"Neither am I," I cried, starting after O'mie, who was out of the door at the word.
But Marjie caught my arm, and held it.
"Let O'mie go. Don't go, Phil, please don't."
I can see her yet, her brown eyes full of pleading, her soft brown hair in rippling waves about her white temples. Did my love for her spring into being at that instant? I cannot tell. But I do know that it was a crucial moment for me. Sixty years have I seen, and my life has grown practical and barren of sentiment. But I know that the boy, Phil Baronet, who stood that evening with Marjie and the firelight and safety on one side, and darkness and uncertainty on the other, had come to one of those turning-points in a life, unrecognized for the time, whose decision controls all the years that follow. For suddenly came the query "How can I best take care of her? Shall I stay with her in the light, or go into the dark and strike the danger out of it?" I didn't frame all this into words. It was all only an intense feeling, but the mental judgment was very real. I turned from her and cleared the doorstep at a leap, and in a moment was by O'mie's side, chasing down the hill-slope toward town.
We never thought to run to the bluff's edge and clamber down the shelving, precipitous sides. Here was the only natural hiding-place, but like children we all ran the other way. When we had come in again with the report of "No enemy in sight," and had shut the door against the rain, I happened to glance out of the east window. Climbing up to the street from the cliff I saw the lithe form of a young Indian. He came straight to the house and stood by the east window where he could see inside. Then with quick, springing step he walked down the slope. I crossed to the west window and watched him shutting out that red bar of light now and then, till he melted into the shadows.
Meanwhile the children were chattering like sparrows and had not noticed me.
"Would you know it, Marjie, if you thaw it again?" lisped Bud Anderson.
"Oh, yes! His hair was straight across like this." Marjie drew one hand across her curl-shaded forehead, to show how square the black hair grew about the face she had seen.
"That's nothin'," said Bill Mead. "They change scalps every time they catch a white man, – just take their own off an' put his on, an' it grows. There's lots of men in Kansas look like white men's just Injuns growed a white scalp on 'em."
"Really, is there?" asked Mary Gentry credulously.
"Sure, I've seen 'em," went on Bill with a boy's love of that kind of lying.
"Wouldn't a Injun look funny with my thcalp?" Bud Anderson put in. "I'll bet I'm jutht a Injun mythelf."
"Then you've got some little baby girl's scalp," grinned Jim Conlow.
"'Tain't no 'pothum'th, anyhow," rejoined Bud; and we laughed our fears away.
That evening Aunt Candace sent me home with Marjie to take some fresh doughnuts to Mrs. Whately. I can see the little girl now as we splashed sturdily down Cliff Street through the wet gloom, her face like a white blossom in the shadowy twilight, her crimson jacket open at the throat, and the soft little worsted scarf about her damp fluffy curls making a glow of rich coloring in the dim light.
"You'll never let the Indians get you, will you, Phil?" she asked, when we stood a moment by the bushes just at the steepest bend of the street.
I stood up proudly. I was growing very fast in this gracious climate. "The finest-built boy in Springvale," the men called me. "No, Marjie. The Indians won't get me, nor anybody else I don't want them to have."
She drew close to me, and I caught her hand in mine a moment. Then, boylike, I flipped her heavy braid of hair over her shoulder and shook the wettest bushes till their drops scattered in a shower about her. Something, a dog we thought, suddenly slid out from the bush and down the cliff-side. When I started home after delivering the cakes, Marjie held the candle at the door to light my way. As I turned at the edge of the candle's rays to wave my hand, I saw her framed in the doorway. Would that some artist could paint that picture for me now!
"I'll whistle up by the bushes," I cried, and strode into the dark.
On the bend of the crest, where the street drops down almost too steep for a team of horses to climb, I turned and saw Marjie's light in the window, and the shadow of her head on the pane. I gave a long, low whistle, the signal call we had for our own. It was not an echo, it was too near and clear, the very same low call in the bushes just over the cliff beside me as though some imitator were trying to catch the notes. A few feet farther on my path I came face to face with the same Indian whom I had seen an hour before. He strode by me in silence.
Without once looking back I said to myself, "If you aren't afraid of me, I'm not afraid of you. But who gave that whistle, I wonder. That's my call to Marjie."
