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Blackwoods Edinburgh Magazine – Volume 53, No. 332, June, 1843
Blackwoods Edinburgh Magazine – Volume 53, No. 332, June, 1843
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Blackwoods Edinburgh Magazine – Volume 53, No. 332, June, 1843

"Are you a man?This is the very painting of your fear!This is the air-drawn dagger, which, you said,Led you to Duncan!—Why do you make such faces? When all's done,You look but on a stool!"

In those accents all else was forgotten.

But her sleep-walking scene! When shall we see its "second or its similar?" Nothing so solemn, nothing so awful, was ever seen upon the stage. Yet it had one fault—it was too awful. She more resembled a majestic shade rising from the tomb than a living woman, however disturbed by wild fear and lofty passion. It is a remarkable instance of the genius of Shakspeare, that he here found the means of giving a human interest to a being whom he had almost exalted to the "bad eminence" of a magnificent fiend. In this famous soliloquy, the thoughts which once filled and fired her have totally vanished. Ambition has died; remorse lives in its place. The diadem has disappeared; she thinks only of the blood that stains her for ever. She is the queen no more, but an exhausted and unhappy woman, worn down by the stings of conscience, and with her frame dying by the disease of her soul.

But Siddons wanted the agitation, the drooping, the timidity. She looked a living statue. She spoke with the solemn tone of a voice from a shrine. She stood more the sepulchral avenger of regicide than the sufferer from its convictions. Her grand voice, her fixed and marble countenance, and her silent step, gave the impression of a supernatural being, the genius of an ancient oracle—a tremendous Nemesis.

I have seen all the great tragedians of my day, but I have never seen an equal to the sublime of this extraordinary actress. I have seen beauty, youth, touching sensibility, and powerful conception; but I never saw so complete an union of them all—and that union was the sublime. Shakspeare must have had some such form before his mind's eye, while he was creating the wife of Macbeth. Some magnificent and regal countenance, some movement of native majesty, some imaginary Siddons. He could not have gone beyond the true. She was a living Melpomene.

The business of the War-Office was not transacted in those days with the dispatch subsequently introduced by the honest Duke of York. After a delay of weeks I found myself still ungazetted, grew sad, angry, impatient; and after some consideration on the various modes of getting rid of ennui, which were to be found in enlisting the service of that Great Company which extended its wings from Bombay to Bengal, as Sheridan said, impudently enough, like the vulture covering his prey; or in taking the chance of fortune, in the shape of cabin-boy on board one of the thousand ships that were daily floating down the Thames, making their way to the extremities of the earth; or in finishing my feverish speculations in a cold bath at the bottom of the Thames itself; I did what I felt a severer exertion than any of them—I wrote a full and true statement of my vexations to my lordly brother.

His answer was lordly enough. He had been "so much occupied with the numberless duties devolving upon him as landlord, magistrate, lord-lieutenant, and fifty other things, that he absolutely had not been able to find a moment to think of me;" and what was rather more perplexing to my immediate sensibilities, "he had not been able to send me a shilling. However, he did all that he could, and gave me a note to a particular friend," Mr Elisha Mordecai of Moorfields.

There is nothing which quickens a man's movements like a depletion of the purse; and instead of lounging at my hotel until the morning paper brought me the scandals and pleasantries of the day before fresh for my breakfast-table, I threw myself out of bed at an hour which I should not have ventured to mention to any man with whom I walked arm-in-arm during the day, and made my way in a hackney coach, to avoid the possibility of being recognised, to the dwelling of my new patron, or rather my guide and guardian angel.

