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The Nowhere Child: The bestselling debut psychological thriller you need to read in 2019
The Nowhere Child: The bestselling debut psychological thriller you need to read in 2019
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The Nowhere Child: The bestselling debut psychological thriller you need to read in 2019

‘So you have it?’

‘Why do you want it?’

‘This’ll sound strange, but it’s a secret.’

Amy sipped her coffee, searching my face for whatever hidden tell or psychic signal she usually used to catch me out. Then her eyes lit up. ‘Does this have something to do with my birthday? Did Wayne tell you about the photo collages we saw at the shopping centre? Forget it. Don’t tell me. I want it to be a surprise. Follow me.’

The garage smelled of old paint and methylated spirits. Amy found a pull-string in the darkness and a fluorescent light flickered on overhead, revealing a cramped concrete room with a low ceiling.

Several rows of packing boxes occupied the space between the far wall and Amy’s little red Honda Jazz. We spent the next forty minutes carrying out each box, setting it down on the small patch of unused concrete floor and poring through its contents.

Most boxes contained miscellaneous stuff: year-old energy bills, a roll of expired coupons, a tattered apron, a chipped ceramic ashtray with a single English penny sliding around inside, a grocery bag full of magnets that Amy snatched gleefully from my hands saying, ‘I’ve been looking for these.’

One of the boxes was full of my old photography projects, many embarrassingly similar to the ones my students had presented the night before. I found a first-year uni photo-series called Scars: Physical and Emotional. Amy had organised the collection into a binder. I flicked through it, cringing; it was more like a high school project than a university folio.

One photo showed the small nick I got on my pinkie toe while climbing out of a friend’s pool one summer; another showed the grizzly slice running across Amy’s thigh from when she fell off her ten-speed. Here was a nasty burn on my mother’s hand, and the fading ghost of an old housemate’s cleft palate. Next came several photos showing subjects who looked sad or rejected or angry. It was a pretentious, highly unoriginal project designed to force the audience to consider the scars people carry on the inside as well as on the outside.

‘Oh, hey, how’s it going with Frank?’ Amy asked, leafing through an old school report.

‘Eh.’

‘What’s that mean?’

‘We stopped seeing each other.’

‘Why?’ Amy said in a high-pitched, whining voice.

‘No one thing. Just, you know. It wasn’t a love connection.’

‘You’re too fussy, Kim. You know that. And you’re running out of time to make babies.’

Amy was aggressively maternal. Reproducing was her sole purpose in life. She and her fiancé Wayne pumped out Lisa as fast as they could and were planning for a second. I, on the other hand, had never once felt the urge to procreate.

We eventually found the family albums in the ninth or tenth box and sat cross-legged on the floor to look through them. Each album was titled with big block letters, written in colours that somehow matched the theme of the photos within. PERTH HOLIDAY ’93 was black and yellow to match the emblem on the state flag. NEW HOME, which chronicled Mum and Dean’s move from their old place on Osborne Avenue to their smaller but much newer pad on Benjamin Street, was written in blue and green: the blue matched the porch steps of Osborne, the green matched the bedroom walls of Benjamin. The humorously named OUR FIRST WEDDING was written in bright orange – the same shade my mother wore on the big day.

It’d be easy to assume that my mother was the one who meticulously matched each colour and labelled each photo, but it was Dean. Even before our mother died he obsessed over photographing, categorising and recording each and every memory for safekeeping.

Amy grabbed the wedding album the second she saw it. With a sad smile she turned the pages, tracing our mother’s face.

At the bottom of the box I found the fat pink baby album, EARLIEST MEMORIES, written in the same shade of purple as my childhood headboard. Inside were photos of birthday parties, holidays, Christmases; all lost to time. There was a picture of me in the old flat we lived in before Amy was born: smiling broadly, framed against the ugly yellow wallpaper that lined every single room. Another showed my first day of kindergarten, my mother holding my hand and grinning.

A third of the way through I came across a bright, pudgy little girl staring at me through the plastic sleeve. She was standing in the shallow end of a hotel pool, dressed in sagging yellow bathers. She looked somehow contemplative and wise. Below the shot, printed in neat black letters was, Kim, age 2. I had a vague memory of that day in the pool, riding Dean’s shoulders into the deep end.

