"Well, Mrs. Gwynn, it's quite excusable; I know all about it."
"What are you, a builder or a hartist?"
"Nothing of the kind; I'm a gentleman without a profession, Mrs. Gwynn, and one who will not permit you to be compromised; one who will protect you from the slightest suspicion of anything unpleasant."
"I don't know what you're a-driving at," said Mrs. Gwynn, still as white as death, and glancing furiously.
"Come, Mrs. Gwynn, you're a sensible woman. You do know perfectly. You have maintained a respectable character."
"Yes, sir!" said Donica Gwynn, and suddenly burst into a paroxysm of hysterical tears.
"Listen to me: you have maintained a respectable character, I know it: nothing whatever to injure that character shall ever fall from my lips; no human being – but two or three just as much interested in concealing all about it as you or I – shall ever know anything about it; and Sir Jekyl Marlowe has consented to take it down, so soon as the party at present at Marlowe shall have dispersed."
"Lady Alice – I'll never like to see her again," sobbed Donica.
"Lady Alice has no more suspicion of the existence of that door than the Pope of Rome has; and what is more, never shall. You may rely upon me to observe the most absolute silence and secrecy – nay, more, if necessary for the object of concealment – so to mislead and mystify people, that they can never so much as surmise the truth, provided– pray observe me —provided you treat me with the most absolute candour. You must not practise the least reserve or concealment. On tracing the slightest shadow of either in your communication with me, I hold myself free to deal with the facts in my possession, precisely as may seem best to myself. You understand?"
"Not Lady Alice, nor none of the servants, nor – nor a creature living, please."
"Depend on me," said Varbarriere.
"Well, sure I may; a gentleman would not break his word with such as me," said Donica, imploringly.
"We can't spend the whole day repeating the same thing over and over," said Varbarriere, rather grimly; "I've said my say – I know everything that concerns you about it, without your opening your lips upon the subject. You occupied that room for two years and a half during Sir Harry's lifetime – you see I know it all. There! you are perfectly safe. I need not have made you any promise, but I do – perfectly safe with me – and the room shall vanish this winter, and no one but ourselves know anything of that door – do you understand? —provided– "
"Yes, sir, please – and what do you wish to know more from me? I don't know, I'm sure, why I should be such a fool as to take on so about it, as if I could help it, or was ever a bit the worse of it myself. There's been many a one has slep' in that room and never so much as knowd there was a door but that they came in by."
"To be sure; so tell me, do you recollect Mr. Deverell's losing a paper in that room?"
"Well, I do mind the time he said he lost it there, but I know no more than the child unborn."
"Did Sir Harry never tell you?"
"They said a deal o' bad o' Sir Harry, and them that should a' stood up for him never said a good word for him. Poor old creature! – I doubt if he had pluck to do it. I don't think he had, poor fellow!"
"Did he ever tell you he had done it? Come, remember your promise."
"No, upon my soul – never."
"Do you think he took it?"
Their eyes met steadily.
"Yes, I do," said she, with a slight defiant frown.
"And why do you think so?"
"Because, shortly after the row began about that paper, he talked with me, and said there was something a-troubling of him, and he wished me to go and live in a farm-house at Applehythe, and keep summat he wanted kep safe, as there was no one in all England so true as me – poor old fellow! He never told me, and I never asked. But I laid it down in my own mind it was the paper Mr. Deverell lost, that's all."
"Did he ever show you that paper?"
"No."
"Did he tell you where it was?"
"He never said he had it."
"Did he show you where that thing was which he wanted you to take charge of?"
"Yes, in the press nigh his bed's head."
"Did he open the press?"
"Ay."
"Well?"
"He showed me a sort of a box, and he said that was all."
"A little trunk of stamped red leather – was that like it?"
"That was just it."
"Did he afterwards give it into anybody's charge?"
"I know no more about it. I saw it there, that's all. I saw it once, and never before nor since."
"Is there more than one secret door into that room?" pursued Varbarriere.
"More than one; no, never as I heard or thought."
"Where is the door placed with which you are acquainted?"
"Why? Don't you know?"
"Suppose I know of two. We have discovered a second. Which is the one you saw used? Come!"
