Книга On the Old Road, Vol. 2 (of 2) - читать онлайн бесплатно, автор John Ruskin. Cтраница 4
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On the Old Road, Vol. 2 (of 2)
On the Old Road, Vol. 2 (of 2)
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On the Old Road, Vol. 2 (of 2)

But that is only on Sundays?—No; on all fête days, and throughout, I think you see the working man, with his wife, happier in the gardens or in the suburbs of a town, and on the whole in a happier state; there is less desire to get as much out of him for the money as they can; less of that desire to oppress him and to use him as a machine than there is in England. But, observe, I do not lean upon that point; and I do not quite see how that bears upon the question, because, whatever interest there may be in foreign countries, or in ours, it is not as much as it should be in either.

But you were throwing a slur upon the character of the upper classes in this country, by insinuating that abroad a great deal more interest was taken in the working classes than in England. Now I assert, that quite the contrary is the fact.—I should be very sorry to express all the feelings that I have respecting the relations between the upper classes and the working classes in this country; it is a subject which cannot at present be discussed, and one upon which I would decline any further examination.

159. You stated that the working men were not so happy in this country as they were abroad, pursuing the same occupations?—I should think certainly not.

You have been in Switzerland?—Yes.

And at Zurich?—Not lately.

That is the seat of a great linen manufacture?—I have never examined the manufactures there, nor have I looked at Switzerland as a manufacturing country.

But you stated that there was much more interest taken in the intellectual developments of the working classes in foreign countries than in England?—Yes; but I was not thinking of Switzerland or of Zurich. I was thinking of France, and I was thinking of the working classes generally, not specially the manufacturing working classes. I used the words "working classes" generally.

Then do you withdraw the expression that you made use of, that in foreign countries the upper classes take more interest in the condition of the working classes, than they do in England?—I do not withdraw it; I only said that it was my impression.

But you cannot establish it?—No.

Therefore it is merely a matter of individual impression?—Entirely so.

You said, I think, that abroad the people enjoy their public institutions better, because inspectors do not follow them about?—I did not say so. I was asked the question whether I thought teaching should be given by persons accompanying the workman about, and I said certainly not. I would rather leave him to himself, with such information as could be given to him by printed documents.

160. Mr. Sclater Booth. With regard to the National Gallery, are you aware that there is great pressure and want of space there now, both with regard to the room for hanging pictures, and also with reference to the crowds of persons who frequent the National Gallery?—I am quite sure that if there is not great pressure, there will be soon, owing to the number of pictures which are being bought continually.

Do you not think that an extension of the space in the National Gallery is a primary consideration, which ought to take precedence of any improvement that might be made in the rooms as they are, with a view to opening them of an evening?—Most certainly.

That is the first thing, you think, that ought to be done?—Most certainly.

When you give your lectures at the Working Men's College, is it your habit to refer to special pictures in the National Gallery, or to special works of art in the British Museum?—Never; I try to keep whatever instruction I give bearing upon what is easily accessible to the workman, or what he can see at the moment. I do not count upon his having time to go to these institutions; I like to put the thing in his hand, and have it about.

Has it never been a stumbling-block in your path that you have found a workman unable to compare your lectures with any illustrations that you may have referred him to?—I have never prepared my lectures with a view to illustrate them by the works of the great masters.

161. You spoke, and very justly, of the importance of fixing on works of art printed explanations; are you not aware that that has been done to some extent at the Kensington Museum?—Yes.

Do you not think that a great part of the popularity of that institution is owing to that circumstance?—I think so, certainly.

On the whole, I gather from your evidence that you are not very sanguine as to the beneficial results that would arise from the opening of the British Museum and the National Gallery of an evening, as those institutions are at present constituted, from a want of space and the crowding of the objects there?—Whatever the results might be, from opening them, as at present constituted, I think better results might be attained by preparing institutions for the workman himself alone.

Do you think that museums of birds and plants, established in various parts of the metropolis, illustrated and furnished with pictures of domestic interest, and possibly with specimens of manufactures, would be more desirable, considering the mode in which the large institutions are now seen?—I think in these great institutions attention ought specially to be paid to giving perfect security to all the works and objects of art which they possess; and to giving convenience to the thorough student, whose business lies with those museums; and that collections for the amusement and improvement of the working classes ought to be entirely separate.

If such institutions as I have described were to be established, you would of course desire that they should be opened of an evening, and be specially arranged, with a view to evening exhibition?—Certainly.

