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Maruja
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Maruja

Bret Harte

Maruja

CHAPTER I

Morning was breaking on the high road to San Jose. The long lines of dusty, level track were beginning to extend their vanishing point in the growing light; on either side the awakening fields of wheat and oats were stretching out and broadening to the sky. In the east and south the stars were receding before the coming day; in the west a few still glimmered, caught among the bosky hills of the canada del Raimundo, where night seemed to linger. Thither some obscure, low-flying birds were slowly winging; thither a gray coyote, overtaken by the morning, was awkwardly limping. And thither a tramping wayfarer turned, plowing through the dust of the highway still unslaked by the dewless night, to climb the fence and likewise seek the distant cover.

For some moments man and beast kept an equal pace and gait with a strange similarity of appearance and expression; the coyote bearing that resemblance to his more civilized and harmless congener, the dog, which the tramp bore to the ordinary pedestrians, but both exhibiting the same characteristics of lazy vagabondage and semi-lawlessness; the coyote's slouching amble and uneasy stealthiness being repeated in the tramp's shuffling step and sidelong glances. Both were young, and physically vigorous, but both displayed the same vacillating and awkward disinclination to direct effort. They continued thus half a mile apart unconscious of each other, until the superior faculties of the brute warned him of the contiguity of aggressive civilization, and he cantered off suddenly to the right, fully five minutes before the barking of dogs caused the man to make a detour to the left to avoid entrance upon a cultivated domain that lay before him.

The trail he took led to one of the scant water-courses that issued, half spent, from the canada, to fade out utterly on the hot June plain. It was thickly bordered with willows and alders, that made an arbored and feasible path through the dense woods and undergrowth. He continued along it as if aimlessly; stopping from time to time to look at different objects in a dull mechanical fashion, as if rather to prolong his useless hours, than from any curious instinct, and to occasionally dip in the unfrequent pools of water the few crusts of bread he had taken from his pocket. Even this appeared to be suggested more by coincidence of material in the bread and water, than from the promptings of hunger. At last he reached a cup-like hollow in the hills lined with wild clover and thick with resinous odors. Here he crept under a manzanita-bush and disposed himself to sleep. The act showed he was already familiar with the local habits of his class, who used the unfailing dry starlit nights for their wanderings, and spent the hours of glaring sunshine asleep or resting in some wayside shadow.

Meanwhile the light quickened, and gradually disclosed the form and outline of the adjacent domain. An avenue cut through a park-like wood, carefully cleared of the undergrowth of gigantic ferns peculiar to the locality, led to the entrance of the canada. Here began a vast terrace of lawn, broken up by enormous bouquets of flower-beds bewildering in color and profusion, from which again rose the flowering vines and trailing shrubs that hid pillars, veranda, and even the long facade of a great and dominant mansion. But the delicacy of floral outlines running to the capitals of columns and at times mounting to the pediment of the roof, the opulence of flashing color or the massing of tropical foliage, could not deprive it of the imperious dignity of size and space. Much of this was due to the fact that the original casa—an adobe house of no mean pretensions, dating back to the early Spanish occupation—had been kept intact, sheathed in a shell of dark-red wood, and still retaining its patio; or inner court-yard, surrounded by low galleries, while additions, greater in extent than the main building, had been erected—not as wings and projections, but massed upon it on either side, changing its rigid square outlines to a vague parallelogram. While the patio retained the Spanish conception of al fresco seclusion, a vast colonnade of veranda on the southern side was a concession to American taste, and its breadth gave that depth of shadow to the inner rooms which had been lost in the thinner shell of the new erection. Its cloistered gloom was lightened by the red fires of cardinal flowers dropping from the roof, by the yellow sunshine of the jessamine creeping up the columns, by billows of heliotropes breaking over its base as a purple sea. Nowhere else did the opulence of this climate of blossoms show itself as vividly. Even the Castilian roses, that grew as vines along the east front, the fuchsias, that attained the dignity of trees, in the patio, or the four or five monster passion-vines that bestarred the low western wall, and told over and over again their mystic story—paled before the sensuous glory of the south veranda.