Parenthetically it is to be observed that no such discovery had been made, and Varbarriere was merely fishing for information without disclosing his ignorance.
"In the recess at the right of the bed's head."
"Yes; and how do you open it? I mean from the green chamber?"
"I never knowd any way how to open it – it's from t'other side. There's a way to bolt it, though."
"Ay? How's that?"
"There's an ornament of scrowl-work, they calls it, bronze-like, as runs down the casing of the recess, shaped like letter esses. Well, the fourteenth of them, reckoning up from the bottom, next the wall, turns round with your finger and thumb; so if anyone be in the green chamber, and knows the secret, they can stop the door being opened."
"I see – thank you. You've been through the passage leading from Sir Harry's room that was – Sir Jekyl Marlowe's room, at the back of the house, to the secret door of the green chamber?"
"No, never. I know nothink o' that, no more nor a child."
"No?"
"No, nothink at all."
Varbarriere had here been trying to establish another conjecture.
There was a pause. Varbarriere, ruminating darkly, looked on Donica Gwynn. He then closed his pocket-book, in which he had inscribed a few notes, and said —
"Thank you, Mrs. Gwynn. Should I want anything more I'll call again; and you had better not mention the subject of my visit. Let me see the pictures – that will be the excuse – and do you keep your secret, and I'll keep mine."
"No, I thank you, sir," said Donica, drily, almost fiercely, drawing back from his proffered douceur.
"Tut, tut – pray do."
"No, I thank you."
So he looked at the pictures in the different rooms, and at some old china and snuff-boxes, to give a colour to his visit; and with polite speeches and dark smiles, and a general courtesy that was unctuous, he took his leave of Donica Gwynn, whom he left standing in the hall with a flushed face and a sore heart.
CHAPTER IV
A Story of a Magician and a Vampire
The pleasant autumn sun touched the steep roofs and mullioned windows of Marlowe Manor pleasantly that morning, turning the thinning foliage of its noble timber into gold, and bringing all the slopes and undulations of its grounds into relief in its subdued glory. The influence of the weather was felt by the guests assembled in the spacious breakfast-parlour, and gay and animated was the conversation.
Lady Jane Lennox, that "superbly handsome creature," as old Doocey used to term her, had relapsed very much into her old ways. Beatrix had been pleased when, even in her impetuous and uncertain way, that proud spirit had seemed to be drawn toward her again. But that was past, and that unruly nature had broken away once more upon her own solitary and wayward courses. She cared no more for Beatrix, or, if at all, it was plainly not kindly.
In Lady Jane's bold and mournful isolation there was something that interested Beatrix, ungracious as her ways often were, and she felt sore at the unjust repulse she had experienced. But Beatrix was proud, and so, though wounded, she did not show her pain – not that pain, nor another far deeper.
Between her and Guy Strangways had come a coldness unintelligible to her, an estrangement which she would have felt like an insult, had it not been for his melancholy looks and evident loss of spirits.
There is a very pretty room at Marlowe; it is called (why, I forget) Lady Mary's boudoir; its door opens from the first landing on the great stair. An oak floor, partly covered with a Turkey carpet, one tall window with stone shafts, a high old-fashioned stone chimneypiece, and furniture perhaps a little incongruous, but pleasant in its incongruity. Tapestry in the Teniers style – Dutch village festivals, with no end of figures, about half life-size, dancing, drinking, making music; old boors, and young and fair-haired maidens, and wrinkled vraus, and here and there gentlemen in doublets and plumed hats, and ladies, smiling and bare-headed, and fair and plump, in great stomachers. These pleasant subjects, so lifelike, with children, cocks and hens, and dogs interspersed, helped, with a Louis Quatorze suit of pale green, and gold chairs cushioned with Utrecht velvet, to give to this room its character so mixed, of gaiety and solemnity, something very quaint and cheery.
This room had old Lady Alice Redcliffe selected for her sitting-room, when she found herself unequal to the exertion of meeting the other ladies in the drawing-room, and hither she had been wont to invite Guy Strangways, who would occasionally pass an hour here wonderfully pleasantly and happily – in fact, as many hours as the old lady would have permitted, so long as Beatrix had been her companion.
