Книга Critical and Historical Essays. Volume 3 - читать онлайн бесплатно, автор Томас Бабингтон Маколей. Cтраница 4
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Critical and Historical Essays. Volume 3
Critical and Historical Essays. Volume 3
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Critical and Historical Essays. Volume 3

Irreligion, accidentally associated with philanthropy, triumphed for a time over religion accidentally associated with political and social abuses. Everything gave way to the zeal and activity of the new reformers. In France, every man distinguished in letters was found in their ranks. Every year gave birth to works in which the fundamental principles of the Church were attacked with argument, invective, and ridicule. The Church made no defence, except by acts of power. Censures were pronounced; books were seized; insults were offered to the remains of infidel writers; but no Bossuet, no Pascal, came forth to encounter Voltaire. There appeared not a single defence of the Catholic doctrine which produced any considerable effect, or which is now even remembered. A bloody and unsparing persecution, like that which put down the Albigenses, might have put down the philosophers. But the time for De Montforts and Dominics had gone by. The punishments which the priests were still able to inflict were sufficient to irritate, but not sufficient to destroy. The war was between power on one side and wit on the other; and the power was under far more restraint than the wit. Orthodoxy soon became a synonym for ignorance and stupidity. It was as necessary to the character of an accomplished man that he should despise the religion of his country, as that he should know his letters. The new doctrines spread rapidly through Christendom. Paris was the capital of the whole Continent. French was everywhere the language of polite circles. The literary glory of Italy and Spain had departed. That of Germany had not dawned. That of England shone, as yet, for the English alone. The teachers of France were the teachers of Europe. The Parisian opinions spread fast among the educated classes beyond the Alps; nor could the vigilance of the Inquisition prevent the contraband importation of the new heresy into Castile and Portugal. Governments, even arbitrary governments, saw with pleasure the progress of this philosophy. Numerous reforms, generally laudable, sometimes hurried on without sufficient regard to time, to place, and to public feeling, showed the extent of its influence. The rulers of Prussia, of Russia, of Austria, and of many smaller states, were supposed to be among the initiated.

The Church of Rome was still, in outward show, as stately and splendid as ever; but her foundation was undermined. No state had quitted her communion or confiscated her revenues, but the reverence of the people was everywhere departing from her.

The first great warning stroke was the fall of that society which, in the conflict with Protestantism, had saved the Catholic Church from destruction. The Order of Jesus had never recovered from the injury received in the struggle with Port Royal. It was now still more rudely assailed by the philosophers. Its spirit was broken; its reputation was tainted. Insulted by all the men of genius in Europe, condemned by the civil magistrate, feebly defended by the chiefs of the hierarchy, it fell: and great was the fall of it.

The movement went on with increasing speed. The first generation of the new sect passed away. The doctrines of Voltaire were inherited and exaggerated by successors who bore to him the same relation which the Anabaptists bore to Luther, or the Fifth Monarchy men to Pym. At length the Revolution came. Down went the old Church of France, with all its pomp and wealth. Some of its priests purchased a maintenance by separating themselves from Rome, and by becoming the authors of a fresh schism. Some, rejoicing in the new license, flung away their sacred vestments, proclaimed that their whole life had been an imposture, insulted and persecuted the religion of which they had been ministers, and distinguished themselves, even in the Jacobin Club and the Commune of Paris, by the excess of their impudence and ferocity. Others, more faithful to their principles, were butchered by scores without a trial, drowned, shot, hung on lamp-posts. Thousands fled from their country to take sanctuary under the shade of hostile altars. The churches were closed; the bells were silent; the shrines were plundered; the silver crucifixes were melted down. Buffoons, dressed in copes and surplices, came dancing the carmagnole even to the bar of the Convention. The bust of Marat was substituted for the statues of the martyrs of Christianity. A prostitute, seated on a chair of state in the chancel of Nôtre Dame, received the adoration of thousands, who exclaimed that at length, for the first time, those ancient Gothic arches had resounded with the accents of truth. The new unbelief was as intolerant as the old superstition. To show reverence for religion was to incur the suspicion of disaffection. It was not without imminent danger that the priest baptized the infant, joined the hands of lovers, or listened to the confession of the dying. The absurd worship of the Goddess of Reason was, indeed, of short duration; but the deism of Robespierre and Lepaux was not less hostile to the Catholic faith than the atheism of Clootz and Chaumette.

