One of Cleopatra's Nights and Other Fantastic Romances
You wished for some adventure, something strange and unexpected. Your wish has been gratified. You find that your kingdom is not so dead as you deemed it. It was not the stony arm of a statue which shot that arrow; it was not from a mummy's heart that came those three words which have moved even you – you who smilingly watched your poisoned slaves dashing their heads and beating their feet upon your beautiful mosaic and porphyry pavements in the convulsions of death-agony; you who even applauded the tiger which boldly buried its muzzle in the flank of some vanquished gladiator.
You could obtain all else you might wish for – chariots of silver, starred with emeralds; griffin-quadrigeræ; tunics of purple thrice-dyed; mirrors of molten steel, so clear that you might find the charms of your loveliness faithfully copied in them; robes from the land of Serica, so fine and subtly light that they could be drawn through the ring worn upon your little finger; Orient pearls of wondrous color; cups wrought by Myron or Lysippus; Indian paroquets that speak like poets – all things else you could obtain, even should you ask for the Cestus of Venus or the pshent of Isis, but most certainly you cannot this night capture the man who shot the arrow which still quivers in the cedar wood of your couch.
The task of the slaves who must dress you to-morrow will not be a grateful one. They will hardly escape with blows. The bosom of the unskilful waiting-maid will be apt to prove a cushion for the golden pins of the toilette, and the poor hairdresser will run great risk of being suspended by her feet from the ceiling.
"Who could have had the audacity to send me this avowal upon the shaft of an arrow? Could it have been the Nomarch Amoun-Ra who fancies himself handsomer than the Apollo of the Greeks? What think you, Charmion? Or perhaps Cheâpsiro, commander of Hermothybia, who is so boastful of his conquests in the land of Kush? Or is it not more likely to have been young Sextus, that Roman debauchee who paints his face, lisps in speaking, and wears sleeves in the fashion of the Persians?"
"Queen, it was none of those. Though you are indeed the fairest of women, those men only natter you; they do not love you. The Nomarch Amoun-Ra has chosen himself an idol to which he will be forever faithful, and that is his own person. The warrior Cheâpsiro thinks of nothing save the pleasure of recounting his victories. As for Sextus, he is so seriously occupied with the preparation of a new cosmetic that he cannot dream of anything else. Besides, he had just purchased some Laconian dresses, a number of yellow tunics embroidered with gold, and some Asiatic children which absorb all his time. Not one of those fine lords would risk his head in so daring and dangerous an undertaking; they do not love you well enough for that.
"Yesterday, in your cangia, you said that men dared not fix their dazzled eyes upon you; that they knew only how to turn pale in your presence, to fall at your feet and supplicate your mercy; and that your sole remaining resource would be to awake some ancient, bitumen-perfumed Pharaoh from his gilded coffin. Now here is an ardent and youthful heart that loves you. What will you do with it?"
Cleopatra that night sought slumber in vain. She tossed feverishly upon her couch, and long and vainly invoked Morpheus, the brother of Death. She incessantly repeated that she was the most unhappy of queens, that every one sought to persecute her, and that her life had become insupportable; woeful lamentations which had little effect upon Charmion, although she pretended to sympathize with them.
Let us for a while leave Cleopatra to seek fugitive sleep, and direct her suspicions successively upon each noble of the court. Let us return to Meïamoun, and as we are much more sagacious than Phrehipephbour, chief of the rowers, we shall have no difficulty in finding him.
Terrified at his own hardihood, Meïamoun had thrown himself into the Nile, and had succeeded in swimming the current and gaining the little grove of dhoum-palms before Phrehipephbour had even launched the two boats in pursuit of him.
When he had recovered breath, and brushed back his long black locks, all damp with river foam, behind his ears, he began to feel more at ease, more inwardly calm. Cleopatra possessed something which had come from him; some sort of communication was now established between them. Cleopatra was thinking of him, Meïamoun. Perhaps that thought might be one of wrath; but then he had at least been able to awake some feeling within her, whether of fear, anger, or pity. He had forced her to the consciousness of his existence. It was true that he had forgotten to inscribe his name upon the papyrus scroll, but what more of him could the queen have learned from the inscription, Meïamoun, Son of Mandouschopsh? In her eyes the slave and the monarch were equal. A goddess in choosing a peasant for her lover stoops no lower than in choosing a patrician or a king. The Immortals from a height so lofty can behold only love in the man of their choice.