The remaining pages were blank. There were no baby photos, and nothing else before the age of three. I hadn’t been expecting more. My biological father wasn’t a nice man – that’s how my mother had phrased it on one of the few occasions we discussed him. When she had left him she left in a hurry, a toddler under one arm and an overnight bag slung over the other, with no time and no room for baby pictures. That story sounded worryingly convenient now.

‘Are you okay?’ Amy asked. ‘You look like you’ve seen a ghost.’

In a way I had. Suddenly the ghost of Sammy Went was haunting each and every childhood photo. Even before I brought up a photo of Sammy on my phone I could see it was more than just a passing resemblance. The deep blue eyes, the dark hair, the tight-lipped smile, the curved chin, the large nose, the small white ears. It wasn’t just uncanny; either Sammy was my exact doppelgänger, or I was looking at photos of the same girl.

Why hadn’t I seen it before? Was it simply that I couldn’t remember what I looked like as a kid, or had I not been ready to see it? Was I ready now?

‘Jesus, Kim, what is it?’

‘Amy, I came here to compare photos from when I was a kid to a little American girl who went missing in the ’90s.’

‘Hold up. So you’re not making me a photo collage for my birthday?’

I closed my eyes, took a deep breath and started from the beginning. Sitting cross-legged on the floor of the garage, surrounded by packing boxes and the smell of old paint and methylated spirits, I opened up the Sammy Went door and invited Amy inside.

She listened silently with a cool expression that gave nothing away. When I had finished she sat blinking like an owl; buffering. Then she laughed. It wasn’t a chuckle or giggle, but a heavy ha ha. She put one hand against her belly, threw her head back and cackled, guffawed, snorted. ‘So let me get this straight: you think Mum – the woman who bawled her eyes out when the horse died in The Neverending Story – was a kidnapper. And you were the kid she napped? She abducted you from someplace in the States and raised you as her own. And never once, not even on her deathbed, revealed the truth.’

‘I don’t know, I …’

‘Maybe she bought you on the black market. Makes perfect sense when you think about it. Oh, or maybe she lowered herself down to your cot on one of those wire harness things like Tom Cruise or trained a dingo to—’

I showed her my phone. She froze, silenced by the photo of Sammy Went on the screen. She took the phone from me and stared, her smile quickly fading. ‘Shit, Kim.’

‘Yeah. Shit.’

‘What did this guy say, exactly?’ She was squeezing the phone so hard I thought it might shatter. ‘How did he find you? What evidence does he have?’

‘I don’t know. I didn’t really give him time to tell me. I thought he was a nutter.’

After a string of increasingly exasperated expletives, Amy said, ‘Do you wanna smoke a joint?’

We left Lisa inside watching TV and sat together on the back step. Amy’s yard was small and well-manicured. A blue plastic sandbox had filled with rainwater, turning the sand inside to sludge. The flat grey walls of the houses on either side of Amy’s fence blocked out half the sky.

She lit the joint and took a long, deep drag before handing it to me. ‘It’s a scam. That’s what it is.’

‘How would that work?’ I said. ‘He didn’t ask me for money or personal details or—’

‘Just you wait. He probably stole that photo.’

‘Neither of us has ever seen it before.’

‘So he, I don’t know, took it.’

‘Twenty-eight years ago? When I was two? And he’s just been, what? Biding his time to pull off the longest sting in history?’

‘Is Mum abducting you from a foreign country a more plausible explanation? Something like this, if it was real … Jesus, Kim. It would fuck everything up. We wouldn’t be sisters anymore.’

The joint sent me into a momentary coughing fit, but it helped dull my busy mind. ‘Don’t be ridiculous.’

‘Kim, if we didn’t have blood connecting us I’d never see you. When you dropped around today it nearly gave me a heart attack. I thought something was wrong.’ She took the joint back. ‘And shit, I guess I was right after all. You weren’t just popping in, were you? You were gathering evidence.’

‘Please don’t turn against me,’ I said. ‘Not right now.’

Amy sighed.

Smoke danced and swirled, making my eyes water.

‘Wayne will still be able to smell this, you know,’ I said.

‘If ever I had a good excuse to get stoned, it’s today.’ She wiped her eyes. I couldn’t be sure if it was the smoke that was making her cry, or the situation. She stared off over the back fence. Another townhouse lay beyond it, and another one beyond that.

