Книга The Paliser case - читать онлайн бесплатно, автор Edgar Saltus. Cтраница 4
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The Paliser case
The Paliser case
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The Paliser case

Lennox shoved at his plate. "So you have said."

Jones, abandoning his fork, repeated it. "One thing! In Potsdam, on that cloudless July night, when the world, on which he proposed to batten, slept, toiled, feasted, fasted, occupied with its futile loves and hates, that thing must have occurred to him."

"Yes, but confound it, what was it?"

Jones lit a cigar. "Bernstorff said, or is said to have said – I do not count him among my acquaintances – that on that night this supercanaille showed symptoms of what I think I have seen described as vacillation. That is quite on the cards. It bears out my theory. In any event the fellow had his ambitions. He wanted to descend into the red halls of history disguised. He might have succeeded. History is very careless and to-day barely recalls that at five o'clock on the morning succeeding his marriage to a dowdy fat girl, he treated his regiment to a drill. The fact is uninteresting and would be equally unimportant were it not for the note that it struck. Subsequently, when he leaped on the throne, he shouted that those who opposed him he would smash. "There is no other law than mine"; he later announced – a fine phrase and yet but a modern variant of Domitian's: "Your god and master orders it." Incidentally, in addition to the Garter, an honorific which the Duke of Cambridge admirably summarised as "having, sir, none of the damned nonsense of merit about it," he had other distinctions. He had – and has – uranomania, that is to say, a flight of fancy in which the patient believes himself associated with God. He had also defilirium tremens, which manifested itself in those man[oe]uvres that are war's image and in which the troops defile. Yet, when it came to the real thing, it may be that this paradomaniac lacked the stomach. Apart from the Kruger incident, and one or two other indecencies, his observance of international etiquette was relatively correct. The lackeys of history might therefore have deodorised him. With a sow's ear a lot may be done. Have a cigar?"

Lennox laughed. "I would prefer the point."

"Now, how greedy you are. Well then, here it is. On that fatidic night in July, this fellow was fifty-five."

"What of it?"

"Everything. At his age Alexander had been dead twenty years."

As Jones spoke he raised his hands. "Spirit of the Great Sinner, forgive me! This scrofulous dwarf has no kinship with thee!"

"No," Jones, dropping his hands, resumed. "None. His kin are Herod, Caracalla, Attila, Genghis Khan, and Cloacus, Lord of Sewers. Those are his kin. To the shade of the Lampsacene, whom the world had forgotten; to that of Cloacus, whom civilisation had ignored, subsequently he devoted the army. For the troops he invoked them. But that night the ghosts of the others gave him pause. At his age, Caracalla, Attila, Genghis, were dead. They had died hideous, monstrous – but young. Herod alone may have seemed a promising saint to swear by, though, in the obscurities of Syrian chronology, even of him he could not be sure. The one kindred hyena who, at fifty-five, had defied the world was Tsi An, the Chinese Empress, and he had helped to squelch her. Do you see it now? To burglarise the world, this thug had every advantage. The police were asleep. The coast was clear. The jimmies and the dynamite sticks were ready. Even the dark lantern was packed. The kit was complete. He had everything. He lacked nothing, except the one essential – Youth! The eyes of youth are clear. His were too dimmed to foresee that the allies – "

Lennox was rising.

Amiably Jones switched on and off again. "Hold on a minute. You have not given me the "Who's Who" of that young woman."

In Lennox' brain, instantly cells latent, alert, and of which he was entirely unconscious, functioned actively. Before him Cassy stood. Beside her was another. This other, very lovely, was a saint. Yet, prompted still by the cells and equally unaware of it, it occurred to him that a lovely saint may resemble a vase that is exquisite, but unresilient and perhaps even empty. Whereas a siren, like Cassy —

Abruptly he caught himself up. The unawaited disloyalty into which he had floundered, surprised and annoyed him. He could not account for the delicate infidelity and perplexedly he looked at Jones who still was at it.

"The diva I mean. The diva in duodecimo who sang at the Bazaar."

Lennox shook himself and sat down again. Modestly then the thrice-told tale was repeated – Angelo Cara, a violin in one hand, a sword-cane in the other, trudging home. The attack, the rout, the rescue, the acquaintance with Cassy that ensued.

Jones, absorbing the story, pigeonholed his memory with the details which, sometime, for copy purposes, might be of use.

