Guy de Maupassant
Original Short Stories – Volume 04
THE MORIBUND
The warm autumn sun was beating down on the farmyard. Under the grass, which had been cropped close by the cows, the earth soaked by recent rains, was soft and sank in under the feet with a soggy noise, and the apple trees, loaded with apples, were dropping their pale green fruit in the dark green grass.
Four young heifers, tied in a line, were grazing and at times looking toward the house and lowing. The fowls made a colored patch on the dung-heap before the stable, scratching, moving about and cackling, while two roosters crowed continually, digging worms for their hens, whom they were calling with a loud clucking.
The wooden gate opened and a man entered. He might have been forty years old, but he looked at least sixty, wrinkled, bent, walking slowly, impeded by the weight of heavy wooden shoes full of straw. His long arms hung down on both sides of his body. When he got near the farm a yellow cur, tied at the foot of an enormous pear tree, beside a barrel which served as his kennel, began at first to wag his tail and then to bark for joy. The man cried:
“Down, Finot!”
The dog was quiet.
A peasant woman came out of the house. Her large, flat, bony body was outlined under a long woollen jacket drawn in at the waist. A gray skirt, too short, fell to the middle of her legs, which were encased in blue stockings. She, too, wore wooden shoes, filled with straw. The white cap, turned yellow, covered a few hairs which were plastered to the scalp, and her brown, thin, ugly, toothless face had that wild, animal expression which is often to be found on the faces of the peasants.
The man asked:
“How is he gettin’ along?”
The woman answered:
“The priest said it’s the end – that he will never live through the night.”
Both of them went into the house.
After passing through the kitchen, they entered a low, dark room, barely lighted by one window, in front of which a piece of calico was hanging. The big beams, turned brown with age and smoke, crossed the room from one side to the other, supporting the thin floor of the garret, where an army of rats ran about day and night.
The moist, lumpy earthen floor looked greasy, and, at the back of the room, the bed made an indistinct white spot. A harsh, regular noise, a difficult, hoarse, wheezing breathing, like the gurgling of water from a broken pump, came from the darkened couch where an old man, the father of the peasant woman, was dying.
The man and the woman approached the dying man and looked at him with calm, resigned eyes.
The son-in-law said:
“I guess it’s all up with him this time; he will not last the night.”
The woman answered:
“He’s been gurglin’ like that ever since midday.” They were silent. The father’s eyes were closed, his face was the color of the earth and so dry that it looked like wood. Through his open mouth came his harsh, rattling breath, and the gray linen sheet rose and fell with each respiration.
The son-in-law, after a long silence, said:
“There’s nothing more to do; I can’t help him. It’s a nuisance, just the same, because the weather is good and we’ve got a lot of work to do.”
His wife seemed annoyed at this idea. She reflected a few moments and then said:
“He won’t be buried till Saturday, and that will give you all day tomorrow.”
The peasant thought the matter over and answered:
“Yes, but to-morrow I’ll have to invite the people to the funeral. That means five or six hours to go round to Tourville and Manetot, and to see everybody.”
The woman, after meditating two or three minutes, declared:
“It isn’t three o’clock yet. You could begin this evening and go all round the country to Tourville. You can just as well say that he’s dead, seem’ as he’s as good as that now.”
The man stood perplexed for a while, weighing the pros and cons of the idea. At last he declared:
“Well, I’ll go!”
He was leaving the room, but came back after a minute’s hesitation:
“As you haven’t got anythin’ to do you might shake down some apples to bake and make four dozen dumplings for those who come to the funeral, for one must have something to cheer them. You can light the fire with the wood that’s under the shed. It’s dry.”
He left the room, went back into the kitchen, opened the cupboard, took out a six-pound loaf of bread, cut off a slice, and carefully gathered the crumbs in the palm of his hand and threw them into his mouth, so as not to lose anything. Then, with the end of his knife, he scraped out a little salt butter from the bottom of an earthen jar, spread it on his bread and began to eat slowly, as he did everything.
He recrossed the farmyard, quieted the dog, which had started barking again, went out on the road bordering on his ditch, and disappeared in the direction of Tourville.
