The Lily of the Valley
These arrangements give an elegant air to the little castle, dainty as a flower, which seems to scarcely rest upon the earth. Seen from the valley the ground-floor appears to be the first story; but on the other side it is on a level with a broad gravelled path leading to a grass-plot, on which are several flower-beds. To right and left are vineyards, orchards, and a few acres of tilled land planted with chestnut-trees which surround the house, the ground falling rapidly to the Indre, where other groups of trees of variegated shades of green, chosen by Nature herself, are spread along the shore. I admired these groups, so charmingly disposed, as we mounted the hilly road which borders Clochegourde; I breathed an atmosphere of happiness. Has the moral nature, like the physical nature, its own electrical communications and its rapid changes of temperature? My heart was beating at the approach of events then unrevealed which were to change it forever, just as animals grow livelier when foreseeing fine weather.
This day, so marked in my life, lacked no circumstance that was needed to solemnize it. Nature was adorned like a woman to meet her lover. My soul heard her voice for the first time; my eyes worshipped her, as fruitful, as varied as my imagination had pictured her in those school-dreams the influence of which I have tried in a few unskilful words to explain to you, for they were to me an Apocalypse in which my life was figuratively foretold; each event, fortunate or unfortunate, being mated to some one of these strange visions by ties known only to the soul.
We crossed a court-yard surrounded by buildings necessary for the farm work, – a barn, a wine-press, cow-sheds, and stables. Warned by the barking of the watch-dog, a servant came to meet us, saying that Monsieur le comte had gone to Azay in the morning but would soon return, and that Madame la comtesse was at home. My companion looked at me. I fairly trembled lest he should decline to see Madame de Mortsauf in her husband’s absence; but he told the man to announce us. With the eagerness of a child I rushed into the long antechamber which crosses the whole house.
“Come in, gentlemen,” said a golden voice.
Though Madame de Mortsauf had spoken only one word at the ball, I recognized her voice, which entered my soul and filled it as a ray of sunshine fills and gilds a prisoner’s dungeon. Thinking, suddenly, that she might remember my face, my first impulse was to fly; but it was too late, – she appeared in the doorway, and our eyes met. I know not which of us blushed deepest. Too much confused for immediate speech she returned to her seat at an embroidery frame while the servant placed two chairs, then she drew out her needle and counted some stitches, as if to explain her silence; after which she raised her head, gently yet proudly, in the direction of Monsieur de Chessel as she asked to what fortunate circumstance she owed his visit. Though curious to know the secret of my unexpected appearance, she looked at neither of us, – her eyes were fixed on the river; and yet you could have told by the way she listened that she was able to recognize, as the blind do, the agitations of a neighboring soul by the imperceptible inflexions of the voice.
Monsieur de Chessel gave my name and biography. I had lately arrived at Tours, where my parents had recalled me when the armies threatened Paris. A son of Touraine to whom Touraine was as yet unknown, she would find me a young man weakened by excessive study and sent to Frapesle to amuse himself; he had already shown me his estate, which I saw for the first time. I had just told him that I had walked from Tours to Frapesle, and fearing for my health – which was really delicate – he had stopped at Clochegourde to ask her to allow me to rest there. Monsieur de Chessel told the truth; but the accident seemed so forced that Madame de Mortsauf distrusted us. She gave me a cold, severe glance, under which my own eyelids fell, as much from a sense of humiliation as to hide the tears that rose beneath them. She saw the moisture on my forehead, and perhaps she guessed the tears; for she offered me the restoratives I needed, with a few kind and consoling words, which gave me back the power of speech. I blushed like a young girl, and in a voice as tremulous as that of an old man I thanked her and declined.
“All I ask,” I said, raising my eyes to hers, which mine now met for the second time in a glance as rapid as lightning, – “is to rest here. I am so crippled with fatigue I really cannot walk farther.”
“You must not doubt the hospitality of our beautiful Touraine,” she said; then, turning to my companion, she added: “You will give us the pleasure of your dining at Clochegourde?”
