An American Patrician, or The Story of Aaron Burr

CHAPTER V – THE WRATH OF WASHINGTON

THE gray morning finds the routed ones in their old camp by the St. Lawrence. Colonel Arnold’s assault has also failed. The ex-apothecary received a slight wound, and is vastly proud. It is his left arm that was hurt, and of it he makes a mighty parade, slinging it in a rich crimson sash.

Colonel Arnold, now in command, does not attempt another assault, but contents himself with maneuvering his slender forces on the plain in tantalizing view of the redcoat foe. He sends a flag of truce to the foot of the walls, with a sprightly challenge to their defenders, inviting them to come out and fight. The Quebec commander, being a soldier and no mad knight errant, refuses to be thus romantic. The winter is deepening; he will leave the vaporing Colonel Arnold to fight a battle with the thermometer. Also, General Burgoyne, at the head of an army, is pointed that way.

His maneuverings ignored, his challenge declined, Colonel Arnold puts in an entire night framing a demand for the instant surrender of Quebec. This he is at pains to couch in terms of insult, peppering it from top to bottom with biting taunts. He closes with a threat that, should the English commander fail to lower his flag, he will conquer the city at the point of the sword, and put the garrison to disgraceful death by gibbet and halter. When he has completed this precious manifesto, he seeks out young Aaron, and commands him to carry it in person to the city’s gates. As Colonel Arnold tenders the letter, young Aaron puts his hands behind him.

“Before I take it, sir,” says he, “I should like to hear it read.”

Young Aaron’s contempt for the ex-apothecary has found increase with every day since the death of Montgomery. Those braggadocio maneuverings, the foolish challenge to come out and fight, have filled him with disgust. They shock by stress of their innate cheap vulgarity. He is of no mind to lend himself to any kindred buffoonery.

“Do you refuse my orders, sirrah?” cries Colonel Arnold, falling into a dramatic fume.

“I refuse nothing! I say that I shall carry no letter until I know its contents. I warn you, sir, I am not to be ‘ordered,’ as you call it, into a false position by any man alive.”

Young Aaron’s face is getting white; there is a dangerous sparkle in the black ophidian eyes. Colonel Arnold reads these symptoms, and draws back. Still, he maintains a ruffling front.

“Sir!” says he haughtily; “you should think on your subordinate rank, and on your youth, before you pretend to overlook my conduct.”

“My subordinate rank shall not detract from my quality as a gentleman. As for my youth, I shall prove old enough, I trust, to make safe my honor. I say again, I’ll not touch your letter till I hear it read.”

“Remember, sir, to whom you speak!”

“I shall remember what I mentioned at the Eagle Inn; I shall remember my self-respect.”

Colonel Arnold fixes young Aaron with a superior stare. If it be meant for his confusion, it meets failure beyond hope. The black eyes stare back with so much of iron menace in them, as to disconcert the personage of former drugs.

He feels them play upon him like two black rapier points. His assurance breaks down; his lofty determination oozes away. With gaze seeking the floor, his ruddy, wine-marked countenance flushes doubly red.

“Since you make such a swelter of the business,” he grumbles, “I, for my own sake, shall now ask you to read it. I would have you know, sir, that I understand the requirements as well as the proprieties of my position.”

Colonel Arnold tears open the letter with a flourish, and gives it to young Aaron. The latter reads it; and then, with no attempt to palliate the insult, throws it on the floor.

“Sir,” cries Colonel Arnold, exploding into a sudden blaze of wrath, “I was told in Cambridge, what my officers have often told me since, that you are a bumptious young fool! Many times have I been told it, sir; and, until now, I did you the honor to disbelieve it.” Young Aaron is cold and sneering. “Sir,” he retorts, “see how much more credulous I am than are you. I was told but once that you are a bragging, empty vulgarian, and I instantly believed it.”

The pair stand opposite one another, glances crossing like sword blades, the insulted letter on the floor between. It is Colonel Arnold who again gives ground. Snapping his fingers, as though breaking off an incident beneath his exalted notice, he goes about on his heel.

“Ah!” says young Aaron; “now that I see your back, sir, I shall take my leave.”

The winter days, heavy and leaden and chill, go by. Colonel Arnold continues those maneuverings and challengings, those struttings and vaporings. At last even his coxcomb vanity grows weary, and he thinks on Montreal. One morning, with all his followers, he marches off to that city, still held by the garrison that Montgomery left behind. Established in Montreal he comports himself as becomes a conqueror, expanding into pomp and license, living on the fat, drinking of the strong. And day by day Burgoyne is drawing nearer.

