Original Short Stories – Volume 08

CLOCHETTE

How strange those old recollections are which haunt us, without our being able to get rid of them.

This one is so very old that I cannot understand how it has clung so vividly and tenaciously to my memory. Since then I have seen so many sinister things, which were either affecting or terrible, that I am astonished at not being able to pass a single day without the face of Mother Bellflower recurring to my mind’s eye, just as I knew her formerly, now so long ago, when I was ten or twelve years old.

She was an old seamstress who came to my parents’ house once a week, every Thursday, to mend the linen. My parents lived in one of those country houses called chateaux, which are merely old houses with gable roofs, to which are attached three or four farms lying around them.

The village, a large village, almost a market town, was a few hundred yards away, closely circling the church, a red brick church, black with age.

Well, every Thursday Mother Clochette came between half-past six and seven in the morning, and went immediately into the linen-room and began to work. She was a tall, thin, bearded or rather hairy woman, for she had a beard all over her face, a surprising, an unexpected beard, growing in improbable tufts, in curly bunches which looked as if they had been sown by a madman over that great face of a gendarme in petticoats. She had them on her nose, under her nose, round her nose, on her chin, on her cheeks; and her eyebrows, which were extraordinarily thick and long, and quite gray, bushy and bristling, looked exactly like a pair of mustaches stuck on there by mistake.

She limped, not as lame people generally do, but like a ship at anchor. When she planted her great, bony, swerving body on her sound leg, she seemed to be preparing to mount some enormous wave, and then suddenly she dipped as if to disappear in an abyss, and buried herself in the ground. Her walk reminded one of a storm, as she swayed about, and her head, which was always covered with an enormous white cap, whose ribbons fluttered down her back, seemed to traverse the horizon from north to south and from south to north, at each step.

I adored Mother Clochette. As soon as I was up I went into the linen-room where I found her installed at work, with a foot-warmer under her feet. As soon as I arrived, she made me take the foot-warmer and sit upon it, so that I might not catch cold in that large, chilly room under the roof.

“That draws the blood from your throat,” she said to me.

She told me stories, whilst mending the linen with her long crooked nimble fingers; her eyes behind her magnifying spectacles, for age had impaired her sight, appeared enormous to me, strangely profound, double.

She had, as far as I can remember the things which she told me and by which my childish heart was moved, the large heart of a poor woman. She told me what had happened in the village, how a cow had escaped from the cow-house and had been found the next morning in front of Prosper Malet’s windmill, looking at the sails turning, or about a hen’s egg which had been found in the church belfry without any one being able to understand what creature had been there to lay it, or the story of Jean-Jean Pila’s dog, who had been ten leagues to bring back his master’s breeches which a tramp had stolen whilst they were hanging up to dry out of doors, after he had been in the rain. She told me these simple adventures in such a manner, that in my mind they assumed the proportions of never-to-be-forgotten dramas, of grand and mysterious poems; and the ingenious stories invented by the poets which my mother told me in the evening, had none of the flavor, none of the breadth or vigor of the peasant woman’s narratives.

Well, one Tuesday, when I had spent all the morning in listening to Mother Clochette, I wanted to go upstairs to her again during the day after picking hazelnuts with the manservant in the wood behind the farm. I remember it all as clearly as what happened only yesterday.

On opening the door of the linen-room, I saw the old seamstress lying on the ground by the side of her chair, with her face to the ground and her arms stretched out, but still holding her needle in one hand and one of my shirts in the other. One of her legs in a blue stocking, the longer one, no doubt, was extended under her chair, and her spectacles glistened against the wall, as they had rolled away from her.

I ran away uttering shrill cries. They all came running, and in a few minutes I was told that Mother Clochette was dead.

I cannot describe the profound, poignant, terrible emotion which stirred my childish heart. I went slowly down into the drawing-room and hid myself in a dark corner, in the depths of an immense old armchair, where I knelt down and wept. I remained there a long time, no doubt, for night came on. Suddenly somebody came in with a lamp, without seeing me, however, and I heard my father and mother talking with the medical man, whose voice I recognized.