I make no attempt to describe the navigation through which I reached him; it was winding, dark, and dirty beyond all description, and gave the idea of the passages of a dungeon rather than any thing else that I could name. And in a hovel worthy to finish such a voyage of discovery, I discovered Mr Elisha Mordecai, the man of untold opulence. For a while, on being ushered into the office, where he sat pen in hand, I was utterly unable to ascertain any thing of him beyond a gaunt thin figure, who sat crouching behind a pile of papers, and beneath a small window covered with the dirt of ages. He gave me the impression in his dungeon of one of those toads which are found from time to time in blocks of coal, and have lain there unbreathing and unmoving since the deluge. However, he was a man of business, and so was I for the moment. I handed him my brother's note; and like a ray of sunshine on the torpid snake, it put him into immediate motion. He now took off his spectacles, as if to indulge himself with a view of me by the naked eye; and after a scrutinizing look, which, in another place and person, I should probably have resented as impertinent, but which here seemed part of his profession, he rose from his seat and ushered me into another apartment. This room was probably his place of reception for criminals of a more exalted order; for it was lined with foreign prints, had one or two tolerable Dutch pictures, and a bookcase. Out of his bookcase he took down a folio, examined it, compared the writing of my credentials with the signatures of a book which, as Cromwell's son said of his trunk, contained the lives and fortunes, or at least that on which depended the lives and fortunes, of half the noble roués of England, their "promises to pay," bonds, mortgages, and post-obits, and then performed the operation on myself. My L.2500 in prospect was mulcted of a fifth for the trouble of realizing it; of another fifth for prompt payment, and of another for expediting the affair of my commission. "Another such victory would have ruined me."

However, I bore the torture well. In truth, I had so little regard for any object but the grand one of wearing a sword and epaulette, that if Mordecai had demanded the whole sum in fifths, I should have scarcely winced. But my philosophy stood me in good part, for it won a grim smile from the torturer, and even a little of his confidence.

"This," said he, running his finger down a list which looked endless, "I call my peerage book." Turning to another of equal dimensions, "there lies my House of Commons. Not quite as many words wasted in it as in the Honourable House, but rather to the purpose."

Mordecai grew facetious; the feeling that he had made a handsome morning's work of it put him into spirits, and he let me into some of the secrets of high life, with the air of a looker-on who sees the whole game, and intends to pocket the stakes of the fools on both sides. "Money, Mr Marston," said my hook-nosed and keen-eyed enlightener, "is the true business of man. It is philosophy, science, and patriotism in one; or, at least, without it the whole three are of but little service. Your philosopher dies in a garret, your man of science hawks telescopes, and your patriot starves in the streets, or gets himself hanged in honour of the 'Rights of Man.' I have known all these things, for I was born a German, and bred among the illustrissimi of a German university. But I determined not to live a beggar, or at least not to die one. I left Gottingen behind on a May morning, and trudged, fought, and begged, 'borrowed' my way to London. What I am now, you see."

Probably, the glance which I involuntarily gave round the room, did not exhibit much admiration.

"Ha," said he with a half smile, which, on his gigantic and sullen features, looked like a smile on one of the sculptures of a mausoleum, "you are young—you judge by appearances. Let me give you one piece of advice: If the Italian said, 'distrust words, they are fit only to disguise thoughts,' take a Londoner's warning, and distrust your eyes—they are only fit to pretend to see." He paused a moment, and turned over some memorandums. "I find," said he, "by these papers, that I shall have occasion to leave town in the beginning of next week. You shall then see how I live. If I am to be found in this den, it is not for want of a liking for light and air. I am a German. I have seen plains and mountains in my time. If I had been a fool, there I should have remained a bear-shooter; if I were a fool here, I should act like others of the breed, and be a fox-hunter. But I had other game in view, and now I could sell half the estates in England, call half the 'Honourable House' to my levee, brush down an old loan, buy up a new one, and shake the credit of every thing but the Bank of England."

This was bold speaking, and at another time I should have laughed at it; but the times were bold, the language of the streets was bold, the country was bold, and I, too, was bold. There was something singular in the man; even the hovel round him had a look which added to his influence. I listened to the Jew as one might listen to a revealer of those secrets which find an echo in every bosom, when they are once discovered, and on which still deeper secrets seem to depend. My acquiescence, not the less effective for its being expressed more in looks than words, warmed even the stern spirit of the Israelite towards me, and he actually went the length of ordering some refreshments to be put on the table. We eat and drank together; a new source of cordiality. Our conversation continued long. I shall have more to say of him, and must now proceed to other things; but it ended in my acceptance of his invitation to his villa at Brighton, which he termed "a small thing, simply for a week's change of air," and where he promised to give me some curious explanations of his theory—that money was the master of all things, men, manners, and opinions.

