What's Bred in the Bone

CHAPTER V.

GRATITUDE

"There were only two of you, then, in the last carriage?" Guy asked with deep interest, the very next morning, as Cyril, none the worse for his long imprisonment, sat quietly in their joint chambers at Staple Inn, recounting the previous day's adventures.

"Yes. Only two of us. It was awfully fortunate. And the carriage that was smashed had nobody at all, except in the first compartment, which escaped being buried. So there were no lives lost, by a miracle, you may say. But several of the people in the front part of the train got terribly shaken."

"And you and the other man were shut up in the tunnel there for fifteen hours at a stretch?" Guy went on reflectively.

"At least fifteen hours," Cyril echoed, without attempting to correct the slight error of sex, for no man, he thought, is bound to criminate himself, even in a flirtation. "It was two in the morning before they dug us quite out. And my companion by that time was more dead than alive, I can tell you, with watching and terror."

"Was he, poor fellow?" Guy murmured, with a sympathetic face; for Cyril had always alluded casually to his fellow-traveller in such general terms that Guy was as yet unaware there was a lady in the case. "And is he all right again now, do you know? Have you heard anything more about him?"

But before Cyril could answer there came a knock at the door, and the next moment Mr. Montague Nevitt, without his violin, entered the room in some haste, all agog with excitement. His face was eager and his manner cordial. It was clear he was full of some important tidings.

"Why, Cyril, my dear fellow," he cried, grasping the painter's hand with much demonstration of friendly warmth, and wringing it hard two or three times over, "how delighted I am to see you restored to us alive and well once more. This is really too happy. What a marvellous escape! And what a romantic story! All the clubs are buzzing with it. A charming girl! You'll have to marry her, of course, that's the necessary climax. You and the young lady are the staple of news, I see, in very big print, in all the evening papers!"

Guy drew back at the words with a little start of surprise. "Young lady!" he cried aghast. "A charming girl, Nevitt! Then the person who was shut up with you for fifteen hours in the tunnel was a girl, Cyril!"

Cyril's handsome face flushed slightly before his brother's scrutinizing gaze; but he answered with a certain little ill-concealed embarrassment:

"Oh, I didn't say so, didn't I? Well, she WAS a girl then, of course; a certain Miss Clifford. She got in at Chetwood. Her people live somewhere down there near Tilgate. At least, so I gathered from what she told me."

Nevitt stared hard at the painter's eyes, which tried, without success, to look unconscious.

"A romance!" he said, slowly, scanning his man with deep interest. "A romance, I can see. Young, rich, and beautiful. My dear Cyril, I only wish I'd had half your luck. What a splendid chance, and what a magnificent introduction! Beauty in distress! A lady in trouble! You console her alone in a tunnel for fifteen hours by yourself at a stretch. Heavens, what a tete-a-tete! Did British propriety ever before allow a man such a glorious opportunity for chivalrous devotion to a lady of family, face, and fortune?"

"Was she pretty?" Guy asked, coming down at once to a more realistic platform.

Cyril hesitated a moment. "Well, yes," he answered, somewhat curtly, after a short pause. "She's distinctly good-looking." And he shut his mouth sharp. But he had said quite enough.

When a man says that of a girl, and nothing more, in an unconcerned voice, as if it didn't matter twopence to him, you may be perfectly sure in your own mind he's very deeply and seriously smitten.

"And young?" Guy continued.

"I should say about twenty."

"And rich beyond the utmost dreams of avarice?" Montague Nevitt put in, with a faintly cynical smile.

"Well, I don't know about that," Cyril answered truthfully. "I haven't the least idea who she is, even. She and I had other things to think about, you may be sure, boxed up there so long in that narrow space, and choking for want of air, than minute investigations into one another's pedigrees."

"WE'VE got no pedigree," Guy interposed, with a bitter smile. "So the less she investigates about that the better."

"But SHE has, I expect," Nevitt put in hastily; "and if I were you, Cyril, I'd hunt her up forthwith, while the iron's hot, and find out all there is to find out about her. Clifford-Clifford? I wonder whether by any chance she's one of the Devonshire Cliffords, now? For if so, she might really be worth a man's serious attention. They're very good business. They bank at our place; and they're by no means paupers." For Nevitt was a clerk in the well-known banking firm of Drummond, Coutts, and Barclay, Limited; and being a man who didn't mean, as he himself said, "to throw himself away on any girl for nothing," he kept a sharp look-out on the current account of every wealthy client with an only daughter.

Ten minutes later, as the talk ran on, some further light was unexpectedly thrown upon this interesting topic by the entrance of the porter with a letter for Cyril. The painter tore it open, and glanced over it, as Nevitt observed, with evident eagerness. It was short and curt, but in its own way courteous.

