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On the Old Road, Vol. 2 (of 2)
On the Old Road, Vol. 2 (of 2)
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On the Old Road, Vol. 2 (of 2)

241. "It has now become a most grave object with me to get some of the great pictures of the Italian schools into England; and that, I think, at this time—with good help—might be contrived. Further, without in the least urging my plans impatiently on anyone else, I know thoroughly that this, which I have said should be done, can be done, for the Italian rivers, and that no method of employment of our idle able-bodied laborers would be in the end more remunerative, or in the beginnings of it more healthful and every way beneficial than, with the concurrence of the Italian and Swiss governments, setting them to redeem the valleys of the Ticino and the Rhone. And I pray you to think of this; for I tell you truly—you who care for Italy—that both her passions and her mountain streams are noble; but that her happiness depends not on the liberty, but the right government of both."14

CATALOGUE

(See ante, p. 101.—Ed.)

Drawings and Photographs, illustrative of the Architecture of Verona, shown at the Royal Institution, Feb. 4th, 1870.

SECTION I. Nos. 1 to 7. LOMBARD

242. (1.) Porch of the Church of St. Zeno. (Photograph.)

Of the 12th century.

(2.) Porch of the South Entrance of the Duomo.

Probably of the 10th or 11th century, and highly remarkable for the wildness of its grotesque or monstrous sculpture, which has been most carefully rendered by the draughts-man, Mr. Bunney.

It will save space to note that the sketches by my two most skillful and patient helpers, Mr. A. Burgess and Mr. Bunney, will be respectively marked (A) and (B), and my own (R).

(3.) Porch of the Western Entrance of the Duomo.

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1

This evidence, given by Mr. Ruskin as stated above, is reprinted from the Report of the National Gallery Site Commission. London: Harrison and Sons. 1857. Pp. 92-7. Questions 2392-2504. The Commission consisted of Lord Broughton (chairman), Dean Milman, Professor Faraday, Mr. Cockerell, R.A., and Mr. George Richmond, all of whom were present on the occasion of Mr. Ruskin giving his evidence.—Ed.

2

Reprinted from "The Report of the Select Committee on Public Institutions. Ordered by the House of Commons to be printed, 27 March 1860," pp. 113-123. The following members of the Committee were present on the occasion of the above evidence being given: -Sir John Trelawny (Chairman), Mr. Sclater Booth, Mr. Du Pre, Mr. Kinnaird, Mr. Hanbury, Sir Robert Peel, Mr. Slaney, and Mr. John Tollemache.—Ed.

3

Reprinted from "The Report of the Commissioners appointed to inquire into the Present Position of the Royal Academy in Relation to the Fine Arts." London: Eyre and Spottiswoode, 1863 (pp. 546-55. Questions 5079-5142). The Commission consisted of Earl Stanhope (Chairman), Viscount Hardinge, Lord Elcho, Sir E. W. Head, Mr. William Stirling, Mr. H. D. Seymour, and Mr. Henry Reeve, all of whom, except Mr. Seymour, were present at the above sitting.—Ed.

4

These letters are reprinted from the Art Journal of June and August 1880, where they were prefaced with the following note by the editor in explanation of their origin:—"We are enabled, through Mr. Ruskin's kindness, to publish this month a series of letters to a friend upon the functions and formation of a model Museum or Picture Gallery. As stated in our last issue the question arose thus:—At the distribution of the prizes to the School of Art at Leicester by Mr. J. D. Linton and Mr. James Orrock, members of the Institute of Painters in Water Colors, the latter, after stating the vital importance of study from nothing but the finest models, and expressing his regret that the present price of works of Art of the first class rendered their attainment by schools almost prohibitory, offered drawings by William Hunt and David Cox as a nucleus for a collection. He urged others to follow this example, and with so much success that a few days saw a large sum and many works of Art promised in aid of a students' gallery. The attention of the Leicester Corporation was thereupon drawn to the movement, and they at once endeavored to annex the scheme to their Museum. Failing in this, they in friendly rivalry subscribed a large sum of money, and the question at once arose how best to dispose of it, each naturally thinking his own ideas the best. At this juncture Mr. Ruskin's aid was invoked by one section of the subscribers, and he replied in a letter which, owing to its having been circulated without its context, has been open to some misconstruction. As he was only asked, so he only advised, what should not be done. However, the letter bore its fruits, for both parties have had the attention of the country drawn to their proposals, and so are now more diffident how to set about carrying them into effect than they were before. Under these circumstances Mr. Ruskin has been induced to set out the mode in which he considers an Art Museum should be formed."

The letter which was "open to some misconstruction" may be found in Arrows of the Chace.

5

Reprinted in vol. i., §§ 253-273.—Ed.

6

In 1873. See the second lecture of Love's Meinie.—Ed..

7

Art Journal, August, 1880.

8

The "Derby Day." See Arrows of the Chase.

9

Published by the Arundel Society (1872), together with a chromo-lithograph after a drawing by Herr Gnauth.—Ed.

10

D.M.

Gerardo Bolderio

sui temporis

Physicorum Principi

Franciscus et

Matthaeus Nepotes

P.P.

11

I am indebted for this genealogy to the research and to the courtesy of Mr. J. Stefani. The help given me by other Venetian friends, especially Mr. Rawdon Brown, dates from many years back in matters of this kind.

12

Report (with extracts) of a paper entitled "A Talk respecting Verona and its Rivers," read by Mr. Ruskin at the Weekly Evening Meeting of the Royal Institution of Great Britain, Feb. 4th, 1870. See Proceedings of the Royal Institution, vol. vi., p. 55.—Ed.

13

This catalogue (London: Queen Street Printing-Office, 1870) is printed below, p. 109, § 242 seqq.—Ed.

14

See Arrows of the Chace.

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