But with those self-denying resolutions we have mentioned came a change. When Beatrix was there the young gentleman was grave and rather silent, and generally had other engagements which at least shortened his visit. This was retorted by Beatrix, who, a few minutes after the arrival of the visitor whom old Lady Alice had begun to call her secretary, would, on one pretence or another, disappear, and leave the old princess and her secretary to the uninterrupted enjoyment of each other's society.
Now since the night on which Varbarriere in talking with Lady Alice had, as we have heard, suddenly arrested his speech respecting her son – leaving her in uncertainty how it was to have been finished – an uncertainty on which her morbid brain reflected a thousand horrid and impossible shapes, the old lady had once more conceived something of her early dread of Guy Strangways. It was now again subsiding, although last night, under the influence of laudanum, in her medicated sleep her son had been sitting at her bedside, talking incessantly, she could not remember what.
Guy Strangways had just returned from the Park for his fishing-rod and angler's gear, when he was met in the hall by the grave and courteous butler, who presented a tiny pencilled note from Lady Alice, begging him to spare her half an hour in Lady Mary's boudoir.
Perhaps it was a bore. But habitual courtesy is something more than "mouth honour, breath." Language and thought react upon one another marvellously. To restrain its expression is in part to restrain the feeling; and thus a well-bred man is not only in words and demeanour, but inwardly and sincerely, more gracious and noble than others.
How oddly things happen sometimes!
Exactly as Guy Strangways arrived on the lobby, a little gloved hand – it was Beatrix's – was on the door-handle of Lady Mary's boudoir. It was withdrawn, and she stood looking for a second or two at the young gentleman, who had evidently been going in the same direction. He, too, paused; then, with a very low bow, advanced to open the door for Miss Marlowe.
"No, thank you – I – I think I had better postpone my visit to grandmamma till I return. I'm going to the garden, and should like to bring her some flowers."
"I'm afraid I have arrived unluckily – she would, I know, have been so glad to see you," said Guy Strangways.
"Oh, I've seen her twice before to-day. You were going to make her a little visit now."
"I – if you wish it, Miss Marlowe, I'll defer it."
"She would be very little obliged to me, I'm sure; but I must really go," said Beatrix, recollecting on a sudden that there was no need of so long a parley.
"It would very much relieve the poor secretary's labours, and make his little period of duty so much happier," said Guy, forgetting his wise resolutions strangely.
"I am sure grandmamma would prefer seeing her visitors singly – it makes a great deal more of them, you know."
And with a little smile and such a pretty glow in her cheeks, she passed him by. He bowed and smiled faintly too, and for a moment stood gazing after her into the now vacant shadow of the old oak wainscoting, as young Numa might after his vanished Egeria, with an unspoken, burning grief and a longing at his heart.
"I'm sure she can't like me – I'm sure she dislikes me. So much the better – Heaven knows I'm glad of it."
And with an aching heart he knocked, turned the handle, and entered the pretty apartment in which Lady Alice, her thin shoulders curved, as she held her hands over the fire, was sitting alone.
She looked at him over her shoulder strangely from her hollow eyes, without moving or speaking for a time. He bowed gravely, and said —
"I have this moment received your little note, Lady Alice, and have hastened to obey."
She sat up straight and sighed.
"Thanks – I have not been very well – so nervous – so very nervous," she repeated, without removing her sad and clouded gaze from his face.
"We all heard with regret that you had not been so well," said he.
"Well, we'll not talk of it – you're very good – I'm glad you've come – very nervous, and almost wishing myself back at Wardlock – where indeed I should have returned, only that I should have been wishing myself back again before an hour – miserably nervous."
And Lady Alice sniffed at her smelling-salts, and added —
"And Monsieur Varbarriere gone away on business for some days – is not he?"
"Yes – quite uncertain – possibly for two, or perhaps three, he said," answered Guy.
"And he's very – he knows – he knows a great deal – I forget what I was going to say – I'm half asleep to-day – no sleep – a very bad night."
And old Lady Alice yawned drearily into the fire.
"Beatrix said she'd look in; but everyone forgets – you young people are so selfish."
"Mademoiselle Marlowe was at the door as I came in, and said she would go on instead to the garden first, and gather some flowers for you."