It has been stated that the taxpayer has a right to have these exhibitions opened at hours when the workpeople can go to them, they being taxpayers; do not you think that the real interest of the taxpayer is, first, to have the pictures as carefully preserved as possible, and secondly, that they should be accessible to those whose special occupation in life is concerned in their study?—Most certainly.

Is not the interest of the taxpayer reached in this way, rather than by any special opportunity being given of visiting at particular hours?—Most certainly.

162. Mr. Kinnaird. Have you ever turned your attention to any peculiar localities, where museums of paintings and shells, and of birds and plants, might be opened for the purpose referred to?—Never; I have never examined the subject.

Has it ever occurred to you that the Vestry Halls, which have recently been erected, and which are lighted, might be so appropriated?—No; I have never considered the subject at all.

Supposing that suitable premises could be found, do you not think that many people would contribute modern paintings, and engravings, and various other objects of interest?—I think it is most probable; in fact, I should say certain.

You would view such an attempt with great favor?—Yes; with great delight indeed.

You rather look upon it as the duty of the Government to provide such institutions for the people?—I feel that very strongly indeed.

Do you not think that the plan which has been adopted at Versailles, of having modern history illustrated by paintings, would prove of great interest to the people?—I should think it would be an admirable plan in every way.

And a very legitimate step to be taken by the Government, for the purpose of encouraging art in that way?—Most truly.

Would it have, do you think, an effect in encouraging art in this country?—I should think so, certainly.

Whose duty would you consider it to be to superintend the formation of such collections? are there any Government officers who are at present capable of organizing a staff for employment in local museums that you are aware of?—I do not know; I have not examined that subject at all.

163. Chairman. The Committee would like to understand you more definitely upon the point that has been referred to, as to foreigners and Englishmen. I presume that what you wished the Committee to understand was, that upon the whole, so far as you have observed, more facilities are in point of fact afforded to the working classes, in some way or other, abroad than in this country for seeing pictures and visiting public institutions?—My answer referred especially to the aspect of the working classes as I have watched them in their times of recreation; I see them associated with the upper classes, more happily for themselves; I see them walking through the Louvre, and walking through the gardens of all the great cities of Europe, and apparently less ashamed of themselves, and more happily combined with all the upper classes of society, than they are here. Here our workmen, somehow, are always miserably dressed, and they always keep out of the way, both at such institutions and at church. The temper abroad seems to be, while there is a sterner separation and a more aristocratic feeling between the upper and the lower classes, yet just on that account the workman confesses himself for a workman, and is treated with affection. I do not say workmen merely, but the lower classes generally, are treated with affection, and familiarity, and sympathy by the master or employer, which has to me often been very touching in separate eases; and that impression being on my mind, I answered, not considering that the question was of any importance, hastily; and I am not at present prepared to say how far I could, by thinking, justify that impression.

164. Mr. Kinnaird. In your experience, in the last few years, have you not seen a very marked improvement in the working classes in this country in every respect to which you have alluded; take the last twenty years, or since you have turned your attention that way?—I have no evidence before me in England of that improvement, because I think that the struggle for existence becomes every day more severe, and that, while greater efforts are made to help the workman, the principles on which our commerce is conducted are every day oppressing him, and sinking him deeper.

Have you ever visited the manufacturing districts of Lancashire and Yorkshire, with a view of ascertaining the state of the people there?—Not with a definite view. My own work has nothing to do with those subjects; and it is only incidentally, because I gratuitously give such instruction as I am able to give at the Working Men's College, that I am able to give you any facts on this subject. All the rest that I can give is, as Sir Robert Peel accurately expressed it, nothing but personal impression.

You admit that the Working Men's College is, after all, a very limited sphere?—A very limited sphere.

165. Sir Robert Peel. You have stated that, in the Louvre, a working man looks at the pictures with a greater degree of self-respect than the same classes do in the National Gallery here?—I think so.

You surely never saw a man of the upper class, in England, scorn at a working man because he appeared in his working dress in the National Gallery in London?—I have certainly seen working men apprehensive of such scorn.

Chairman. Is it not the fact, that the upper and lower classes scarcely ever meet on the same occasions?—I think, if possible, they do not.

Is it not the fact that the laboring classes almost invariably cease labor at such hours as would prevent them from going to see pictures at the time when the upper classes do go?—I meant, before, to signify assent to your question, that they do not meet if it can be avoided.

Sir Robert Peel. Take the Crystal Palace as an example; do not working men and all classes meet there together, and did you ever see a working man gêné in the examination of works of art?—I am sure that a working man very often would not go where he would like to go.

But you think he would abroad?—I think they would go abroad; I only say that I believe such is the fact.