Broad spring descends; a green mist is visible in the winter-stripped trees. The rumors of Burgoyne’s approach increase and prove disquieting. Colonel Arnold leads his people out of Montreal, and plunges southward into the wilderness. He pitches camp on the river Sorel.

Since the incident of the letter, young Aaron has held no traffic, polite or otherwise, with Colonel Arnold. The “gentleman volunteer” sees lonesome days; for he has made no friends about the camp. The men admire him, but offer him no place in their hearts. A boy in years, with a beardless girl’s face, he gives himself the airs of gravest manhood. His atmosphere, while it does not repel, is not inviting. Men hold aloof, as though separated from him by a gulf. He tells no stories, cracks no jests. His manner is one of careless nonchalance. In truth, he is so much engaged in upholding his young dignity as to leave him no time to be popular. His bringing off the dead Montgomery, under fire of the English, has been told and retold in every corner of the camp. This gains him credit for a heart of fire, and a fortitude without a flaw. On the march, too, he faces every hardship, shirks no work, but meets and does his duty equal with the best. And yet there is that cool reserve, which denies the thought of comradeship and holds friendly folk at bay. With them, yet not of them, the men about him cannot solve the conundrum of his nature; and so they leave him to himself. They value him, they respect him, they hold his courage above proof; there it ends.

Young Aaron, aware of his lonely position, does nothing to change it. He is conceitedly pleased with things as they are. It is the old head on the young shoulders that thus gets in his way; Washington was right in his philosophy. Young Aaron, however, is as content with that head, as in those old Bethlehem days, when he patronized Dr. Bellamy, and declared for the gospel according to Lord Chesterfield.

None the less young Aaron is not wholly satisfied. As he idles about the camp by the Sorel, he feels that any present chance of conquering the fame and power he came seeking in this war is closed against him.

“Plainly,” counsels the old head on the young shoulders, “it is time to bring about a change.”

Colonel Arnold is smitten of surprise one afternoon, when young Aaron walks into his tent. He does his best to hide that surprise, as an emotion at war with his high military station. Young Aaron, ever equal to a rigid etiquette, salutes profoundly.

“Colonel Arnold,” says he, “I am here to return into your hands that rank of captain, which I hold only by courtesy. Also, I desire to tell you that I leave for Albany at once.”

“Albany!”

“My canoe is waiting, sir. I start immediately.”

“I forbid your going, sir!”

Colonel Arnold has recovered his breath, and makes this proclamation grandly. Privately, he is a-quake; for he does not know what stories young Aaron might tell in the south.

“Sir,” he repeats, “I forbid your departure! You must not go!”

“Must not?”

As though answering his own query, young Aaron leaves Colonel Arnold without further remark, and walks down to the river, where a canoe is waiting. The latter cranky contrivance is manned by a quartette of Canadians, who sit, paddle in fist, ready for the word to start.

At this decisive action, Colonel Arnold is roused. He springs to his feet and follows to the waiting canoe. Young Aaron has just taken his place.

“Captain Burr,” cries Colonel Arnold, “what does this mean? You heard my orders, sir! You must not go!”

Young Aaron is ashore like a flash. “Colonel Arnold,” says he, “it is quite possible that you have force enough at hand to detain me. Be warned, however, that the exercise of such force will have a sequel serious to yourself.”

“Oh, as to that,” responds Colonel Arnold sullenly, “I shall not attempt to detain you. I simply leave you to the responsibility of departing in the teeth of my orders, sir.”

In a moment young Aaron is back in the canoe; the four paddles churn the water into baby whirlpools, and the slight craft glides out upon the bosom of the Sorel.

Young Aaron encounters a party of Indians, and conquers their friendship with diplomatic rum. He reaches Albany, and tastes the delights of fame; for the story of Quebec has preceded him, and he finds himself a hero. Thereupon, while outwardly unmoved, he swells in the proud but secret recesses of his heart.