"They are Portuguese," Lennox, rising again, concluded.

Jones peered about. The great room was filled with members, eating, drinking, laughing, talking – talking mainly of nothing whatever. He motioned. "Isn't that Cantillon over there with – of all people! – Dunwoodie?"

Lennox looked and nodded. "Cantillon is in Dunwoodie's office. He asked me to give him my law business." Indifferently, with the air of one considering the improbable, Lennox added: "Some day I may. Good-night."

But in the night into which he then went, already that day was breaking.

IX

That same evening, as Lennox was leaving the club, Mrs. Austen, rising from the dinner-table, preceded Margaret into the drawing-room and looked at the clock, a prostrate nymph, balancing a dial on the soles of her feet. At the figures on the dial, the nymph pointed a finger.

From the clock Mrs. Austen turned and exclaimed at the windows which she had already examined. "The jardinières have not yet been attended to! It is inconceivable!"

Margaret, who had seated herself, said: "You might send for the manager."

"He would only keep me waiting and then expect me to tell him what I wanted. He ought to know. Besides, I might have forgotten. It is very tiresome."

Margaret stood up. "I will tell him."

With a click, Mrs. Austen unfurled a fan and, with another click, refurled it. "No. I will see him myself. I am quite in the humour."

Margaret looked after her mother, who was leaving the room. The sudden tempest in a flowerpot surprised her. But the outer door closed. Margaret reseated herself. Presently he would come and together they would make those plans that lovers make – and then unmake, unless, elsewhere, they have been made for them.

Meanwhile she waited. The incident at the Sandringham, the sight of Cassy, her mother's facile insinuations, these things had distressed her, because, and only because, they had prevented her from enjoying the innocent pleasure of the innocent visit to the rooms of her betrothed, whom she loved with a love that was too pure and too profound, to harbour doubt and suspicion and that evil child of theirs which jealousy is. Her faith was perfect. That faith showed in her face and heightened her beauty with a candour that should have disarmed her mother, who, in the hall below, was, at that moment, instructing a man and not about flower-boxes either.

"Mr. Lennox, you may know him, by sight I mean, will be coming here shortly. Please have him shown into that room there."

Mrs. Austen passed on. The little room at which she had glanced that afternoon received her – a hospitality in which a mirror joined. The latter welcomed her with a glimpse of herself. It was like meeting an old friend. But no; a friend certainly, yet not an old one. Age had not touched this lady, not impudently at least, though where it may have had the impertinence to lay a finger, art had applied another, a moving finger that had written a parody of youth on her face which was then turning to some one behind her whom the mirror disclosed.

In turning, she smiled.

"It is so good of you, Mr. Lennox, to look in on me. The door-man told you about Margaret, did he not? No? How careless of him. The dear child has a headache and has gone to bed."

"Has she?" said Lennox. He found but that. But at least he understood why Margaret had not come to his rooms. The headache had prevented her.

"It is nothing." Mrs. Austen was telling him. "To-morrow she will be herself again. Nice weather we are having."

"Very," Lennox answered.

As he would have said the same thing if Mrs. Austen had declared that the weather was beastly, the reply did not matter. It did not matter to her; it did not matter to him. She was thinking of something else and he was also. He was thinking of Margaret, wondering whether he might not go to her. Were it not for the strait-jacket that conventionality is and which pinions the sturdiest, he would have gone. He was a little afraid of Mrs. Austen, as an intelligent man sometimes is afraid of an imbecile woman. But his fear of her fainted beside the idea that if, disregarding the bagatelles of the door, he made his way to Margaret, she herself might not like it. That alone restrained him. Afterward he wished he had let nothing prevent him. Afterward he regretted it. It is the misery of life – and sometimes its reward – that regret should be futile.

But, at the moment, grim and virile, a hat in one hand, a stick in the other, his white tie just showing between the lapels of his overcoat, already he was consoling himself. He had not seen Margaret in the afternoon, and he was not to see her this evening. No matter. The morrow would repay – that morrow which is falser than the former day.

Pleasantly at him and at his thoughts, Mrs. Austen played the flute. "Won't you sit down?" In speaking, she sank on a sofa which she occupied amply.

Lennox, shifting his stick, took a chair. Later, in one of those evil moods that come to the best, as well as to the worst, he wished he had brained her with it.