She shifted her weight and studied her chipped nail polish, looking anywhere but at me.

‘What do you want me to do?’ I asked.

‘Nothing, Kim. I want you to do nothing. Delete that photo off your phone. Delete his number. Forget about the whole thing.’

‘I don’t think I can do that.’

‘I think you have to, Kim. If you follow this thing through, then everything is going to change.’

‘Okay,’ I said.

‘Swear?’

‘Swear.’

After leaving Amy’s house, I pulled the car to the side of the road and found the number James Finn had given me. I quietly hoped he wouldn’t pick up, but he answered on the first ring.

MANSON, KENTUCKY

Then

Emma scanned the forest floor for psilocybin mushrooms. Ideally they should be young, with white bulbs turning a pinkish brown on top. In time they would turn black and curl up at the edges. Shelley Falkner’s cousin had told them all about it.

The forest was wet from an early afternoon shower, and smelled of mildew and mountain laurel.

Fifty feet to Emma’s left, Shelley Falkner moved around in the thicket like a sasquatch, kicking up dead leaves and snapping off low-hanging branches.

Emma soon grew bored of the mushroom search, so she sat down on the trunk of a fallen sweetgum and searched her backpack for a cigarette. She had to push aside her algebra textbook to find one, which made her think of Manson High, which in turn flushed her system with a familiar brand of anxiety. She was doubly glad she and Shelley had decided to cut class today.

Emma lit the cigarette and dialled up the volume on her Discman until the deep, mournful sound of Morrissey’s ‘Every Day is Like Sunday’ turned the greens of the forest grey. Morrissey was the perfect soundtrack for a town like Emma’s. When she thought of Manson, she pictured a beetle on its back, kicking its legs helplessly in the air.

To an outside observer, of course, Manson must have seemed like a quaint, friendly community. It was true that the town wasn’t nearly as poverty-stricken as its Appalachian neighbours, and Emma guessed there were slightly fewer hillbillies per capita, but it was a long way from being A Slice of Heaven, as the sign on the water tower boasted. The few tourists that trickled through only saw half the picture. They came for the hiking trails, good ol’ fashioned hospitality, and to bask in the glory of Hunt House, a grand, centuries-old mansion that stood at the top of Main Street.

But Emma knew what visitors didn’t: that locals were only truly friendly to other locals, that if it wasn’t in the Bible then it wasn’t worth knowing, and that Hunt House was built on the backs of slaves (and supposedly haunted by their ghosts).

‘No way,’ Shelley called, loud enough that Emma could hear even with her headphones on. ‘Em, check it out.’

As Emma climbed down from the fallen sweetgum, Shelley came lumbering through the underbrush, both hands cupped before her as if carrying a baby bird.

She extended her arms to show Emma two handfuls of small white bulbs. ‘I hit the mother lode.’

Shelley was a hulk of a girl; not fat exactly, just bulky, with wide, slumped shoulders and a pair of glasses she was forever nudging into place with her index finger. ‘This has gotta be them, right? They’re just like Vince said.’

She handed one of the mushrooms to Emma, who took it and held it up to the light. It was a creamy colour, with a brown ring on top that reminded her of an areola.

‘I guess so,’ Emma said. ‘It’s funny, I always imagined them red with little white spots, like the ones that make Mario super. How do we know for sure they’re magic?’

‘There’s only one way to be sure: we eat ’em. If we start seeing, like, unicorns or something, then we know they’re the real deal and Vince ain’t completely fulla shit. If our throats close over and we go blind, well …’

‘Let’s take them this weekend,’ Emma said, pulling her headphones down. It wasn’t that she was particularly pro-drug – she had tried smoking a bong once at Roland Butcher’s house and nearly coughed up a lung – but she knew she had changed and wanted desperately to change back.

It was only last summer she and Shelley spent swimming in Lake Merri; just last spring they spent hiking through Elkfish canyon; only last fall they spent cruising around Manson on their ten-speeds; only last winter they spent skiing the powdery peaks of the Appalachian Mountains.

Now the world had turned grey. Perhaps Shelley’s mushrooms would bring back some of that colour.

‘Tell your parents you’re staying at my place,’ Emma said. ‘I’ll tell my parents I’m staying at yours. I can sneak my dad’s three-man and we could hike out to the gristmill, brew the mushrooms into a tea and then—’

Shelley popped a mushroom into her mouth, ending the conversation. She chewed for a moment, a sour expression on her face, as if her cheeks and forehead were being drawn together. Then she swallowed loudly and grinned.

