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Notes and Queries, Number 214, December 3, 1853
Notes and Queries, Number 214, December 3, 1853
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Notes and Queries, Number 214, December 3, 1853

No. 166., "George III. reviewing the 10th Light Dragoons, commanded by the Prince of Wales." This picture was considered the chef d'œuvre of Sir William Beechey, and was painted in 1798; and it has been supposed the likeness of the Duke of York was the best taken of that Prince. Could any reader inform me on what day this review took place?1

When one sees a picture of Shakspeare, No. 276., and more especially in the palace of his cotemporary sovereigns, one is naturally led to inquire into its authenticity. I am therefore desirous to obtain some information relative to it.

In "N. & Q.," vol. vi., p. 197., you had several correspondents inquiring concerning the custom of royalty dining in public: perhaps it may interest them to know that there are two very attractive pictures of this ceremony in this collection, numbered 293 and 294: the first is of Charles I. and Henrietta Maria; the other Frederick V., Count Palatine and King of Bohemia, who married Elizabeth, daughter of James I. These two pictures are by Van Bassen, of whom, perhaps, some correspondent may be enabled to give an account.

Φ.

Richmond, Surrey.

Minor Queries

Helmets.—What is the antiquity of the practice of placing helmets over the shields of armorial bearings; and what are the varieties of helmets in regard to the rank or degree of persons?

S. N.

The Nursrow.—What is the origin of the word Nursrow, a name applied by Plott, in his History of Staffordshire, to the shrew mouse, and by the common people in Cheshire at the present day to the field-mouse; or rather, perhaps, indiscriminately to field and shrew mice?

N. R.

City Bellmen.—When were city bellmen first established? By whom appointed? What were their duties? What and how were they paid? What have been their employment and duties down to the present day?

Crito.

Pope's Elegy on an Unfortunate Lady.—In the new editions of Pope's Works, in course of publication, edited by Mr. Carruthers, Inverness, it is conjectured that the poet threw "ideal circumstances" into his most pathetic and melodious elegy, and "when he came to publish his letters, put wrong initials, as in other instances, to conceal the real names" (Pope's Poet. Works, Ingram, Cook, and Co., vol. ii. p. 184.). The initials are Mrs. W., niece of Lady A. I have always thought that a clue might be obtained to the name of this lady, by following up the hints in Pope's printed correspondence. Mrs. or Miss W. is mentioned or alluded to by Craggs and Pope, in connexion with the characters in the Rape of the Lock. One suggests the other. Inquiry should be directed to the families of Fernor of Tusmore, Lord Petre, and Sir George Brown. But I have heard a tradition in a Catholic family in the north of England that the lady was a Blount; probably one of the Blounts of Soddington, or of some one of the numerous branches of that ancient family.

An Inquirer.

"Too wise to err, too good to be unkind."—In what author may this passage be found?

"Too wise to err, too good to be unkind."E. P. H.

Clapham.

Passage in the "Christian Year."—In the beautiful lines on Confirmation in this work, the following verse occurs:

"Steady and pure as stars that beamIn middle heaven, all mist above,Seen deepest in the frozen stream:—Such is their high courageous love."

I should be grateful for an explanation of the third line.

A. A. D.

David's Mother.—I used to think it was impossible to ascertain from the Old Testament the name of David's mother. In the Genealogies recorded in the Sacred Scriptures, by J. S. (usually assumed to stand for John Speed, the historian and geographer), the name of the Psalmist's mother is given "Nahash." Can this be made out satisfactorily? Will the text 2 Sam. xvii. 25., as compared with 1 Chron. ii. 15., warrant it?

Y. B. N. J.

Emblems.—Can any of your readers inform me what are the emblematic meanings of the different precious stones, or of any of them? or in what work I shall find them described?

N. D.

"Kaminagadeyathooroosoomokanoogonagira."—In an appeal to the Privy Council from Madras, the above unparalleled long word occurs as the descriptions of an estate. I believe that its extreme length and unpronounceable appearance is without an equal. Can any of your readers acquainted with Indian literature translate it? if so, it would greatly oblige

F. J. G.

"Quid facies," &c.—I have lately met with the following curious play on words in an old MS. book. Can any of your correspondents give any account of it?

"Quid facies, facies Veneris si veneris ante?Ne pereas, per eas; ne sedeas, sed eas!"Balliolensis.

Will of Peter the Great.—M. Lamartinière, in a French pamphlet on the Eastern question, gives a document in several articles containing advice with respect to the policy of his successors on the throne of Russia, in which he advises her to make great advances in the direction of Constantinople, India, &c., and advocates the partition of Poland. Upon what authority does this document rest? and who is M. Lamartinière?

R. J. Allen.

H. Neele, Editor of Shakspeare.—In the preface to Lectures on English Poetry, being the Remains of the late Henry Neele (Lond. 1830), mention is made of a new edition of Shakspeare's dramatic works, "under the superintendence of Mr. Neele as editor, for which his enthusiastic reverence for the poet of 'all time' peculiarly fitted him, but which, from the want of patronage, terminated after the publication of a very few numbers." These very few numbers must have appeared about 1824-1827; yet the answer to my repeated inquiries after them in London is always "We cannot hear of them." Can any one give me farther information?—From the Navorscher.

J. M.

MS. by Rubens on Painting.—May I inquire of M. Philarète Chasles whether he ever saw or heard of a manuscript said to be written in Latin by Rubens, and existing in the Bibliothèque Nationale at Paris? One or two fragments have occasionally been quoted: I think one may be found in Sir Joshua Reynolds' Discourses, and the same is used by Burnet in his work on painting; but no authority is given as to the source of the information.2

If such a work can be found, it would confer a great boon upon the profession of the fine arts, if it were brought to light without delay.

Weld Taylor.

Peter Allan.—Will some correspondent of "N. & Q." afford information as to the exact date and place of birth of the celebrated Peter Allan, whose cave at Sunderland is regarded as one of the principal curiosities of the north of England? What is known of his general history; and is any member of his family now living?

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1

George III. had one or two copies of this picture taken for him; and there is a curious circumstance relative to one of these, which Lady Chatterton mentions in her Home Sketches, published in three vols. 8vo., 1841: "In one respect the picture (which George III. gave to Lord Sidmouth, and which the latter had put up at the stone lodge in Richmond New Park) differs from the original at Hampton Court: it is singular enough that in this copy the figure of the Prince is omitted, which was done by the King's desire, and is a striking and rather comical proof of the dislike which he felt towards his son. When the Prince became King, he dined here, and remarked to Lord Sidmouth that his portrait had been omitted, and hinted that it ought to be restored. This, however, was evaded, and the copy remains in its original state."—Vol. i. pp. 18, 19.

2

[This may probably be Rubens's MS. Album, of which an account is given in Vertue's Anecdotes of Painting, vol. ii. pp. 185, 186.—Ed.]

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