As soon as she was alone, the woman began to work. She uncovered the meal-bin and made the dough for the dumplings. She kneaded it a long time, turning it over and over again, punching, pressing, crushing it. Finally she made a big, round, yellow-white ball, which she placed on the corner of the table.
Then she went to get her apples, and, in order not to injure the tree with a pole, she climbed up into it by a ladder. She chose the fruit with care, only taking the ripe ones, and gathering them in her apron.
A voice called from the road:
“Hey, Madame Chicot!”
She turned round. It was a neighbor, Osime Favet, the mayor, on his way to fertilize his fields, seated on the manure-wagon, with his feet hanging over the side. She turned round and answered:
“What can I do for you, Maitre Osime?”
“And how is the father?”
She cried:
“He is as good as dead. The funeral is Saturday at seven, because there’s lots of work to be done.”
The neighbor answered:
“So! Good luck to you! Take care of yourself.”
To his kind remarks she answered:
“Thanks; the same to you.”
And she continued picking apples.
When she went back to the house, she went over to look at her father, expecting to find him dead. But as soon as she reached the door she heard his monotonous, noisy rattle, and, thinking it a waste of time to go over to him, she began to prepare her dumplings. She wrapped up the fruit, one by one, in a thin layer of paste, then she lined them up on the edge of the table. When she had made forty-eight dumplings, arranged in dozens, one in front of the other, she began to think of preparing supper, and she hung her kettle over the fire to cook potatoes, for she judged it useless to heat the oven that day, as she had all the next day in which to finish the preparations.
Her husband returned at about five. As soon as he had crossed the threshold he asked:
“Is it over?”
She answered:
“Not yet; he’s still gurglin’.”
They went to look at him. The old man was in exactly the same condition. His hoarse rattle, as regular as the ticking of a clock, was neither quicker nor slower. It returned every second, the tone varying a little, according as the air entered or left his chest.
His son-in-law looked at him and then said:
“He’ll pass away without our noticin’ it, just like a candle.”
They returned to the kitchen and started to eat without saying a word. When they had swallowed their soup, they ate another piece of bread and butter. Then, as soon as the dishes were washed, they returned to the dying man.
The woman, carrying a little lamp with a smoky wick, held it in front of her father’s face. If he had not been breathing, one would certainly have thought him dead.
The couple’s bed was hidden in a little recess at the other end of the room. Silently they retired, put out the light, closed their eyes, and soon two unequal snores, one deep and the other shriller, accompanied the uninterrupted rattle of the dying man.
The rats ran about in the garret.
The husband awoke at the first streaks of dawn. His father-in-law was still alive. He shook his wife, worried by the tenacity of the old man.
“Say, Phemie, he don’t want to quit. What would you do?”
He knew that she gave good advice.
She answered:
“You needn’t be afraid; he can’t live through the day. And the mayor won’t stop our burying him to-morrow, because he allowed it for Maitre Renard’s father, who died just during the planting season.”
He was convinced by this argument, and left for the fields.
His wife baked the dumplings and then attended to her housework.
At noon the old man was not dead. The people hired for the day’s work came by groups to look at him. Each one had his say. Then they left again for the fields.
At six o’clock, when the work was over, the father was still breathing. At last his son-in-law was frightened.
“What would you do now, Phemie?”
She no longer knew how to solve the problem. They went to the mayor. He promised that he would close his eyes and authorize the funeral for the following day. They also went to the health officer, who likewise promised, in order to oblige Maitre Chicot, to antedate the death certificate. The man and the woman returned, feeling more at ease.
They went to bed and to sleep, just as they did the preceding day, their sonorous breathing blending with the feeble breathing of the old man.
When they awoke, he was not yet dead.
Then they began to be frightened. They stood by their father, watching him with distrust, as though he had wished to play them a mean trick, to deceive them, to annoy them on purpose, and they were vexed at him for the time which he was making them lose.
The son-in-law asked:
“What am I goin’ to do?”
She did not know. She answered:
“It certainly is annoying!”
The guests who were expected could not be notified. They decided to wait and explain the case to them.
Toward a quarter to seven the first ones arrived. The women in black, their heads covered with large veils, looking very sad. Then men, ill at ease in their homespun coats, were coming forward more slowly, in couples, talking business.