With the magic flute, Mrs. Austen continued: "To-morrow is Sunday, is it not? You must be sure to come. Dear me! I can remember when everybody went to church on Sunday and then walked up and down Fifth Avenue. Fifth Avenue had trees then instead of shops and on the trees were such funny little worms. They used to hang down and crawl on you. The houses, too, were so nice. They all had piazzas and on the piazzas were honeysuckles. But I fear I am boasting. I don't really remember all that. It was my father who told me. Those must have been the good old days!"

Lennox again shifted his stick. "To-day I had hoped that you would look in on me."

The flute caressed the strain. "Yes. It was too bad! We had quite counted on it. Bachelor quarters must be so exciting."

"Well, not mine at any rate. They are rather dark."

"But that must make them all the more exciting! Blindman's buff! Hide and go seek! What fun you must have with your friends romping about!"

"My friends are too busy for that. Though to-day – "

"Yes?"

Lennox hesitated. He knew that this woman took no interest in him whatever, but he had intended to tell Margaret about Cassy.

Pleasantly Mrs. Austen prodded him. "Yes?"

"Nothing of any moment. This afternoon, Miss Cara, the girl who sang last night, came to see me. You may remember I told you I knew her father."

"It seems to me I do."

"Things have not gone well there and I advanced her a trifle for him."

Mrs. Austen unfurled her fan. It was all Honest Injun. She had not a doubt of it and never had. But if she had thought it a Sioux and Comanche story, it would have been the same to her.

"I am sorry you did not meet her," Lennox continued. "You might have lent her a hand."

"Professionally, you mean?"

"Yes."

"I might have her sing here," replied Mrs. Austen, who would have seen Cassy hanged first.

Lennox considered the picture: Mrs. Austen in the rôle of shepherdess, herding for Cassy's benefit the flock of sheep that society is. But the picture did not detain him. He stood up.

"That would be very good of you. Please tell Margaret I am sorry she has a headache and that I will look in on her to-morrow."

No you won't, thought Mrs. Austen, who said: "Yes, do."

In a moment, when he had gone, she looked again in the mirror. It showed her a woman who would not steal, unless she could do so undetectably; a woman who would not forge, because she did not know how. Crimes ridiculous or merely terrific she was too shrewd to commit. But there are crimes that the law cannot reach. There are cards, too, that fate may deal.

After looking at the woman, she looked at the cards. They were dreamlike. Even so, they needed stacking. Mrs. Austen arranged them carefully, ran them up her sleeve and floated to the room where Margaret waited.

As she entered, Margaret turned to her. Her face had that disquieting loveliness which Spanish art gave to the Madonna, the loveliness of flesh eclipsed certainly by the loveliness of the soul, but still flesh, still lovely.

At sight of it Mrs. Austen experienced the admiration tinctured with the vitriol of jealousy that some mothers inject. Mrs. Austen had been a belle in the nights when there were belles but her belledom, this girl, who was not a belle, outshone. Yet the glow of it while necessarily physical had in it that which was moral. Unfortunately the radiance of moral beauty only those who are morally beautiful can perceive. Mrs. Austen was blind to it. It was her daughter's physical beauty that she always saw and which, though she was jealous of it, had, she knew, a value, precisely as beauty had a value in Circassia where, before the war, it fetched as much as a hundred Turkish pounds. In New York, where amateurs are keener and beauty is more rare, it may run into millions.

Commercially conscious of that, Mrs. Austen felt for the cards and carelessly produced one.

"Do you know, I believe we are to have a shower. Your young man got off just in time."

Margaret, who had glanced at the prostrate nymph, looked at her upright mother. "Do you mean that Keith has come – and gone?"

Mrs. Austen sat down and extracted another card. "My dear, when I went below he was coming in. We – "

Margaret, with her usual directness, interrupted. "But he is coming back?"

"That depends on you."

"On me? How? What do you mean?"

"That you must do as you like, of course. But if you elect to see him, for goodness' sake don't refer to it."

"Refer to it!" Margaret exclaimed. "Refer to what?"

"The vestal whom we saw this afternoon."

"I don't understand."

Indulgently Mrs. Austen motioned. "It is hardly proper that you should."

Margaret winced and coloured. "Your insinuation is horrible."