I threw such a look of entreaty at Monsieur de Chessel that he began the preliminaries of accepting the invitation, though it was given in a manner that seemed to expect a refusal. As a man of the world, he recognized these shades of meaning; but I, a young man without experience, believed so implicitly in the sincerity between word and thought of this beautiful woman that I was wholly astonished when my host said to me, after we reached home that evening, “I stayed because I saw you were dying to do so; but if you do not succeed in making it all right, I may find myself on bad terms with my neighbors.” That expression, “if you do not make it all right,” made me ponder the matter deeply. In other words, if I pleased Madame de Mortsauf, she would not be displeased with the man who introduced me to her. He evidently thought I had the power to please her; this in itself gave me that power, and corroborated my inward hope at a moment when it needed some outward succor.
“I am afraid it will be difficult,” he began; “Madame de Chessel expects us.”
“She has you every day,” replied the countess; “besides, we can send her word. Is she alone?”
“No, the Abbe de Quelus is there.”
“Well, then,” she said, rising to ring the bell, “you really must dine with us.”
This time Monsieur de Chessel thought her in earnest, and gave me a congratulatory look. As soon as I was sure of passing a whole evening under that roof I seemed to have eternity before me. For many miserable beings to-morrow is a word without meaning, and I was of the number who had no faith in it; when I was certain of a few hours of happiness I made them contain a whole lifetime of delight.
Madame de Mortsauf talked about local affairs, the harvest, the vintage, and other matters to which I was a total stranger. This usually argues either a want of breeding or great contempt for the stranger present who is thus shut out from the conversation, but in this case it was embarrassment. Though at first I thought she treated me as a child and I envied the man of thirty to whom she talked of serious matters which I could not comprehend, I came, a few months later, to understand how significant a woman’s silence often is, and how many thoughts a voluble conversation masks. At first I attempted to be at my ease and take part in it, then I perceived the advantages of my situation and gave myself up to the charm of listening to Madame de Mortsauf’s voice. The breath of her soul rose and fell among the syllables as sound is divided by the notes of a flute; it died away to the ear as it quickened the pulsation of the blood. Her way of uttering the terminations in “i” was like a bird’s song; the “ch” as she said it was a kiss, but the “t’s” were an echo of her heart’s despotism. She thus extended, without herself knowing that she did so, the meaning of her words, leading the soul of the listener into regions above this earth. Many a time I have continued a discussion I could easily have ended, many a time I have allowed myself to be unjustly scolded that I might listen to those harmonies of the human voice, that I might breathe the air of her soul as it left her lips, and strain to my soul that spoken light as I would fain have strained the speaker to my breast. A swallow’s song of joy it was when she was gay! – but when she spoke of her griefs, a swan’s voice calling to its mates!
Madame de Mortsauf’s inattention to my presence enabled me to examine her. My eyes rejoiced as they glided over the sweet speaker; they kissed her feet, they clasped her waist, they played with the ringlets of her hair. And yet I was a prey to terror, as all who, once in their lives, have experienced the illimitable joys of a true passion will understand. I feared she would detect me if I let my eyes rest upon the shoulder I had kissed, and the fear sharpened the temptation. I yielded, I looked, my eyes tore away the covering; I saw the mole which lay where the pretty line between the shoulders started, and which, ever since the ball, had sparkled in that twilight which seems the region of the sleep of youths whose imagination is ardent and whose life is chaste.