As the sun arose, that part of the quiet house first touched by its light seemed to waken. A few lounging peons and servants made their appearance at the entrance of the patio, occasionally reinforced by an earlier life from the gardens and stables. But the south facade of the building had not apparently gone to bed at all: lights were still burning dimly in the large ball-room; a tray with glasses stood upon the veranda near one of the open French windows, and further on, a half-shut yellow fan lay like a fallen leaf. The sound of carriage-wheels on the gravel terrace brought with it voices and laughter and the swiftly passing vision of a char-a-bancs filled with muffled figures bending low to avoid the direct advances of the sun.

As the carriage rolled away, four men lounged out of a window on the veranda, shading their eyes against the level beams. One was still in evening dress, and one in the uniform of a captain of artillery; the others had already changed their gala attire, the elder of the party having assumed those extravagant tweeds which the tourist from Great Britain usually offers as a gentle concession to inferior yet more florid civilization. Nevertheless, he beamed back heartily on the sun, and remarked, in a pleasant Scotch accent, that: Did they know it was very extraordinary how clear the morning was, so free from clouds and mist and fog? The young man in evening dress fluently agreed to the facts, and suggested, in idiomatic French-English, that one comprehended that the bed was an insult to one's higher nature and an ingratitude to their gracious hostess, who had spread out this lovely garden and walks for their pleasure; that nothing was more beautiful than the dew sparkling on the rose, or the matin song of the little birds.

The other young man here felt called upon to point out the fact that there was no dew in California, and that the birds did not sing in that part of the country. The foreign young gentleman received this statement with pain and astonishment as to the fact, with passionate remorse as to his own ignorance. But still, as it was a charming day, would not his gallant friend, the Captain here, accept the challenge of the brave Englishman, and "walk him" for the glory of his flag and a thousand pounds?

The gallant Captain, unfortunately, believed that if he walked out in his uniform he would suffer some delay from being interrogated by wayfarers as to the locality of the circus he would be pleasantly supposed to represent, even if he escaped being shot as a rare California bird by the foreign sporting contingent. In these circumstances, he would simply lounge around the house until his carriage was ready.

Much as it pained him to withdraw from such amusing companions, the foreign young gentleman here felt that he, too, would retire for the present to change his garments, and glided back through the window at the same moment that the young officer carelessly stepped from the veranda and lounged towards the shrubbery.

"They've been watching each other for the last hour. I wonder what's up?" said the young man who remained.

The remark, without being confidential, was so clearly the first sentence of natural conversation that the Scotchman, although relieved, said, "Eh, man?" a little cautiously.

"It's as clear as this sunshine that Captain Carroll and Garnier are each particularly anxious to know what the other is doing or intends to do this morning."

"Why did they separate, then?" asked the other.

"That's a mere blind. Garnier's looking through his window now at Carroll, and Carroll is aware of it."

"Eh!" said the Scotchman, with good-humored curiosity. "Is it a quarrel? Nothing serious, I hope. No revolvers and bowie-knives, man, before breakfast, eh?"

"No," laughed the younger man. "No! To do Maruja justice, she generally makes a fellow too preposterous to fight. I see you don't understand. You're a stranger; I'm an old habitue of the house—let me explain. Both of these men are in love with Maruja; or, worse than that, they firmly believe her to be in love with THEM."

"But Miss Maruja is the eldest daughter of our hostess, is she not?" said the Scotchman; "and I understood from one of the young ladies that the Captain had come down from the Fort particularly to pay court to Miss Amita, the beauty."

"Possibly. But that wouldn't prevent Maruja from flirting with him."

"Eh! but are you not mistaken, Mr. Raymond? Certainly a more quiet, modest, and demure young lassie I never met."

"That's because she sat out two waltzes with you, and let you do the talking, while she simply listened."

The elder man's fresh color for an instant heightened, but he recovered himself with a good-humored laugh. "Likely—likely. She's a capital good listener."