Mr. Slaney. Do not you think that the light-hearted temperament of our southern neighbors, and the fineness of the climate, which permits them to enjoy themselves more in the open air, has something to do with it?—I hope that the old name of Merry England may be recovered one of these days. I do not think that it is in the disposition of the inhabitants to be in the least duller than other people.

Sir Robert Peel. When was that designation lost?—I am afraid ever since our manufactures have prospered.

Chairman. Referring to the Crystal Palace, do you think that that was an appropriate instance to put, considering the working man pays for his own, and is not ashamed to enjoy his own for his own money?—I have never examined the causes of the feeling; it did not appear to me to be a matter of great importance what was the state of feeling in foreign countries. I felt that it depended upon so many circumstances, that I thought it would be a waste of time to trace it.

166. Sir Robert Peel. You stated that abroad the working classes were much better dressed?—Yes.

Do you think so?—Yes.

Surely they cannot be better dressed than they are in England, for you hardly know a working man here from an aristocrat?—It is precisely because I do know working men on a Sunday and every other day of the week from an aristocrat that I like their dress better in France; it is the ordinary dress belonging to their position, and it expresses momentarily what they are; it is the blue blouse which hangs freely over their frames, keeping them sufficiently protected from cold and dust; but here it is a shirt open at the collar, very dirty, very much torn, with ragged hair, and a ragged coat, and altogether a dress of misery.

You think that they are better dressed abroad because they wear a blouse?—Because they wear a costume appropriate to their work.

Are you aware that they make it an invariable custom to leave off the blouse on Sundays and on holidays, and that after they have finished their work they take off their blouse?—I am not familiar, nor do I profess to be familiar, with the customs of the Continent; I am only stating my impressions; but I like especially their habit of wearing a national costume. I believe the national costume of work in Switzerland to be at the root of what prosperity Switzerland yet is retaining. I think, for instance, although it may sound rather singular to say so, that the pride which the women take in their clean chemise sleeves, is one of the healthiest things in Switzerland, and that it is operative in every way on the health of the mind and the body, their keeping their costume pure, fresh, and beautiful.

You stated that the working classes were better dressed abroad than in England?—As far as I know, that is certainly the fact.

Still their better dress consists of a blouse, which they take off when they have finished their work?—I bow to your better knowledge of the matter.

Chairman. Are you aware that a considerable number of the working classes are in bed on the Sunday?—Perhaps it is the best place for them.

167. Mr. Kinnaird. You trace the deterioration in the condition of the working classes to the increase of trade and manufactures in this country?—To the increase of competitive trades and manufactures.

It is your conviction that we may look upon this vast extension of trade, and commerce, and competition, altogether as an evil?—Not on the vast extension of trade, but on the vast extension of the struggle of man with man, instead of the principle of help of man by man.

Chairman. I understood you to say, that you did not object to trade, but that you wished each country to produce that which it was best fitted to produce, with a view to an interchange of its commodities with those of other countries?—Yes.

You did not intend to cast a slur upon the idea of competition?—Yes, very distinctly; I intended not only to cast a slur, but to express my excessive horror of the principle of competition, in every way; for instance, we ought not to try to grow claret here, nor to produce silk; we ought to produce coal and iron, and the French should give us wine and silk.

You say that, with a view to an interchange of such commodities?—Yes.

Each country producing that which it is best fitted to produce?—Yes, as well as it can; not striving to imitate or compete with the productions of other countries. Finally, I believe that the way of ascertaining what ought to be done for the workman in any position, is for any one of us to suppose that he was our own son, and that he was left without any parents, and without any help; that there was no chance of his ever emerging out of the state in which he was, and then, that what we should each of us like to be done for our son, so left, we should strive to do for the workman.

The following analysis of the above evidence was mainly given in the Index to the Report (p. 153).—Ed.

139. Is well acquainted with the museums, picture galleries, etc., in the metropolis.—Conducts a drawing class at the Working Men's College.

140. Desirableness of the public institutions being open in the evening (cp. 154, 161).

141. Remarks relative to the system of teaching expedient for the working classes; system pursued by witness at the Working Men's College.—Workmen to aim at rising in their class, not out of it (cp. 155).

142. Backward state, intellectually, of the working man of the present time; superiority of the foreigner.

143. Improvement of the National Gallery suggested (cp. 157, 160).

144. Inexpediency of submitting valuable ancient pictures to the risk of injury from gas, etc. (cp. 146, 157).

145. Statement as to the minds of the working classes after their day's labor being too much oppressed to enable them to enjoy or appreciate the public institutions, if merely opened in the evening.

