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Lippincott's Magazine of Popular Literature and Science, Volume 17, No. 102, June, 1876
Lippincott's Magazine of Popular Literature and Science, Volume 17, No. 102, June, 1876
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Lippincott's Magazine of Popular Literature and Science, Volume 17, No. 102, June, 1876

Another of them is that triumph of pure reason, chess, an unadulterated product of the brain—i.e., of phosphorus—i.e., of fish. Nobody stakes money on chess or offers a prize to the best player. Honor at that board is its own reward. So when we are told of the Centennial Chess Tournament we recognize at once the fitness of the word borrowed from the chivalric joust. It is the culmination of human strife. The thought, labor and ardor spread over three hundred and fifty acres sums itself in that black and white board the size of your handkerchief. War and statecraft condense themselves into it. Armies and nations move with the chessman. Sally, leaguer, feint, flank-march, triumphant charge are one after another rehearsed. There, too, moves the game of politics in plot and counterplot. It is the climax of the subjective. From those lists the trumpet-blare, the crowd, the glitter, the banners, "the boast of heraldry and pomp of power," melt utterly away. To the world-champions who bend above the little board the big glass houses and all the treasures stared at by admiring thousands are as naught.


SCENE AT ONE OF THE ENTRANCES TO THE GROUNDS—THE TURNSTILE.


But man is an animal, and not by any means of intellect all compact. The average mortal confesses to a craving for the stimulus of great shows, of material purposes, substantial objects of study and palpable prizes. It is so in 1876, as it was in 1776, and as it will be in a long series of Seventy-sixes.

It is the concrete rather than the abstract which draws him in through the turnstiles of the exposition enclosure. Separated by the divisions of those ingeniously-contrived gates into taxed and untaxed spectators, the masses stream in with small thought of the philosophers or the chess-players. Their minds are reached, but reached through the eye, and the first appeal is to that. Each visitor constitutes himself a jury of one to consider and compare what he sees. The hundreds of thousands of verdicts so reached will be published only by word of mouth, if published at all. Their value will be none the less indubitable, though far from being in all cases the same. The proportion of intelligent observers will be greater than on like occasions heretofore. So will, perhaps, be that of solid matter for study, although in some specialties there may be default. He who enters with the design of self-education will find the text-books in most branches abundant, wide open before him and printed in the clearest characters. What shortcomings there may have been in the selection and arrangement of them he will have, if he can, himself to remedy. There stands the school, founded and furnished with great labor. The would-be scholar can only be invited to use it. The centennial that is to turn out scholars ready-made has not yet rolled round.

DOLORES

A light at her feet and a light at her head,How fast asleep my Dolores lies!Awaken, my love, for to-morrow we wed—Uplift the lids of thy beautiful eyes.Too soon art thou clad in white, my spouse:Who placed that garland above thy heartWhich shall wreathe to-morrow thy bridal brows?How quiet and mute and strange thou art!And hearest thou not my voice that speaks?And feelest thou not my hot tears flowAs I kiss thine eyes and thy lips and thy cheeks?Do they not warm thee, my bride of snow?Thou knowest no grief, though thy love may weep.A phantom smile, with a faint, wan beam,Is fixed on thy features sealed in sleep:Oh tell me the secret bliss of thy dream.Does it lead to fair meadows with flowering trees,Where thy sister-angels hail thee their own?Was not my love to thee dearer than these?Thine was my world and my heaven in one.I dare not call thee aloud, nor cry,Thou art so solemn, so rapt in rest,But I will whisper: Dolores, 'tis I:My heart is breaking within my breast.Never ere now did I speak thy name,Itself a caress, but the lovelight leaptInto thine eyes with a kindling flame,And a ripple of rose o'er thy soft cheek crept.But now wilt thou stir not for passion or prayer,And makest no sign of the lips or the eyes,With a nun's strait band o'er thy bright black hair—Blind to mine anguish and deaf to my cries.I stand no more in the waxen-lit room:I see thee again as I saw thee that day,In a world of sunshine and springtide bloom,'Midst the green and white of the budding May.Now shadow, now shine, as the branches ope,Flickereth over my love the while:From her sunny eyes gleams the May-time hope,And her pure lips dawn in a wistful smile.As one who waiteth I see her stand,Who waits though she knows not what nor whom,With a lilac spray in her slim soft hand:All the air is sweet with its spicy bloom.I knew not her secret, though she held mine:In that golden hour did we each confess;And her low voice murmured, Yea, I am thine,And the large world rang with my happiness.To-morrow shall be the blessedest dayThat ever the all-seeing sun espied:Though thou sleep till the morning's earliest ray,Yet then thou must waken to be my bride.Yea, waken, my love, for to-morrow we wed:Uplift the lids of thy beautiful eyes.A light at her feet and a light at her head,How fast asleep my Dolores lies!EMMA LAZARUS.