"Marjie's awful 'fraid of Injuns," I said to Aunt Candace that night. "Didn't want me to find who it was peeked, but I went after him, clear down to Amos Judson's house, because I thought that was the best way, if it was an Injun. She isn't afraid of anything else. She's the only girl that can ride Tell Mapleson's pony, and only O'mie and Tell and I among the boys can ride him. And she killed the big rattlesnake that nearly had Jim Conlow, killed it with a hoe. And she can climb where no other girl dares to, on the bluff below town toward the Hermit's Cave. But she's just as 'fraid of an Injun! I went to hunt him, though."
"And you did just right, Phil. The only way to be safe is to go after what makes you afraid. I guess, though, there really was nobody. It was just Marjie's imagination, wasn't it?"
"Yes, there was, Auntie; I saw him climb up from the cliff over there and go off down the hill after we came in."
"Why didn't you say so?" asked my aunt.
"We couldn't get him, and it would have scared Marjie," I answered.
"That's right, Phil. You are a regular Kansas boy, you are. The best of them may claim to come from Massachusetts," – with a touch of pride, – "but no matter where they come from, they must learn how to be quick-witted and brave and manly here in Kansas. It's what all boys need to be here."
A few days later the door of our schoolroom opened and an Indian boy strode in and seated himself on the bench beside Tell Mapleson. He was a lad of fifteen, possibly older. His dress was of the Osage fashion and round his neck he wore a string of elk teeth. His face was thoroughly Indian, yet upon his features something else was written. His long black hair was a shade too jetty and soft for an Indian's, and it grew squarely across his forehead, suggesting the face of a French priest. We children sat open-mouthed. Even Aunt Candace forgot herself a moment. Bud Anderson first found his voice.
"Well, I'll thwan!" he exclaimed in sheer amazement.
Bill Mead giggled and that broke the spell.
"How do you do?" said my aunt kindly.
"How," replied the young brave.
"What is your name, and what do you want?" asked our teacher.
"Jean Pahusca. Want school. Want book – " He broke off and finished in a jargon of French and Indian.
"Where is your home, your tepee?" queried Aunt Candace.
The Indian only shook his head. Then taking from his beads a heavy silver cross, crudely shaped and wrought, he rose and placed it on the table. Taking up a book at the same time he seated himself to study like the rest of us.
"He has paid his tuition," said my aunt, smiling. "We'll let him stay."
So Jean Pahusca was established in our school.
CHAPTER III
THE HERMIT'S CAVE
The secret which the mountains keptThe river never told.The bluff was our continual delight. It was so difficult, so full of surprises, so enchanting in its dangers. All manner of creeping things in general, and centipedes and rattlesnakes in particular, made their homes in its crevices. Its footing was perilous to the climber, and its hiding-places had held outlaws and worse. Then it had its haunted spots, where tradition told of cruel tragedies in days long gone by; and of the unknown who had found here secret retreat, who came and went, leaving never a name to tell whom they were nor what their story might be. All these the old cliff had in its keeping for the sturdy boys and girls of parents who had come here to conquer the West.
Just below the town where the Neosho swings away to the right, the bottom lands narrow down until the stream sweeps deep and swift against a stone wall almost two hundred feet in height. From the top of the cliff here the wall drops down nearly another hundred feet, leaving an inaccessible heap of rough cavernous rocks in the middle stratum.
Had the river been less deep and dangerous we could not have gotten up from below; while to come down from above might mean a fall of three hundred feet or more to the foam-torn waters and the jagged rocks beneath them. Here a stranger hermit had hidden himself years before. Nobody knew his story, nor how he had found his way hither, for he spoke in a strange tongue that nobody could interpret. That this inaccessible place was his home was certain. Boys bathing in the shallows up-stream sometimes caught a glimpse of him moving about among the bushes. And sometimes at night from far to the east a light could be seen twinkling half way up the dark cliff-side. Every boy in Springvale had an ambition to climb to the Hermit's Cave and explore its mysteries; for the old man died as he had lived, unknown. One winter day his body was found on the sand bar below the rapids where the waters had carried him after his fall from the point of rock above the deep pool. There was no mark on his coarse clothing to tell a word of his story, and the Neosho kept his secret always.
What boy after that would not have braved any danger to explore the depths of this hiding-place? But we could not do it. Try as we might, the hidden path leading up, or down, baffled us.
