The Posthumous Works of Thomas De Quincey, Vol. 2

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1

Really now I can't say that. No; I couldn't have stood Cruger's arguments. 'Ditto to Mr. Burke' is certainly not a very brilliant observation, but still it's supportable, whereas I must have found the pains of contradiction insupportable.

2

This sublimest of all Greek poets did really die, as some biographers allege, by so extraordinary and, as one may say, so insulting a mistake on the part of an eagle.

3

Frankistan.—There is no word, but perhaps Frankistan might come nearest to such a word, for expressing the territory of Christendom taken jointly with that of those Mahometan nations which have for a long period been connected with Christians in their hostilities, whether of arms or of policy. The Arabs and the Moors belong to these nations, for the circle of their political system has always been made up in part by a segment from Christendom, their relations of war being still more involved with such a segment.

4

'Merry Wives of Windsor,' Act I., Sc. 4. Mrs. Quickly: '… An honest, willing, kind fellow, as ever servant shall come in house withal; and I warrant you no tell-tale, nor no breed-hate; his worst fault is, that he is given to prayer; he is something peevish that way; but nobody but has his fault—but let that pass.'—Ed.

5

'Pun them into shivers': Troilus and Cressida, Act II., Sc. 1. We refer specially to the jolly boatswain, having already noticed the fact, that sailors as a class, from retaining more of the simplicity and quick susceptibility belonging to childhood, are unusually fond of waxen exhibitions. Too much worldly experience indisposes men to the playfulness and to the toyfulness (if we may invent that word) of childhood, not less through the ungenial churlishness which it gradually deposits, than through the expansion of understanding which it promotes.

6

'Science not always fathomable.' Several distinguished Frenchmen have pursued a course of investigations into these fenestral phenomena, which one might call the Fata Morgana of Frost; and, amongst these investigators, some—not content with watching, observing, recording—have experimented on these floral prolusions of nature by arranging beforehand the circumstances and conditions into which and under which the Frost Fairy should be allowed to play. But what was the result? Did they catch the Fairy? Did they chase her into her secret cells and workshops? Did they throw over the freedom of her motions a harness of net-work of coercion as the Pagans over their pitiful Proteus? So far from it, that the more they studied the less they understood; and all the traps which they laid for the Fairy, did but multiply her evasions.

7

The passage occurs at p. 354, vol. ii. of the Lectures; and we now find, on looking to the place, that the illustration is drawn from 'a dell of lazy Sicily.' The same remark has virtually been anticipated at p. 181 of the same volume in the rule about 'converting mere abstractions into persons.'

8

It is true that Mr. De Quincey did make the mistake of supposing Coleridge to have 'calculated on' a remark which Mrs. Coleridge justly characterises as a blind one. It was blind as compared with the fact resulting from grounds not then known; else it was not blind as a reasonable inference under the same circumstances.

9

If for the words 'more than fifteen years' we say sixteen or seventeen, as Coleridge died in 1834, this article would be written in 1850 or 1851.—Ed.

10

'The Saintly Herbert,' the brother, oddly enough, of the brilliant but infidel Lord Herbert of Cherbury; which lord was a versatile man of talent, but not a man of genius like the humble rustic—his unpretending brother.

11

In saying this, Coleridge unduly disparaged his own personal advantages. In youth, and before sorrow and the labour of thought had changed him, he must have been of very engaging appearance. The godlike forehead, which afterwards was ascribed to him, could not have been wanting at any age. That exquisite passage in Wordsworth's description of him,

had its justification in those early days. If to be blooming was the natural tendency and right of his face, blooming it then was, as we have been assured by different women of education and taste, who saw him at twenty-four in Bristol and Clifton. Two of these were friends of Hannah More, and had seen all the world. They could judge: that is, they could judge in conformity to the highest standards of taste; and both said, with some enthusiasm, that he was a most attractive young man; one adding, with a smile at the old pastoral name, 'Oh, yes, he was a perfect Strephon.' Light he was in those days and agile as a feathered Mercury; whereas he afterwards grew heavy and at times bloated; and at that gay period of life his animal spirits ran up naturally to the highest point on the scale; whereas in later life, when most tempestuous, they seemed most artificial. That this, which was the ardent testimony of females, was also the true one, might have been gathered from the appearance of his children. Berkeley died an infant, and him only we never saw. The sole daughter of Coleridge, as she inherited so much of her father's intellectual power, inherited also the diviner part of his features. The upper part of her face, at seventeen, when last we saw her, seemed to us angelic, and pathetically angelic; for the whole countenance was suffused by a pensive nun-like beauty too charming and too affecting ever to be forgotten. Derwent, the youngest son, we have not seen since boyhood, but at that period he had a handsome cast of features, and (from all we can gather) the representative cast of the Coleridge family. But Hartley, the eldest son, how shall we describe him? He was most intellectual and he was most eccentric, and his features expressed all that in perfection. Southey, in his domestic playfulness, used to call him the Knave of Spades; and he certainly had a resemblance to that well-known young gentleman. But really we do not know that it would have been at all better to resemble the knave of hearts. And it must be remembered that the knave of spades may have a brother very like himself, and yet a hundred times handsomer. There are such things as handsome likenesses of very plain people. Some folks pronounced Hartley Coleridge too Jewish. But to be a Jew is to be an Arab. And our own feeling was, when we met Hartley at times in solitary or desolate places of Westmoreland and Cumberland, that here was a son of Ishmael walking in the wilderness of Edom. The coruscating nimbus of his curling and profuse black hair, black as erebus, strengthened the Saracen impression of his features and complexion. He wanted only a turban on his head, and a spear in his right hand, to be perfect as a Bedouin. But it affected us as all things are affecting which record great changes, to hear that for a long time before his death this black hair had become white as the hair of infancy. Much sorrow and much thought had been the worms that gnawed the roots of that raven hair; that, in Wordsworth's fine way of expressing the very same fact as to Mary Queen of Scots:

Ah, wrecks of once blooming nurseries, that from generation to generation, from John Coleridge the apostolic to S. T. C. the sunbright, and from S. T. C. the sunbright to Hartley the starry, lie scattered upon every shore!

12

'Lackington's counter': Lackington, an extensive seller of old books and a Methodist (see his Confessions) in London, viz., at the corner of Finsbury Square, about the time of the French Revolution, feeling painfully that this event drew more attention than himself, resolved to turn the scale in his own favour by a ruse somewhat unfair. The French Revolution had no counter; he had, it was circular, and corresponded to a lighted dome above. Round the counter on a summer evening, like Phæton round the world, the Edinburgh, the Glasgow, the Holyhead, the Bristol, the Exeter, and the Salisbury Royal Mails, all their passengers on board, and canvas spread, swept in, swept round, and swept out at full gallop; the proximate object being to publish the grandeur of his premises, the ultimate object to publish himself.