GLIMPSES OF CONSTANTINOPLE

CONCLUDING PAPER

SCENE IN A BURIAL-GROUND.


There is a continuous fascination about this old city. The guide-book says, "A week or ten days are required to see the sights," but though we make daily expeditions we seem in no danger of exhausting them. Neither does one have to go far to seek amusement. I never look down into the street below my windows without being attracted by some object of interest. The little donkeys with their great panniers of long slim loaves of bread (oh, tell it not, but I once saw the driver use one as a stick to belabor the lazy animal with, and then leave it, with two or three other loaves, at the opposite house, where a pretty Armenian, that I afterward saw taking the air on the roof with her bright-eyed little girl, perhaps had it for her breakfast!); the fierce, lawless Turkish soldiers stalking along, their officers mounted, and looking much better in their baggy trousers and frock-coats on their fine horses than on foot; Greek and Armenian ladies in gay European costumes; veiled Turkish women in their quiet street-dress; close carriages with gorgeously-dressed beauties from the sultan's harem followed by black eunuchs on horseback,—these and similar groups in every variety of costume form a constant stream of strange and picturesque sights.

One morning, attracted by an unusual noise, I looked out and found it proceeded from a funeral procession. First came a man carrying the lid of the coffin; then several Greek priests; after them boys in white robes with lighted candles, followed by choir-boys in similar dresses who chanted as they walked along. Such sounds! Greek chanting is a horrible nasal caterwauling. Get a dozen boys to hold their noses, and then in a high key imitate the gamut performed by several festive cats as they prowl over the housetops on a quiet night, and you have Greek, Armenian or Turkish chanting and singing to perfection. There is not the first conception of music in the souls of these barbarians. Behind this choir came four men carrying the open coffin. The corpse was that of a middle-aged man dressed in black clothes, with a red fez cap on the head and yellow, red and white flowers scattered over the body. The hot sun shone full on the pinched and shriveled features, and the sight was most revolting. Several mourners followed the coffin, the ladies in black clothes, with black lace veils on their heads and their hair much dressed. The Greeks are obliged to carry their dead in this way, uncovered, because concealed arms were at one time conveyed in coffins to their churches, and then used in an uprising against the government. We witnessed a still more dreadful funeral outside the walls. A party, evidently of poor people, were approaching an unenclosed cemetery, and we waited to see the interment. The body, in its usual clothes, was carried on a board covered by a sheet. When they reached the grave the women shrieked, wept and kissed the face of the dead man: then his clothes were taken off, the body wrapped in the sheet and laid in the grave, which was only two feet deep. The priest broke a bottle of wine over the head, the earth was loosely thrown in, and the party went away. There is no more melancholy spot to me than a Turkish cemetery. The graves are squeezed tightly together, and the headstones, generally in a tumble-down state, are shaped like a coffin standing on end, or like a round hitching-post with a fez cap carved on the top. Weeds and rank wild-flowers cover the ground, and over all sway the dark, stiff cypresses.

