The Christ Myth

Agni’s father is, as has been said, the sky, or rather the light, the sun, the source of all warmth and life upon the earth. He bears the name of Savitar, which means “creator” or “mover,” is called “the lord of creation,” “the father of all life,” “the living one,” or “the heavenly father” simply.177 At the same time Tvashtar also passes as the father of Agni. His name characterises him simply as modeller (world-modeller) or work-master, divine artist, skilful smith, or “carpenter,” in which capacity he sharpens Brihaspati’s axe, and, indeed, is himself represented with a hatchet in his hand.178 He appears to have attained this rôle as being the discoverer of the artificial kindling of fire, by means of which any fashioning (welding), any art in the higher sense of the word became possible, as being the preparer of the apparatus for obtaining fire by friction or rotation – “the fire cradle” – which consisted of carefully chosen wood of a specified form and kind. Finally, the production of fire is ascribed to Matariçvan also, the God of the Wind identical with Vayu, because fire cannot burn without air, and it is the motion of the breeze which fans the glimmering spark.179 All of these different figures are identical with one another, and can mutually take the place one of another, for they are all only different manifestations of warmth. It is this which reveals itself as well in the lightning of the sky and motion of the air, as in the glimmering of the fire, and not only as the principle of life, but also as that of thought and of knowledge or the “word” (Vâc, Veda), appearing on the one side as the productive, life-giving, and fructifying power of nature, on the other as the creative, inspiring spirit. This is the reason why, among the ancients, the God of life and fertility was in his essential nature a Fire-God, and why the three figures of the divine “father,” “son,” and “spirit,” in spite of the differences of their functions, could be looked upon without inconsistency as one and the same being.

As is well known, Jesus, too, had three fathers, namely, his heavenly father, Jahwe, the Holy Spirit, and also his earthly father, Joseph. The latter is also a work-master, artizan, or “carpenter,” as the word “tekton” indicates. Similarly, Kinyras, the father of Adonis, is said to have been some kind of artizan, a smith or carpenter. That is to say, he is supposed to have invented the hammer and the lever and roofing as well as mining. In Homer he appears as the maker of the ingenious coat of mail which Agamemnon received from him as a guest-friend.180 The father of Hermes also is an artizan. Now Hermes closely resembles Agni as well as Jesus. He is the “good messenger,” the Euangelos; that is, the proclaimer of the joyful message of the redemption of souls from the power of death. He is the God of sacrifices, and as such “mediator” between heaven and earth. He is the “guide of souls” (Psychopompos) and “bridegroom of souls” (beloved of Psyche). He is also a God of fertility, a guardian of the flocks, who is represented in art as the “good shepherd,” the bearer of the ram, a guide upon the roads of earth, a God of the door-hinge (Strophaios) and guardian of the door,181 a god of healing as well as of speech, the model of all human reason, in which capacity he was identified by the Stoics with the Logos that dwelt within the world.182 Just as in the Rigveda Tvashtar stands with Savitar, the divine father of Agni, and Joseph the “carpenter” with Jahwe, as father of the divine mediator, so the divine artificer, Hephaistos, whose connection with Tvashtar is obvious, is looked upon together with Zeus, the father of heaven, as the begetter of Hermes.183

Now if Joseph, as we have already seen, was originally a God, Mary, the mother of Jesus, was a Goddess. Under the name of Maya she is the mother of Agni, i. e., the principle of motherhood and creation simply, as which she is in the Rigveda at one time represented by the fire-producing wood, the soft pith, in which the fire-stick was whirled; at another as the earth, with which the sky has mated. She appears under the same name as the mother of Buddha as well as of the Greek Hermes. She is identical with Maira (Maera) as, according to Pausanias, viii. 12, 48, the Pleiad Maia, wife of Hephaistos, was called. She appears among the Persians as the “virgin” mother of Mithras. As Myrrha she is the mother of the Syrian Adonis; as Semiramis, mother of the Babylonian Ninus (Marduk). In the Arabic legend she appears under the name of Mirzam as mother of the mythical saviour Joshua, while the Old Testament gives this name to the virgin sister of that Joshua who was so closely related to Moses; and, according to Eusebius,184 Merris was the name of the Egyptian princess who found Moses in a basket and became his foster-mother.