Nor were the calamities of the Church confined to France. The revolutionary spirit, attacked by all Europe, beat all Europe back, became conqueror in its turn, and, not satisfied with the Belgian cities and the rich domains of the spiritual electors, went raging over the Rhine and through the passes of the Alps. Throughout the whole of the great war against Protestantism, Italy and Spain had been the base of the Catholic operations. Spain was now the obsequious vassal of the infidels. Italy was subjugated by them. To her ancient principalities succeeded the Cisalpine republic, and the Ligurian republic, and the Parthenopean republic. The shrine of Loretto was stripped of the treasures piled up by the devotion of six hundred years. The convents of Rome were pillaged. The tricolored flag floated on the top of the Castle of St. Angelo. The successor of St. Peter was carried away captive by the unbelievers. He died a prisoner in their hands; and even the honors of sepulture were long withheld from his remains.

It is not strange that, in the year 1799, even sagacious observers should have thought that, at length, the hour of the Church of Rome was come. An infidel power ascendant, the Pope dying in captivity, the most illustrious prelates of France living in a foreign country on Protestant alms, the noblest edifices which the munificence of former ages had consecrated to the worship of God turned into temples of Victory, or into banqueting-houses for political societies, or into Theophilanthropic chapels,—such signs might well be supposed to indicate the approaching end of that long domination.

But the end was not yet. Again doomed to death, the milk-white hind was still fated not to die. Even before the funeral rites had been performed over the ashes of Pius the Sixth, a great reaction had commenced, which, after the lapse of more than forty years, appears to be still in progress. Anarchy had had its day. A new order of things rose out of the confusion, new dynasties, new laws, new titles; and amidst them emerged the ancient religion. The Arabs have a fable that the Great Pyramid was built by antediluvian kings, and alone, of all the works of men, bore the weight of the Flood. Such as this was the fate of the Papacy. It had been buried under the great inundation; but its deep foundations had remained unshaken; and, when the waters abated, it appeared alone amidst the ruins of a world which had passed away. The republic of Holland was gone, and the empire of Germany, and the Great Council of Venice, and the old Helvetian League, and the House of Bourbon, and the parliaments and aristocracy of France. Europe was full of young creations, a French empire, a kingdom of Italy, a Confederation of the Rhine. Nor had the late events affected only territorial limits and political institutions. The distribution of property, the composition and spirit of society, had, through great part of Catholic Europe, undergone a complete change. But the unchangeable Church was still there.

Some future historian, as able and temperate as Professor Ranke, will, we hope, trace the progress of the Catholic revival of the nineteenth century. We feel that we are drawing too near our own time, and that, if we go on, we shall be in danger of saying much which may be supposed to indicate, and which will certainly excite, angry feelings. We will, therefore, make only one more observation, which, in our opinion, is deserving of serious attention.

