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The Continental Classics, Volume XVIII., Mystery Tales
The Continental Classics, Volume XVIII., Mystery Tales
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The Continental Classics, Volume XVIII., Mystery Tales

Having finished his task, Raskolnikoff inserted his finger in a small crevice in the floor under his couch, and brought out the pledge with which he had been careful to provide himself. This pledge was, however, only a sham—a thin smooth piece of wood about the size and thickness of a silver cigarette case, which he had found in a yard adjoining a carpenter's shop, and a thin piece of iron of about the same size, which he had picked up in the street. He fastened the two together firmly with thread, then proceeded to wrap them up neatly in a piece of clean white paper, and tie the parcel in such a manner that it would be difficult to undo it again. This was all done in order to occupy the attention of the old woman and to seize a favorable opportunity when she would be busy with the knot. The piece of iron was simply added for weight, in order that she might not immediately detect the fraud. He had just finished, and had put the packet in his pocket, when in the court below resounded the cry:

"Six o'clock struck long ago!"

"Long ago! Good heavens!"

He ran to the door, listened, seized his hat, and went down the stairs cautiously and stealthily as a cat. He still had the most important thing to do—to steal the hatchet out of the kitchen. That a hatchet was the best instrument, he had long since decided. He had an old garden knife, but on a knife—especially on his own strength—he could not rely; he finally fixed on the hatchet. A peculiarity was to be noticed in all these resolutions of his; the more definitely they were settled, the more absurd and horrible they immediately appeared to his eyes, and never, for a moment, did he feel sure of the execution of his project. But even if every question had been settled, every doubt cleared away, every difficulty overcome, he would probably have renounced his design on the instant, as something absurd, monstrous, and impossible. But there were still a host of matters to arrange, of problems to solve. As to procuring the hatchet, this trifle did not trouble Raskolnikoff in the least, for nothing was easier. As a matter of fact Nastasia was scarcely ever at home, especially of an evening. She was constantly out gossiping with friends or tradespeople, and that was the reason of her mistress's constant complaints. When the time came, all he would have to do would be to quietly enter the kitchen and take the hatchet, and then to replace it an hour afterwards when all was over. But perhaps this would not be as easy as he fancied. "Suppose," said the young man to himself, "that when, in an hour's time, I come to replace the hatchet, Nastasia should have come in. Now, in that case, I could naturally not enter the kitchen until she had gone out again. But supposing during this time she notices the absence of the hatchet, she will grumble, perhaps kick up a shindy, and that will serve to denounce me, or at least might do so!"

Before he had got to the bottom of the staircase, a trifling circumstance came and upset all his plans. On reaching his landlady's landing, he found the kitchen door wide open, as usual, and he peeped in, in order to make sure that, in the absence of Nastasia, her mistress was not there, and that the doors of the other rooms were closed. But great was his annoyance to find Nastasia there herself, engaged in hanging clothes on a line. Perceiving the young man, she stopped and turned to him inquiringly. He averted his eyes and went away without remark. But the affair was done for. There was no hatchet, he was frustrated entirely. He felt crushed, nay, humiliated, but a feeling of brutal vindictiveness at his disappointment soon ensued, and he continued down the stairs, smiling maliciously to himself. He stood hesitating at the gate. To walk about the streets or to go back were equally repugnant. "To think that I have missed such a splendid opportunity!" he murmured as he stood aimlessly at the entrance, leaning near the open door of the porter's lodge. Suddenly he started—something in the dark room attracted his eye. He looked quietly around. No one was near. He descended the two steps on tiptoe, and called for the porter. There was no reply, and he rushed headlong to the hatchet (it was a hatchet), secured it where it lay among some wood, and hurriedly fastened it to the loop as he made his way out into the street. No one saw him! "There's more of the devil in this than my design," he said smiling to himself. The occurrence gave him fresh courage.

He went away quietly in order not to excite any suspicion, and walked along the street with his eyes studiously fixed on the ground, avoiding the faces of the passers-by. Suddenly he recollected his hat. "Good heavens! the day before yesterday I had money, and not to have thought of that! I could so easily have bought a cap!" and he began cursing himself. Glancing casually in a shop, he saw it was ten minutes past seven. He had yet a long way to go, as he was making a circuit, not wishing to walk direct to the house. He kept off, as much as he was able, all thought of his mission, and on the way reflected upon possible improvements of the public grounds, upon the desirability of fountains, and why people lived where there were neither parks nor fountains, but only mud, lime, and bricks, emitting horrid exhalations and every conceivable foulness. This reminded him of his own walks about the Cyennaza, and he came to himself.

