Law And Disorder

Trust the enemy?

Desperate to escape her kidnappers, Kody Cameron can turn to only one man…and he’s holding a gun. Outnumbered and trapped in the deadly Everglades, she has little recourse, but something in this captor’s eyes makes her believe she can trust him. Does she dare to take the risk?

Undercover agent Nick Connolly has met Kody before and knows she might very well blow his cover. Though determined to maintain his facade, he can’t let Kody die. He won’t. And his decision to change his own rules of law and order are about to make all hell break loose.

The Finnegan Connection

They were still in danger—very real, serious danger. And yet, she felt ridiculously attracted to him.

They’d both been hot, covered in swamp water, tinged with long grasses…

Her flesh was burned and scratched and raw…And she was still breathing!

Was that it? She had survived. He had been a captor at first, and now he was a savior. Did all of this mess with the mind? Was she desperate to lean on the man because there was really something chemical and physical and real between them, or was she suffering some kind of mental break, brought on by all that had happened?

“Come on!” he urged her.

And they began to move again, deep into the swamp. She felt his hand on hers. And she felt a strange burning sensation…

Even as she shivered.

Law and Disorder

Heather Graham

www.millsandboon.co.uk

New York Times and USA TODAY bestselling author HEATHER GRAHAM has written more than a hundred novels. She’s a winner of the RWA’s Lifetime Achievement Award and the International Thriller Writers’ Silver Bullet. She is an active member of International Thriller Writers and Mystery Writers of America. For more information, check out her website: www.theoriginalheathergraham.com. You can also find Heather on Facebook.

MILLS & BOON

Before you start reading, why not sign up?

Thank you for downloading this Mills & Boon book. If you want to hear about exclusive discounts, special offers and competitions, sign up to our email newsletter today!

SIGN ME UP!

Or simply visit

signup.millsandboon.co.uk

Mills & Boon emails are completely free to receive and you can unsubscribe at any time via the link in any email we send you.

For Kathy Pickering, Traci Hall and Karen Kendall

Great and crazy road trips

Florida’s MWA and FRA…

And my magnificent state, Florida

Contents

Cover

Back Cover Text

Introduction

Title Page

About the Author

Dedication

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Extract

Extract

Copyright

Chapter One

Dakota Cameron was stunned to turn and find a gun in her face. It was held by a tall, broad-shouldered man in a hoodie and a mask. The full-face rubber mask—like the Halloween “Tricky Dickie” masks of Richard Nixon—was familiar. It was a mask to denote a historic criminal, she thought, but which one?

The most ridiculous thing was that she almost giggled. She couldn’t help but think back to when they were kids; all of them here, playing, imagining themselves notorious criminals. It had been the coolest thing in the world when her dad had inherited the old Crystal Manor on Crystal Island, off the Rickenbacker Causeway, between Miami and South Beach—despite the violence that was part of the estate’s history, or maybe because of it.

She and her friends had been young, in grammar school at the time, and they’d loved the estate and all the rumors that had gone with it. They hadn’t played cops and robbers—they had played cops and gangsters, calling each other G-Man or Leftie, or some other such silly name. Because her father was strict and there was no way crime would ever be glorified here—even if the place had once belonged to Anthony Green, one of the biggest mobsters to hit the causeway islands in the late 1940s and early 1950s—crime of any kind was seen as very, very bad. When the kids played games here, the coppers and the G-men always won.

Because of those old games, when Kody turned to find the gun in her face, she felt a smile twitching at her lips. But then the large man holding the gun fired over her head and the sign that bore the name Crystal Manor exploded into a million bits.

The gun-wielder was serious. It was not, as she had thought possible, a joke—not an old friend, someone who had heard she was back in Miami for the week, someone playing a prank.

No. No one she knew would play such a sick joke.

“Move!” a husky voice commanded her.