On one of the finest mornings of autumn, I was on the box of the Royal Sussex Stage.

I had full leisure to admire the country, for our progress occupied nearly the whole day. We now laugh at our slow-moving forefathers, but is not the time coming when our thirty miles an hour will be laughed at as much as their five? when our passage from Calais to Dover will be made by the turn of a winch, and Paris will be within the penny-post delivery? when the balloon will carry our letters and ourselves; until that still more rapid period, when we shall ride on cannon-shot, and make but a stage from London to Pekin?

On the roof of the coach I found a strong-featured and closely wrapped-up man, who, by degrees, performed the part of my cicerone. His knowledge of the localities was perfect; "every bush and bosky dell," every creek and winding, as the shore came in sight, was so familiar to him, that I should have set him down at once for a smuggler, but for a superiority of tone in his language, and still more from the evident deference to him by the coachman, in those days a leading authority with all the passengers. His occupation is now nearly o'er. Fire and water have swept him away. His broad back, his broad grin, and his broad buttons, are now but recollections.

My new acquaintance exhibited as perfect a knowledge of the country residents as of its map, and nothing could be more unhesitating than his opinions of them all, from the prince and his set, as he termed them, to Mordecai himself. Of my Jew friend, he said, with a laugh, "There is not a better friend to the King's Bench in all England. If you have any thing to lose, he will strip you on the spot. If you have nothing, you may escape, unless he can make something by having you hanged." I begged of him to spare my new friend. "Why," said he, "he is one of my oldest friends, and one of the cleverest fellows alive. I speak tenderly of him, from admiration of his talents. I have a liking for the perfection of a rogue. He is a superb fellow. You will find his 'Hermitage,' as he calls it, a pond of gold fish. But all this you will soon learn for yourself." The coach now stopped on a rising ground, which showed the little fishing village beneath us, basking in the glow of sunset. My cicerone got down, and bade me farewell. On enquiring his name from my fellow-travellers, a group of Sussex farmers, I found a general disinclination to touch on the subject. Even the coachman, the established source of information on all topics, exhibited no wish to discuss the stranger; his official loquacity was almost dumb. "He merely believed that he was something in the navy, or in the army, or in something or other; but he was often in those parts, and generally travelled to London by the Royal Sussex Stage."

No country in Europe has changed its appearance more than the greater part of England during the last fifty years. Sussex was then as wild as the wildest heath of Yorkshire. The population, too, looked as wild as the landscape. This was once the very land of the bold smuggler; the haunt of the dashing defier of the customhouse officer, who in those days generally knew his antagonist too well to interfere with his days or nights, the run between every port of the west of France and the coasts of the Channel, being, in fact, as familiar to both as the lounger in Bond Street to the beau of the day.

We passed groups of men, who, when they had not the sailor's dress, had the sailor's look; some trudging along the road-side, evidently not in idleness; others mounted on the short rough horse of the country, and all knowing and known by our coachman.

On our passing one group, leaning with their backs against one of the low walls which seemed the only enclosure of this rugged region, I, half-laughingly, hinted to one of my neighbours, a giant of a rough-headed farmer, that "perhaps a meeting with such a party, at a late hour, might be inconvenient, especially if the traveller had a full purse." The fellow turned on me a countenance of ridicule. "What?" said he, "do you take them for robbers? Heaven bless you, my lad, they could buy the stage, horses, passengers, and all. I'll warrant you, they will have news from over there," and he pointed towards France, "before it gets into the newspapers, long enough. They are the richest fellows in the county."

"Are they smugglers?" I asked, with sufficient want of tact.

"Why, no," was the answer, with a leer. "We have nothing of that breed among us; we are all honest men. But what if a man has an acquaintance abroad, and gets a commission to sell a cargo of tea or brandy, or perhaps a present from a friend—what shall hinder him from going to bring it? I'm sure, not I."