Cheerfully Mrs. Austen smiled. Margaret's start, her heightened colour, her visible annoyance, these things comforted her. A grandee of Spain warmed his hands at the auto-da-fé. There are people just like him. There are people that take comfort in another's distress. Mrs. Austen did not know that she resembled them. She had nothing but Margaret's welfare in view. Nothing but that and her own. Her own though came first.

She raised the fan. "My dear, you misjudge me. I always said that he is a good young man and I stick to it. He is good, far too good, too good to be true." With that, lowering the fan, she produced a trump. "Downstairs, a moment ago, he told me so."

Margaret gasped. "He told you – he told you – "

"Precisely. That is just what he did tell me."

Margaret straightened. "I don't believe it."

Mrs. Austen waved at her. "Oh, I don't mean that he has deceived you. He has done nothing of the kind. It is you who have deceived yourself. That was to be expected. At your age I deceived myself quite as thoroughly. I thought your father a conquering hero and he was merely a bore. But he pointed a moral, though he adorned no tale. He married to settle down. That is this young man's idea and I must give him credit for the fact that while he has not deceived you, he did deceive me. I thought him a tedious person; whereas, not a bit of it. He is exceedingly lively. If he keeps it up, his wife will be blessed among women. But that is just it. He won't keep it up. He swore he would not and I believe him. He has turned over a new leaf. I can't cry over it, but it is really too bad."

Margaret, who had straightened, stiffened. "If I believed a word of what you tell me, I would forgive him entirely."

Mrs. Austen, unprepared for that, leaned forward. "My dear, I had no idea you were so sensible."

"I would forgive entirely," Margaret continued. "But I would never see him again."

How good that tasted! Mrs. Austen swallowed it contentedly. "Of course you will see him. You are not going blind, I suppose. But when you do see him, it will be only decent of you to ignore the matter which is not a fit subject for you to discuss."

Margaret, who had straightened and stiffened, now was rigid. "I certainly shall ignore it. It is not worth talking about."

Mrs. Austen leaned back. "Ah, my dear, how right you are. He could not tell you that he had loved wisely, it would not be very flattering. He could not say he had loved too well, for that would be embarrassing. What a pretty frock you have on. Did Marguerite make it? Of course he could not. It would not be nice at all. But to me he made a soiled breast of it. Don't you think the skirt a bit too long? Stand up a minute."

Margaret coloured again. She coloured with a flush that put two red spots on her. She did not believe it. She could not and would not. Yet credence, like the wind, bloweth where it listeth.

Mrs. Austen, noting the spots, knew that the card had been well played and leisurely selected another.

"Perhaps it is the way you are sitting. Yes, altogether it is quite ducky. I really must go to Marguerite on Monday. Don't let me forget about it or the dentist either. I shall have my hands full and my mouth also. The proper caper, too, apparently. That little dollymop, whom we saw this afternoon, had her hands full. Did you notice the roll of bills that she was counting? Such an enjoyable occupation! But it won't last. You need not worry on that score. He had been paying her off. He assured me of that and so unnecessarily. Why, I saw the whole thing at a glance. Anybody but you would have seen it too. But you are so theosophically nearsighted. It was for that reason I took you away. Now, though, he is going to begin on a clean slate. Those were his very words, and you, I suppose, are the clean slate. He has such original expressions, hasn't he? But there! I forgot. He did not mean me to tell you. In fact, he begged me not to."

From Margaret's face the flush retreating left it white with that whiteness which dismay creates. A bucket of mud had drenched her. It did more, it dazed her. The idea that the bucket was imaginary, the mud non-existent, that every word she had heard was a lie, did not occur to this girl who, if a Psyche, was not psychic. In her heart was the mud; in her mother's hand was the bucket. But the mire itself, he had put there. The evidence of her own eyes she might have questioned. But he had admitted it and the fact that he had induced in her the purely animal feeling to get away, to be alone and to suffer unseen.

She left the room, went to her own, closed the door and at a prie-Dieu fell on her knees, not to pray – she knew that the Lords of Karma are not to be propitiated or coerced – but in humiliation.