"'Mr. Reginald Clifford, C.M.G., desires to thank Mr. Cyril Waring for his kindness and consideration to Miss Clifford during her temporary incarceration–'

"Incarceration's good, isn't it? How much does he charge a thousand for that sort, I wonder?—

"'during her temporary incarceration in the Lavington tunnel yesterday. Mrs. and Miss Clifford wish also to express at the same time their deep gratitude to Mr. Waring for his friendly efforts, and trust he has experienced no further ill effects from the unfortunate accident to which he was subjected.

"'Craighton, Tilgate, Thursday morning.'"

"She MIGHT have written herself," Cyril murmured half aloud. He was evidently disappointed at this very short measure of correspondence on the subject.

But Montague Nevitt took a more cheerful view. "Oh, Reginald Clifford, of Craighton!" he cried with a smile, his invariable smile. "I know all about HIM. He's a friend of Colonel Kelmscott's down at Tilgate Park. C.M.G., indeed! What a ridiculous old peacock. He was administrator of St. Kitts once upon a time, I believe, or was it Nevis or Antigua? I don't quite recollect, I'm afraid; but anyhow, some comical little speck of a sugary, niggery, West Indian Island; and he was made a Companion of St. Michael and St. George when his term was up, just to keep him quiet, don't you know, for he wanted a knighthood, and to shelve him from being appointed to a first-class post like Barbados or Trinidad. If it's Elma Clifford you were shut up with in the tunnel, Cyril, you might do worse, there's no doubt, and you might do better. She's an only daughter, and there's a little money at the back of the family, I expect; but I fancy the Companion of the Fighting Saints lives mainly on his pension, which, of course, is purely personal, and so dies with him."

Cyril folded up the note without noticing Nevitt's words and put it in his pocket, somewhat carefully and obtrusively. "Thank you," he said, in a very quiet tone, "I didn't ask you about Miss Clifford's fortune. When I want information on that point I'll apply for it plainly. But meanwhile I don't think any lady's name should be dragged into conversation and bandied about like that, by an absolute stranger."

"Oh, now you needn't be huffy," Nevitt answered, with a still sweeter smile, showing all those pearly teeth of his to the greatest advantage. "I didn't mean to put your back up, and I'll tell you what I'll do for you. I'll heap coals of fire on your head, you ungrateful man. I'll return good for evil. You shall have an invitation to Mrs. Holker's garden party on Saturday week at Chetwood Court, and there you'll be almost sure to meet the beautiful stranger."

But at that very moment, at Craighton, Tilgate, Mr. Reginald Clifford, C.M.G., a stiff little withered-up official Briton, half mummified by long exposure to tropical suns, was sitting in his drawing-room with Mrs. Clifford, his wife, and discussing—what subject of all others on earth but the personality of Cyril Waring?

"Well, it was an awkward situation for Elma, of course, I admit," he was chirping out cheerfully, with his back turned by pure force of habit to the empty grate, and his hands crossed behind him. "I don't deny it was an awkward situation. Still, there's no harm done, I hope and trust. Elma's happily not a fanciful or foolishly susceptible sort of girl. She sees it's a case for mere ordinary gratitude. And gratitude, in my opinion, towards a person in his position, is sufficiently expressed once for all by letter. There's no reason on earth she should ever again see or hear any more of him."

"But girls are so romantic," Mrs. Clifford put in doubtfully, with an anxious air. She herself was by no means romantic to look at, being, indeed, a person of a certain age, with a plump, matronly figure, and very staid of countenance; yet there was something in her eye, for all that, that recalled at times the vivid keenness of Elma's, and her cheek had once been as delicate and creamy a brown as her pretty daughter's. "Girls are so romantic," Mrs. Clifford repeated once more, in a dreamy way, "and she was evidently impressed by him."

"Well, I'm glad I made inquiries at once about these two young men, anyhow," the Companion of St. Michael and St. George responded with fervour, clasping his wizened little hands contentedly over his narrow waistcoat. "It's a precious odd story, and a doubtful story, and not at all the sort of story one likes one's girl to be any way mixed up with. For my part, I shall give them a very wide berth indeed in future; and there's no reason why Elma should ever knock up against them."

"Who told you they were nobodies?" Mrs. Clifford inquired, drawing a wistful sigh.

"Oh, Tom Clark was at school with them," the ex-administrator continued, with a very cunning air, "and he knows all about them—has heard the whole circumstances. Very odd, very odd; never met anything so queer in all my life; most mysterious and uncanny. They never had a father; they never had a mother; they never had anybody on earth they could call their own; they dropped from the clouds, as it were, one rainy day, without a friend in the world, plump down into the Charterhouse. There they were well supplied with money, and spent their holidays with a person at Brighton, who wasn't even supposed to be their lawful guardian. Looks fishy, doesn't it? Their names are Cyril and Guy Waring—and that's all they know of themselves. They were educated like gentlemen till they were twenty-one years old; and then they were turned loose upon the world, like a pair of young bears, with a couple of hundred pounds of capital apiece to shift for themselves with. Uncanny, very; I don't like the look of it. Not at all the sort of people an impressionable girl like our Elma should ever be allowed to see too much of."