I can sketch for you the leading features which all eyes saw in Madame de Mortsauf; but no drawing, however correct, no color, however warm, can represent her to you. Her face was of those that require the unattainable artist, whose hand can paint the reflection of inward fires and render that luminous vapor which defies science and is not revealable by language – but which a lover sees. Her soft, fair hair often caused her much suffering, no doubt through sudden rushes of blood to the head. Her brow, round and prominent like that of Joconda, teemed with unuttered thoughts, restrained feelings – flowers drowning in bitter waters. The eyes, of a green tinge flecked with brown, were always wan; but if her children were in question, or if some keen condition of joy or suffering (rare in the lives of all resigned women) seized her, those eyes sent forth a subtile gleam as if from fires that were consuming her, – the gleam that wrung the tears from mine when she covered me with her contempt, and which sufficed to lower the boldest eyelid. A Grecian nose, designed it might be by Phidias, and united by its double arch to lips that were gracefully curved, spiritualized the face, which was oval with a skin of the texture of a white camellia colored with soft rose-tints upon the cheeks. Her plumpness did not detract from the grace of her figure nor from the rounded outlines which made her shape beautiful though well developed. You will understand the character of this perfection when I say that where the dazzling treasures which had so fascinated me joined the arm there was no crease or wrinkle. No hollow disfigured the base of her head, like those which make the necks of some women resemble trunks of trees; her muscles were not harshly defined, and everywhere the lines were rounded into curves as fugitive to the eye as to the pencil. A soft down faintly showed upon her cheeks and on the outline of her throat, catching the light which made it silken. Her little ears, perfect in shape, were, as she said herself, the ears of a mother and a slave. In after days, when our hearts were one, she would say to me, “Here comes Monsieur de Mortsauf”; and she was right, though I, whose hearing is remarkably acute, could hear nothing.
Her arms were beautiful. The curved fingers of the hand were long, and the flesh projected at the side beyond the finger-nails, like those of antique statues. I should displease you, I know, if you were not yourself an exception to my rule, when I say that flat waists should have the preference over round ones. The round waist is a sign of strength; but women thus formed are imperious, self-willed, and more voluptuous than tender. On the other hand, women with flat waists are devoted in soul, delicately perceptive, inclined to sadness, more truly woman than the other class. The flat waist is supple and yielding; the round waist is inflexible and jealous.
You now know how she was made. She had the foot of a well-bred woman, – the foot that walks little, is quickly tired, and delights the eye when it peeps beneath the dress. Though she was the mother of two children, I have never met any woman so truly a young girl as she. Her whole air was one of simplicity, joined to a certain bashful dreaminess which attracted others, just as a painter arrests our steps before a figure into which his genius has conveyed a world of sentiment. If you recall the pure, wild fragrance of the heath we gathered on our return from the Villa Diodati, the flower whose tints of black and rose you praised so warmly, you can fancy how this woman could be elegant though remote from the social world, natural in expression, fastidious in all things which became part of herself, – in short, like the heath of mingled colors. Her body had the freshness we admire in the unfolding leaf; her spirit the clear conciseness of the aboriginal mind; she was a child by feeling, grave through suffering, the mistress of a household, yet a maiden too. Therefore she charmed artlessly and unconsciously, by her way of sitting down or rising, of throwing in a word or keeping silence. Though habitually collected, watchful as the sentinel on whom the safety of others depends and who looks for danger, there were moments when smiles would wreathe her lips and betray the happy nature buried beneath the saddened bearing that was the outcome of her life. Her gift of attraction was mysterious. Instead of inspiring the gallant attentions which other women seek, she made men dream, letting them see her virginal nature of pure flame, her celestial visions, as we see the azure heavens through rifts in the clouds. This involuntary revelation of her being made others thoughtful. The rarity of her gestures, above all, the rarity of her glances – for, excepting her children, she seldom looked at any one – gave a strange solemnity to all she said and did when her words or actions seemed to her to compromise her dignity.
On this particular morning Madame de Mortsauf wore a rose-colored gown patterned in tiny stripes, a collar with a wide hem, a black belt, and little boots of the same hue. Her hair was simply twisted round her head, and held in place by a tortoise-shell comb. Such, my dear Natalie, is the imperfect sketch I promised you. But the constant emanation of her soul upon her family, that nurturing essence shed in floods around her as the sun emits its light, her inward nature, her cheerfulness on days serene, her resignation on stormy ones, – all those variations of expression by which character is displayed depend, like the effects in the sky, on unexpected and fugitive circumstances, which have no connection with each other except the background against which they rest, though all are necessarily mingled with the events of this history, – truly a household epic, as great to the eyes of a wise man as a tragedy to the eyes of the crowd, an epic in which you will feel an interest, not only for the part I took in it, but for the likeness that it bears to the destinies of so vast a number of women.