During the eighteenth century, the influence of the Church of Rome was constantly on the decline. Unbelief made extensive conquests in all the Catholic countries of Europe, and in some countries obtained a complete ascendency. The Papacy was at length brought so low as to be an object of derision to infidels, and of pity rather than of hatred to Protestants. During the nineteenth century, this fallen Church has been gradually rising from her depressed state and reconquering her old dominion. No person who calmly reflects on what, within the last few years, has passed in Spain, in Italy, in South America, in Ireland, in the Netherlands, in Prussia, even in France, can doubt that the power of this Church over the hearts and minds of men is now greater far than it was when the Encyclopædia and the Philosophical Dictionary appeared. It is surely remarkable that neither the moral revolution of the eighteenth century nor the moral counter-revolution of the nineteenth should, in any perceptible degree, have added to the domain of Protestantism. During the former period, whatever was lost to Catholicism was lost also to Christianity; during the latter, whatever was regained by Christianity in Catholic countries was regained also by Catholicism. We should naturally have expected that many minds, on the way from superstition to infidelity, or on the way back from infidelity to superstition, would have stopped at an intermediate point. Between the doctrines taught in the schools of the Jesuits and those which were maintained at the little supper parties of the Baron Holbach there is a vast interval, in which the human mind, it should seem, might find for itself some resting-place more satisfactory than either of the two extremes. And, at the time of the Reformation, millions found such a resting-place. Whole nations then renounced Popery without ceasing to believe in a first cause, in a future life, or in the divine mission of Jesus. In the last century, on the other hand, when a Catholic renounced his belief in the real presence, it was a thousand to one that he renounced his belief in the Gospel too; and, when the reaction took place, with belief in the Gospel came back belief in the real presence.

We by no means venture to deduce from these phenomena any general law; but we think it a most remarkable fact that no Christian nation which did not adopt the principles of the Reformation before the end of the sixteenth century, should ever have adopted them. Catholic communities have, since that time, become infidel and become Catholic again; but none has become Protestant.

Here we close this hasty sketch of one of the most important portions of the history of mankind. Our readers will have great reason to feel obliged to us if we have interested them sufficiently to induce them to peruse Professor Ranke's book. We will only caution them against the French translation, a performance which, in our opinion, is just as discreditable to the moral character of the person from whom it proceeds as a false affidavit or a forged bill of exchange would have been, and advise them to study either the original, or the English version in which the sense and spirit of the original are admirably preserved.

LEIGH HUNT'S COMIC DRAMATISTS OF THE RESTORATION 2

The Edinburgh Review, January, 1841

We have a kindness for Mr. Leigh Hunt. We form our judgment of him, indeed, only from events of universal notoriety, from his own works, and from the works of other writers, who have generally abused him in the most rancorous manner. But unless we are greatly mistaken, he is a very clever, a very honest, and a very good-natured man. We can clearly discern, together with many merits, many faults both in his writings and in his conduct. But we really think that there is hardly a man living whose merits have been so grudgingly allowed, and whose faults have been so cruelly expiated.

In some respects Mr. Leigh Hunt is excellently qualified for the task which he has now undertaken. His style, in spite of its mannerism, nay, partly by reason of its mannerism, is well suited for light, garrulous, desultory ana, half critical, half biographical. We do not always agree with his literary judgments; but we find in him what is very rare in our time, the power of justly appreciating and heartily enjoying good things of very different kinds. He can adore Shakespeare and Spenser without denying poetical genius to the author of Alexander's Feast, or fine observation, rich fancy, and exquisite humor to him who imagined Will Honeycomb and Sir Roger de Coverley. He has paid particular attention to the history of the English drama, from the age of Elizabeth down to our own time, and has every right to be heard with respect on that subject.

The plays to which he now acts as introducer are, with few exceptions, such as, in the opinion of many very respectable people, ought not to be reprinted. In this opinion we can by no means concur. We cannot wish that any work or class of works which has exercised a great influence on the human mind, and which illustrates the character of an important epoch in letters, politics, and morals, should disappear from the world. If we err in this matter, we err with the gravest men and bodies of men in the empire, and especially with the Church of England, and with the great schools of learning which are connected with her. The whole liberal education of our countrymen is conducted on the principle that no book which is valuable, either by reason of the excellence of its style, or by reason of the light which it throws on the history, polity, and manners of nations, should be withheld from the student on account of its impurity. The Athenian Comedies, in which there are scarcely a hundred lines together without some passage of which Rochester would have been ashamed, have been reprinted at the Pitt Press and the Clarendon Press, under the direction of syndics and delegates appointed by the Universities, and have been illustrated with notes by reverend, very reverend, and right reverend commentators. Every year the most distinguished young men in the kingdom are examined by bishops and professors of divinity in such works as the Lysistrata of Aristophanes and the Sixth Satire of Juvenal. There is certainly something a little ludicrous in the idea, of a conclave of venerable fathers of the church praising and rewarding a lad on account of his intimate acquaintance with writings compared with which the loosest tale in Prior is modest. But, for our own part, we have no doubt that the great societies which direct the education of the English gentry have herein judged wisely. It is unquestionable that an extensive acquaintance with ancient literature enlarges and enriches the mind. It is unquestionable that a man whose mind has been thus enlarged and enriched is likely to be far more useful to the state and to the church than one who is unskilled, or little skilled, in classical learning. On the other hand, we find it difficult to believe that, in a world so full of temptation as this, any gentleman whose life would have been virtuous if he had not read Aristophanes and Juvenal will be made vicious by reading them. A man who, exposed to all the influences of such a state of society as that in which we live, is yet afraid of exposing himself to the influences of a few Greek or Latin verses, acts, we think, much like the felon who begged the sheriffs to let him have an umbrella held over his head from the door of Newgate to the gallows, because it was a drizzling morning, and he was apt to take cold.