After Jean Pahusca came into our school we had a new interest and for a time we forgot that tantalizing river wall below town. Jean was irregular in his attendance and his temper. He learned quickly, for an Indian. Sometimes he was morose and silent; sometimes he was affable and kind, chatting among us like one of our own; and sometimes he found the white man's fire-water. Then he murdered as he went. He was possessed of a demon to kill, kill the moment he became drunk. Every living thing in his way had to flee or perish then. He would stop in his mad chase to crush the life out of a sleeping cat, or to strike at a bird or a chicken. Whiskey to him meant death, as we learned to our sorrow. Nobody knew where he lived. He dressed like an Osage but he was supposed to make his home with the Kaws, whose reservation was much nearer to us. Sometimes in the cool weather he slept in our sheds. In warm weather he lay down on the ground wherever he chose to sleep. There was a fascination about him unlike all the other Indians who came up to the village, many of whom we knew. He could be so gentle and winning in his manner at times, one forgot he was an Indian. But the spirit of the Red Man was ever present to overcome the strange European mood in a moment.
"He's no Osage, that critter ain't," Cam Gentry said to a group on his tavern veranda one annuity day when the tribes had come to town for their quarterly allowances. "He's second cousin on his father's side to some French missionary, you bet your life. He's got a gait like a Jessut priest. An' he's not Osage on't other side, neither. I'll bet his mother was a Kiowa, an' that means his maternal grandad was a rattlesnake, even if his paternal grandpop was a French markis turned religious an' gone a-missionaryin' among the red heathen. You dig fur enough into that buck's hide an' you'll find cussedness big as a sheep, I'm tellin' you."
"Where does he live?" inquired my father.
"Lord knows!" responded Cam. "Down to the Kaws' nests, I reckon."
"He was cuttin' east along the Fingal Creek bluff after he'd made off to the southwest, the other night, when I was after the cows," broke in O'mie, who was sitting on the lowest step listening with all his ears. "Was cuttin' straight to the river. Only that's right by the Hermit's Cave an' he couldn't cross to the Osages there."
"Reckon he zigzagged back to town to get somethin' he forgot at Conlow's shop," put in Cam. "Didn't find any dead dogs nor children next mornin', did ye, O'mie?"
Conlow kept the vilest whiskey ever sold to a poor drink-thirsty Redskin. Everybody knew it except those whom the grand jury called into counsel. I saw my father's brow darken.
"Conlow will meet his match one of these days," he muttered.
"That's why we are runnin' you for judge," said Cam. "This cussed country needs you in every office it's got to clean out that gang that robs an' cheats the Injuns, an' then makes 'em ravin' crazy with drinkin'. They's more 'n Conlow to blame, though, Judge. Keep one eye on the Government agents and Indian traders."
"I wonder where Jean did go anyhow," O'mie whispered to me. "Let's foind out an' give him a surprise party an' a church donation some night."
"What does he come here so much for, anyhow?" I questioned.
"I don't know," replied O'mie. "Why can't he stay Injun? What'll he do wid the greatest common divisor an' the indicative mood an' the Sea of Azov, an' the Zambezi River, when he's learned 'em, anyhow? Phil, begorra, I b'lave that cussed Redskin is in this town fur trouble, an' you jist remember he'll git it one av these toimes. He ain't natural Injun. Uncle Cam is right. He's not like them Osages that comes here annuity days. All that's Osage about him is his clothes."
While we were talking, Jean Pahusca came silently into the company and sat down under the oak tree shading the walk. He never looked less like an Indian than he did that summer morning lounging lazily in the shade. The impenetrable savage face had now an expression of ease and superior self-possession, making it handsome. Unlike the others of his race who came and went about Springvale, Jean's trappings were always bright and fresh, and his every muscle had the poetry of motion. In all our games he was an easy victor. He never clambered about the cliff as we did, he simply slid up and down like a lizard. Jim Conlow was built to race, but Jean skimmed the ground like a bird. He could outwrestle every boy except O'mie (nobody had ever held that Irishman if he wanted to get away), and his grip was like steel. We all fought him by turns and he defeated everyone until my turn came. From me he would take no chance of defeat, however much the boys taunted him with being afraid of Phil Baronet. For while he had a quickness that I lacked, I knew I had a muscular strength he could not break. I disliked him at first on Marjie's account; and when she grew accustomed to his presence and almost forgot her fear, I detested him. And never did I dislike him so much before as on this summer morning when we sat about the shady veranda of the Cambridge House. Nobody else, however, gave any heed to the Indian boy picturesquely idling there on the blue-grass.