In New York he meets his college friend Ogden, who tells him that he has sold Warlock and spent the proceeds. Likewise, Colonel Troup explains how he received a thousand pounds for him from his estate, but was moved to borrow the half of it, having a call for such sum. Colonel Troup gives five hundred pounds to young Aaron, who receives it carelessly, the while assuring his debtor, as well as young Ogden, who spent the price of Warlock, that they are cheerfully welcome to his gold. At that, both young Ogden and Colonel Troup pluck up a generous spirit, and borrow each another fifty pounds; which sums our “gentleman volunteer” puts into their impoverished fingers, as readily as though pounds mean groats and farthings. For he holds that to be niggard of money is impossible to a soldier and a gentleman. Did not the knight-errant of old romaunts go chucking gold-lined purses right and left, into every empty outstretched hand? And shall not young Aaron be the modern knight-errant if he chooses? These are the questions which he puts to himself, as he ministers to the famished finances of his friends.

General Washington learns of the incident of the dead Montgomery. Having a conscience, he is distressed by the thought that he may have been harshly unjust, one Cambridge day, to our “gentleman volunteer.” The conscience-smitten general has headquarters in New York, and now, when young Aaron arrives, strives to make amends. He invites that youthful campaigner to a place upon his personal staff, with the rank of major. Young Aaron accepts, and becomes part of Washington’s military family. The general is living at Richmond Hill, a mansion which in after years young Aaron will buy and make his residence.

For six weeks young Aaron is with Washington. Sometimes he rides out with him; sometimes he writes reports and orders at his dictation; always he dislikes him. He finds nothing in the Virginian to invoke his confidence or compel his esteem. In the finale he detests him.

This latter mind condition is vastly built up by the lack of notice he receives from the ever-taciturn, often-abstracted, overworried Washington. The big general will sit for hours, with brows of thought and pondering eye, as heedless of young Aaron – albeit in the same room with him – as though our sucking Marlborough owns no existence. This irritates the latter’s pride; for he has military views which he longs to unfold, but cannot because of the grim wordlessness of his chief. He resolves to break the ice.

Washington is sitting lost in thought. “Sir,” exclaims young Aaron, boldly rushing in upon the general’s meditations, “the English grow stronger. Every day their fleet is augmented by new ships, bringing fresh troops. Eventually they will land and drive us from the city. When that time comes, it will be my advice to burn New York to the ground, and leave them naught save the charred ruins.”

Washington pays no attention; it is as though a starling spoke. Presently he mounts his horse, and soberly rides off to an inspection of troops. Young Aaron is mightily mortified, and, by way of reestablishing his dignity on the pedestal from which it has been thrust, neglects a line of clerical work that should claim his attention. Washington upon his return discovers this, and having a temper like gunpowder flashes into a rage.

“What does this mean, sir?” he demands, angry to the eyes.

“Why, sir,” responds young Aaron coolly, “I should think it might mean that I brought a sword not a pen to this war.”

“You are insolent, sir!”

“As you please, sir. But since you say it, I must ask to be relieved from further duty on your staff.”

The big general stalks from the room. The next day he transfers young Aaron to the staff of Putnam.

“I’m sorry he offended you, general,” says the old wolf killer. “For myself, I’m bound to say that I think well of the boy.”

“There is a word,” returns Washington, “as to the meaning of which, until I met him, I was ignorant; that is the word ‘prig.’ It is strange, too; for he is as brave as Cæsar. I have it on the words of twenty. Yes, general, your ‘gentleman-volunteer’ is altogether a strangeling; for he is one of those anomalies, a courageous prig.”

CHAPTER VI – POOR PEGGY MONCRIEFFE

ON that day when the farmers of Concord turn their rifles upon King George, there dwells in Elizabeth a certain English Major Moncrieffe. With him is his daughter, just ceasing to be a girl and beginning to be a woman. Peggy Moncrieffe is a beauty, and, to tell a whole truth, confident thereof to the verge of brazen. When her father is ordered to his regiment he leaves her behind. The war to him is no more than a riot; he looks to be back in Elizabeth before the month expires.

The optimistic Major Moncrieffe is wrong. That riot, which is not a riot but a revolution, spreads and spreads like fire among dry grass. At last a hostile line divides him from his daughter Peggy. This is serious; for, aside from forbidding any word between them, it prevents him sending what money she requires for her care. In her distress she writes General Putnam, her father’s comrade in the last war with the French. The old wolf killer invites the desolate Peggy to make one of his own household. When young Aaron leaves the staff of Washington, Peggy Moncrieffe is with the Putnams, whose house stands at the corner of Broadway and the Battery.