"Oh! h'm! – very good – well, I can't talk to-day; suppose you choose a book, Mr. Strangways, and read a few pages – that is, if you are quite at leisure?"
"Perfectly – that is, for an hour – unfortunately I have then an appointment. What kind of book shall I take?" he asked, approaching one of the two tall bookstands that flanked an oval mirror opposite the fireplace.
"Anything, provided it is old."
Nearly half an hour passed in discussing what to read – the old lady not being in the mood that day to pursue the verse readings which had employed Guy Strangways hitherto.
"This seems a curious old book," he said, after a few minutes. "Very old French – I think upon witchcraft, and full of odd narratives."
"That will do very well."
"I had better try to translate it – the language is so antiquated."
He leaned the folio on the edge of the chimneypiece, and his elbow beside it, supporting his head on his hand, and so read aloud to the exigeante old lady, who liked to see people employed about her, even though little of comfort, amusement, or edification resulted from it.
The narrative which Lady Alice had selected was entitled thus: —
"CONCERNING A REMARKABLE REVENGE AFTER SEPULTURE"In the Province of Normandy, in the year of grace 1405, there lived a young gentleman of Styrian descent, possessing estates in Hungary, but a still more opulent fortune in France. His park abutted on that of the Chevalier de St. Aubrache, who was a man also young, of ancient lineage, proud to excess, and though wealthy, by no means so wealthy as his Styrian neighbour.
"This disparity in riches excited the wrath of the jealous nobleman, who having once admitted the passions of envy and hatred to his heart, omitted no opportunity to injure him.
"The Chevalier de St. Aubrache, in fact, succeeded so well – "
Just at this point in the tale, Beatrix, with her flowers, not expecting to find Guy Strangways still in attendance, entered the room.
"You need not go; come in, dear – you've brought me some flowers – come in, I say; thank you, Beatrix, dear – they are very pretty, and very sweet too. Here is Mr. Strangways – sit by me, dear – reading a curious old tale of witchcraft. Tell her the beginning, pray."
So Strangways told the story over again in his best way, and then proceeded to read as follows: —
"The Chevalier de St. Aubrache, in fact, succeeded so well, that on a point of law, aided by a corrupt judge in the Parliament of Rouen, he took from him a considerable portion of his estate, and subsequently so managed matters without committing himself, that he lost his life unfairly in a duel, which the Chevalier secretly contrived.
"Now there was in the household of the gentleman so made away with, a certain Hungarian, older than he, a grave and politic man, and reputed to have studied the art of magic deeply. By this man was the corpse of the deceased gentleman duly coffined, had away to Styria, and, it is said, there buried according to certain conditions, with which the Hungarian magician, who had vowed a terrible revenge, was well acquainted.
"In the meantime the Chevalier de St. Aubrache had espoused a very beautiful demoiselle of the noble family of D'Ayenterre, by whom he had one daughter, so beautiful that she was the subject of universal admiration, which increased in the heart of her proud father that affection which it was only natural that he should cherish for her.
"It was about the time of Candlemas, a full score of years after the death of his master, that the Hungarian magician returned to Normandy, accompanied by a young gentleman, very pale indeed, but otherwise so exactly like the gentleman now so long dead, that no one who had been familiar with his features could avoid being struck, and indeed, affrighted with the likeness.
"The Chevalier de St. Aubrache was at first filled with horror, like the rest; but well knowing that the young man whom he, the stranger, so resembled, had been actually killed as aforesaid, in combat, and having never heard of vampires, which are among the most malignant and awful of the manifestations of the Evil One, and not recognising at all the Hungarian magician, who had been careful to disguise himself effectually; and, above all, relying on letters from the King of Hungary, with which, under a feigned name, as well as with others from the Archbishop of Toledo in Spain, he had come provided, he received him into his house; when the grave magician, who resembled a doctor of a university, and the fair-seeming vampire, being established in the house of their enemy, began to practise, by stealth, their infernal arts."
The old lady saw that in the reader's countenance, as he read this odd story, which riveted her gaze. Perhaps conscious of her steady and uncomfortable stare, as well as of a real parallel, he grew obviously disconcerted, and at last, as it seemed, even agitated as he proceeded.