The thought which had weighed upon his breast like the knee of a colossus of brass had at last departed. It had traversed the air; it had even reached the queen herself, the apex of the triangle, the inaccessible summit. It had aroused curiosity in that impassive heart; a prodigious advance, truly, toward success.
Meïamoun, indeed, never suspected that he had so thoroughly succeeded in this wise, but he felt more tranquil; for he had sworn unto himself by that mystic Bari who guides the souls of the dead to Amenthi, by the sacred birds Bermou and Ghenghen, by Typhon and by Osiris, and by all things awful in Egyptian mythology, that he should be the accepted lover of Cleopatra, though it were but for a single night, though for only a single hour, though it should cost him his life and even his very soul.
If we must explain how he had fallen so deeply in love with a woman whom he had beheld only from afar off, and to whom he had hardly dared to raise his eyes – even he who was wont to gaze fearlessly into the yellow eyes of the lion – or how the tiny seed of love, chance-fallen upon his heart, had grown there so rapidly and extended its roots so deeply, we can answer only that it is a mystery which we are unable to explain. We have already said of Meïamoun, – The Abyss called him.
Once assured that Phrehipephbour had returned with his rowers, he again threw himself into the current and once more swam toward the palace of Cleopatra, whose lamp still shone through the window curtains like a painted star. Never did Leander swim with more courage and vigor toward the tower of Sestos; yet for Meïamoun no Hero was waiting, ready to pour vials of perfume upon his head to dissipate the briny odors of the sea and banish the sharp kisses of the storm.
A strong blow from some keen lance or harpe was certainly the worst he had to fear, and in truth he had but little fear of such things.
He swam close under the walls of the palace, which bathed its marble feet in the river's depths, and paused an instant before a submerged archway into which the water rushed downward in eddying whirls. Twice, thrice he plunged into the vortex unsuccessfully. At last, with better luck, he found the opening and disappeared.
This archway was the opening to a vaulted canal which conducted the waters of the Nile into the baths of Cleopatra.
CHAPTER V
Cleopatra found no rest until morning, at the hour when wandering dreams reenter the Ivory Gate. Amid the illusions of sleep she beheld all kinds of lovers swimming rivers and scaling walls in order to come to her, and, through the vague souvenirs of the night before, her dreams appeared fairly riddled with arrows bearing declarations of love. Starting nervously from time to time in her troubled slumbers, she struck her little feet unconsciously against the bosom of Charmion, who lay across the foot of the bed to serve her as a cushion.
When she awoke, a merry sunbeam was playing through the window curtain, whose woof it penetrated with a thousand tiny points of light, and thence came familiarly to the bed, flitting like a golden butterfly over her lovely shoulders, which it lightly touched in passing by with a luminous kiss. Happy sunbeam, which the gods might well have envied.
In a faint voice, like that of a sick child, Cleopatra asked to be lifted out of bed. Two of her women raised her in their arms and gently laid her on a tiger-skin stretched upon the floor, of which the eyes were formed of carbuncles and the claws of gold. Charmion wrapped her in calasiris of linen whiter than milk, confined her hair in a net of woven silver threads, tied to her little feet cork tatbebs upon the soles of which were painted, in token of contempt, two grotesque figures, representing two men of the races of Nahasi and Nahmou, bound hand and foot, so that Cleopatra literally deserved the epithet, "Conculcatrix of Nations,"2 which the royal cartouche inscriptions bestow upon her.
It was the hour for the bath. Cleopatra went to bathe, accompanied by her women.
The baths of Cleopatra were built in the midst of immense gardens filled with mimosas, aloes, carob-trees, citron-trees, and Persian apple-trees, whose luxuriant freshness afforded a delicious contrast to the arid appearance of the neighboring vegetation. There, too, vast terraces uplifted masses of verdant foliage, and enabled flowers to climb almost to the very sky upon gigantic stairways of rose-colored granite; vases of Pentelic marble bloomed at the end of each step like huge lily-flowers, and the plants they contained seemed only their pistils; chimeras caressed into form by the chisels of the most skilful Greek sculptors, and less stern of aspect than the Egyptian sphinxes, with their grim mien and moody attitudes, softly extended their limbs upon the flower-strewn turf, like shapely white leverettes upon a drawing-room carpet. These were charming feminine figures, with finely chiselled nostrils, smooth brows, small mouths, delicately dimpled arms, breasts fair-rounded and daintily formed; wearing earrings, necklaces, and all the trinkets suggested by adorable caprice; whose bodies terminated in bifurcated fishes' tails, like the women described by Horace, or extended into birds' wings, or rounded into lions' haunches, or blended into volutes of foliage, according to the fancies of the artist or in conformity to the architectural position chosen. A double row of these delightful monsters lined the alley which led from the palace to the bathing halls.