After all this it seems rather naïve to believe that the parents of the “historical” Jesus were called Joseph and Mary, and that his father was a carpenter. In reality the whole of the family and home life of the Messiah, Jesus, took place in heaven among the Gods. It was only reduced to that of a human being in lowly circumstances by the fact that Paul described the descent of the Messiah upon the earth as an assumption of poverty and a relinquishment of his heavenly splendour.185 Hence, when the myth was transformed into history, Christ was turned into a “poor” man in the economic sense of the word, while Joseph, the divine artificer and father of the sun, became an ordinary carpenter.

Now it is a feature which recurs in all the religions of Nearer Asia that the “son” of the divine “virgin” mother is at the same time the “beloved” of this Goddess in the sexual sense of the word. This is the case not only with Semiramis and Ninus, Istar and Tammuz, Atargatis (Aphrodite) and Adonis, Cybele and Attis, but also with Aphrodite (Maia) and Hermes,186 Maia and Iasios, one of the Cabiri, identical with Hermes or Cadmus, who was slain by his father, Zeus, with a lightning stroke, but was raised again and placed in the sky as a constellation.187 We may conclude from the connection between Iasios and Joshua that a similar relationship existed between the latter and his mother Mirzam. Indeed, a glimmer of this possibly appears even in the Gospels in the relationship of the various Maries to Jesus, although, of course, in accordance with the character of these writings, they are transferred into quite a different sphere and given other emotional connections.188

Now in Hebrew the word “spirit” (ruach) is of feminine gender. As a consequence of this the Holy Ghost was looked upon by the Nassenes and the earliest Christians as the “mother” of Jesus. Indeed, it appears that in their view the birth of the divine son was only consummated by the baptism and the descent of the Spirit. According to the Gospels which we possess, on the occasion of the baptism in the Jordan a voice from above uttered these words: “Thou art my beloved son; in thee I am well pleased.”189 On the other hand, in an older reading of the passage in question in Luke, which was in use as late as the middle of the fourth century, it runs, in agreement with Psalm ii. 7: “Thou art my son, this day have I begotten thee.” In this case the spirit who speaks these words is regarded as a female being. This is shown by the dove which descends from heaven, for this was the holy bird, the symbol of the Mother Goddess of Nearer Asia.190 But it was not the Nassenes alone (Ophites) who called the Holy Spirit “the first word” and “the mother of all living things:”191 other Gnostic sects, such as the Valentinians, regarded the Spirit which descended in the shape of a dove as the “word of the mother from above, of wisdom.”192 Viewed in this sense, baptism also passed in the Mysteries as a new birth. Indeed, its Greek name, phōtisma or phōtismós (i. e., illumination), clearly indicates its origin in fire-worship. Thus, when Justin193 too speaks of a flame appearing at the baptism of Jesus, he alludes thereby to the connection between that solemn act and the birth of a Fire-God.194 Ephrem, the Syrian composer of hymns, makes the Baptist say to Jesus: “A tongue of fire in the air awaits thee beyond the Jordan. If thou followest it and wilt be baptized, then undertake to purify thyself, for who can seize a burning fire with his hands? Thou who art all fire have mercy upon me.”195 In Luke iii. 16 and Matt. iii. 11 it is said in the same sense: “I indeed baptize you with water; but there cometh he that is mightier than I… He shall baptize you with the Holy Ghost and with fire.” And in Luke xii. 49 sq. we read the words: “I came to cast fire upon the earth: and what will I, if it is already kindled? But I have a baptism to be baptized with.” Here is a reference to fire falling upon the eyes and being made to blaze up by “baptism,” that is, the pouring on of a nourishing liquid, as we have seen in the worship of Agni.196

Just as John, who was closely related to the Essenes, baptized the penitents in the Jordan in the open air, so also the Mandæi, whose connection with the Essenes is extremely probable, used to perform baptisms in flowing water only, on which account they were also called “the Christians of John” in later times. This custom among them was obviously connected with the fact that Hibil Ziwâ, who was venerated by them as a Redeemer, was a form of Marduk, and the latter was a son of the great Water-God, Ea; he thus incorporated the healing and cleansing powers of water in himself. On the other hand, as has been already said, the “anointing” of the God in the Agni Cult with milk, melted butter, and the fluid Soma, served to strengthen the vital powers of the divine child and to bring the sparks slumbering in the fire-wood to a blaze. There is no doubt that this idea was also present in the baptism as it was usually practised in the mystic cults. By baptism the newly admitted member was inwardly “enlightened.” Often enough, too, for example, in the Mysteries of Mithras, with the ceremony there was also associated the actual flashing forth of a light, the production of the Cult God himself manifested in light.197 By this means the faithful were “born again,” in the same way as Agni was “baptized” at his birth, and thereby enabled to shine forth brightly and to reveal the disorder of the world hidden in the darkness.