The virtue which the world wants is a healthful virtue, not a valetudinarian virtue, a virtue which can expose itself to the risks inseparable from all spirited exertion, not a virtue which keeps out of the common air for fear of infection, and eschews the common food as too stimulating. It would be indeed absurd to attempt to keep men from acquiring those qualifications which fit them to play their part in life with honor to themselves and advantage to their country, for the sake of preserving a delicacy which cannot be preserved, a delicacy which a walk from Westminster to the Temple is sufficient to destroy.

But we should be justly chargeable with gross inconsistency if, while we defend the policy which invites the youth of our country to study such writers as Theocritus and Catullus, we were to set up a cry against a new edition of the Country Wife or the Way of the World. The immoral English writers of the seventeenth century are indeed much less excusable than those of Greece and Rome. But the worst English writings of the seventeenth century are decent, compared with much that has been bequeathed to us by Greece and Rome. Plato, we have little doubt, was a much better man than Sir George Etherege. But Plato has written things at which Sir George Etherege would have shuddered. Buckhurst and Sedley, even in those wild orgies at the Cock in Bow Street for which they were pelted by the rabble and fined by the Court of King's Bench, would never have dared to hold such discourse as passed between Socrates and Phædrus on that fine summer day under the plane tree, while the fountain warbled at their feet, and the cicadas chirped overhead. If it be, as we think it is, desirable that an English gentleman should be well informed touching the government and the manners of little commonwealths which both in place and time are far removed from us, whose independence has been more than two thousand years extinguished, whose language has not been spoken for ages, and whose ancient magnificence is attested only by a few broken columns and friezes, much more must it be desirable that he should be intimately acquainted with the history of the public mind of his own country, and with the causes, the nature, and the extent of those revolutions of opinion and feeling which, during the last two centuries, have alternately raised and depressed the standard of our national morality. And knowledge of this sort is to be very sparingly gleaned from parliamentary debates, from state papers, and from the works of grave historians. It must either not be acquired at all, or it must be acquired by the perusal of the light literature which has at various periods been fashionable. We are therefore by no means disposed to condemn this publication, though we certainly cannot recommend the handsome volume before us as an appropriate Christmas present for young ladies.

We have said that we think the present publication perfectly justifiable. But we can by no means agree with Mr. Leigh Hunt, who seems to hold that there is little or no ground for the charge of immorality so often brought against the literature of the Restoration. We do not blame him for not bringing to the judgment-seat the merciless rigor of Lord Angelo; but we really think that such flagitious and impudent offenders as those who are now at the bar deserved at least the gentle rebuke of Escalus. Mr. Leigh Hunt treats the whole matter a little too much in the easy style of Lucio; and perhaps his exceeding lenity disposes us to be somewhat too severe.