At the end of this alley was a huge fountain-basin, approached by four porphyry stairways. Through the transparent depths of the diamond-clear water the steps could be seen descending to the bottom of the basin, which was strewn with gold-dust in lieu of sand. Here figures of women terminating in pedestals like Caryatides3 spurted from their breasts slender jets of perfumed water, which fell into the basin in silvery dew, pitting the clear watery mirror with wrinkle-creating drops. In addition to this task these Caryatides had likewise that of supporting upon their heads an entablature decorated with Nereids and Tritons in bas-relief, and furnished with rings of bronze to which the silken cords of a velarium might be attached. From the portico was visible an extending expanse of freshly humid, bluish-green verdure and cool shade, a fragment of the Vale of Tempe transported to Egypt. The famous gardens of Semiramis would not have borne comparison with these.
We will not pause to describe the seven or eight other halls of various temperature, with their hot and cold vapors, perfume boxes, cosmetics, oils, pumice stone, gloves of woven horsehair, and all the refinements of the antique balneatory art brought to the highest pitch of voluptuous perfection.
Hither came Cleopatra, leaning with one hand upon the shoulder of Charmion. She had taken at least thirty steps all by herself. Mighty effort, enormous fatigue! A tender tint of rose commenced to suffuse the transparent skin of her cheeks, refreshing their passionate pallor; a blue network of veins relieved the amber blondness of her temples; her marble forehead, low like the antique foreheads, but full and perfect in form, united by one faultless line with a straight nose, finely chiselled as a cameo, with rosy nostrils which the least emotion made palpitate like the nostrils of an amorous tigress; the lips of her small, rounded mouth, slightly separated from the nose, wore a disdainful curve; but an unbridled voluptuousness, an indescribable vital warmth, glowed in the brilliant crimson and humid lustre of the under lip. Her eyes were shaded by level eyelids, and eyebrows slightly arched and delicately outlined. We cannot attempt by description to convey an idea of their brilliancy. It was a fire, a languor, a sparkling limpidity which might have made even the dog-headed Anubis giddy. Every glance of her eyes was in itself a poem richer than aught of Homer or Mimnermus. An imperial chin, replete with force and power to command, worthily completed this charming profile.
She stood erect upon the upper step of the basin, in an attitude full of proud grace; her figure slightly thrown back, and one foot in suspense, like a goddess about to leave her pedestal, whose eyes still linger on heaven. Her robe fell in two superb folds from the peaks of her bosom to her feet in unbroken lines. Had Cleomenes been her contemporary and enjoyed the happiness of beholding her thus, he would have broken his Venus in despair.
Before entering the water she bade Charmion, for a new caprice, to change her silver hair-net; she preferred to be crowned with reeds and lotos-flowers, like a water divinity. Charmion obeyed, and her liberated hair fell in black cascades over her shoulders, and shadowed her beautiful cheeks in rich bunches, like ripening grapes.
Then the linen tunic, which had been confined only by one golden clasp, glided down over her marble body, and fell in a white cloud at her feet, like the swan at the feet of Leda…
And Meïamoun, where was he?
Oh cruel lot, that so many insensible objects should enjoy the favors which would ravish a lover with delight! The wind which toys with a wealth of perfumed hair, or kisses beautiful lips with kisses which it is unable to appreciate; the water which envelops an adorably beautiful body in one universal kiss, and is yet, notwithstanding, indifferent to that exquisite pleasure; the mirror which reflects so many charming images; the buskin or tatbeb which clasps a divine little foot – oh, what happiness lost!