“The world was swallowed up, veiled in darkness,Light appeared, when Agni was born.”198“Shining brightly, Agni flashes forth far and wide,He makes everything plain in splendour.”199

A complete understanding of the baptism in the Jordan can only be attained if here, too, we take into consideration the translation of the baptism into astrological terms. In other words, it appears that John the Baptist, as we meet him in the Gospels, was not an historical personage. Apart from the Gospels he is mentioned by Josephus only,200 and this passage, although it was known to Origen201 in early days, is exposed to a strong suspicion of being a forgery by some Christian hand.202 Again, the account in the Gospels of the relations between John and Jesus is full of obscurities and contradictions, as has been pointed out by Strauss. These, however, disappear as soon as we recognise that under the name John, which in Hebrew means “pleasing to God,” is concealed the Babylonian Water-God, Oannes (Ea). Baptism is connected with his worship, and the baptism of Jesus in the Jordan represents the reflection upon earth of what originally took place among the stars. That is to say, the sun begins its yearly course with a baptism, entering as it does, immediately after its birth, the constellations of the Water-carrier and the Fishes. But this celestial Water Kingdom, in which each year the day-star is purified and born again, is the Eridanus, the heavenly Jordan or Year-Stream (Egyptian, iaro or iero, the river), wherein the original baptism of the divine Saviour of the world takes place.203 On this account it is said in the hymn of Ephrem on the Epiphany of the divine Son: “John stepped forward and adored the Son, whose form was enveloped in a strange light,” and “when Jesus had received the baptism he immediately ascended, and his light shone over the world.”204 In the Syrian Baptismal Liturgy, preserved to us under the name of Severus, we read the words: “I, he said, baptize with water, but he who comes, with Fire and Spirit, that spirit, namely, which descended from on high upon his head in the shape of a dove, who has been baptized and has arisen from the midst of the waters, whose light has gone up over the earth.” According to the Fourth Gospel, John was not himself the light; but he gave testimony of the light, “that true light which lighteth every man coming into the world,” by whom the world was made and of whose fulness we have all received grace.205 In this the reference to the sun is unmistakable, while the story of John’s birth206 is copied from that of the Sun-Gods Isaac207 and Samson.208 In John, the Baptist himself is called by Jesus “a burning and shining lamp,”209 and he himself remarks, when he hears of the numerous following of Jesus, “he must increase but I must decrease,”210 a speech which probably at first referred to the summer solstice, when the sun, having reached the highest point in its course, enters the winter hemisphere and loses strength day by day. John is said to have been born six months before Jesus.211 This, too, points to the fact that both are essentially identical, that they are only the different halves of the year, representing the sun as rising and setting, these two phases being related to one another as Caleb and Joshua, Nergal and Tammuz, &c. John the Baptist is represented as wearing a cloak of camel-hair, with a leathern girdle about his loins.212 This brings to mind the garb of the prophet Elijah,213 to whom Jesus himself likened him.214 But Elijah, who passed among the Jews for a forerunner of the Messiah, is a form of Sun-God transferred to history. In other words, he is the same as the Greek Helios, the German Heljas, and Ossetic Ilia, with whom he coincides in most important points, or at any rate characteristics of this God have been transferred to the figure of the prophet.215