"How true it is that persons being led to execution interest themselves in anything that strikes them on the way!" was the thought that came into his head, but it passed away like lightning to be succeeded by some other. "Here we are—there is the gate." It struck half-past seven as he stood near the house.

To his delight, he passed in without observation. As if on purpose, at the very same moment a load of hay was going in, and it completely screened him. On the other side of the load, a dispute or brawl was evidently taking place, and he gained the old woman's staircase in a second. Recovering his breath and pressing his hand to his beating heart, he commenced the ascent, though first feeling for the hatchet and arranging it. Every minute he stopped to listen. The stairs were quite deserted, and every door was closed. No one met him. On the second floor, indeed, the door of an empty lodging was wide open; some painters were working there, but they did not look up. He stopped a moment to think, and then continued the ascent: "No doubt it would be better if they were not there, but fortunately there are two more floors above them." At last he reached the fourth floor, and Alena Ivanovna's door; the lodging facing it was unoccupied. The lodging on the third floor, just beneath the old woman's, was also apparently empty. The card that used to be on the door had gone; the lodgers had, no doubt, moved. Raskolnikoff was stifling. He stood hesitating a moment: "Had I not better go away?" But without answering the question, he waited and listened. Not a sound issued from the old woman's apartments. The staircase was filled with the same silence. After listening for a long time, the young man cast a last glance around, and again felt his hatchet. "Do I not look too pale?" thought he. "Do I not appear too agitated? She is mistrustful. I should do well to wait a little, to give my emotion time to calm down."

But instead of becoming quieter, his heart throbbed more violently. He could stand it no longer, and, raising his hand toward the bell rope, he pulled it toward him. After waiting half a minute, he rang again—this time a little louder. No answer. To ring like a deaf man would have been useless, stupid even. The old woman was certainly at home; but, suspicious by nature, she was likely to be so all the more then, as she happened to be alone. Raskolnikoff knew something of Alena Ivanovna's habits. He therefore placed his ear to the door. Had the circumstances amid which he was placed strangely developed his power of hearing, which, in general, is difficult to admit, or was the sound really easily perceptible? Anyhow, he suddenly became aware that a hand was being cautiously placed on the lock, and that a dress rustled against the door. Some one inside was going through exactly the same movements as he on the landing. Some one, standing up against the lock, was listening while trying to hide her presence, and had probably her ear also against the door.

In order to avoid all idea of mystery, the young man purposely moved about rather noisily, and muttered something half aloud; then he rang a third time, but gently and coolly, without allowing the bell to betray the least sign of impatience. Raskolnikoff never forgot this moment of his life. When, in after days, he thought over it, he could never understand how he had been able to display such cunning, especially at a time when emotion was now and again depriving him of the free use of his intellectual and physical faculties. After a short while he heard the bolt withdrawn.

The door, as before, was opened a little, and again the two eyes, with mistrustful glance, peeped out of the dark. Then Raskolnikoff lost his presence of mind and made a serious mistake. Fearing that the old woman would take alarm at finding they were alone, and knowing that his appearance would not reassure her, he took hold of the door and pulled it toward him in order to prevent her shutting it again if she should be thus minded. Seeing this, she held on to the lock, so that he almost drew her together with the door on to the staircase. She recovered herself, and stood to prevent his entrance, speechless with fright.

"Good evening, Alena Ivanovna," he commenced, trying to speak with unconcern, but his voice did not obey him, and he faltered and trembled, "Good evening, I have brought you something, but we had better go into the light." He pushed past her and entered the room uninvited. The old woman followed and found her tongue.

"What is it you want? Who are you?" she commenced.

"Pardon me, Alena Ivanovna, your old acquaintance Raskolnikoff. I have brought a pledge, as I promised the other day," and he held out the packet to her.

The old woman was about to examine it, when she raised her eyes and looked straight into those of the visitor who had entered so unceremoniously. She examined him attentively, distrustfully, for a minute. Raskolnikoff fancied there was a gleam of mockery in her look as if she guessed all. He felt he was changing color, and that if she kept her glance upon him much longer without saying a word he would be obliged to run away.

"Why are you looking at me thus?" he said at last in anger. "Will you take it or not? or shall I take it elsewhere? I have no time to waste." He did not intend to say this, but the words came out. The tone seemed to quiet her suspicions.

"Why were you so impatient, batuchka? What is it?" she asked, glancing at the pledge.

"The silver cigarette case of which I spoke the other day."

She held out her hand. "But why are you so pale, why do your hands shake? What is the matter with you, batuchka?"

"Fever," replied he abruptly. "You would be pale too if you had nothing to eat." He could hardly speak the words and felt his strength falling. But there was some plausibility in his reply; and the old woman took the pledge.