A little way down the street is a Turkish pastry-shop. Lecturers and writers have from time to time held forth on the enormities of pie-eating, and given the American people "particular fits" for their addiction to it. Now, while I fully endorse all I ever heard said on the subject, I beg leave to remark that the Americans are not the worst offenders in this way. If you want to see pastry, come to Constantinople: seeing will satisfy you—you won't risk a taste. Mutton is largely eaten, and the mutton fat is used with flour to make the crust, which is so rich that the grease fairly oozes out and "smells to Heaven." Meat-pies are in great demand. The crust is baked alone in a round flat piece, and laid out on a counter, which is soon very greasy, ready to be filled. A large dish of hash is also ready, and when a customer calls the requisite amount of meat is clapped on one side of the paste, the other half doubled over it, and he departs eating his halfmoon-shaped pie. On the counters you see displayed large egg-shaped forms of what look like layers of tallow and cooked meat, cheesy-looking cakes of many kinds and an endless variety of confectionery. The sweetmeats are perfection, the fresh Turkish paste with almonds in it melts in your mouth, and the sherbet, compounded of the juice of many fruits and flowers and cooled with snow, is the most delicious drink I ever tasted. There are also many kinds of nice sweet-cakes; but, on the whole, I should prefer not to board in a Turkish family or employ a Turkish cook. No wonder the women are pale and sallow if they indulge much in such food!


THE SULTAN ABDUL ASSIZ.


Being anxious to see a good display of Turkish rugs, and our party having some commissions to execute, we sallied forth one afternoon on this errand. If you intend to visit a Turkish carpet warehouse, and your purse or your judgment counsels you not to purchase, put yourself under bonds to that effect before you go; for, unless you possess remarkable strength of character, the beautiful rugs displayed will prove irresistible temptations. Near the bazaar in Stamboul is a massive square stone house, looking like a fortress compared with the buildings around it. Mosses and weeds crop out of every uneven part of its walls. A heavy door that might stand a siege admitted us to a small vestibule, and from this we passed into a paved court with a moss-grown fountain in the centre. Around this court ran a gallery, its heavy arches and columns supporting a second, to which we ascended by a broad flight of steps. A double door admitted us to the wareroom, where, tolerably secure from fire (the doors alone were of wood), were stored Turkish and Persian rugs of all sizes and colors. The Turkish were far handsomer than the Persian, and the colors more brilliant than those I have usually seen. The attendants unrolled one that they said was a hundred years old. It had a dusty, faded look, as if it had been in the warehouse quite that length of time, and made the modern ones seem brighter by contrast. Several rugs having been selected, we returned to the office, where a carpet was spread and we were invited to seat ourselves on it. Coffee was passed around, and we proceeded to bargain for our goods through our interpreter. The merchant, as usual, asked an exorbitant price to start with, and we offered what was equally ridiculous the other way; and so we gradually approached the final price—he coming gracefully down, and we as affably ascending in the scale, till a happy medium was reached, and we departed with our purchases following us on the back of an ammale.

Three days of each week are observed as holy days. Friday is the Turkish Sabbath, Saturday the Jewish, and the Greeks and Armenians keep Sunday. The indolent government officials, glad of an excuse to be idle, keep all three—that is, they refrain from business—so there are only four days out of the seven in which anything is accomplished.

One of the great sights is to see the sultan go to the mosque; so one Friday we took a caïque and were rowed up the Bosphorus to Dolma Backté, and waited on the water opposite the palace. The sultan's caïque was at the principal entrance on the water-side of the palace, and the steps and marble pavement were carpeted from the caïque to the door. Presently all the richly-dressed officers of the household, who were loitering around, formed on either side the steps, and, bending nearly double, remained so while the sultan passed down to his caïque. Abdul Assiz is quite stout and rather short, with a pleasant face and closely-cut beard. He was dressed in a plain black uniform, his breast covered with orders. The sultan's caïque was a magnificent barge—white, profusely ornamented with gilt, and rowed by twenty-four oarsmen dressed in white, who rose to their feet with each stroke, bowed low, and settled back in their seats as the stroke was expended. The sultan and grand vizier seated themselves under the plum-colored velvet canopy, and the caïque proceeded swiftly toward the mosque, followed by three other caïques with his attendants. A gun from an iron-clad opposite the palace announced that the sultan had started. The shore from the palace to the mosque was lined with soldiers; the bands played; the people cheered; the ships ran up their flags; all the war-vessels were gay with bunting, had their yards manned and fired salutes, which were answered by the shore-batteries. The mosque selected for that day's devotions was in Tophaneh, near the water. Several regiments were drawn up to receive the sultan, and an elegant carriage and a superb Arab saddle-horse were in waiting, so that His Majesty might return to the palace as best suited his fancy. After an hour spent in devotion the sultan reappeared, and entering his carriage was driven away. We saw him again on our way home, when he stopped to call on an Austrian prince staying at the legation. The street leading up to the embassy was too narrow and steep for a carriage, so, mounting his horse at the foot, he rode up, passing very close to us.


