too, with red-gold hair and dark-brown eyes like their mother's, and a little Margaret, with solemn black eyes like mine. Why could not she look like her mother, too, as well as the rest of them?

The world is very bright at this glorious Christmas time, and perhaps there is little use in calling up the sadness of long ago, unless it be to make the jolly firelight seem more cheerful, the good wife's face look gladder, and to give the children's laughter a merrier ring, by contrast with all that is gone. Perhaps, too, some sad-faced, listless, melancholy youth, who feels that the world is very hollow, and that life is like a perpetual funeral service, just as I used to feel myself, may take courage from my example, and having found the woman of his heart, ask her to marry him after half an hour's acquaintance. But, on the whole, I would not advise any man to marry, for the simple reason that no man will ever find a wife like mine, and being obliged to go farther, he will necessarily fare worse. My wife has done miracles, but I will not assert that any other woman is able to follow her example.

Margaret always said that the old place was beautiful, and that I ought to be proud of it. I dare say she is right. She has even more imagination than I. But I have a good answer and a plain one, which is this, – that all the beauty of the Castle comes from her. She has breathed upon it all, as the children blow upon the cold glass window panes in winter; and as their warm breath crystallizes into landscapes from fairyland, full of exquisite shapes and traceries upon the blank surface, so her spirit has transformed every gray stone of the old towers, every ancient tree and hedge in the gardens, every thought in my once melancholy self. All that was old is young, and all that was sad is glad, and I am the gladdest of all. Whatever heaven may be, there is no earthly paradise without woman, nor is there anywhere a place so desolate, so dreary, so unutterably miserable that a woman cannot make it seem heaven to the man she loves and who loves her.

I hear certain cynics laugh, and cry that all that has been said before. Do not laugh, my good cynic. You are too small a man to laugh at such a great thing as love. Prayers have been said before now by many, and perhaps you say yours, too. I do not think they lose anything by being repeated, nor you by repeating them. You say that the world is bitter, and full of the Waters of Bitterness. Love, and so live that you may be loved – the world will turn sweet for you, and you shall rest like me by the Waters of Paradise.

Mary E. Wilkins Freeman

The Shadows on the Wall

"Henry had words with Edward in the study the night before Edward died," said Caroline Glynn.

She was elderly, tall, and harshly thin, with a hard colourlessness of face. She spoke not with acrimony, but with grave severity. Rebecca Ann Glynn, younger, stouter and rosy of face between her crinkling puffs of gray hair, gasped, by way of assent. She sat in a wide flounce of black silk in the corner of the sofa, and rolled terrified eyes from her sister Caroline to her sister Mrs. Stephen Brigham, who had been Emma Glynn, the one beauty of the family. She was beautiful still, with a large, splendid, full-blown beauty; she filled a great rocking-chair with her superb bulk of femininity, and swayed gently back and forth, her black silks whispering and her black frills fluttering. Even the shock of death (for her brother Edward lay dead in the house,) could not disturb her outward serenity of demeanor. She was grieved over the loss of her brother: he had been the youngest, and she had been fond of him, but never had Emma Brigham lost sight of her own importance amidst the waters of tribulation. She was always awake to the consciousness of her own stability in the midst of vicissitudes and the splendor of her permanent bearing.

But even her expression of masterly placidity changed before her sister Caroline's announcement and her sister Rebecca Ann's gasp of terror and distress in response.