Down the street came Lettie Conlow and Mary Gentry with Marjory Whately, all chatting together. They turned at the tavern oak and came up the flag-stone walk toward the veranda. I could not tell you to-day what my lady wears in the social functions where I sometimes have the honor to be a guest. I am a man, and silks and laces confuse me. Yet I remember three young girls in a frontier town more than forty years ago. Mary Gentry was slender – "skinny," we called her to tease her. Her dark-blue calico dress was clean and prim. Lettie Conlow was fat. Her skin was thick and muddy, and there was a brown mole below her ear. Her black, slick braids of hair were my especial dislike. She had no neck to speak of, and when she turned her head the creases above her fat shoulders deepened. I might have liked Lettie but for her open preference for me. Everybody knew this preference, and she annoyed me exceedingly. This morning she wore a thin old red lawn cut down from her mother's gown. A ruffle of the same lawn flopped about her neck. As they came near, her black eyes sought mine as usual, but I saw only the floppy red ruffle – and Marjie. Marjie looked sweet and cool in a fresh starched gingham, with her round white arms bare to the elbows, and her white shapely neck, with its dainty curves and dimples. The effect was heightened by the square-cut bodice, with its green and white gingham bands edged with a Hamburg something, narrow and spotless. How unlike she was to Lettie in her flimsy trimmings! Marjie's hair was coiled in a knot on the top of her head, and the little ringlets curved about her forehead and at the back of her neck. Somehow, with her clear pink cheeks and that pale green gown, I could think only of the wild roses that grew about the rocks on the bluff this side of the Hermit's Cave.
Marjie smiled kindly down at Jean as she passed him. There was always a tremor of fear in that smile; and he knew it and gloried in it.
"Good-morning, Jean," she said in that soft voice I loved to hear.
"Good-morning, Star-face," Jean smiled back at her; and his own face was transfigured for the instant, as his still black eyes followed her. The blood in my veins turned to fire at that look. Our eyes met and for one long moment we gazed steadily at each other. As I turned away I saw Lettie Conlow watching us both, and I knew instinctively that she and Jean Pahusca would sometime join forces against me.
"Well, if you lassies ain't a sight good for sore eyes, I'll never tell it," Cam shouted heartily, squinting up at the girls with his good-natured glance. "You're cool as October an' twicet as sweet an' fine. Go in and let Dollie give you some hot berry pie."
"To cool 'em off," O'mie whispered in my ear. "Nothin' so coolin' as a hot berry pie in July. Let's you and me go to the creek an' thaw out."
That evening Jean Pahusca found the jug supposed to be locked in Conlow's chest of tools inside his shop. I had found where that red forge light came from, and had watched it from my window many a night. When it winked and blinked, I knew somebody inside the shop was passing between it and the line of the chink. I did not speak of it. I was never accused of telling all I knew. My father often said I would make a good witness for my attorney in a suit at law.
Among the Indians who had come for their stipend on this annuity day was a strong young Osage called Hard Rope, who always had a roll of money when he went out of town. I remember that night my father did not come home until very late; and when Aunt Candace asked him if there was anything the matter, I heard him answer carelessly:
"Oh, no. I've been looking after a young Osage they call Hard Rope, who needed me."
I was sleepy, and forgot all about his words then. Long afterwards I had good reason for knowing through this same Hard Rope, how well an Indian can remember a kindness. He never came to Springvale again. And when I next saw him I had forgotten that I had ever known him before. However, I had seen the blinking red glare down the slope that evening and I knew something was going on. Anyhow, Jean Pahusca, crazed with drink, had stolen Tell Mapleson's pony and created a reign of terror in the street until he disappeared down the trail to the southwest.
"It's a wonder old Tell doesn't shoot that Injun," Irving Whately remarked to a group in his store. "He's quick enough with firearms."
"Well," said Cam Gentry, squinting across the counter with his shortsighted eyes, "there's somethin' about that 'Last Chance' store and about this town I don't understand. There's a nigger in the wood-pile, or an Injun in the blankets, somewhere. I hope it won't be long till this thing is cleared up and we can know whether we do know anything, or don't know it. I'm gettin' mystifieder daily." And Cam sat down chuckling.