In humiliation there may be self-pity and that is always degrading. With uncertain hands she tried to transform that pity into sorrow, not for herself, but for him. The burnt offering seared her. In the secret chambers of her being her young soul tripped and fell. For support she clutched at her creed. Ordinarily it would have sustained her. Ordinarily it would have told her that her suffering was the penalty for suffering which she had caused, a penalty that the gods of the doors that close behind our birth were measuring to her. Ordinarily she would have realised that in some anterior, enigmatic and forgotten life, she, too, had debased herself and that this cross was the punishment for that debasement. Ordinarily the creed would have sustained her. But as she clutched at it, it receded. Only the cross remained and that was too heavy.

In the drawing-room an indifferent nymph pointed a finger at hours, all of which wound and of which the last one kills.

In that room Mrs. Austen was writing a note. Addressed to Montagu Paliser, jr., esqre., it asked him to dinner.

X

In the subway, the following evening, Cassy saw a man eyeing her. She turned and saw another man who also was eyeing her. On the seat opposite two women were discussing her clothes.

The clothes, her own manufacture, were not of the fashion, not behind it, or ahead of it, but above it. A mode, or a mood of her own, they consisted in a blue silk smock and a yellow cloth skirt. On the sleeves and about the neck of the smock there was also yellow, touches of it, with which the skirt married. Therewith she was hatless, rebellious and handsome.

Accustomed to the inquisitiveness of appraising eyes, she ignored the women as, already, she had ignored the men. With obliterating unconcern, she reduced them to the fluidity of the inchoate. Other matters occupied her, and, primarily, a trick, an extremely shabby one, from which she had not yet recovered.

The day before, after paying the butcher, the baker, and the punctual and pertinacious agent, she had scaled the walk-up where she found her father with the violin, on which, an hour earlier, Lennox had loaned her the money.

The spectacle flabbergasted her. Then, realising what Lennox had done, his iniquity struck her as hateful. At once, in an effort to account, however imaginatively, for the apparent sorcery of it all, she tried to invent a fairy-tale. But the tale would not come. Nor was it needed. Her father dispensed with any. Impatient of detail, as the artist usually is, he required none. The extraordinary perspicacity of the police who had nailed and returned the violin instanter, this wizardry that would have thrown any one else into stupors of bewilderment, interested him not at all. He had the violin. That sufficed. The rest did not matter.

It mattered though and monumentally to Cassy. To owe the butcher, the baker, the candlestickmaker, and to have them look slantingly at you, that was disgusting. But to be beholden for a gift, which you had refused to accept, and which then, behind your back, was dumped in on you, that was degrading. Consequently, while conjecturing new versions of Perrault, versions which it relieved her to find were not wanted, she gnashed her milk-white teeth at Lennox, felt that she hated him, yet felt, too, and the feeling was maddening, that the hatred was very tender.

All this was irritating enough and the Tamburini had contrived to add to the irritation. It had been arranged that the fallen star was to come to the walk-up and accompany Cassy to the Splendor. Instead of which, at the last moment, the ex-diva had telephoned that she would join her at the hotel, and Cassy foresaw a tedious sitting about in the lobby, for Ma Tamby was always late. But when have misfortunes come singly? Cassy foresaw, too, that the tedium would not be attenuated by Paliser's conversation.

It was not for that, or for him, that she was then in the subway, but for dinner. Young, healthy and consequently carnal, though not otherwise carnal than hunger can make you, she liked food, on condition that she had not prepared it, and – in particular, and why not? – she liked the savorously truffled menus that walk-ups lack. She had another reason for being in the subway, one that Ma Tamby had lodged, like a flea, in her ear.

But now, near the heart of Manhattan, the train had stopped. Cassy got out, looked at her white gloves, wondered if they smelled of benzine, decided that they did, took them off and went on to the Splendor where Paliser was waiting.

Other people appeared to be similarly occupied. In the high, wide hall were groups of careful men and careless women, the latter very scrumptious in their imported frocks. The sight of these Parisianisms abashed Cassy no more than her appearance abashed Paliser. Etiquette, Formality, the Proper Thing, the great inane gods of the ante-bellum heavens, he had never acknowledged and now, though locally their altars remained and their worship persisted, he knew they were forever dead, blown into the dust-bin of the things that were, tossed there in derision by that atheist, the War.

The careless women looked at Cassy and carefully looked away. The careful men looked at her and carelessly looked again. In the severity of the wide, high hall, the girl with her rebellious beauty and harlequin gown, struck a note which it lacked, struck two of them, the go-and-be-hanged-to-you and originality.