It was evidently not the "etiquette" on the roof of the Royal Sussex to think much on the subject, and before my curiosity could reach the length of actual imprudence, the coachman pulled up, and informed me that I had reached the nearest turn to "the Hermitage." My valise was lowered down, a peasant was found to carry it, and I plunged into the depth of a lane as primitive as if it had been a path in Siberia.

It was brief, however, and in a few minutes I was within sight of the villa. Here I at once discovered that Mordecai was a man of taste; perhaps the very roughness of the Sussex jungle, through which I had just come, had been suffered to remain for the sake of contrast. A small lodge, covered with late blooming roses, let me into a narrow avenue of all kinds of odorous shrubs; the evening sun was still strong enough to show me glimpses of the grounds on either side, and they had all the dressed smoothness of a parterre. The scene was so different from all that I had been wearied of during the day, that I felt it with double enjoyment; and the utter solitude and silence, after the rough voices of my companions in the journey, were so soothing, that I involuntarily paused before I approached the house, to refresh not more my senses than my mind. As I stood leaning against a tree, and baring my hot brain and bosom to the breeze, that rose with delicious coolness, I heard music. It was a sweet voice, accompanied at intervals by some skilful touches of a harp; and, from the solemnity of the measure, I supposed it to be a hymn. Who was the minstrel? Mordecai had never mentioned to me either wife or daughter. Well, at all events, the song was sweet. The minstrel was a woman, and the Jew's household promised me more amusement than I could have expected from the man of Moorfields. The song ceased, the spell was broken, and I moved on, fully convinced that I had entered on a scene where I might expect at least novelty; and the expectation was then enough to have led me to the cannon's mouth or the antipodes.

THE VIGIL OF VENUS

TRANSLATED FROM THE LATIN

This old poem, which commemorates the festivities with which ancient Rome hailed the returning brightness of spring, may, perhaps, awaken in our readers some melancholy reflections on the bygone delights of the same season in our own country. To the Romans, it would seem, this period of the year never ceased to bring rejoicing holidays. There is good reason to suppose that this poem was written in the declining times of the empire; if so, it seems that, amidst the public misfortunes that followed one another during that age, the people were not woe-worn and distressed; that they were able to forget, in social pleasures, the gradual decay of their ancient glory. Rome "smiled in death." England is still great and powerful, but she is no longer Merry England.

Most people have heard of the Floralia, and have learned to deduce the frolics of Maid Marian and her comrades from the Roman observances on that festive occasion. But few are aware of the close similarity which this poem shows to have existed between the customs of the Romans and those of our fathers. In the denunciations of the latter by the acrid Puritans of the 17th century, we might almost imagine that the tirade was expressly levelled against the vigils described in the Pervigilium Veneris. If the poem had ever fallen into the hands of those worthies, it would have afforded them an additional handle for invective against the foul ethnic superstitions which the May-games were denounced as representing. Hear Master Stubbes, in his Anatomie of Abuses, published in 1585:—

"Against May, Whitsonday, or other time, all the yung men and maides, old men and wives, run gadding over the night to the woods, groves, hils, and mountains, where they spend all the night in pleasant pastimes, and in the morning they return, bringing with them birch and branches of trees, to deck their assemblies withall; and no meruaile, for there is a great Lord present amongst them as superintendent and Lord of their sports, namely, Sathan prince of hel. But the chiefest jewel they bring from thence is their May-pole, (say rather their stinking poole,) which they bring home with great veneration."

Who does not remember Lysander's appointment with Hermia:

——"in that wood, a league without the town,Where I did meet thee once with Helena,To do observance to a morn of May,There will I stay for thee."

These passages point us to the time when man and nature met to rejoice together on May-day: to the time before the days of the workhouse and factory; when the length and breadth of the land rung to the joyaunce and glee of the holiday-rejoicing nation, and the gay sounds careered on fresh breezes even where now the dense atmosphere of Manchester or Ashton glooms over the dens of torture in which withered and debauched children are forced to their labour, and the foul haunts under the shelter of which desperate men hatch plots of rapine and slaughter.