She was so stunned at the truth of the situation, the masked man staring at her, the bits of wood exploding around her, that she didn’t give way to the weakness in her knees or the growing fear shooting through her. She simply responded.

“Move? To where? What do you want?”

“Out of the booth, up to the house, now. And fast!”

The “booth” was the old guardhouse that sat just inside the great wrought-iron gates on the road. It dated back to the early years of the 1900s when pioneer Jimmy Crystal had first decided upon the spit of high ground—a good three feet above the water level—to found his fishing camp. Coral rock had been dug out of nearby quarries for the foundations of what had then been the caretaker’s cottage. Over the next decade, Jimmy Crystal’s “fishing camp” had become a playground for the rich and famous. The grand house on the water had been built—pieces of it coming from decaying castles and palaces in Europe—the gardens had been planted and the dock had slowly extended out into Biscayne Bay.

In the 1930s, Jimmy Crystal had mysteriously disappeared at sea. The house and grounds had been swept up by the gangster Anthony Green. He had ruled there for years—until being brought down by a hail of bullets at his club on Miami Beach by “assailants unknown.”

The Crystal family had come back in then. The last of them had died when Kody had been just six; that’s when her father had discovered that Amelia Crystal—the last assumed member of the old family—had actually been his great-great-great-aunt.

Daniel Cameron had inherited the grandeur—and the ton of bills—that went with the estate.

“Now!” the gun wielder said.

Kody was amazed that her trembling legs could actually move.

“All right,” she said, surprised by the even tone of her voice. “I’ll have to open the door to get out. And, of course, you’re aware that there are cameras all over this estate?”

“Don’t worry about the cameras,” he said.

She shrugged and moved from the open ticket window to the door. In the few feet between her and the heavy wooden door she tried to think of something she could do.

How in the hell could she sound the alarm?

Maybe it had already been sounded. Crystal Manor was far from the biggest tourist attraction in the area, but still, it was an attraction. The cops were aware of it. And Celestial Island—the bigger island that led to Crystal Island—was small, easily accessible by boat but, from the mainland, only accessible via the causeway and then the bridge. To reach Crystal Island, you needed to take the smaller bridge from Celestial Island—or, as with all the islands, arrive by boat. If help had been alerted, it might take time for it to get here.

Jose Marquez, their security man, often walked the walled area down to the water, around the back of the house and the lawn and the gardens and the maze, to the front. He was on his radio at all times. But, of course, with the gun in her face, she had no chance to call him.

Was Jose all right? she wondered. Had the gunman already gotten to him?

“What! Are you eighty? Move!”

The voice was oddly familiar. Was this an old friend? Had someone in her family even set this up, taunting her with a little bit of reproach for the decision she’d made to move up to New York City? She did love her home; leaving hadn’t been easy. But she’d been offered a role in a “living theater” piece in an old hotel in the city, a part-time job at an old Irish pub through the acting friend who was part owner—and a rent-controlled apartment for the duration. She was home for a week—just a week—to set some affairs straight before final rehearsals and preview performances.

“Now! Get moving—now!” The man fired again and a large section of coral rock exploded.

Her mind began to race. She hadn’t heard many good things about women who’d given in to knife-or gun-wielding strangers. They usually wound up dead anyway.

She ducked low, hurrying to the push button that would lower the aluminum shutter over the open window above the counter at the booth. Diving for her purse, she rolled away with it toward the stairway to the storage area above, dumping her purse as she did so. Her cell phone fell out and she grabbed for it.

But before she could reach it, there was another explosion. The gunman had shot through the lock on the heavy wooden door; it pushed inward.

He seemed to move with the speed of light. Her fingers had just closed around the phone when he straddled over her, wrenching the phone from her hand and throwing it across the small room. He hunkered down on his knees, looming large over her.

There wasn’t a way that she was going to survive this! She thought, too, of the people up at the house, imagining distant days of grandeur, the staff, every one of which adored the house and the history. Thought of them all...with bullets in their heads.