According to Babylonian ideas corresponding to the “baptism of water” at the commencement of the efficacious power of the sun, was the “baptism of fire,” when it was at the height of its annual course, at the time of the summer solstice, and its passage was again inclined downwards.216 This idea, too, is found in the Gospels, in the story of the transfiguration of Jesus upon the mountain.217 It takes precisely the same place in the context of his life-year, as depicted by the Evangelists, as the Sun’s “baptism of fire” in the Babylonian world system, since it too marks the highest and turning-point in the life of the Christian Saviour. On this occasion Moses and Elijah appeared with the Saviour, who shone like a pillar of fire, “and his garments became glistening, exceeding white, like unto snow, so as no fuller on earth can whiten them.” And there came a cloud which overshadowed the three disciples whom Jesus had taken with him on to the mountain. And a voice came from the cloud, saying, “This is my beloved Son, hear ye him.” As at the baptism, so here, too, was Jesus proclaimed by a heavenly voice as the Son or beloved of God, or rather of the Holy Spirit. As the latter is in Hebrew of the feminine gender, it consequently appears that in this passage we have before us a parallel to the baptism of Jesus in the Jordan. The incident is generally looked upon as though by it was emphasised the higher significance of Jesus in comparison with the two chief representatives of the old order, and as though Jesus was extolled before Moses and Elijah by the transfiguration. Here too, however, the Sun-God, Helios, is obviously concealed beneath the form of the Israelite Elijah. On this account Christianity changed the old places of worship of Zeus and Helios upon eminences into chapels of Elijah; and Moses is no other than the Moon-God, the Mēn of Asia Minor. And he has been introduced into the story because the divine lawgivers in almost all mythologies are the same as the moon, the measurer of time and regulator of all that happens (cf. Manu among the Indians, Minos among the Greeks, Men (Min) among the Egyptians).218 According to Justin,219 David is supposed to have made the prophecy that Christ would be born “before the sun and the moon.” The sun and moon often appear upon the pictures of the Nearer Asiatic Redeemer, God (e. g., Mithras), paling before the splendour of the young Light-God, as we have seen in the case of Buddha,220 and as, according to the narrative of the Rigveda, also happened at the birth of the Child Agni. Accordingly we have before us in the story of the transfiguration in the Gospels only another view of the story of the birth of the Light-God or Fire-God, such as lies at the root of the story of the baptism of the Christian Saviour.221 And with the thought of the new birth of the Saviour is associated that of the baptism of Jesus, and particularly that of the fire-baptism, of which the sun partakes at the height of its power.222

VI

THE SELF-OFFERING OF THE MESSIAH. THE SUPPER

Like Baptism, the sacrament of the “Supper,” the partaking of the sacred host and wine (in place of which among certain sects water is also found), has its precedent in the most ancient fire-worship. When the sacred fire had been kindled upon the altar, the faithful were accustomed, as the Rigveda shows, to sit down in order to partake of the sacred cake prepared from meal and butter, the symbol of all solid food, and of the Soma cup, the symbol of all liquid nourishment. It was thought that Agni dwelt invisible within these substances: in the meal as though in the concentrated heat of the sun, in the Soma, since the drink in its fiery nature and invigorating power disclosed the nature of the God of Fire and Life. Participation therein opened to the faithful communion with Agni. Thereby they were incorporated with the God. They felt themselves transformed into him, raised above the actuality of every day, and as members of a common body, as though of one heart and one soul, inflamed by the same feeling of interdependence and brotherhood. Then some such hymn as follows would mount towards heaven from their breasts overflowing with thankfulness: —

“Oh great Agni, true-mindedThou dost indeed unite all.Enkindled on the place of worshipBring us all that is good.Unitedly come, unitedly speak,And let your hearts be one,Just as the old GodsFor their part are of one mind.Like are their designs, like their assembly,Like their disposition, united their thoughts.So pray I also to you with like prayer,And sacrifice unto you with like sacrifice.The like design you have indeed,And your hearts are united.Let your thoughts be in unison,That you may be happily joined together.”223

While the faithful by partaking of the sacred cake and the fiery Soma cup united themselves with the God and were filled with his “spirit,” the sacrificial gifts which had been brought to him burnt upon the altars. These consisted likewise of Soma and Sacred Cake, and caused the sacred banquet to be of such a kind that it was partaken of by Agni and men together. The God was at and present in the banquet dedicated to him. He consumed the gifts, transformed them into flame, and in sweet-smelling smoke bore them with him up to heaven. Here they were partaken of by the other divine beings and finally by the Father of Heaven himself. Thus Agni became not merely an agent at the sacrifice, a mystic sacrificial priest, but, since the sacrificial gifts simply contained him in material form, a sacrificer, who offered his own body in sacrifice.224 While man sacrificed God, God at the same time sacrificed himself. Indeed, this sacrifice was one in which God was not only the subject but also the object, both sacrificer and sacrificed. “It was a common mode of thinking among the Indians,” says Max Müller, “to look upon the fire on the altar as at the same time subject and object of the sacrifice. The fire burnt the offering and was accordingly the priest as it were. The fire bore the offering to the Gods and was accordingly a mediator between God and men. But the fire also represented something divine. It was a God, and if honour was paid to this God, the fire was at once subject and object of the sacrifice. Out of this arose the first idea, that Agni sacrificed to himself, that is, that he brought his own offering to himself, then, that he brought himself as a victim – out of which the later legends grew.”225 The sacrifice of the God is a sacrificing of the God. The genitive in this sentence is in one case to be understood in an objective, in the other in a subjective sense. In other words, the sacrifice which man offers to the God is a sacrifice which the God brings, and this sacrifice of the God is at the same time one in which the God offers himself as victim.