Emma’s eyes nearly bugged out of her head. ‘You’re my hero. What did it taste like?’

‘Dirt. Your turn, lady.’

She took one bulb between her thumb and forefinger and moved it toward Emma’s mouth, like a parent trying to convince a kid to eat their greens.

Emma moved Shelley’s hand away. ‘Oh, I think I’ll wait a few minutes to see if, you know, you go blind or something.’

Shelley’s grin widened. ‘Good call.’

A few minutes later Shelley still seemed fine, so Emma closed her eyes and shoved the bulb into her mouth. Shelley was right. It tasted like dirt.

As they waited for the effects of the mushrooms to hit them, they walked aimlessly through the deep concrete channel separating the forest from the outskirts of Manson. The channel was mostly dry aside from a drizzling current of muddy brown water, which was narrow enough to step over in most places. It was littered with cigarette butts, empty bottles of cheap beer and wine, and the occasional split can of baked beans. According to Shelley’s mom, a community of hobos used to roam the channel, setting up shelters under the overpass another mile up.

To their left sat the jagged back fences of the houses on Grattan Street. This was the mostly forgotten end of Manson, where the lawns were yellow instead of green, and the faces of the people who lived there were tight and worn. Where the fence slats were loose Emma could see into their yards – long grass; a barking dog; two young boys with dirty faces sitting cross-legged on a trampoline.

Dense woodland foamed to the right, on the other side of the concrete channel. Mid-afternoon sun filtered through the sweetgums and cast a spiderweb of shadows over Shelley’s face.

‘Are you feeling anything yet?’ Emma asked.

‘Nuh-uh. Not yet.’

‘Me neither.’

They arrived at the large circular culvert that carried the pitiful brown stream under the highway. The concrete tunnel was tall enough for Emma to walk into – although she still hunched with her arms up, afraid of creepy crawlies – but Shelley had to slouch to avoid knocking her head.

Emma held her breath and kept her gaze on the bright circle of light at the end of the culvert. She imagined secret passages leading off either side of the tunnel. One wrong turn could mean blindly wandering the drains beneath Manson for the rest of her very short—

Shelley grabbed her on the shoulder. Emma screamed so loudly it echoed around the curved concrete walls for nearly five full seconds.

‘You’re such a pussy,’ Shelley said, shoving Emma forward and into the light of the afternoon. Emma couldn’t argue. As the sounds of Manson came back and a cool spring breeze tickled the back of her neck, she felt more relieved to be out of the dark than she ought to have.

They continued up the channel.

‘I have to spend the summer with Dad in California,’ Shelley said after a few minutes of comfortable silence. ‘Why he chose to move so far away is beyond me, and he only wants me out there to get at Mom. It’s like, ever since the divorce they’ve been in this long, long war. But they’re the generals; I’m the only one fighting down in the trenches.’

‘Mm. You’re kind of lucky though,’ Emma said. ‘Obviously it sucks your parents are divorced, but at least that’s sort of proactive. Their marriage didn’t work so they ended it. It’s smart.’

Shelley baulked. ‘That’s like telling a paraplegic they’re lucky ’cause they get to sit down all day.’

‘My parents’ marriage has been dying slowly for the past two years and neither of them will put it out of its misery. Wouldn’t you rather have your parents separate but happy instead of together and miserable?’

‘Ah, but you forgot about separate and miserable,’ Shelley said, laughing. ‘I didn’t know your parents fought a lot.’

‘They don’t. That’s part of the problem. If they fought, maybe they’d sort some shit out. Instead it’s like they never finish a sentence. There’s a dot-dot-dot at the end of everything they say to each other, never a period.’

‘Ellipsis,’ Shelley said.

‘What?’

‘That little dot-dot-dot at the end of a sentence. It’s called an ellipsis.’

Emma rolled her eyes.

‘Anyway, maybe you’re right,’ Shelley said. ‘Maybe they should get a divorce.’

A nagging sadness fell over Emma then. If her parents really did split then her father would remarry – she knew that. He’d loosen his grip on church ties even further, find happiness and talk bitterly about his fundie ex-wife. But what would become of her mother? Without Jack Went to act as a spiritual buoy, she’d sink deeper and deeper into the Church of the Light Within. Eventually the woman Emma knew might fade away completely.