He had been sent for immediately, and he was explaining the causes of the accident, of which I understood nothing, however. Then he sat down and had a glass of liqueur and a biscuit.

He went on talking, and what he then said will remain engraved on my mind until I die! I think that I can give the exact words which he used.

“Ah!” said he, “the poor woman! She broke her leg the day of my arrival here, and I had not even had time to wash my hands after getting off the diligence before I was sent for in all haste, for it was a bad case, very bad.

“She was seventeen, and a pretty girl, very pretty! Would any one believe it? I have never told her story before, and nobody except myself and one other person who is no longer living in this part of the country ever knew it. Now that she is dead, I may be less discreet.

“Just then a young assistant-teacher came to live in the village; he was a handsome, well-made fellow, and looked like a non-commissioned officer. All the girls ran after him, but he paid no attention to them, partly because he was very much afraid of his superior, the schoolmaster, old Grabu, who occasionally got out of bed the wrong foot first.

“Old Grabu already employed pretty Hortense who has just died here, and who was afterwards nicknamed Clochette. The assistant master singled out the pretty young girl, who was, no doubt, flattered at being chosen by this impregnable conqueror; at any rate, she fell in love with him, and he succeeded in persuading her to give him a first meeting in the hay-loft behind the school, at night, after she had done her day’s sewing.

“She pretended to go home, but instead of going downstairs when she left the Grabus’ she went upstairs and hid among the hay, to wait for her lover. He soon joined her, and was beginning to say pretty things to her, when the door of the hay-loft opened and the schoolmaster appeared, and asked: ‘What are you doing up there, Sigisbert?’ Feeling sure that he would be caught, the young schoolmaster lost his presence of mind and replied stupidly: ‘I came up here to rest a little amongst the bundles of hay, Monsieur Grabu.’

“The loft was very large and absolutely dark, and Sigisbert pushed the frightened girl to the further end and said: ‘Go over there and hide yourself. I shall lose my position, so get away and hide yourself.’

“When the schoolmaster heard the whispering, he continued: ‘Why, you are not by yourself?’ ‘Yes, I am, Monsieur Grabu!’ ‘But you are not, for you are talking.’ ‘I swear I am, Monsieur Grabu.’ ‘I will soon find out,’ the old man replied, and double locking the door, he went down to get a light.

“Then the young man, who was a coward such as one frequently meets, lost his head, and becoming furious all of a sudden, he repeated: ‘Hide yourself, so that he may not find you. You will keep me from making a living for the rest of my life; you will ruin my whole career. Do hide yourself!’ They could hear the key turning in the lock again, and Hortense ran to the window which looked out on the street, opened it quickly, and then said in a low and determined voice: ‘You will come and pick me up when he is gone,’ and she jumped out.

“Old Grabu found nobody, and went down again in great surprise, and a quarter of an hour later, Monsieur Sigisbert came to me and related his adventure. The girl had remained at the foot of the wall unable to get up, as she had fallen from the second story, and I went with him to fetch her. It was raining in torrents, and I brought the unfortunate girl home with me, for the right leg was broken in three places, and the bones had come trough the flesh. She did not complain, and merely said, with admirable resignation: ‘I am punished, well punished!’

“I sent for assistance and for the work-girl’s relatives and told them a made-up story of a runaway carriage which had knocked her down and lamed her outside my door. They believed me, and the gendarmes for a whole month tried in vain to find the author of this accident.

“That is all! And I say that this woman was a heroine and belonged to the race of those who accomplish the grandest deeds of history.

“That was her only love affair, and she died a virgin. She was a martyr, a noble soul, a sublimely devoted woman! And if I did not absolutely admire her, I should not have told you this story, which I would never tell any one during her life; you understand why.”

The doctor ceased. Mamma cried and papa said some words which I did not catch; then they left the room and I remained on my knees in the armchair and sobbed, whilst I heard a strange noise of heavy footsteps and something knocking against the side of the staircase.

They were carrying away Clochette’s body.