With all she had she fought him, trying to buck him off her.

“For the love of God, stop,” he whispered harshly, holding her down. “Do as I tell you. Now!”

“So you can kill me later?” she demanded, and stared up at him, trying not to shake. She was basically a coward and couldn’t begin to imagine where any of her courage was coming from.

Instinctual desperation? The primal urge to survive?

Before he could answer there was a shout from behind him.

“Barrow! What the hell is going on in there?”

“We’re good, Capone!” the man over her shouted back.

Capone?

“Cameras are all sizzled,” the man called Capone called out. She couldn’t see him. “Closed for Renovation signs up on the gates.”

“Great. I’ve got this. You can get back to the house. We’re good here. On the way now!”

“You’re slower than molasses!” Capone barked. “Hurry the hell up! Dillinger and Floyd are securing the house.”

Capone? As in “Al” Capone, who had made Miami his playground, along with Anthony Green? Dillinger—as in John Dillinger? Floyd—as in Pretty Boy Floyd?

Barrow—or the muscle-bound twit on top of her now—stared at her hard through the eye holes in his mask.

Barrow—as in Clyde Barrow. Yes, he was wearing a Clyde Barrow mask!

She couldn’t help but grasp at hope. If they had all given themselves ridiculous 1930’s gangster names and were wearing hoodies and masks, maybe cold-blooded murder might be avoided. These men may think their identities were well hidden and they wouldn’t need to kill to avoid having any eye witnesses.

“Come with me!” Barrow said. She noted his eyes then. They were blue; an intense blue, almost navy.

Again something of recognition flickered within her. They were such unusual eyes...

“Come with me!”

She couldn’t begin to imagine why she laughed, but she did.

“Wow, isn’t that a movie line?” she asked. “Terminator! Good old Arnie Schwarzenegger. But aren’t you supposed to say, ‘Come with me—if you want to live’?”

He wasn’t amused.

“Come with me—if you want to live,” he said, emphasis on the last.

What was she supposed to do? He was a wall of a man, six-feet plus, shoulders like a linebacker.

“Then get off me,” she snapped.

He moved, standing with easy agility, reaching a hand down to her.

She ignored the hand and rose on her own accord, heading for the shattered doorway. He quickly came to her side, still holding the gun but slipping an arm around her shoulders.

She started to shake him off.

“Dammit, do you want them to shoot you the second you step out?” He swore.

She gritted her teeth and allowed the touch until they were outside the guardhouse. Once they were in the clear, she shook him off.

“Now, I think you just have to point that gun at my back,” she said, her voice hard and cold.

“Head to the main house,” he told her.

The old tile path, cutting handsomely through the manicured front lawn of the estate, lay before her. It was nearing twilight and she couldn’t help but notice that the air was perfect—neither too cold nor too hot—and that the setting sun was painting a palette of colors in the sky. She could smell the salt in the air and hear the waves as they splashed against the concrete breakers at the rear of the house.

All that made the area so beautiful—and, in particular, the house out on the island—had never seemed to be quite so evident and potent as when she walked toward the house. Jimmy Crystal had not actually named the place for himself; he’d written in his old journal that the island had seemed to sit in a sea of crystals, shimmering beneath the sun. And so it was. And now, through the years, the estate had become something glimmering and dazzling, as well. It sat in homage to days gone by, to memories of a time when the international city of Miami had been little more than a mosquito-ridden swamp and only those with vision had seen what might come in the future.

She and her parents had never lived in the house; they’d stayed in their home in the Roads section of the city, just north of Coconut Grove, where they’d always lived. They managed the estate, but even in that, a board had been brought in and a trust set up. The expenses to keep such an estate going were staggering.

While it had begun as a simple fishing shack, time and the additions of several generations had made Crystal Manor into something much more. It resembled both an Italianate palace and a medieval castle with tile and marble everywhere, grand columns, turrets and more. The manor was literally a square built around a center courtyard, with turrets at each corner that afforded four tower rooms above the regular two stories of the structure.