The poem shows that the Romans, like the English of those days, celebrated the season by betaking themselves to the woods throughout the night, where they kept a vigil in honour of Venus, to whose guardianship the month of April was assigned, as being the universal generating and producing power, and more especially to be adored as such by the Romans, from having been, through her son Æneas, the author of their race. The poem seems to have been composed with a view to its being sung by a choir of maidens in their nocturnal rambles beneath the soft light of an Italian moon. The delicious balm of that voluptuous climate breathes through every line of it, and vividly presents to the reader's imagination the scene of the festivity; but whether we can claim these celebrations for our own May-day, is a doubtful point; for Wernsdorf, who has included the Pervigilium Veneris in his edition of Poetæ Latini Minores, vol. iii., maintains that it is to be referred to the Veneralia, or feast of Venus, on the 1st of April. The Kalendar of Constantius marks the 3d day of April as Natalis Quirini. If, then, the morrow spoken of in the poem is to be taken to mean this birthday of Romulus, we must suppose the vigil of three nights to have begun on the night of the last day of March. But perhaps our readers will agree with us, that there are quite as good grounds for attributing this vigil to the Floralia, which commenced on the 27th of April, and ended on the first of May. For although the rites of the Floralia were in honour of Flora, yet we may easily conceive the principle by which the worship of Venus, the spirit of beauty, and love, and production, would come to be intermingled with the homage paid to the flower-goddess. And then the three nights would denote the nights of the Floralia already past, if we suppose the hymn to have been sung on the night before the 1st of May. This seems more natural, as coinciding with the known length of the festival, than Wernsdorf's hypothesis, which makes the vigil commence before the month of Venus had opened. As regards the time of year, too, May is far more suited than April, even in Italy, for outwatching the Bear on woodland lawns.

The question regarding the author of the Pervigilium Veneris is still a lis sub judice. Aldus, Erasmus, and Meursius, attributed it to Catullus; but subsequent editors have, with much more probability, contended that its age is considerably later. We may notice a scholastic and philosophical spirit about it, which is ill-suited to the Bard of Verona. Lipsius claimed it for the Augustan age, in consequence of the mention of Cæsar which is introduced. But we think we may safely assume, that the observance of this vigil grew into custom after the time of Ovid, otherwise it is difficult to account for the total absence of all allusion, in his Fasti, to a subject so perfectly adapted to his verse. But we will not enter any further into a discussion which Salmasius and Scaliger could not settle, but shall at once present our readers with the following translation of the Pervigilium Veneris:—