Everything at Clochegourde bore signs of a truly English cleanliness. The room in which the countess received us was panelled throughout and painted in two shades of gray. The mantelpiece was ornamented with a clock inserted in a block of mahogany and surmounted with a tazza, and two large vases of white porcelain with gold lines, which held bunches of Cape heather. A lamp was on a pier-table, and a backgammon board on legs before the fireplace. Two wide bands of cotton held back the white cambric curtains, which had no fringe. The furniture was covered with gray cotton bound with a green braid, and the tapestry on the countess’s frame told why the upholstery was thus covered. Such simplicity rose to grandeur. No apartment, among all that I have seen since, has given me such fertile, such teeming impressions as those that filled my mind in that salon of Clochegourde, calm and composed as the life of its mistress, where the conventual regularity of her occupations made itself felt. The greater part of my ideas in science or politics, even the boldest of them, were born in that room, as perfumes emanate from flowers; there grew the mysterious plant that cast upon my soul its fructifying pollen; there glowed the solar warmth which developed my good and shrivelled my evil qualities. Through the windows the eye took in the valley from the heights of Pont-de-Ruan to the chateau d’Azay, following the windings of the further shore, picturesquely varied by the towers of Frapesle, the church, the village, and the old manor-house of Sache, whose venerable pile looked down upon the meadows.
In harmony with this reposeful life, and without other excitements to emotion than those arising in the family, this scene conveyed to the soul its own serenity. If I had met her there for the first time, between the count and her two children, instead of seeing her resplendent in a ball dress, I should not have ravished that delirious kiss, which now filled me with remorse and with the fear of having lost the future of my love. No; in the gloom of my unhappy life I should have bent my knee and kissed the hem of her garment, wetting it with tears, and then I might have flung myself into the Indre. But having breathed the jasmine perfume of her skin and drunk the milk of that cup of love, my soul had acquired the knowledge and the hope of human joys; I would live and await the coming of happiness as the savage awaits his hour of vengeance; I longed to climb those trees, to creep among the vines, to float in the river; I wanted the companionship of night and its silence, I needed lassitude of body, I craved the heat of the sun to make the eating of the delicious apple into which I had bitten perfect. Had she asked of me the singing flower, the riches buried by the comrades of Morgan the destroyer, I would have sought them, to obtain those other riches and that mute flower for which I longed.
When my dream, the dream into which this first contemplation of my idol plunged me, came to an end and I heard her speaking of Monsieur de Mortsauf, the thought came that a woman must belong to her husband, and a raging curiosity possessed me to see the owner of this treasure. Two emotions filled my mind, hatred and fear, – hatred which allowed of no obstacles and measured all without shrinking, and a vague, but real fear of the struggle, of its issue, and above all of her.
“Here is Monsieur de Mortsauf,” she said.
I sprang to my feet like a startled horse. Though the movement was seen by Monsieur de Chessel and the countess, neither made any observation, for a diversion was effected at this moment by the entrance of a little girl, whom I took to be about six years old, who came in exclaiming, “Here’s papa!”
“Madeleine?” said her mother, gently.
The child at once held out her hand to Monsieur de Chessel, and looked attentively at me after making a little bow with an air of astonishment.
“Are you more satisfied about her health?” asked Monsieur de Chessel.
“She is better,” replied the countess, caressing the little head which was already nestling in her lap.
The next question of Monsieur de Chessel let me know that Madeleine was nine years old; I showed great surprise, and immediately the clouds gathered on the mother’s brow. My companion threw me a significant look, – one of those which form the education of men of the world. I had stumbled no doubt upon some maternal wound the covering of which should have been respected. The sickly child, whose eyes were pallid and whose skin was white as a porcelain vase with a light within it, would probably not have lived in the atmosphere of a city. Country air and her mother’s brooding care had kept the life in that frail body, delicate as a hot-house plant growing in a harsh and foreign climate. Though in nothing did she remind me of her mother, Madeleine seemed to have her soul, and that soul held her up. Her hair was scanty and black, her eyes and cheeks hollow, her arms thin, her chest narrow, showing a battle between life and death, a duel without truce in which the mother had so far been victorious. The child willed to live, – perhaps to spare her mother, for at times, when not observed, she fell into the attitude of a weeping-willow. You might have thought her a little gypsy dying of hunger, begging her way, exhausted but always brave and dressed up to play her part.