In the Rigveda Agni, as God of Priests and Sacrifices, also bears the name of Viçvakarman, i. e., “Consummator of All.” Hymn x., 81 also describes him as the creator of the world, who called the world into existence, and in so doing gave his own body in sacrifice. Hence, then, the world, according to x. 82, represents nothing existing exterior to him, but the very manifestation of Viçvakarman, in which at the creation he as it were appeared. On the other hand, Purusha, the first man, is represented as he out of whose body the world was formed.226 But Purusha is, as we have seen, the prototype of the Mandaic and apocalyptic “son of man.” Herein lies the confirmation of the fact that the “son of man” is none other than Agni, the most human of the Vedic Gods. In the Mazda religion the first mortals were called Meshia and Meshiane, the ancestors of fallen mankind, who expect their redemption at the hands of another Meshia. This meaning of the word Messiah was not strange to the Jews too, when they placed the latter as the “new Adam” in the middle of the ages. Adam, however, also means man.227 The Messiah accordingly, as the new Adam, was for them too only a renewal of the first man in a loftier and better form. This idea, that mankind needed to be renewed by another typical representative of itself, goes back in the last resort to India, where, after the dismemberment of Purusha, a man arose in the person of Manu or Manus. He was to be the just king, the first lawgiver and establisher of civilisation, descending after his death to rule as judge in the under-world (cf. the Cretan Minos). But Manu, whose name again meant no more than man or human being (Manusha), passed as son of Agni. Indeed, he was even completely identified with him, since life, spirit, and fire to the mind of primitive man are interchangeable ideas, although it is spirit and intelligence which are expressed under the name of Manu (Man = to measure, to examine).228 We thus also obtain a new reason for the fact that the divine Redeemer is a human being. We also understand not only why the “first-born son of God” was, according to the ideas of the whole of Nearer Asiatic syncretism, the principle of the creation of the world, but also why the redemption which he brought man could be for this reason looked upon as a divine self-sacrifice.229

The sacrifice of the God on the part of mankind is a sacrifice of the God himself – it is only by this means that the community between God and man was completed. The God offers sacrifice for man, while man offers sacrifice for God. Indeed, more than this, he offers himself for mankind, he gives his own body that man may reap the fruit of his sacrifice. The divine “son” offers himself as a victim. Sent down by the “father” upon the earth in the form of light and warmth, he enters men as the “quickening and life-giving spirit” under the appearance of bread and wine. He consumes himself in the fire and unites man with the father above, in that by his disposal of his own personality he removes the separation and difference between them. Thus Agni extinguishes the hostility between God and man, thus he consumes their sins in the glow of his fiery nature, spiritualising and illuminating them inwardly. Through the invigorating power of the “fire-water” he raises men above the actuality of every day to the source of their existence and by his own sacrifice obtains for them a life of blessedness in heaven. In the sacrifice, too, God and man are identified. Therein God descends to man and man is raised to God. That is the common thought which had already found expression in the Rigveda, which later formed the special “mystery” of the secret cults and religious unions of Nearer Asia, which lay at the root of the sacrament of “the Supper,” which guaranteed to man the certainty of a blessed life in the beyond, and reconciled him to the thought of bodily death.230 Agni is accordingly nothing else than the bodily warmth in individuals, and as such the subject of their motions and thoughts, the principle of life, their soul. When the body grows cold in death the warmth of life leaves it, the eyes of the dead go up to the sun, his breath into the wind; his soul, however, ascends towards heaven where the “fathers” dwell, into the kingdom of everlasting light and life.231 Indeed, so great is the power of Agni, the divine physician and saviour of the soul,232 that he, as the God of all creative power, can, by merely laying on his hands, even call the dead back to life.233