"I don't think she was very much impressed by him," Mrs. Clifford said with confidence. "I've watched her to see, and I don't think she's in love with him. But by to-morrow, Reginald, I shall be able, I'm sure, to tell you for certain."

The Companion of the Militant Saints glanced rather uneasily across the hearth-rug at his wife. "It's a marvellous gift, to be sure, this intuition of yours, Louisa," he said, shaking his head sagely, and swaying himself gently to and fro on the stone kerb of the fender. "I frankly confess, my dear, I don't quite understand it. And Elma's got it too, every bit as bad as you have. Runs in the family, I suppose—runs somehow in the family. After living with you now for twenty-two years—yes, twenty-two last April—in every part of the world and every grade of the service, I'm compelled to admit that your intuition in these matters is really remarkable—simply remarkable."

Mrs. Clifford coloured through her olive-brown skin, exactly like Elma, and rose with a somewhat embarrassed and half-guilty air, avoiding her husband's eyes as if afraid to meet them.

Elma had gone to bed early, wearied out as she was with her long agony in the tunnel. Mrs. Clifford crept up to her daughter's room with a silent tread, like some noiseless Oriental, and, putting her ear to the keyhole, listened outside the door in profound suspense for several minutes.

Not a sound from within; not a gentle footfall on the carpeted floor. For a moment she hesitated; then she turned the handle slowly, and, peering before her, peeped into the room. Thank Heaven! no snake signs. Elma lay asleep, with one arm above her head, as peacefully as a child, after her terrible adventure. Her bosom heaved, but slowly and regularly. The mother drew a deep breath, and crept down the stairs with a palpitating heart to the drawing-room again.

"Reginald," she said, with perfect confidence, relapsing once more at a bound into the ordinary every-day British matron, "there's no harm done, I'm sure. She doesn't think of this young man at all. You may dismiss him from your mind at once and for ever. She's sleeping like a baby."

CHAPTER VI.

TWO STRANGE MEETINGS

"Mrs. Hugh Holker, at home, Saturday, May 29th, 3 to 6.30. Chetwood Court; tennis."

Cyril Waring read it out with a little thrill of triumph. To be sure, it was by no means certain that Elma would be there; but still, Chetwood Court was well within range of Tilgate town, and Montague Nevitt felt convinced, he said, the Holkers were friends of the Cliffords and the Kelmscotts.

"For my part," Guy remarked, balancing a fragment of fried sole on his fork as he spoke, "I'm not going all that way down to Chetwood merely to swell Mrs. Holker's triumph."

"I wouldn't if I were you," Cyril answered, with quiet incisiveness. He hadn't exactly fallen in love with Elma at first sight, but he was very much interested in her, and it struck him at once that what interested him was likely also to interest his twin brother. And this is just one of those rare cases in life where a man prefers that his interest in a subject should not be shared by any other person.

Before Saturday, the 29th, arrived, however, Guy had so far changed his mind in the matter, that he presented himself duly with Nevitt at Waterloo to catch the same train to Chetwood station that Cyril went down by.

"After all," he said to Nevitt, as they walked together from the club in Piccadilly, "I may as well see what the girl's like, anyhow. If she's got to be my sister-in-law—which seems not unlikely now—I'd better have a look at her beforehand, so to speak, on approbation."

The Holkers' grounds were large and well planted, with velvety lawns on the slope of a well-wooded hill overlooking the boundless blue weald of Surrey. Nevitt and the Warings were late to arrive, and found most of the guests already assembled before them.

After a time Guy found himself, to his intense chagrin, told off by his hostess to do the honours to an amiable old lady of high tonnage and great conversational powers, who rattled on uninterruptedly in one silvery stream about everybody on the ground, their histories and their pedigrees. She took the talking so completely off his hands, however, that, after a very few minutes, Guy, who was by nature of a lazy and contemplative disposition, had almost ceased to trouble himself about what she said, interposing "indeeds" and "reallys" with automatic politeness at measured intervals; when suddenly the old lady, coming upon a bench where a mother and daughter were seated in the shade, settled down by their sides in a fervour of welcome, and shook hands with them both effusively in a most demonstrative fashion.

The daughter was pretty—yes, distinctly pretty. She attracted Guy's attention at once by the piercing keenness of her lustrous dark eyes, and the delicate olive-brown of her transparent complexion. Her expression was merry, but with a strange and attractive undertone, he thought, of some mysterious charm. A more taking girl, indeed, now he came to look close, he hadn't seen for months. He congratulated himself on his garrulous old lady's choice of a bench to sit upon, if it helped him to an introduction to the beautiful stranger.