“Where have you left Jacques?” asked the countess, kissing the white line which parted the child’s hair into two bands that looked like a crow’s wings.
“He is coming with papa.”
Just then the count entered, holding his son by the hand. Jacques, the image of his sister, showed the same signs of weakness. Seeing these sickly children beside a mother so magnificently healthy it was impossible not to guess at the causes of the grief which clouded her brow and kept her silent on a subject she could take to God only. As he bowed, Monsieur de Mortsauf gave me a glance that was less observing than awkwardly uneasy, – the glance of a man whose distrust grows out of his inability to analyze. After explaining the circumstances of our visit, and naming me to him, the countess gave him her place and left the room. The children, whose eyes were on those of their mother as if they drew the light of theirs from hers, tried to follow her; but she said, with a finger on her lips, “Stay dears!” and they obeyed, but their eyes filled. Ah! to hear that one word “dears” what tasks they would have undertaken!
Like the children, I felt less warm when she had left us. My name seemed to change the count’s feeling toward me. Cold and supercilious in his first glance, he became at once, if not affectionate, at least politely attentive, showing me every consideration and seeming pleased to receive me as a guest. My father had formerly done devoted service to the Bourbons, and had played an important and perilous, though secret part. When their cause was lost by the elevation of Napoleon, he took refuge in the quietude of the country and domestic life, accepting the unmerited accusations that followed him as the inevitable reward of those who risk all to win all, and who succumb after serving as pivot to the political machine. Knowing nothing of the fortunes, nor of the past, nor of the future of my family, I was unaware of this devoted service which the Comte de Mortsauf well remembered. Moreover, the antiquity of our name, the most precious quality of a man in his eyes, added to the warmth of his greeting. I knew nothing of these reasons until later; for the time being the sudden transition to cordiality put me at my ease. When the two children saw that we were all three fairly engaged in conversation, Madeleine slipped her head from her father’s hand, glanced at the open door, and glided away like an eel, Jacques following her. They rejoined their mother, and I heard their voices and their movements, sounding in the distance like the murmur of bees about a hive.
I watched the count, trying to guess his character, but I became so interested in certain leading traits that I got no further than a superficial examination of his personality. Though he was only forty-five years old, he seemed nearer sixty, so much had the great shipwreck at the close of the eighteenth century aged him. The crescent of hair which monastically fringed the back of his head, otherwise completely bald, ended at the ears in little tufts of gray mingled with black. His face bore a vague resemblance to that of a white wolf with blood about its muzzle, for his nose was inflamed and gave signs of a life poisoned at its springs and vitiated by diseases of long standing. His flat forehead, too broad for the face beneath it, which ended in a point, and transversely wrinkled in crooked lines, gave signs of a life in the open air, but not of any mental activity; it also showed the burden of constant misfortunes, but not of any efforts made to surmount them. His cheekbones, which were brown and prominent amid the general pallor of his skin, showed a physical structure which was likely to ensure him a long life. His hard, light-yellow eye fell upon mine like a ray of wintry sun, bright without warmth, anxious without thought, distrustful without conscious cause. His mouth was violent and domineering, his chin flat and long. Thin and very tall, he had the bearing of a gentleman who relies upon the conventional value of his caste, who knows himself above others by right, and beneath them in fact. The carelessness of country life had made him neglect his external appearance. His dress was that of a country-man whom peasants and neighbors no longer considered except for his territorial worth. His brown and wiry hands showed that he wore no gloves unless he mounted a horse, or went to church, and his shoes were thick and common.
Though ten years of emigration and ten years more of farm-life had changed his physical condition, he still retained certain vestiges of nobility. The bitterest liberal (a term not then in circulation) would readily have admitted his chivalric loyalty and the imperishable convictions of one who puts his faith to the “Quotidienne”; he would have felt respect for the man religiously devoted to a cause, honest in his political antipathies, incapable of serving his party but very capable of injuring it, and without the slightest real knowledge of the affairs of France. The count was in fact one of those upright men who are available for nothing, but stand obstinately in the way of all; ready to die under arms at the post assigned to them, but preferring to give their life rather than to give their money.