And yet it is not easy to be too severe. For in truth this part of our literature is a disgrace to our language and our national character. It is clever, indeed, and very entertaining; but it is, in the most emphatic sense of the words, "earthly, sensual, devilish." Its indecency, though perpetually such as is condemned not less by the rules of good taste than by those of morality, is not, in our opinion, so disgraceful a fault as its singularly inhuman spirit. We have here Belial, not as when he inspired Ovid and Ariosto, "graceful and humane," but with the iron eye and cruel sneer of Mephistopheles. We find ourselves in a world, in which the ladies are like very profligate, impudent, and unfeeling men, and in which the men are too bad for any place but Pandæmonium or Norfolk Island. We are surrounded by foreheads of bronze, hearts like the nether millstone, and tongues set on fire of hell.

Dryden defended or excused his own offences and those of his contemporaries by pleading the example of the earlier English dramatists; and Mr. Leigh Hunt seems to think that there is force in the plea. We altogether differ from this opinion. The crime charged is not mere coarseness of expression. The terms which are delicate in one age become gross in the next. The diction of the English version of the Pentateuch is sometimes such as Addison would not have ventured to imitate; and Addison, the standard of moral purity in his own age, used many phrases which are now proscribed. Whether a thing shall be designated by a plain noun substantive or by a circumlocution is mere matter of fashion. Morality is not at all interested in the question. But morality is deeply interested in this, that what is immoral shall not be presented to the imagination of the young and susceptible in constant connection with what is attractive. For every person who has observed the operation of the law of association in his own mind and in the minds of others knows that whatever is constantly presented to the imagination in connection with what is attractive will itself become attractive. There is undoubtedly a great deal of indelicate writing in Fletcher and Massinger, and more than might be wished even in Ben Jonson and Shakespeare, who are comparatively pure. But it is impossible to trace in their plays any systematic attempt to associate vice with those things which men value most and desire most, and virtue with everything ridiculous and degrading. And such a systematic attempt we find in the whole dramatic literature of the generation which followed the return of Charles the Second. We will take as an instance of what we mean, a single subject of the highest importance to the happiness of mankind, conjugal fidelity. We can at present hardly call to mind a single English play, written before the Civil War, in which the character of a seducer of married women is represented in a favorable light. We remember many plays in which such persons are baffled, exposed, covered with derision, and insulted by triumphant husbands. Such is the fate of Falstaff, with all his wit and knowledge of the world. Such is the fate of Brisac in Fletcher's Elder Brother, and of Ricardo and Ubaldo in Massinger's Picture. Sometimes, as in the Fatal Dowry and Love's Cruelty, the outraged honor of families is repaired by a bloody revenge. If now and then the lover is represented as an accomplished man, and the husband as a person of weak or odious character, this only makes the triumph of female virtue the more signal, as in Jonson's Celia and Mrs. Fitzdottrel, and in Fletcher's Maria. In general we will venture to say that the dramatists of the age of Elizabeth and James the First either treat the breach of the marriage vow as a serious crime, or, if they treat it as matter for laughter, turn the laugh against the gallant.

On the contrary, during the forty years which followed the Restoration, the whole body of the dramatists invariably represent adultery, we do not say as a peccadillo, we do not say as an error which the violence of passion may excuse, but as the calling of a fine gentleman, as a grace without which his character would be imperfect. It is as essential to his breeding and to his place in society that he should make love to the wives of his neighbors as that he should know French, or that he should have a sword at his side. In all this there is no passion, and scarcely anything that can be called preference. The hero intrigues just as he wears a wig; because, if he did not, he would be a queer fellow, a city prig, perhaps a Puritan. All the agreeable qualities are always given to the gallant. All the contempt and aversion are the portion of the unfortunate husband. Take Dryden for example; and compare Woodall with Brainsick, or Lorenzo with Gomez. Take Wycherley; and compare Horner with Pinchwife. Take Vanbrugh; and compare Constant with Sir John Brute. Take Farquhar; and compare Archer with Squire Sullen. Take Congreve; and compare Bellmour with Fondlewife, Careless with Sir Paul Plyant, or Scandal with Foresight. In all these cases, and in many more which might be named, the dramatist evidently does his best to make the person who commits the injury graceful, sensible, and spirited, and the person who suffers it a fool, or a tyrant, or both.