"You're not the first man that found her eloquent. Stanton, your banking friend, who never talks of anything but mines and stocks, says she's the only woman who has any conversation; and we can all swear that she never said two words to him the whole time she sat next to him at dinner. But she looked at him as if she had. Why, man, woman, and child all give her credit for any grace that pleases themselves. And why? Because she's clever enough not to practice any one of them—as graces. I don't know the girl that claims less and gets more. For instance, you don't call her pretty?" …

"Wait a bit. Ye'll not get on so fast, my young friend; I'm not prepared to say that she's not," returned the Scotchman, with good-humored yet serious caution.

"But you would have been prepared yesterday, and have said it. She can produce the effect of the prettiest girl here, and without challenging comparison. Nobody thinks of her—everybody experiences her."

"You're an enthusiast, Mr. Raymond. As an habitue of the house, of course, you—"

"Oh, my time came with the rest," laughed the young man, with unaffected frankness. "It's about two years ago now."

"I see—you were not a marrying man."

"Pardon me—it was because I was."

The Scotchman looked at him curiously.

"Maruja is an heiress. I am a mining engineer."

"But, my dear fellow, I thought that in your country—"

"In MY country, yes. But we are standing on a bit of old Spain. This land was given to Dona Maria Saltonstall's ancestors by Charles V. Look around you. This veranda, this larger shell of the ancient casa, is the work of the old Salem whaling captain that she married, and is all that is American here. But the heart of the house, as well as the life that circles around the old patio, is Spanish. The Dona's family, the Estudillos and Guitierrez, always looked down upon this alliance with the Yankee captain, though it brought improvement to the land, and increased its value forty-fold, and since his death ever opposed any further foreign intervention. Not that that would weigh much with Maruja if she took a fancy to any one; Spanish as she is throughout, in thought and grace and feature, there is enough of the old Salem witches' blood in her to defy law and authority in following an unhallowed worship. There are no sons; she is the sole heiress of the house and estate—though, according to the native custom, her sisters will be separately portioned from the other property, which is very large."

"Then the Captain might still make a pretty penny on Amita," said the Scotchman.

"If he did not risk and lose it all on Maruja. There is enough of the old Spanish jealousy in the blood to make even the gentle Amita never forgive his momentary defection."

Something in his manner made the Scotchman think that Raymond spoke from baleful experience. How else could this attractive young fellow, educated abroad and a rising man in his profession, have failed to profit by his contiguity to such advantages, and the fact of his being an evident favorite?

"But with this opposition on the part of the relatives to any further alliances with your countrymen, why does our hostess expose her daughters to their fascinating influence?" said the elder man, glancing at his companion. "The girls seem to have the usual American freedom."

"Perhaps they are therefore the less likely to give it up to the first man who asks them. But the Spanish duenna still survives in the family—the more awful because invisible. It's a mysterious fact that as soon as a fellow becomes particularly attached to any one—except Maruja—he receives some intimation from Pereo."

"What! the butler? That Indian-looking fellow? A servant?"

"Pardon me—the mayordomo. The old confidential servitor who stands in loco parentis. No one knows what he says. If the victim appeals to the mistress, she is indisposed; you know she has such bad health. If in his madness he makes a confidante of Maruja, that finishes him."

"How?"

"Why, he ends by transferring his young affections to her—with the usual result."

"Then you don't think our friend the Captain has had this confidential butler ask his intentions yet?"

"I don't think it will be necessary," said the other, dryly.

"Umph! Meantime, the Captain has just vanished through yon shrubbery. I suppose that's the end of the mysterious espionage you have discovered. No! De'il take it! but there's that Frenchman popping out of the myrtlebush. How did the fellow get there? And, bless me! here's our lassie, too!"

"Yes!" said Raymond, in a changed voice, "It's Maruja!"

She had approached so noiselessly along the bank that bordered the veranda, gliding from pillar to pillar as she paused before each to search for some particular flower, that both men felt an uneasy consciousness. But she betrayed no indication of their presence by look or gesture. So absorbed and abstracted she seemed that, by a common instinct, they both drew nearer the window, and silently waited for her to pass or recognize them.

She halted a few paces off to fasten a flower in her girdle. A small youthful figure, in a pale yellow dress, lacking even the maturity of womanly outline. The full oval of her face, the straight line of her back, a slight boyishness in the contour of her hips, the infantine smallness of her sandaled feet and narrow hands, were all suggestive of fresh, innocent, amiable youth—and nothing more.