"What is it?" she asked once more, weighing it in her hand and looking straight at her visitor.

"Cigarette case, silver, look at it."

"It doesn't feel as though it were silver. Oh! what a dreadful knot!"

She began to untie the packet and turned to the light (all the windows were closed in spite of the heat). Her back was turned toward Raskolnikoff, and for a few seconds she paid no further attention to him. He opened his coat, freed the hatchet from the loop, but did not yet take it from its hiding place; he held it with his right hand beneath the garment. His limbs were weak, each moment they grew more numbed and stiff. He feared his fingers would relax their hold of the hatchet. Then his head turned giddy.

"What is this you bring me?" cried Alena Ivanovna, turning to him in a rage.

There was not a moment to lose now. He pulled out the hatchet, raised it with both hands, and let it descend without force, almost mechanically, on the old woman's head. But directly he had struck the blow his strength returned. According to her usual habit, Alena Ivanovna was bareheaded. Her scanty gray locks, greasy with oil, were gathered in one thin plait, which was fixed to the back of her neck by means of a piece of horn comb. The hatchet struck her just on the sinciput, and this was partly owing to her small stature. She scarcely uttered a faint cry and collapsed at once all in a heap on the floor; she was dead.

The murderer laid his hatchet down and at once began to search the corpse, taking the greatest precaution not to get stained with the blood; he remembered seeing Alena Ivanovna, on the occasion of his last visit, take her keys from the right-hand pocket of her dress. He was in full possession of his intellect; he felt neither giddy nor dazed, but his hands continued to shake. Later on, he recollected that he had been very prudent, very attentive, that he had taken every care not to soil himself. It did not take him long to find the keys; the same as the other day, they were all together on a steel ring. Having secured them, Raskolnikoff at once passed into the bedroom. It was a very small apartment; on one side was a large glass case full of holy images, on the other a great bed looking very clean with its quilted-silk patchwork coverlet. The third wall was occupied by a chest of drawers. Strange to say, the young man had no sooner attempted to open them, he had no sooner commenced to try the keys, than a kind of shudder ran through his frame. Again the idea came to him to give up his task and go away, but this weakness only lasted a second: it was now too late to draw back.

He was even smiling at having for a moment entertained such a thought, when he was suddenly seized with a terrible anxiety: suppose the old woman were still alive, suppose she recovered consciousness. Leaving at once the keys and the drawers, he hastened to the corpse, seized the hatchet, and prepared to strike another blow at his victim, but he found there was no necessity to do so. Alena Ivanovna was dead beyond all doubt. Leaning over her again to examine her closer, Raskolnikoff saw that the skull was shattered. He was about to touch her with his fingers, but drew back, as it was quite unnecessary. There was a pool of blood upon the floor. Suddenly noticing a bit of cord round the old woman's neck, the young man gave it a tug, but the gory stuff was strong, and did not break. The murderer then tried to remove it by drawing it down the body. But this second attempt was no more successful than the first, the cord encountered some obstacle and became fixed. Burning with impatience, Raskolnikoff brandished the hatchet, ready to strike the corpse and sever the confounded string at the same blow. However, he could not make up his mind to proceed with such brutality. At last, after trying for two minutes, and staining his hands with blood, he succeeded in severing the cord with the blade of the hatchet without further disfiguring the dead body. As he had imagined, there was a purse suspended to the old woman's neck. Besides this there was also a small enameled medal and two crosses, one of cypress wood, the other of brass. The greasy purse, a little chamois-leather bag, was as full as it could hold. Raskolnikoff thrust it in his pocket without examining the contents. He then threw the crosses on his victim's breast, and hastily returned to the bedroom, taking the hatchet with him.

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1

Said of a card when it wins or loses in the quickest possible time.

2

Diminutive of Lizaveta (Elizabeth).

3

(At the risk of shocking the reader, it has been decided that the real permanent detective stories of the world were ill represented without Dostoyevsky's terrible tale of what might be called "self-detection." If to sensitive readers the story seems so real as to be hideous, it is well to recall that Dostoyevsky in 1849 under-went the agony of sentence to death as a revolutionist. Although the sentence was commuted to hard labor in Siberia, and although six years later he was freed and again took up his writing, his mind never rose from beneath the weight of horror and hopelessness that hangs over offenders against the Great White Czar. Dostoyevsky, sentenced as a criminal, herded with criminals, really became a criminal in literary imagination. Add to this a minute observation, a marvelous memory, ardent political convictions—and we can understand why the story here, with others of his, is taken as a scientific text by criminologists.—EDITOR.)

4

1,000 yards.

5

Janitors.

6

little father

7

Cabbage soup.

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