Maitre Chicot and his wife, bewildered, received them sorrowfully, and suddenly both of them together began to cry as they approached the first group. They explained the matter, related their difficulty, offered chairs, bustled about, tried to make excuses, attempting to prove that everybody would have done as they did, talking continually and giving nobody a chance to answer.
They were going from one person to another:
“I never would have thought it; it’s incredible how he can last this long!”
The guests, taken aback, a little disappointed, as though they had missed an expected entertainment, did not know what to do, some remaining seated others standing. Several wished to leave. Maitre Chicot held them back:
“You must take something, anyhow! We made some dumplings; might as well make use of ‘em.”
The faces brightened at this idea. The yard was filling little by little; the early arrivals were telling the news to those who had arrived later. Everybody was whispering. The idea of the dumplings seemed to cheer everyone up.
The women went in to take a look at the dying man. They crossed themselves beside the bed, muttered a prayer and went out again. The men, less anxious for this spectacle, cast a look through the window, which had been opened.
Madame Chicot explained her distress:
“That’s how he’s been for two days, neither better nor worse. Doesn’t he sound like a pump that has gone dry?”
When everybody had had a look at the dying man, they thought of the refreshments; but as there were too many people for the kitchen to hold, the table was moved out in front of the door. The four dozen golden dumplings, tempting and appetizing, arranged in two big dishes, attracted the eyes of all. Each one reached out to take his, fearing that there would not be enough. But four remained over.
Maitre Chicot, his mouth full, said:
“Father would feel sad if he were to see this. He loved them so much when he was alive.”
A big, jovial peasant declared:
“He won’t eat any more now. Each one in his turn.”
This remark, instead of making the guests sad, seemed to cheer them up. It was their turn now to eat dumplings.
Madame Chicot, distressed at the expense, kept running down to the cellar continually for cider. The pitchers were emptied in quick succession. The company was laughing and talking loud now. They were beginning to shout as they do at feasts.
Suddenly an old peasant woman who had stayed beside the dying man, held there by a morbid fear of what would soon happen to herself, appeared at the window and cried in a shrill voice:
“He’s dead! he’s dead!”
Everybody was silent. The women arose quickly to go and see. He was indeed dead. The rattle had ceased. The men looked at each other, looking down, ill at ease. They hadn’t finished eating the dumplings. Certainly the rascal had not chosen a propitious moment. The Chicots were no longer weeping. It was over; they were relieved.
They kept repeating:
“I knew it couldn’t ‘last. If he could only have done it last night, it would have saved us all this trouble.”
Well, anyhow, it was over. They would bury him on Monday, that was all, and they would eat some more dumplings for the occasion.
The guests went away, talking the matter over, pleased at having had the chance to see him and of getting something to eat.
And when the husband and wife were alone, face to face, she said, her face distorted with grief:
“We’ll have to bake four dozen more dumplings! Why couldn’t he have made up his mind last night?”
The husband, more resigned, answered:
“Well, we’ll not have to do this every day.”
THE GAMEKEEPER
It was after dinner, and we were talking about adventures and accidents which happened while out shooting.
An old friend, known to all of us, M. Boniface, a great sportsman and a connoisseur of wine, a man of wonderful physique, witty and gay, and endowed with an ironical and resigned philosophy, which manifested itself in caustic humor, and never in melancholy, suddenly exclaimed:
“I know a story, or rather a tragedy, which is somewhat peculiar. It is not at all like those which one hears of usually, and I have never told it, thinking that it would interest no one.
“It is not at all sympathetic. I mean by that, that it does not arouse the kind of interest which pleases or which moves one agreeably.
“Here is the story:
“I was then about thirty-five years of age, and a most enthusiastic sportsman.
“In those days I owned a lonely bit of property in the neighborhood of Jumieges, surrounded by forests and abounding in hares and rabbits. I was accustomed to spending four or five days alone there each year, there not being room enough to allow of my bringing a friend with me.