"Young man, for Heaven's sake, will you tell me who you are?" said Lady Alice, her dark old eyes fixed fearfully on his face, as she rose unconsciously from her chair.
The young man, very pale, turned a despairing and almost savage look from her to Beatrix, and back to her again.
"You are not a Strangways," she continued.
He looked steadily at her, as if he were going to speak, then dropped his glance suddenly and remained silent.
"I say, I know your name is not Strangways," said the old lady, in increasing agitation.
"I can tell you nothing about myself," said he again, fixing his great dark eyes, that looked almost wild in his pallid face, full upon her, with a strange expression of anguish.
"In the Almighty's name, are you Guy Deverell?" she screamed, lifting up her thin hands between him and her in her terror.
The young man returned her gaze oddly, with, she fancied, a look of baffled horror in his face. It seemed to her like an evil spirit detected.
He recovered, however, for a few seconds, something of his usual manner. Instead of speaking, he bowed twice very low, and, on the point of leaving the room, he suddenly arrested his departure, turning about with a stamp on the floor; and walking back to her, he said, very gently —
"Yes, yes, why should I deny it? My name is Guy Deverell."
And was gone.
CHAPTER V
Farewell
"Oh! grandmamma, what is it?" said Beatrix, clasping her thin wrist.
The old lady, stooping over the chair on which she leaned, stared darkly after the vanished image, trembling very much.
"What is Deverell – why should the name be so dreadful – is there anything – oh! grandmamma, is there anything very bad?"
"I don't know – I am confused – did you ever see such a face? My gracious Heaven!" muttered Lady Alice.
"Oh! grandmamma, darling, tell me what it is, I implore of you."
"Yes, dear, everything; another time. I can't now. I might do a mischief. I might prevent – you must promise me, darling, to tell no one. You must not say his name is Deverell. You say nothing about it. That dreadful, dreadful story!"
The folio was lying with crumpled leaves, back upward, on the floor, where it had fallen.
"There is something plainly fearful in it. You think so, grandmamma; something discovered; something going to happen. Send after him, grandmamma; call him back. If it is anything you can prevent, I'll ring."
"Don't touch the bell," cried granny, sharply, clutching at her hand, "don't do it. See, Beatrix, you promise me you say nothing to anyone of what you've witnessed —promise. I'll tell you all I know when I'm better. He'll come again. I wish he'd come again. I'm sure he will, though I hardly think I could bear to see him. I don't know what to think."
The old lady threw herself back in her chair, not affectedly at all, but looking so awfully haggard and agitated that Beatrix was frightened.
"Call nobody, there's a darling; just open the window; I shall be better."
And she heaved some of those long and heavy sighs which relieve hysterical oppression; and, after a long silence, she said —
"It is a long time since I have felt so ill, Beatrix. Remember this, darling, my papers are in the black cabinet in my bed-room at home – I mean Wardlock. There is not a great deal. My jointure stops, you know; but whatever little there is, is for you, darling."
"You're not to talk of it, granny, darling, you'll be quite well in a minute; the air is doing you good. May I give you a little wine? – Well, a little water?"
"Thanks, dear; I am better. Remember what I told you, and particularly your promise to mention what you heard to no one. I mean the – the – strange scene with that young man. I think I will take a glass of wine. I'll tell you all when I'm better – when Monsieur Varbarriere comes back. It is important for a time, especially having heard what I have, that I should wait a little."
Granny sipped a little sherry slowly, and the tint of life, such as visits the cheek of the aged, returned to hers, and she was better.
"I'd rather not see him any more. It's all like a dream. I don't know what to make of it," muttered granny; and she began audibly to repeat passages, tremblingly and with upturned eyes, from her prayer-book.
Perplexed, anxious, excited, Beatrix looked down on the collapsed and haggard face of the old lady, and listened to the moaned petition, "Lord, have mercy upon us!" which trembled from her lips as it might from those of a fainting sinner on a death-bed.
Guy Deverell, as I shall henceforward call him, thinking of nothing but escape into solitude, was soon a good way from the house. He was too much agitated, and his thoughts too confused at first, to estimate all the possible consequences of the sudden disclosure he had just made.