Forgetting himself, the elder man mischievously crushed his companion against the wall in mock virtuous indignation. "Eh, sir," he whispered, with an accent that broadened with his feelings. "Eh, but look at the puir wee lassie! Will ye no be ashamed o' yerself for putting the tricks of a Circe on sic a honest gentle bairn? Why, man, you'll be seein' the sign of a limb of Satan in a bit thing with the mother's milk not yet out of her! She a flirt, speerin' at men, with that modest downcast air? I'm ashamed of ye, Mister Raymond. She's only thinking of her breakfast, puir thing, and not of yon callant. Another sacrilegious word and I'll expose you to her. Have ye no pity on youth and innocence?"

"Let me up," groaned Raymond, feebly, "and I'll tell you how old she is. Hush—she's looking."

The two men straightened themselves. She had, indeed, lifted her eyes towards the window. They were beautiful eyes, and charged with something more than their own beauty. With a deep brunette setting even to the darkened cornea, the pupils were blue as the sky above them. But they were lit with another intelligence. The soul of the Salem whaler looked out of the passion-darkened orbits of the mother, and was resistless.

She smiled recognition of the two men with sedate girlishness and a foreign inclination of the head over the flowers she was holding. Her straight, curveless mouth became suddenly charming with the parting of her lips over her white teeth, and left the impress of the smile in a lighting of the whole face even after it had passed. Then she moved away. At the same moment Garnier approached her.

"Come away, man, and have our walk," said the Scotchman, seizing Raymond's arm. "We'll not spoil that fellow's sport."

"No; but she will, I fear. Look, Mr. Buchanan, if she hasn't given him her flowers to carry to the house while she waits here for the Captain!"

"Come away, scoffer!" said Buchanan, good-humoredly, locking his arm in the young man's and dragging him from the veranda towards the avenue, "and keep your observations for breakfast."

CHAPTER II

In the mean time, the young officer, who had disappeared in the shrubbery, whether he had or had not been a spectator of the scene, exhibited some signs of agitation. He walked rapidly on, occasionally switching the air with a wand of willow, from which he had impatiently plucked the leaves, through an alley of ceanothus, until he reached a little thicket of evergreens, which seemed to oppose his further progress. Turning to one side, however, he quickly found an entrance to a labyrinthine walk, which led him at last to an open space and a rustic summer-house that stood beneath a gnarled and venerable pear-tree. The summerhouse was a quaint stockade of dark madrono boughs thatched with red-wood bark, strongly suggestive of deeper woodland shadow. But in strange contrast, the floor, table, and benches were thickly strewn with faded rose-leaves, scattered as if in some riotous play of children. Captain Carroll brushed them aside hurriedly with his impatient foot, glanced around hastily, then threw himself on the rustic bench at full length and twisted his mustache between his nervous fingers. Then he rose as suddenly, with a few white petals impaled on his gilded spurs and stepped quickly into the open sunlight.

He must have been mistaken! Everything was quiet around him, the far-off sound of wheels in the avenue came faintly, but nothing more.

His eye fell upon the pear-tree, and even in his preoccupation he was struck with the signs of its extraordinary age. Twisted out of all proportion, and knotted with excrescences, it was supported by iron bands and heavy stakes, as if to prop up its senile decay. He tried to interest himself in the various initials and symbols deeply carved in bark, now swollen and half obliterated. As he turned back to the summer-house, he for the first time noticed that the ground rose behind it into a long undulation, on the crest of which the same singular profusion of rose-leaves were scattered. It struck him as being strangely like a gigantic grave, and that the same idea had occurred to the fantastic dispenser of the withered flowers. He was still looking at it, when a rustle in the undergrowth made his heart beat expectantly. A slinking gray shadow crossed the undulation and disappeared in the thicket. It was a coyote. At any other time the extraordinary appearance of this vivid impersonation of the wilderness, so near a centre of human civilization and habitation, would have filled him with wonder. But he had room for only a single thought now. Would SHE come?