Cleopatra dipped her pink heel in the water and descended a few steps. The quivering flood made a silver belt about her waist, and silver bracelets about her arms, and rolled in pearls like a broken necklace over her bosom and shoulders; her wealth of hair, lifted by the water, extended behind her like a royal mantle; even in the bath she was a queen. She swam to and fro, dived, and brought up handfuls of gold-dust with which she laughingly pelted some of her women. Again, she clung suspended to the balustrade of the basin, concealing or exposing her treasures of loveliness – now permitting only her lustrous and polished back to be seen, now showing her whole figure, like Venus Anadyomene, and incessantly varying the aspects of her beauty.
Suddenly she uttered a cry as shrill as that of Diana surprised by Actæon. She had seen gleaming through the neighboring foliage a burning eye, yellow and phosphoric as the eye of a crocodile or lion.
It was Meïamoun, who, crouching behind a tuft of leaves, and trembling like a fawn in a field of wheat, was intoxicating himself with the dangerous pleasure of beholding the queen in her bath. Though brave even to temerity, the cry of Cleopatra passed through his heart, coldly piercing as the blade of a sword. A death-like sweat covered his whole body; his arteries hissed through his temples with a sharp sound; the iron hand of anxious fear had seized him by the throat and was strangling him.
The eunuchs rushed forward, lance in hand. Cleopatra pointed out to them the group of trees, where they found Meïamoun crouching in concealment. Defence was out of the question. He attempted none, and suffered himself to be captured. They prepared to kill him with that cruel and stupid impassibility characteristic of eunuchs; but Cleopatra, who, in the interim, had covered herself with her calasiris, made signs to them to stop, and bring the prisoner before her.
Meïamoun could only fall upon his knees and stretch forth suppliant hands to her, as to the altars of the gods.
"Are you some assassin bribed by Rome, or for what purpose have you entered these sacred precincts from which all men are excluded?" demanded Cleopatra with an imperious gesture of interrogation.
"May my soul be found light in the balance of Amenti, and may Tmeï, daughter of the Sun and goddess of Truth, punish me if I have ever entertained a thought of evil against you, O queen!" answered Meïamoun, still upon his knees.
Sincerity and loyalty were written upon his countenance in characters so transparent that Cleopatra immediately banished her suspicions, and looked upon the young Egyptian with a look less stern and wrathful. She saw that he was beautiful.
"Then what motive could have prompted you to enter a place where you could only expect to meet death?"
"I love you!" murmured Meïamoun in a low, but distinct voice; for his courage had returned, as in every desperate situation when the odds against him could be no worse.
"Ah!" cried Cleopatra, bending toward him, and seizing his arm with a sudden brusque movement, "so, then, it was you who shot that arrow with the papyrus scroll! By Oms, the Dog of Hell, you are a very foolhardy wretch!.. I now recognize you. I long observed you wandering like a complaining Shade about the places where I dwell… You were at the Procession of Isis, at the Panegyris of Hermonthis. You followed the royal cangia. Ah! you must have a queen?.. You have no mean ambitions. You expect, without doubt, to be well paid in return… Assuredly I am going to love you… Why not?"
"Queen," returned Meïamoun with a look of deep melancholy, "do not rail. I am mad, it is true. I have deserved death; that is also true. Be humane; bid them kill me."
"No; I have taken the whim to be clement to-day. I will give you your life."
"What would you that I should do with life? I love you!"
"Well, then, you shall be satisfied; you shall die," answered Cleopatra. "You have indulged yourself in wild and extravagant dreams; in fancy your desires have crossed an impassable threshold. You imagined yourself to be Cæsar or Mark Antony. You loved the queen. In some moment of delirium you have been able to believe that, under some condition of things which takes place but once in a thousand years, Cleopatra might some day love you. Well, what you thought impossible is actually about to happen. I will transform your dream into a reality. It pleases me, for once, to secure the accomplishment of a mad hope. I am willing to inundate you with glories and splendors and lightnings. I intend that your good fortune shall be dazzling in its brilliancy. You were at the bottom of the ladder. I am about to lift you to the summit, abruptly, suddenly, without a transition. I take you out of nothingness, I make you the equal of a god, and I plunge you back again into nothingness; that is all. But do not presume to call me cruel or to invoke my pity; do not weaken when the hour comes. I am good to you. I lend myself to your folly. I have the right to order you to be killed at once; but since you tell me that you love me, I will have you killed to-morrow instead. Your life belongs to me for one night. I am generous. I will buy it from you; I could take it from you. But what are you doing on your knees at my feet? Rise, and give me your arm, that we may return to the palace."