But before he could even be introduced, the pretty girl with the olive-brown complexion had held out her hand to him frankly, and exclaimed in a voice as sunny as her face—

"I don't need to be told your friend's name, I'm sure, Mrs. Godfrey. He's so awfully like him. I should have known him anywhere. Of course, you're Mr. Waring's brother, aren't you?"

Guy smiled, and bowed gracefully; he was always graceful.

"I refuse to be merely MR. WARING'S BROTHER," he answered, with some amusement, as he took the proffered hand in his own warmly. "If it comes to that, I'm Mr. Waring myself; and Cyril, whom you seem to know already, is only my brother."

"Ah, but MY Mr. Waring isn't here to-day, is he?" the olive-brown girl put in, looking around with quite an eager interest at the crowd in the distance. "Naturally, to me, he's THE Mr. Waring, of course, and you are only MY Mr. Waring's brother."

"Elma, my dear, what on earth will Mr. Waring think of you?" her mother put in, with the conventional shocked face of British propriety. "You know," she went on, turning round quickly to Guy, "we're all so grateful to your brother for his kindness to our girl in that dreadful accident the other day at Lavington, that we can't help thinking and talking of him all the time as our Mr. Waring. I'm sorry he isn't here himself this afternoon to receive our thanks. It would be such a pleasure to all of us to give them to him in person."

"Oh, he is about, somewhere," Guy answered carelessly, still keeping his eye fixed hard on the pretty girl. "I'll fetch him round by-and-by to pay his respects in due form. He'll be only too glad. And this, I suppose, must be Miss Clifford that I've heard so much about."

As he said those words, a little gleam of pleasure shot through Elma's eyes. Her painter hadn't forgotten her, then. He had talked much about her.

"Yes, I knew who you must be the very first moment I saw you," she answered, blushing; "you're so much like him in some ways, though not in all…. And he told me that day he had a twin brother."

"So much like him in some ways," Guy repeated, much amused. "Why, I wonder you don't take me for Cyril himself at once. You're the very first person I ever knew in my life, except a few old and very intimate friends, who could tell at all the difference between us."

Elma drew back, almost as if shocked and hurt at the bare suggestion.

"Oh, dear no," she cried quickly, scanning him over at once with those piercing keen eyes of hers; "you're like him, of course—I don't deny the likeness—as brothers may be like one another. Your features are the same, and the colour of your hair and eyes, and all that sort of thing; but still, I knew at a glance you weren't my Mr. Waring. I could never mistake you for him. The expression and the look are so utterly different."

"You must be a very subtle judge of faces," the young man answered, still smiling, "if you knew us apart at first sight; for I never before in my life met anybody who'd seen my brother once or twice, and who didn't take me for him, or him for me, the very first time he saw us apart. But then," he added, after a short pause, with a quick dart of his eyes, "you were with him in the tunnel for a whole long day; and in that time, of course, you saw a good deal of him."

Elma blushed again, and Guy noticed in passing that she blushed very prettily.

"And how's Sardanapalus?" she asked, in a somewhat hurried voice, making an inartistic attempt to change the subject.

"Oh, Sardanapalus is all right," Guy answered, laughing. "Cyril told me you had made friends with him, and weren't one bit afraid of him. Most people are so dreadfully frightened of the poor old creature."

"But he isn't old," Elma exclaimed, interrupting him with some warmth. "He's in the prime of life. He's so glossy and beautiful. I quite fell in love with him."

"And who is Sardanapalus?" Mrs. Clifford asked, with a vague maternal sense of discomfort and doubt. "A dog or a monkey?"

"Oh, Sardanapalus, mother—didn't I tell you about him?" Elma cried enthusiastically. "Why, he's just lovely and beautiful. He's such a glorious green and yellow-banded snake; and he coiled around my arm as if he'd always known me."

Mrs. Clifford drew back with a horror-stricken face, darting across at her daughter the same stealthy sort of look she had given her husband the night after Elma's adventure.

"A snake!" she repeated, aghast, "a snake! Oh, Elma! Why, you never told me that. And he coiled round your arm. How horrible!"

But Elma wasn't to be put down by exclamations of horror.

"Why, you're not afraid of snakes yourself, you know, mother," she went on, undismayed. "I remember papa saying that when you were at St. Kitts with him you never minded them a bit, but caught them in your hands like an Indian juggler, and treated them as playthings, so I wasn't afraid either. I suppose it's hereditary."

Mrs. Clifford gazed at her fixedly for a few seconds with a very pale face.

"I suppose it is," she said slowly and stiffly, with an evident effort. "Most things are, in fact, in this world we live in. But I didn't know YOU at least had inherited it, Elma."