“I had placed there as gamekeeper, an old retired gendarme, a good man, hot-tempered, a severe disciplinarian, a terror to poachers and fearing nothing. He lived all alone, far from the village, in a little house, or rather hut, consisting of two rooms downstairs, with kitchen and store-room, and two upstairs. One of them, a kind of box just large enough to accommodate a bed, a cupboard and a chair, was reserved for my use.
“Old man Cavalier lived in the other one. When I said that he was alone in this place, I was wrong. He had taken his nephew with him, a young scamp about fourteen years old, who used to go to the village and run errands for the old man.
“This young scapegrace was long and lanky, with yellow hair, so light that it resembled the fluff of a plucked chicken, so thin that he seemed bald. Besides this, he had enormous feet and the hands of a giant.
“He was cross-eyed, and never looked at anyone. He struck me as being in the same relation to the human race as ill-smelling beasts are to the animal race. He reminded me of a polecat.
“He slept in a kind of hole at the top of the stairs which led to the two rooms.
“But during my short sojourns at the Pavilion – so I called the hut – Marius would give up his nook to an old woman from Ecorcheville, called Celeste, who used to come and cook for me, as old man Cavalier’s stews were not sufficient for my healthy appetite.
“You now know the characters and the locality. Here is the story:
“It was on the fifteenth of October, 1854 – I shall remember that date as long as I live.
“I left Rouen on horseback, followed by my dog Bock, a big Dalmatian hound from Poitou, full-chested and with a heavy jaw, which could retrieve among the bushes like a Pont-Andemer spaniel.
“I was carrying my satchel slung across my back and my gun diagonally across my chest. It was a cold, windy, gloomy day, with clouds scurrying across the sky.
“As I went up the hill at Canteleu, I looked over the broad valley of the Seine, the river winding in and out along its course as far as the eye could see. To the right the towers of Rouen stood out against the sky, and to the left the landscape was bounded by the distant slopes covered with trees. Then I crossed the forest of Roumare and, toward five o’clock, reached the Pavilion, where Cavalier and Celeste were expecting me.
“For ten years I had appeared there at the same time, in the same manner; and for ten years the same faces had greeted me with the same words:
“‘Welcome, master! We hope your health is good.’
“Cavalier had hardly changed. He withstood time like an old tree; but Celeste, especially in the past four years, had become unrecognizable.
“She was bent almost double, and, although still active, when she walked her body was almost at right angles to her legs.
“The old woman, who was very devoted to me, always seemed affected at seeing me again, and each time, as I left, she would say:
“‘This may be the last time, master.’
“The sad, timid farewell of this old servant, this hopeless resignation to the inevitable fate which was not far off for her, moved me strangely each year.
“I dismounted, and while Cavalier, whom I had greeted, was leading my horse to the little shed which served as a stable, I entered the kitchen, which also served as dining-room, followed by Celeste.
“Here the gamekeeper joined us. I saw at first glance that something was the matter. He seemed preoccupied, ill at ease, worried.
“I said to him:
“‘Well, Cavalier, is everything all right?’
“He muttered:
“‘Yes and no. There are things I don’t like.’
“I asked:
“‘What? Tell me about it.’
“But he shook his head.
“‘No, not yet, monsieur. I do not wish to bother you with my little troubles so soon after your arrival.’
“I insisted, but he absolutely refused to give me any information before dinner. From his expression, I could tell that it was something very serious.
“Not knowing what to say to him, I asked:
“‘How about game? Much of it this year?’
“‘Oh, yes! You’ll find all you want. Thank heaven, I looked out for that.’
“He said this with so much seriousness, with such sad solemnity, that it was really almost funny. His big gray mustache seemed almost ready to drop from his lips.
“Suddenly I remembered that I had not yet seen his nephew.
“‘Where is Marius? Why does he not show himself?’
“The gamekeeper started, looking me suddenly in the face:
“Well, monsieur, I had rather tell you the whole business right away; it’s on account of him that I am worrying.’
“‘Ah! Well, where is he?’
“‘Over in the stable, monsieur. I was waiting for the right time to bring him out.’
“‘What has he done?’
“‘Well, monsieur – ’
“The gamekeeper, however, hesitated, his voice altered and shaky, his face suddenly furrowed by the deep lines of an old man.