CHAPTER VI
Our world of to-day is puny indeed beside the antique world. Our banquets are mean, niggardly, compared with the appalling sumptuousness of the Roman patricians and the princes of ancient Asia. Their ordinary repasts would in these days be regarded as frenzied orgies, and a whole modern city could subsist for eight days upon the leavings of one supper given by Lucullus to a few intimate friends. With our miserable habits we find it difficult to conceive of those enormous existences, realizing everything vast, strange, and most monstrously impossible that imagination could devise. Our palaces are mere stables, in which Caligula would not quarter his horse. The retinue of our wealthiest constitutional king is as nothing compared with that of a petty satrap or a Roman proconsul. The radiant suns which once shone upon the earth are forever extinguished in the nothingness of uniformity. Above the dark swarm of men no longer tower those Titanic colossi who bestrode the world in three paces, like the steeds of Homer; no more towers of Lylacq; no giant Babel scaling the sky with its infinity of spirals; no temples immeasurable, builded with the fragments of quarried mountains; no kingly terraces for which successive ages and generations could each erect but one step, and from whence some dreamfully reclining prince might gaze on the face of the world as upon a map unfolded; no more of those extravagantly vast cities of cyclopæan edifices, inextricably piled upon one another, with their mighty circumvallations, their circuses roaring night and day, their reservoirs filled with ocean brine and peopled with whales and leviathans, their colossal stairways, their super-imposition of terraces, their tower-summits bathed in clouds, their giant palaces, their aqueducts, their multitude-vomiting gates, their shadowy necropoli. Alas! henceforth only plaster hives upon chessboard pavements.
One marvels that men did not revolt against such confiscation of all riches and all living forces for the benefit of a few privileged ones, and that such exorbitant fantasies should not have encountered any opposition on their bloody way. It was because those prodigious lives were the realizations by day of the dreams which haunted each man by night, the personifications of the common ideal which the nations beheld living symbolized under one of those meteoric names that flame inextinguishably through the night of ages. To-day, deprived of such dazzling spectacles of omnipotent will, of the lofty contemplation of some human mind whose least wish makes itself visible in actions unparalleled, in enormities of granite and brass, the world becomes irredeemably and hopelessly dull. Man is no longer represented in the realization of his imperial fancy.
The story which we are writing, and the great name of Cleopatra which appears in it, have prompted us to these reflections, so ill-sounding, doubtless, to modern ears. But the spectacle of the antique world is something so crushingly discouraging, even to those imaginations which deem themselves exhaustless, and those minds which fancy themselves to have conceived the utmost limits of fairy magnificence, that we cannot here forbear recording our regret and lamentation that we were not cotemporaries of Sardanapalus; of Teglathphalazar; of Cleopatra, queen of Egypt; or even of Elagabalus, emperor of Rome and priest of the Sun.
It is our task to describe a supreme orgie – a banquet compared with which the splendors of Belshazzar's feast must pale – one of Cleopatra's nights. How can we picture forth in this French tongue, so chaste, so icily prudish, that unbounded transport of passions, that huge and mighty debauch which feared not to mingle the double purple of wine and blood, those furious outbursts of insatiate pleasure, madly leaping toward the Impossible with all the wild ardor of senses as yet untamed by the long fast of Christianity?
The promised night should well have been a splendid one, for all the joys and pleasures possible in a human lifetime were to be concentrated into the space of a few hours. It was necessary that the life of Meïamoun should be converted into a powerful elixir which he could imbibe at a single draught. Cleopatra desired to dazzle her voluntary victim, and plunge him into a whirlpool of dizzy pleasures; to intoxicate and madden him with the wine of orgie, so that death, though freely accepted, might come invisibly and unawares.
Let us transport our readers to the banquet-hall.
Our existing architecture offers few points for comparison with those vast edifices whose very ruins resemble the crumblings of mountains rather than the remains of buildings. It needed all the exaggeration of the antique life to animate and fill those prodigious palaces, whose halls were too lofty and vast to allow of any ceiling save the sky itself – a magnificent ceiling, and well worthy of such mighty architecture.