As she walked toward the sweeping, grand steps that led to the entry, she looked around. She had heard one of the other thugs, but, at that moment, she didn’t see anyone.

Glancing back, she saw that a chain had been looped around the main gate. The gate arched to fifteen feet; the coral rock wall that surrounded the house to the water was a good twelve feet. Certainly not insurmountable by the right law-enforcement troops, but, still, a barrier against those who might come in to save the day.

She looked back at her masked abductor. She could see nothing of his face—except for those eyes.

Why were they so...eerily familiar? If she really knew him, if she had known him growing up, she’d have remembered who went with those eyes! They were striking, intense. The darkest, deepest blue she had ever seen.

What was she thinking? He was a crook! She didn’t make friends with crooks!

The double entryway doors suddenly opened and she saw another man in its maw.

Kody stopped. She stared at the doors. They were really beautiful, hardwood enhanced with stained-glass images of pineapples—symbols of welcome. Quite ironic at the moment.

“Get her in here!” the second masked man told the one called Barrow.

“Go,” Barrow said softly from behind her.

She walked up the steps and into the entry.

It was grand now, though the entry itself had once been the whole house built by Jimmy Crystal when he had first fallen in love with the little island that, back then, had been untouched, isolated—a haven only for mangroves and mosquitos. Since then, of course, the island—along with Star and Hibiscus islands—had become prime property.

But the foyer still contained vestiges of the original. The floor was coral rock. The columns were the original columns that Jimmy Crystal had poured. Dade country pine still graced the side walls.

The rear wall had been taken down to allow for glass barriers to the courtyard; more columns had been added. The foyer contained only an 1890’s rocking horse to the right side of the double doors and an elegant, old fortune-telling machine to the left. And, of course, the masked man who stood between the majestic staircases that led to the second floor at each side of the space.

She cast her eyes around but saw no one else.

There had still been four or five guests on the property when Kody had started to close down for the day. And five staff members: Stacey Carlson, the estate manager, Nan Masters, his assistant, and Vince Jenkins, Brandi Johnson and Betsy Rodriguez, guides. Manny Diaz, the caretaker, had been off the property all day. And, of course, Jose Marquez was there somewhere.

“So, this is Miss Cameron?” the masked man in the house asked.

“Yes, Dillinger. This is Miss Cameron,” Barrow said.

Dillinger. She was right—this guy’s mask was that of the long-ago killer John Dillinger.

“Well, well, well. I can’t tell you, Miss Cameron, what a delight it is to meet you!” the man said. “Imagine! When I heard that you were here—cuddle time with the family before the final big move to the Big Apple—I knew it was time we had to step in.”

The man seemed to know about her—and her family.

“If you think I’m worth some kind of ransom,” she said, truly puzzled—and hoping she wasn’t sealing her own doom, “I’m not. We may own this estate, but it’s in some kind of agreement and trust with the state of Florida. It survives off of grants and tourist dollars.” She hesitated. “My family isn’t rich. They just love this old place.”

“Yeah, yeah, yeah, Daddy is an archeologist and Mom travels with him. Right now they’re on their way back from South America so they can head up north with their baby girl to get her all settled into New York City. Yes! I have the prize right here, don’t I?”

“I have no idea what you’re talking about,” Kody told him. “I wish I could say that someone would give you trillions of dollars for me, but I’m not anyone’s prize. I’m a bartender-waitress at an Irish pub who’s struggling to make ends meet as an actress.”

“Oh, honey,” Dillinger said, “I don’t give a damn if you’re a bad actress.”

“Hey! I never said I was a bad actress!” she protested. And then, of course, she thought that he was making her crazy—heck, the whole situation was making her crazy—because who the hell cared if she was a bad actress or a good actress if she wasn’t even alive?

Dillinger waved a hand in the air. “That’s neither here nor there. You’re going to lead us to the Anthony Green stash.”