THE KISS

My Little Darling: So you are crying from morning until night and from night until morning, because your husband leaves you; you do not know what to do and so you ask your old aunt for advice; you must consider her quite an expert. I don’t know as much as you think I do, and yet I am not entirely ignorant of the art of loving, or, rather, of making one’s self loved, in which you are a little lacking. I can admit that at my age.

You say that you are all attention, love, kisses and caresses for him. Perhaps that is the very trouble; I think you kiss him too much.

My dear, we have in our hands the most terrible power in the world: LOVE.

Man is gifted with physical strength, and he exercises force. Woman is gifted with charm, and she rules with caresses. It is our weapon, formidable and invincible, but we should know how to use it.

Know well that we are the mistresses of the world! To tell the history of Love from the beginning of the world would be to tell the history of man himself: Everything springs from it, the arts, great events, customs, wars, the overthrow of empires.

In the Bible you find Delila, Judith; in fables we find Omphale, Helen; in history the Sabines, Cleopatra and many others.

Therefore we reign supreme, all-powerful. But, like kings, we must make use of delicate diplomacy.

Love, my dear, is made up of imperceptible sensations. We know that it is as strong as death, but also as frail as glass. The slightest shock breaks it, and our power crumbles, and we are never able to raise it again.

We have the power of making ourselves adored, but we lack one tiny thing, the understanding of the various kinds of caresses. In embraces we lose the sentiment of delicacy, while the man over whom we rule remains master of himself, capable of judging the foolishness of certain words. Take care, my dear; that is the defect in our armor. It is our Achilles’ heel.

Do you know whence comes our real power? From the kiss, the kiss alone! When we know how to hold out and give up our lips we can become queens.

The kiss is only a preface, however, but a charming preface. More charming than the realization itself. A preface which can always be read over again, whereas one cannot always read over the book.

Yes, the meeting of lips is the most perfect, the most divine sensation given to human beings, the supreme limit of happiness: It is in the kiss alone that one sometimes seems to feel this union of souls after which we strive, the intermingling of hearts, as it were.

Do you remember the verses of Sully-Prudhomme:

One caress alone gives this deep sensation of two beings welded into one – it is the kiss. No violent delirium of complete possession is worth this trembling approach of the lips, this first moist and fresh contact, and then the long, lingering, motionless rapture.

Therefore, my dear, the kiss is our strongest weapon, but we must take care not to dull it. Do not forget that its value is only relative, purely conventional. It continually changes according to circumstances, the state of expectancy and the ecstasy of the mind. I will call attention to one example.

Another poet, Francois Coppee, has written a line which we all remember, a line which we find delightful, which moves our very hearts.

After describing the expectancy of a lover, waiting in a room one winter’s evening, his anxiety, his nervous impatience, the terrible fear of not seeing her, he describes the arrival of the beloved woman, who at last enters hurriedly, out of breath, bringing with her part of the winter breeze, and he exclaims:

Oh! the taste of the kisses first snatched through the veil.

Is that not a line of exquisite sentiment, a delicate and charming observation, a perfect truth? All those who have hastened to a clandestine meeting, whom passion has thrown into the arms of a man, well do they know these first delicious kisses through the veil; and they tremble at the memory of them. And yet their sole charm lies in the circumstances, from being late, from the anxious expectancy, but from the purely – or, rather, impurely, if you prefer – sensual point of view, they are detestable.

Think! Outside it is cold. The young woman has walked quickly; the veil is moist from her cold breath. Little drops of water shine in the lace. The lover seizes her and presses his burning lips to her liquid breath. The moist veil, which discolors and carries the dreadful odor of chemical dye, penetrates into the young man’s mouth, moistens his mustache. He does not taste the lips of his beloved, he tastes the dye of this lace moistened with cold breath. And yet, like the poet, we would all exclaim:

Oh! the taste of the kisses first snatched through the veil.

Therefore, the value of this caress being entirely a matter of convention, we must be careful not to abuse it.