TURKISH COW-CARRIAGE.


In the afternoon we drove to the "Sweet Waters of Europe" to see the Turkish ladies, who in pleasant weather always go out there in carriages or by water in caïques. Compared with our parks, with their lovely lakes and streams and beautiful lawns, the far-famed Sweet Waters of Europe are only fields with a canal running through them; but here, where this is the only stream of fresh water near the city, and in a country destitute of trees, it is a charming place. The stream has been walled up to the top of its banks, which are from three to six feet above the water, and there are sunny meadows and fine large trees on each side. The sultan has a summer palace here with a pretty garden, and the stream has been dammed up by blocks of white marble cut in scallops like shells, over which the water falls in a cascade. The road to the Sweet Waters, with one or two others, was made after the sultan's return from his European trip, and in anticipation of the empress Eugénie's visit. European carriages were also introduced at that time. The ladies of the sultan's harem drive out in very handsome coupés, with coachmen wearing the sultan's livery, but you more frequently see the queer one-horse Turkish carriage, and sometimes a "cow-carriage." This last is drawn by cows or oxen: it is an open wagon, with a white cloth awning ornamented with gay fringes and tassels. Many people go in caïques, and all carry bright-colored rugs, which they spread on the grass. There they sit for several hours and gossip with each other, or take their luncheons and spend the afternoon. A Turkish woman is never seen to better advantage than when "made up" for such an excursion. Her house-dress is always hidden by a large cloak, which comes down to the ground and has loose sleeves and a cape. The cloak is left open at the neck to show the lace and necklace worn under it, and is generally made of silk, often of exquisite shades of pink, blue, purple or any color to suit the taste of the wearer. A small silk cap, like the low turbans our ladies wore eight or nine years ago, covers the head, and on it are fastened the most brilliant jewels—diamond pins, rubies, anything that will flash. The wearer's complexion is heightened to great brilliancy by toilet arts, and over all, covering deficiencies, is the yashmak or thin white veil, which conceals only in part and greatly enhances her beauty. You think your "dream of fair women" realized, and go home and read Lalla Rookh and rave of Eastern peris. Should some female friend who has visited a harem and seen these radiant beauties face to face mildly suggest that paint, powder and the enchantment of distance have in a measure deluded you, you dismiss the unwelcome information as an invention of the "green-eyed monster," and, remembering the brilliant beauties who reclined beside the Sweet Waters or floated by you on the Golden Horn, cherish the recollection as that of one of the brightest scenes of the Orient.


ENTERING A MOSQUE.


These I have spoken of are the upper classes from the harems of the sultan and rich pashas, but those you see constantly on foot in the streets are the middle and lower classes, and not so attractive. They have fine eyes, but the yashmaks are thicker, and you feel there is less beauty hidden under them. The higher the rank the thinner the yashmak is the rule. They also wear the long cloak, but it is made of black or colored alpaca or a similar material. Gray is most worn, but black, brown, yellow, green, blue and scarlet are often seen. The negresses dress like their mistresses in the street, and if you see a pair of bright yellow boots under a brilliant scarlet ferraja and an unusually white yashmak, you will generally find the wearer is a jet-black negress. Sitting so much in the house à la Turque is not conducive to grace of motion, nor are loose slippers to well-shaped feet, and I must confess that a Turkish woman walks like a goose, and the size of her "fairy feet" would rejoice the heart of a leather-dealer.