Five minutes passed. He no longer waited in the summer-house, but paced impatiently before the entrance to the labyrinth. Another five minutes. He was deceived, undoubtedly. She and her sisters were probably waiting for him and laughing at him on the lawn. He ground his heel into the clover, and threw his switch into the thicket. Yet he would give her one—only one moment more.

"Captain Carroll!"

The voice had been and was to HIM the sweetest in the world; but even a stranger could not have resisted the spell of its musical inflection. He turned quickly. She was advancing towards him from the summer-house.

"Did you think I was coming that way—where everybody could follow me?" she laughed, softly. "No; I came through the thicket over there," indicating the direction with her flexible shoulder, "and nearly lost my slipper and my eyes—look!" She threw back the inseparable lace shawl from her blond head, and showed a spray of myrtle clinging like a broken wreath to her forehead. The young officer remained gazing at her silently.

"I like to hear you speak my name," he said, with a slight hesitation in his breath. "Say it again."

"Car-roll, Car-roll, Car-roll," she murmured gently to herself two or three times, as if enjoying her own native trilling of the r's. "It's a pretty name. It sounds like a song. Don Carroll, eh! El Capitan Don Carroll."

"But my first name is Henry," he said, faintly.

"'Enry—that's not so good. Don Enrico will do. But El Capitan Carroll is best of all. I must have it always: El Capitan Carroll!"

"Always?" He colored like a boy.

"Why not?" He was confusedly trying to look through her brown lashes; she was parrying him with the steel of her father's glance. "Come! Well! Captain Carroll! It was not to tell me your name—that I knew already was pretty—Car-roll!" she murmured again, caressing him with her lashes; "it was not for this that you asked me to meet you face to face in this—cold"—she made a movement of drawing her lace over her shoulders—"cold daylight. That belonged to the lights and the dance and the music of last night. It is not for this you expect me to leave my guests, to run away from Monsieur Garnier, who pays compliments, but whose name is not pretty—from Mr. Raymond, who talks OF me when he can't talk TO me. They will say, This Captain Carroll could say all that before them."

"But if they knew," said the young officer, drawing closer to her with a paling face but brightening eyes, "if they knew I had anything else to say, Miss Saltonstall—something—pardon me—did I hurt your hand?—something for HER alone—is there one of them that would have the right to object? Do not think me foolish, Miss Saltonstall—but—I beg—I implore you to tell me before I say more."

"Who would have a right?" said Maruja, withdrawing her hand but not her dangerous eyes. "Who would dare forbid you talking to me of my sister? I have told you that Amita is free—as we all are."

Captain Carroll fell back a few steps and gazed at her with a troubled face. "It is possible that you have misunderstood, Miss Saltonstall?" he faltered. "Do you still think it is Amita that I"—he stopped and added passionately, "Do you remember what I told you?—have you forgotten last night?"

"Last night was—last night!" said Maruja, slightly lifting her shoulders. "One makes love at night—one marries in daylight. In the music, in the flowers, in the moonlight, one says everything; in the morning one has breakfast—when one is not asked to have councils of war with captains and commandantes. You would speak of my sister, Captain Car-roll—go on. Dona Amita Carroll sounds very, very pretty. I shall not object." She held out both her hands to him, threw her head back, and smiled.

He seized her hands passionately. "No, no! you shall hear me—you shall understand me. I love YOU, Maruja—you, and you alone. God knows I can not help it—God knows I would not help it if I could. Hear me. I will be calm. No one can hear us where we stand. I am not mad. I am not a traitor! I frankly admired your sister. I came here to see her. Beyond that, I swear to you, I am guiltless to her—to you. Even she knows no more of me than that. I saw you, Maruja. From that moment I have thought of nothing—dreamed of nothing else."

"That is—three, four, five days and one afternoon ago! You see, I remember. And now you want—what?"

"To let me love you, and you only. To let me be with you. To let me win you in time, as you should be won. I am not mad, though I am desperate. I know what is due to your station and mine—even while I dare to say I love you. Let me hope, Maruja, I only ask to hope."

She looked at him until she had absorbed all the burning fever of his eyes, until her ears tingled with his passionate voice, and then—she shook her head.