Well, my dear, I have several times noticed that you are very clumsy. However, you were not alone in that fault; the majority of women lose their authority by abusing the kiss with untimely kisses. When they feel that their husband or their lover is a little tired, at those times when the heart as well as the body needs rest, instead of understanding what is going on within him, they persist in giving inopportune caresses, tire him by the obstinacy of begging lips and give caresses lavished with neither rhyme nor reason.

Trust in the advice of my experience. First, never kiss your husband in public, in the train, at the restaurant. It is bad taste; do not give in to your desires. He would feel ridiculous and would never forgive you.

Beware of useless kisses lavished in intimacy. I am sure that you abuse them. For instance, I remember one day that you did something quite shocking. Probably you do not remember it.

All three of us were together in the drawing-room, and, as you did not stand on ceremony before me, your husband was holding you on his knees and kissing you at great length on the neck, the lips and throat. Suddenly you exclaimed: “Oh! the fire!” You had been paying no attention to it, and it was almost out. A few lingering embers were glowing on the hearth. Then he rose, ran to the woodbox, from which he dragged two enormous logs with great difficulty, when you came to him with begging lips, murmuring:

“Kiss me!” He turned his head with difficulty and tried to hold up the logs at the same time. Then you gently and slowly placed your mouth on that of the poor fellow, who remained with his neck out of joint, his sides twisted, his arms almost dropping off, trembling with fatigue and tired from his desperate effort. And you kept drawing out this torturing kiss, without seeing or understanding. Then when you freed him, you began to grumble: “How badly you kiss!” No wonder!

Oh, take care of that! We all have this foolish habit, this unconscious need of choosing the most inconvenient moments. When he is carrying a glass of water, when he is putting on his shoes, when he is tying his scarf – in short, when he finds himself in any uncomfortable position – then is the time which we choose for a caress which makes him stop for a whole minute in the middle of a gesture with the sole desire of getting rid of us!

Do not think that this criticism is insignificant. Love, my dear, is a delicate thing. The least little thing offends it; know that everything depends on the tact of our caresses. An ill-placed kiss may do any amount of harm.

Try following my advice.

Your old aunt,

COLLETTE.

This story appeared in the Gaulois in November, 1882, under the pseudonym of “Maufrigneuse.”

THE LEGION OF HONOR

HOW HE GOT THE LEGION OF HONOR

From the time some people begin to talk they seem to have an overmastering desire or vocation.

Ever since he was a child, M. Caillard had only had one idea in his head – to wear the ribbon of an order. When he was still quite a small boy he used to wear a zinc cross of the Legion of Honor pinned on his tunic, just as other children wear a soldier’s cap, and he took his mother’s hand in the street with a proud air, sticking out his little chest with its red ribbon and metal star so that it might show to advantage.

His studies were not a success, and he failed in his examination for Bachelor of Arts; so, not knowing what to do, he married a pretty girl, as he had plenty of money of his own.

They lived in Paris, as many rich middle-class people do, mixing with their own particular set, and proud of knowing a deputy, who might perhaps be a minister some day, and counting two heads of departments among their friends.

But M. Caillard could not get rid of his one absorbing idea, and he felt constantly unhappy because he had not the right to wear a little bit of colored ribbon in his buttonhole.

When he met any men who were decorated on the boulevards, he looked at them askance, with intense jealousy. Sometimes, when he had nothing to do in the afternoon, he would count them, and say to himself: “Just let me see how many I shall meet between the Madeleine and the Rue Drouot.”

Then he would walk slowly, looking at every coat with a practiced eye for the little bit of red ribbon, and when he had got to the end of his walk he always repeated the numbers aloud.

“Eight officers and seventeen knights. As many as that! It is stupid to sow the cross broadcast in that fashion. I wonder how many I shall meet going back?”

And he returned slowly, unhappy when the crowd of passers-by interfered with his vision.

He knew the places where most were to be found. They swarmed in the Palais Royal. Fewer were seen in the Avenue de l’Opera than in the Rue de la Paix, while the right side of the boulevard was more frequented by them than the left.