"Anyhow, we won't see that Redskin here for a spell, I reckon," broke in Amos Judson, Whately's clerk. And with this grain of comfort, we forgot him for a time.
One lazy Saturday afternoon in early August, O'mie and I went for a swim on the sand-bar side of the Deep Hole under the Hermit's Cave. I had something to tell O'mie. All the boys trusted him with their confidences. We had slid quietly down the river; somehow, it was too hot to be noisy, and we were lying on a broad, flat stone letting the warm water ripple over us. A huge bowlder on the sand just beyond us threw a sort of shadow over our brown faces as we rested our heads on the sand.
"O'mie," I began, "I saw something last night."
"Well, an' phwat did somethin' do to you?" He was blowing at the water, which was sliding gently over his chest.
"That's what I want to tell you if you will shut up that red flannel mouth a minute."
"The crimson fabric is now closed be order av the Coort," grinned O'mie.
"O'mie, I waked up suddenly last night. It was clear moonlight, and I looked out of the window. There right under it, on a black pony just like Tell Mapleson's, was Jean Pahusca. He was staring up at the window. He must have seen me move for he only stayed a minute and then away he went. I watched him till he had passed Judson's place and was in the shadows beyond the church. He had on a new red blanket with a circle of white right in the middle, a good target for an arrow, only I'd never sneak up behind him. If I fight him I'll do it like a white man, from the front."
"Then ye'll be dead like a white man, from the front clear back," declared O'mie. "But hadn't ye heard? This mornin' ould Tell was showin' Tell's own pony he said he brought back from down at Westport. He got home late las' night. An' Tell, he pipes up an' says, 'There was a arrow fastened in its mane when I see it this mornin', but his dad took no notice whatsoever av the boy's sayin'; just went on that it was the one Jean Pahusca had stole when he was drunk last. What does it mean, Phil? Is Jean hidin' out round here again? I wish the cuss would go to Santy Fee with the next train down the trail an' go to Spanish bull fightin'. He's just cut out for that, begorra; fur he rides like a Comanche. It ud be a sort av disgrace to the bull though. I've got nothin' agin bulls."
"O'mie, I don't understand; but let's keep still. Some day when he gets so drunk he'll kill one of the grand jury, maybe the rest of them and the coroner can indict him for something."
We lay still in the warm water. Sometimes now in the lazy hot August afternoons I can hear the rippling song of the Neosho as it prattled and gurgled on its way. Suddenly O'mie gave a start and in a voice low and even but intense he exclaimed:
"For the Lord's sake, wud ye look at that? And kape still as a snake while you're doin' it."
Lying perfectly still, I looked keenly about me, seeing nothing unusual.
"Look up across yonder an' don't bat an eye," said O'mie, low as a whisper.
I looked up toward the Hermit's Cave. Sitting on a point of rock overhanging the river was an Indian. His back was toward us and his brilliant red blanket had a white circle in the centre.
"He's not seen us, or he'd niver set out there like that," and O'mie breathed easier. "He could put an arrow through us here as aisy as to snap a string, an' nobody'd live to tell the tale. Phil Bar'net, he's kapin' den in that cave, an' the devil must have showed him how to git up there."
A shout up-stream told of other boys coming down to our swimming place. You have seen a humming bird dart out of sight. So the Indian on the rock far above us vanished at that sound.
"That's Bill Mead comin'; I know his whoop. I wish I knew which side av that Injun's head his eyes is fastened on," said O'mie, still motionless in the water. "If he's watchin' us up there, I'm a turtle till the sun goes down."
A low peal of thunder rolled out of the west and a heavy black cloud swept suddenly over the sun. The blue shadow of the bluff fell upon the Neosho and under its friendly cover we scrambled into our clothes and scudded out of sight among the trees that covered the east bottom land.
"Now, how did he ever get to that place, O'mie?" I questioned.
"I don't know. But if he can get there, I can too."
Poor O'mie! he did not know how true a prophecy he was uttering.
"Let's kape this to oursilves, Phil," counselled my companion. "If too many knows it Tell may lose another pony, or somebody's dead dog may float down the stream like the ould hermit did. Let's burn him out av there oursilves. Then we can adorn our own tepee wid that soft black La Salle-Marquette-Hennepin French scalp."