We have been to see the Howling Dervishes, and I will endeavor to give you some idea of their performances. Crossing to Scutari in the steam ferryboat, we walked some distance till we reached the mosque, where the services were just commencing. The attendant who admitted us intimated that we must remove our boots and put on the slippers provided. N– did so, but I objected, and the man was satisfied with my wearing them over my boots. We were conducted up a steep, ladder-like staircase to a small gallery, with a low front only a foot high, with no seats but sheepskins on the floor, where we were expected to curl ourselves up in Turkish fashion. Both my slippers came off during my climb up stairs, and were rescued in their downward career by N–, who by dint of much shuffling managed to keep his on. Below us were seated some thirty or forty dervishes. The leader repeated portions of the Koran, in which exercise others occasionally took part in a quiet manner. After a while they knelt in line opposite their leader and began to chant in louder tones, occasionally bowing forward full length. Matters down below progressed slowly at first, and were getting monotonous. One of my feet, unaccustomed to its novel position, had gone to sleep, and I was in a cramped state generally. Moreover, we were not the sole occupants of the gallery: the sheepskins were full of them, and I began to think that if the dervishes did not soon begin to howl, I should. Some traveler has said that on the coast of Syria the Arabs have a proverb that the "sultan of fleas holds his court in Jaffa, and the grand vizier in Cairo." Certainly some very high dignitary of the realm presides over Constantinople, and makes his head-quarters in the mosque of the Howling Dervishes.


CASTLE OF EUROPE, ON THE BOSPHORUS.


The dervishes now stood up in line, taking hold of hands, and swayed backward, forward and sideways, with perfect uniformity, wildly chanting, or rather howling, verses of the Koran, and keeping time with their movements. They commenced slowly, and increased the rapidity of their gymnastics as they became more excited and devout. The whole performance lasted an hour or more, and at the end they naturally seemed quite exhausted. Then little children were brought in, laid on the floor, and the head-dervish stepped on their bodies. I suppose he stepped in such a manner as not to hurt them, as they did not utter a sound. Perhaps the breath was so squeezed out of them that they could not. One child was quite a baby, and on this he rested his foot lightly, leaning his weight on a man's shoulder. I could not find out exactly what this ceremony signified, but was told it was considered a cure for sickness, and also a preventive.

We concluded to do the dervishes, and so next day went to see the spinning ones. They have a much larger and handsomer mosque than their howling brethren. First they chanted, then they indulged in a "walk around." Every time they passed the leader, who kept his place at the head of the room, they bowed profoundly to him, then passed before him, and, turning on the other side, bowed again. After this interchange of courtesies had lasted a while, they sailed off around the room, spinning with the smooth, even motion of a top—arms folded, head on one side and eyes shut. Sometimes this would be varied by the head being thrown back and the arms extended. The rapid whirling caused their long green dresses to spread out like a half-open Japanese umbrella, supposing the man to be the stick, and they kept it up about thirty minutes to the inspiring music of what sounded like a drum, horn and tin pan. We remained to witness the first set: whether they had any more and wound up with the German, I cannot say. We were tired and went home, satisfied with what we had seen. I should think they corresponded somewhat with our Shakers at home, as far as their "muscular Christianity" goes, and are rather ahead on the dancing question.

One of the prominent objects of interest on the Bosphorus is Roberts College. It stands on a high hill three hundred feet above the water, and commands an extensive view up and down the Bosphorus. For seven years Dr. Hamlin vainly endeavored to obtain permission to build it, and the order was not given till Farragut's visit. The gallant admiral, while breakfasting with the grand vizier, inquired what was the reason the government did not allow Dr. Hamlin to build the college, when the grand vizier hastily assured him that all obstacles had been removed, and that the order was even then as good as given. Americans may well be proud of so fine and well-arranged a building and the able corps of professors. We visited it in company with Dr. Wood and his agreeable wife, who are so well known to all who take any interest in our foreign missions. After going over the college and listening to very creditable declamations in English from some of the students, we were hospitably entertained at luncheon by Professor Washburn, who is in charge of the institution, and his accomplished wife. Within a short distance of the college is the Castle of Europe, and on the opposite side of the Bosphorus the Castle of Asia. They were built by Mohammed II. in 1451, and the Castle of Europe is still in good preservation. It consists of two large towers and several small ones connected by walls, and is built of a rough white stone, to which the ivy clings luxuriantly.