They also seemed to prefer certain cafes and theatres. Whenever he saw a group of white-haired old gentlemen standing together in the middle of the pavement, interfering with the traffic, he used to say to himself:

“They are officers of the Legion of Honor,” and he felt inclined to take off his hat to them.

He had often remarked that the officers had a different bearing to the mere knights. They carried their head differently, and one felt that they enjoyed a higher official consideration and a more widely extended importance.

Sometimes, however, the worthy man would be seized with a furious hatred for every one who was decorated; he felt like a Socialist toward them.

Then, when he got home, excited at meeting so many crosses – just as a poor, hungry wretch might be on passing some dainty provision shop – he used to ask in a loud voice:

“When shall we get rid of this wretched government?”

And his wife would be surprised, and ask:

“What is the matter with you to-day?”

“I am indignant,” he replied, “at the injustice I see going on around us. Oh, the Communards were certainly right!”

After dinner he would go out again and look at the shops where the decorations were sold, and he examined all the emblems of various shapes and colors. He would have liked to possess them all, and to have walked gravely at the head of a procession, with his crush hat under his arm and his breast covered with decorations, radiant as a star, amid a buzz of admiring whispers and a hum of respect.

But, alas! he had no right to wear any decoration whatever.

He used to say to himself: “It is really too difficult for any man to obtain the Legion of Honor unless he is some public functionary. Suppose I try to be appointed an officer of the Academy!”

But he did not know how to set about it, and spoke on the subject to his wife, who was stupefied.

“Officer of the Academy! What have you done to deserve it?”

He got angry. “I know what I am talking about. I only want to know how to set about it. You are quite stupid at times.”

She smiled. “You are quite right. I don’t understand anything about it.”

An idea struck him: “Suppose you were to speak to M. Rosselin, the deputy; he might be able to advise me. You understand I cannot broach the subject to him directly. It is rather difficult and delicate, but coming from you it might seem quite natural.”

Mme. Caillard did what he asked her, and M. Rosselin promised to speak to the minister about it; and then Caillard began to worry him, till the deputy told him he must make a formal application and put forward his claims.

“What were his charms?” he said. “He was not even a Bachelor of Arts.” However, he set to work and produced a pamphlet, with the title, “The People’s Right to Instruction,” but he could not finish it for want of ideas.

He sought for easier subjects, and began several in succession. The first was, “The Instruction of Children by Means of the Eye.” He wanted gratuitous theatres to be established in every poor quarter of Paris for little children. Their parents were to take them there when they were quite young, and, by means of a magic lantern, all the notions of human knowledge were to be imparted to them. There were to be regular courses. The sight would educate the mind, while the pictures would remain impressed on the brain, and thus science would, so to say, be made visible. What could be more simple than to teach universal history, natural history, geography, botany, zoology, anatomy, etc., etc., in this manner?

He had his ideas printed in pamphlets, and sent a copy to each deputy, ten to each minister, fifty to the President of the Republic, ten to each Parisian, and five to each provincial newspaper.

Then he wrote on “Street Lending-Libraries.” His idea was to have little pushcarts full of books drawn about the streets. Everyone would have a right to ten volumes a month in his home on payment of one sou.

“The people,” M. Caillard said, “will only disturb itself for the sake of its pleasures, and since it will not go to instruction, instruction must come to it,” etc., etc.

His essays attracted no attention, but he sent in his application, and he got the usual formal official reply. He thought himself sure of success, but nothing came of it.

Then he made up his mind to apply personally. He begged for an interview with the Minister of Public Instruction, and he was received by a young subordinate, who was very grave and important, and kept touching the knobs of electric bells to summon ushers, and footmen, and officials inferior to himself. He declared to M. Caillard that his matter was going on quite favorably, and advised him to continue his remarkable labors, and M. Caillard set at it again.

M. Rosselin, the deputy, seemed now to take a great interest in his success, and gave him a lot of excellent, practical advice. He, himself, was decorated, although nobody knew exactly what he had done to deserve such a distinction.