An author should avoid enigmatical phrases; he should know whether he wants to say a thing or does not want to say it. It is this indecision of style that makes so many writers insipid. The only case that offers an exception to this rule arises when it is necessary to make a remark that is in some way improper.
As exaggeration generally produces an effect the opposite of that aimed at; so words, it is true, serve to make thought intelligible – but only up to a certain point. If words are heaped up beyond it, the thought becomes more and more obscure again. To find where the point lies is the problem of style, and the business of the critical faculty; for a word too much always defeats its purpose. This is what Voltaire means when he says that the adjective is the enemy of the substantive
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1
In their Hegel-gazette, commonly known as Jahrbücher der wissenschaftlichen Literatur.
2
Select examples of the art of writing in this style are to be found almost passim in the Jahrbücher published at Halle, afterwards called the Deutschen Jahrbücher.
3
King Henry IV., Part II. Act v. Sc. 3.
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