He that never loved before,Let him love to-morrow!He that hath loved o'er and o'er,Let him love to-morrow!Spring, young Spring, with song and mirth,Spring is on the newborn earth.Spring is here, the time of love—The merry birds pair in the grove,And the green trees hang their tresses,Loosen'd by the rain's caresses.To-morrow sees the dawn of May,When Venus will her sceptre sway,Glorious, in her justice-hall:There where woodland shadows fall,On bowers of myrtle intertwined,Many a band of love she'll bind.He that never, &c.To-morrow is the day when firstFrom the foam-world of Ocean burst,Like one of his own waves, the brightDione, queen of love and light,Amid the sea-gods' azure train,'Mid the strange horses of the main.He that never, &c.She it is that lends the HoursTheir crimson glow, their jewel-flowers:At her command the buds are seen,Where the west-wind's breath hath been,To swell within their dwellings green.She abroad those dewdrops flings,Dew that night's cool softness brings;How the bright tears hang declining,And glisten with a tremulous shining,Almost of weight to drop away,And yet too light to leave the spray.Hence the tender plants are boldTheir blushing petals to unfold:'Tis that dew, which through the airFalls from heaven when night is fair,That unbinds the moist green vestFrom the floweret's maiden breast.'Tis Venus' will, when morning glows,'Twill be the bridal of each rose.Then the bride-flower shall reveal,What her veil cloth now conceal,The blush divinest, which of yoreShe caught from Venus' trickling gore,With Love's kisses mix'd, I trow,With blaze of fire, and rubies' glow,And with many a crimson rayStolen from the birth of day.He that never, &c.All the nymphs the Queen of LoveSummons to the myrtle-grove;And see ye, how her wanton boyComes with them to share our joy?Yet, if Love be arm'd, they say,Love can scarce keep holiday:Love without his bow is straying!Come, ye nymphs, Love goes a Maying.His torch, his shafts, are laid aside—From them no harm shall you betide.Yet, I rede ye, nymphs, beware,For your foe is passing fair;Love is mighty, ye'll confess,Mighty e'en in nakedness;And most panoplied for fightWhen his charms are bared to sight.He that never, &c.Dian, a petition we,By Venus sent, prefer to thee:Virgin envoys, it is meet,Should the Virgin huntress greet:Quit the grove, nor it profaneWith the blood of quarry slain.She would ask thee, might she dareHope a maiden's thought to share—She would bid thee join us now,Might cold maids our sport allow.Now three nights thou may'st have seen,Wandering through thine alleys green,Troops of joyous friends, with flowersCrown'd, amidst their myrtle bowers.Ceres and Bacchus us attend,And great Apollo is our friend;All night we must our Vigil keep—Night by song redeem'd from sleep.Let Venus in the woods bear sway,Dian, quit the grove, we pray.He that never, &c.Of Hybla's flowers, so Venus will'd,Venus' judgment-seat we build.She is judge supreme; the Graces,As assessors, take their places.Hybla, render all thy storeAll the season sheds thee o'er,Till a hill of bloom be foundWide as Enna's flowery ground.Attendant nymphs shall here be seen,Those who delight in forest green,Those who on mountain-top abide,And those whom sparkling fountains hide.All these the Queen of joy and sportSummons to attend her court,And bids them all of Love beware,Although the guise of peace he wear.He that never, &c.Fresh be your coronals of flowers,And green your overarching bowers,To-morrow brings us the returnOf Ether's primal marriage-morn.In amorous showers of rain he cameT' embrace his bride's mysterious frame,To generate the blooming year,And all the produce Earth does bear.Venus still through vein and soulBids the genial current roll;Still she guides its secret courseWith interpenetrating force,And breathes through heaven, and earth, and sea,A reproductive energy.He that never, &c.She old Troy's extinguish'd gloryRevived in Latium's later story,When, by her auspices, her sonLaurentia's royal damsel won.She vestal Rhea's spotless charmsSurrender'd to the War-god's arms;She for Romulus that dayThe Sabine daughters bore away;Thence sprung the Rhamnes' lofty name,Thence the old Quirites came;And thence the stock of high renown,The blood of Romulus, handed downThrough many an age of glory pass'd,To blaze in Cæsar's at last.He that never, &c.All rural nature feels the glowOf quickening passion through it flow.Love, in rural scenes of yore,They say, his goddess-mother bore;Received on Earth's sustaining breast,Th' ambrosial infant sunk to rest;And him the wild-flowers, o'er his headBending, with sweetest kisses fed.He that never, &c.On yellow broom out yonder, see,The mighty bulls lie peacefully.Each animal of field or groveOwns faithfully the bond of love.The flocks of ewes, beneath the shade,Around their gallant rams are laid;And Venus bids the birds awakeTo pour their song through plain and brake.Hark! the noisy pools replyTo the swan's hoarse harmony;And Philomel is vocal now,Perch'd upon a poplar-bough.Thou scarce would'st think that dying fallCould ought but love's sweet griefs recall;Thou scarce would'st gather from her songThe tale of brother's barbarous wrong.She sings, but I must silent be:—When will the spring-tide come for me?When, like the swallow, spring's own bird,Shall my faint twittering notes be heard?Alas! the muse, while silent IRemain'd, hath gone and pass'd me by,Nor Phœbus listens to my cry.And thus forgotten, I await,By silence lost, Amyclæ's fate.