“He continued slowly:
“‘Well, I found out, last winter, that someone was poaching in the woods of Roseraies, but I couldn’t seem to catch the man. I spent night after night on the lookout for him. In vain. During that time they began poaching over by Ecorcheville. I was growing thin from vexation. But as for catching the trespasser, impossible! One might have thought that the rascal was forewarned of my plans.
“‘But one day, while I was brushing Marius’ Sunday trousers, I found forty cents in his pocket. Where did he get it?
“‘I thought the matter over for about a week, and I noticed that he used to go out; he would leave the house just as I was coming home to go to bed – yes, monsieur.
“‘Then I started to watch him, without the slightest suspicion of the real facts. One morning, just after I had gone to bed before him, I got right up again, and followed him. For shadowing a man, there is nobody like me, monsieur.
“‘And I caught him, Marius, poaching on your land, monsieur; he my nephew, I your keeper!
“‘The blood rushed to my head, and I almost killed him on the spot, I hit him so hard. Oh! yes, I thrashed him all right. And I promised him that he would get another beating from my hand, in your presence, as an example.
“‘There! I have grown thin from sorrow. You know how it is when one is worried like that. But tell me, what would you have done? The boy has no father or mother, and I am the last one of his blood; I kept him, I couldn’t drive him out, could I?
“‘I told him that if it happened again I would have no more pity for him, all would be over. There! Did I do right, monsieur?’
“I answered, holding out my hand:
“‘You did well, Cavalier; you are an honest man.’
“He rose.
“‘Thank you, monsieur. Now I am going to fetch him. I must give him his thrashing, as an example.’
“I knew that it was hopeless to try and turn the old man from his idea. I therefore let him have his own way.
“He got the rascal and brought him back by the ear.
“I was seated on a cane chair, with the solemn expression of a judge.
“Marius seemed to have grown; he was homelier even than the year before, with his evil, sneaking expression.
“His big hands seemed gigantic.
“His uncle pushed him up to me, and, in his soldierly voice, said:
“‘Beg the gentleman’s pardon.’
“The boy didn’t say a word.
“Then putting one arm round him, the former gendarme lifted him right off the ground, and began to whack him with such force that I rose to stop the blows.
“The boy was now howling: ‘Mercy! mercy! mercy! I promise – ’
“Cavalier put him back on the ground and forced him to his knees:
“‘Beg for pardon,’ he said.
“With eyes lowered, the scamp murmured:
“‘I ask for pardon!’
“Then his uncle lifted him to his feet, and dismissed him with a cuff which almost knocked him down again.
“He made his escape, and I did not see him again that evening.
“Cavalier appeared overwhelmed.’
“‘He is a bad egg,’ he said.
“And throughout the whole dinner, he kept repeating:
“‘Oh! that worries me, monsieur, that worries me.’
“I tried to comfort him, but in vain.
“I went to bed early, so that I might start out at daybreak.
“My dog was already asleep on the floor, at the foot of my bed, when I put out the light.
“I was awakened toward midnight by the furious barking of my dog Bock. I immediately noticed that my room was full of smoke. I jumped out of bed, struck a light, ran to the door and opened it. A cloud of flames burst in. The house was on fire.
“I quickly closed the heavy oak door and, drawing on my trousers, I first lowered the dog through the window, by means of a rope made of my sheets; then, having thrown out the rest of my clothes, my game-bag and my gun, I in turn escaped the same way.
“I began to shout with all my might: ‘Cavalier! Cavalier! Cavalier!’
“But the gamekeeper did not wake up. He slept soundly like an old gendarme.
“However, I could see through the lower windows that the whole ground-floor was nothing but a roaring furnace; I also noticed that it had been filled with straw to make it burn readily.
“Somebody must purposely have set fire to the place!
“I continued shrieking wildly: ‘Cavalier!’
“Then the thought struck me that the smoke might be suffocating him. An idea came to me. I slipped two cartridges into my gun, and shot straight at his window.
“The six panes of glass shattered into the room in a cloud of glass. This time the old man had heard me, and he appeared, dazed, in his nightshirt, bewildered by the glare which illumined the whole front of his ‘house.