The family of the old wolf killer is made up of Madam Putnam and two daughters. Peggy Moncrieffe is received as a third daughter by the kindly Madam Putnam. Also, like a third daughter, she is set to the spinning wheel; for, while the old wolf killer fights the English, Madam Putnam and her daughters work early and late, with spinning wheel and loom, clothmaking for the continental troops. Peggy Moncrieffe offers no demur; but goes at the spinning and weaving as though she is as much puritan and patriot as are those about her. She is busy at the spinning when young Aaron is presented. And in that presentation lurks a peril; for she is eighteen and he is twenty.

Young Aaron, selfish, gallant, pleased with a pretty face as with a poem, becomes flatteringly attentive to pretty Peggy Moncrieffe. She, for her side, turns restless when he leaves her, to glow like the sun when he returns. She forgets the spinning wheel for his conversation. The two walk under the trees in the Battery, or, from the quiet steps of St. Paul’s, watch the evening sun go down beyond the Jersey hills.

Madam Putnam is prudent, and does not like these symptoms. She issues a whispered mandate to the old wolf killer, with whom her word is law. Thereupon he sends the pretty Peggy to safer quarters near Kingsbridge.

That is to say, the Kingsbridge refuge, to which pretty Peggy reluctantly retires, is safe until she arrives. It presently becomes a theater of danger, since young Aaron is not a day in discovering a complete military reason for visiting it. The old wolf killer is not like Washington; there are no foolish orders or tedious dispatches for his aide to write. This gives leisure to young Aaron, which he improves in daily gallops to Kingsbridge. It is to be feared that he and pretty Peggy Moncrieffe find walks as shady, and prospects as pleasant, and moments as sweet, as when they had the Battery for a promenade and took in the Jersey hills from the twilight steps of St. Paul’s. Also, the pretty Peggy no longer pleads to join her father; albeit that parent has just been sent with his regiment to Staten Island, not an hour’s sail away.

This contentment of the pretty Peggy with things as they are, re-alarms the prudence of Madam Putnam, who regards it as a sign most sinister. Having a genius to be military, quite equal to that of her old wolf-killing husband, she attacks this dangerously tender situation in flank. She gives her commands to the old wolf killer, and at once he blindly obeys. He dispatches young Aaron on a mission to Long Island. The latter is to look up positions of defense, so as to be prepared for the English, should they carry their arms in that direction.

In two days young Aaron returns, and makes an exhaustive report; whereat the old wolf killer breaks into words of praise. This duty discharged, young Aaron is into the saddle and off, clatteringly, for Kingsbridge. The old wolf killer sees him depart and says nothing, while a cunning twinkle dances in the old gray eye. Then the twinkle subsides, and is succeeded by a self-reproachful doubt.

“He might have married her,” he observes tentatively to Madam Putnam.

“Never!” returns that clear matron. “Your young Major Burr is too coolly the selfish calculating egotist. He would win her and wear her as he might some bauble ornament, and cast her aside when the glitter was gone. As for marrying her, he’d as soon think of marrying the rings on his fingers, or the buckles on his shoes.”

Young Aaron comes clattering back from Kingsbridge. His black eyes sparkle wickedly; his face, usually so imperturbable, is the seat of an obvious anger. Moreover, he seems chokingly full of a question, which even his ingenious self-confidence is at a loss how to ask. He gets the old wolf killer alone.

“Miss Moncrieffe!” he breaks forth. Then he proceeds blunderingly: “I had occasion to go to Kingsbridge, and was surprised to find her gone.” The last concludes with a rising inflection.

“Why, yes!” retorts the old wolf killer, summoning the innocence of a sheep. “I forgot to tell you that, seeing an opportunity, I yesterday sent little Peg to Staten Island under a flag of truce. She is with her father. Between us” – here he sinks his voice mysteriously – “I was afraid the enemy might find some way to use little Peg as a spy.” Young Aaron clicks his teeth savagely, but says nothing; the old wolf killer watches him with the tail of his eye.

The “gentleman volunteer” strides down to the sea wall, and takes a long and mayhap loving look at Staten Island, with the wind-ruffled expanse of bay between.

And there the romance ends.

Two days later young Aaron is sipping his wine in black Sam Fraunces’ long room, the picture of that elegant indifference which he cultivates as a virtue. Already the fancy for poor Peggy Moncrieffe has faded from the agate surface of his nature, as the breath mists fade from the mirror’s face, and he thinks only on how and when he shall lay down his title of major for that of lieutenant colonel.

The woman’s heart is the heart loyal. While he sips wine at Fraunces’, and weighs the chances of promotion, Peggy the forgotten finds in Staten Island another Naxos, and like another Ariadne goes weeping for that Theseus who has already lost her from out his thoughts.