‘Feeling anything yet?’ Emma asked.

‘Nuh-uh.’

About a quarter-mile into the woods they came across the gristmill, a dilapidated structure surrounded by scrub oak. The sun had dipped behind it, creating a rectangular silhouette reaching out of the earth, like a corpse rising from the grave.

Up until a few years ago the gristmill was still running. Of course even then it made more money from the gift shop and the working tours than it did selling flour and cornmeal.

Emma came here with her mother once. Her dad was visiting his cousins in Coleman and had taken Stu along with him for a boys’ day out. Her mother had put it to Emma to decide how to spend their day together, and she had suggested the mill.

Back then, a wide paved road cut a path in from the highway, wooded on both sides. The road crossed a rattling suspension bridge over a shallow, spring-fed creek. She remembered rolling down her window as they drove over it, sticking her head all the way out to listen to the creek babble below them.

Once inside the mill, they had marvelled at the big pulleys and spinning belts, pounding and churning grain into cornmeal and flour. When the tour was over her mother had bought her a Coke from the visitor centre and they had walked to the south side of the mill to sit in the picnic area.

They had sat in silence, Emma remembered now. It wasn’t an awkward silence, but an organic one.

The gristmill was no longer the sort of place mothers took their daughters to marvel at pulleys and drink Coke in the grass. An economic downturn – Emma knew the words but had only a vague understanding of what they meant – dried up the mill’s funding and what had once been a popular historic attraction soon fell into disrepair. The pulleys stopped pulling, the belts stopped spinning and the windows grew thick with dust. The east wall shifted loose, getting a little closer to collapse with each strong gust of wind.

Shelley shoved the door open and Emma followed her into the mill. It was mostly dark aside from slivers of light falling in through smudged yellow windows. The sour smell of mould hung in the air. Water damage had brought down part of the second floor, exposing a jagged cross-section of wooden beams and twisted metal rods.

The interior wall of the mill was covered with names, scribbled on with different-coloured pens and markers. Emma recognised some of them: politicians and pop stars, and Rich Witherford, a colossal asshole from Manson High. Other names she didn’t recognise: Summer DeRoche, Jonathon Asquith, Chris Dignum, Sophie Lane, Angie Sperling-Bruch. All Emma knew was someone wanted them dead.

That was how the urban legend went: write the name of your enemy on the wall of the gristmill and within twenty-four hours that person will die.

It was an easy legend to disprove; as far as she knew not a single one of the people named on the wall had died – at least not within the allotted twenty-four hour time period. But she doubted that was the point. Writing down the name of your enemy felt weirdly therapeutic. She had written a few names there herself.

She found Henry Micket’s name scribbled onto the wood in her own handwriting. Henry was the beautiful track champion at Manson High who Emma had made the mistake of being in love with for a year and a half. He hadn’t wronged her in any serious way – in fact she doubted he knew who she was beyond a vaguely familiar face in the halls – but he had broken her heart when he started dating Cindy Kites, another beautiful track champion.

She had written Henry’s name on the wall in the heat of devastation and come back later to strike it out with a fat blue magic marker. What remained now was Henry Micket.

It had felt good to write his name down and even better to strike it out. A few strokes of a marker had represented anger, then forgiveness. Seeking once again to express her anger, and perhaps even forgive, she was tempted to write another name on the wall now.

Just for the therapy of it, she told herself. But if that were true, why were her hands now trembling?

‘I’ve gotta pee,’ Shelley said, disappearing back out the front door.

While she waited, Emma climbed a flight of groaning stairs to the second floor. Every surface she passed was covered in dust. Remnants from the early-afternoon shower trickled through the dozen or so holes in the ceiling, leaving puddles of dirty brown water on the landing.

She cleared a space with her feet, sat cross-legged on the floor and lit a cigarette.

As her vision slowly adjusted to the dark, she noticed a long trail of carpenter ants marching across the wide wooden floorboards and down through a hole below the window, presumably heading toward a nest inside the rotting walls. The trail navigated around broken glass and debris, a used condom – ew – and, at its narrowest point, veered dangerously close to a cobweb. Although Emma couldn’t see it, she imagined a fat black spider with gnarly yellow eyes waiting in the shadows.