Startled, Kody went silent.

Everyone, of course, had heard about the Anthony Green stash.

Green was known to have knocked over the long-defunct Miami Bank of the Pioneers, making off with the bank’s safe-deposit boxes that had supposedly contained millions in diamonds, jewels, gold and more. It was worth millions. But Anthony Green had died in a hail of bullets—with his mouth shut. The stash was never found. It had always been suspected that Anthony Green—before his demise—had seen to it that the haul had been hidden somewhere in one of his shacks deep in the Everglades, miles from his Biscayne Bay home.

Rumor followed rumor. It was said that Guillermo Salazar—a South American drug lord—had actually found the stash about a decade ago and added a small fortune in ill-gotten heroin-sales gains to it—before he, in turn, had been shot down by a rival drug cartel.

Who the hell knew? One way or the other, it was supposedly a very large fortune.

She didn’t doubt that Salazar had sold drugs; the Coast Guard in South Florida was always busy stopping the drug trade. But she sure as hell didn’t believe that Salazar had found the Green stash at the house, because she really didn’t believe the stash was here.

Chills suddenly rose up her spine.

If she was supposed to find a stash that didn’t exist here...

They were all dead.

“Where is everyone?” she asked.

“Safe,” Dillinger said.

“Safe where?”

No one answered Kody. “Where?” she repeated.

“They’re all fine, Miss Cameron.”

It was the man behind her—Barrow—who finally spoke up. “Dillinger, she needs to know that they’re all fine,” he added.

“I assure you,” Dillinger continued. “They’re all fine. They’re in the music room.”

The music room took up most of the left side of the downstairs. It would be the right place to hold a group of people.

Except...

Someone, somewhere, had to know that something was going on here. Surely one of the employees or guests had had a chance to get out a cell phone warning.

“I want to see them,” she said. “I want to see that everyone is all right.”

“Listen, missy, what you do and don’t want doesn’t matter here. What you’re going to do for us matters,” Dillinger told her.

“I don’t know where the stash is. If I did, the world would have known about it long ago,” she said. “And, if you know everything, you surely know that history says Anthony Green hid his bank treasure in some hut somewhere out in the Everglades.”

“She sure as hell isn’t rich, Dillinger,” Barrow said. “Everything is true—she’s taken a part-time job because what she’s working is off-off Broadway. If she knew about the stash, I don’t think she’d be slow-pouring Guinness at an old pub in the city.”

Dillinger seemed annoyed. Kody was, in fact, surprised by what she could read in his eyes—and in his movements.

“No one asked your opinion, Barrow,” Dillinger said. “She’s the only one who can find it. I went through every newspaper clipping—she’s loved the place since she was a kid. She’s read everything on Jimmy Crystal and Anthony Green and the mob days on Miami Beach. She knows what rooms in this place were built what years, when any restoration was done. She knows it all. She knows how to find the stash. And she’s going to help us find it.”

“Don’t be foolish,” Kody said. “You can get out now. No one knows who you guys are—the masks, I’ll grant you, are good. Well, they’re not good. They’re cheap and lousy masks, but they create the effect you want and no one here knows what your real faces look like. Pretty soon, though, walls or not, cops will swarm the place. Someone will come snooping around. Someone probably got something out on a cell phone.”

She couldn’t see his face but she knew that Dillinger smiled. “Cell phones? No, we secured those pretty quickly,” he said. “And your security guard? He’s resting—he’s got a bit of a headache.” He shook his head. “Face it, young lady. You have me and Barrow here. Floyd is with your friends, Capone is on his way to help, and the overall estate is being guarded by Baby Face Nelson and Machine Gun Kelly and our concept of modern security and communication and, you know, we’ve got good old Dutch—as in Schultz—working it all, too. I think we’re good for a while. Long enough for you to figure out where the stash is. And, let’s see, you are going to help us.”