146. Suggested collection of pictures and prints of a particular character for the inspection of the working classes.—Suggestions with a view to special collections of shells, birds, and plants being prepared for the use of the working classes; system of lectures, of illustration, and of intermediate study necessary in connection with such collections (cp. 151-52).

147. Statement as to greater interest being taken in France and other foreign countries than in England in the intellectual development of the working classes; examination on this point, and on the effect produced thereby upon the character and demeanor of the working people (cp. 158, 163-64).

148. Objection to circulating valuable or rare works of art throughout the country, on account of the risk of injury—Disapproval of inspectors, etc., going about with the visitors (cp. 159).—Advantage in the upper classes lending pictures, etc., for public exhibition.

149. Lectures to working men. Advantage if large printed explanations were placed under every picture (cp. 157, 161).

150. Great desire among the working classes to acquire knowledge; grounds of such desire (cp. 155).—Great boon if a museum were formed at the east end of London.

151. Lectures on natural history for working men.

152. Books available on British birds.

153. Intermediate study essential to use of Lectures.—Good attendance at Working Men's College.—Terms and conditions of admission to it.

154. Approval of Saturday half-holiday movement (cp. 140, 161).

155. See above, s. 142.

156. Competition in trade and labor regarded by witness as a great evil.

157. See above, s. 143, 149.

158-59. Happier condition of lower classes abroad than at home. Their dress also better abroad. 163-64, 166, and see above, s. 142.

160. See above, s. 143, 149, 157.

161. See above, s. 149, 154.

162. Use of existing public buildings for art collections.

163-64. See above, s. 158-59.

165. Surely England may one day be Merry England again.—When it ceased to be so.

166. See above, s. 158-59.

167. Increase of trade and deteriorated condition of working-classes.—Our duty to them.

THE ROYAL ACADEMY COMMISSION.3

Evidence of John Ruskin, Monday, June 8th, 1863

168. Chairman. You have, no doubt, frequently considered the position of the Royal Academy in this country?—Yes.

Is it in all points satisfactory to you?—No, certainly not.

Do you approve, for example, of the plan by which, on a vacancy occurring, the Royal Academicians supply that vacancy, or would you wish to see that election confided to any other hands?—I should wish to see the election confided to other hands. I think that all elections are liable to mistake, or mischance, when the electing body elect the candidate into them. I rather think that elections are only successful where the candidate is elected into a body other than the body of electors; but I have not considered the principles of election fully enough to be able to give any positive statement of opinion upon that matter. I only feel that at present the thing is liable to many errors and mischances.

Does it not seem, however, that there are some precedents, such, for example, as the Institute of France, in which the body electing to the vacancies that occur within it keeps up a very high character, and enjoys a great reputation?—There are many such precedents; and, as every such body for its own honor must sometimes call upon the most intellectual men of the country to join it, I should think that every such body must retain a high character where the country itself has a proper sense of the worth of its best men; but the system of election may be wrong, though the sense of the country may be right; and I think, in appealing to a precedent to justify a system, we should estimate properly what has been brought about by the feeling of the country. We are all, I fancy, too much in the habit of looking to forms as the cause of what really is caused by the temper of the nation at the particular time, working, through the forms, for good or evil.

If, however, the election of Academicians were to be confided to artists who were not already Academicians themselves, would it be easy to meet this objection, that they would have in many cases a personal interest in the question; that each might be striving for his own admission to that distinction; whereas, when the election takes place among those who have already attained that distinction, direct personal interest at all events is absent?—I should think personal interest would act in a certain sense in either case; it would branch into too many subtleties of interest to say in what way it would act. I should think that it would be more important to the inferior body to decide rightly upon those who were to govern them, than to the superior body to decide upon those who were to govern other people; and that the superior body would therefore generally choose those who were likely to be pleasant to themselves;—pleasant, either as companions, or in carrying out a system which they chose for their own convenience to adopt; while the inferior body would choose men likely to carry out the system that would tend most to the general progress of art.

169. As I understand you, though you have a decided opinion that it would be better for some other constituent body to elect the members of the Royal Academy, you have not a decided opinion as to how that constituent body would best be composed?—By no means.

I presume you would wish that constituent body to consist of artists, though you are not prepared to say precisely how they should be selected?—I should like the constituent body to consist both of artists and of the public. I feel great difficulties in offering any suggestion as to the manner in which the electors should elect: but I should like the public as well as artists to have a voice, so that we might have the public feeling brought to bear upon painting as we have now upon music; and that the election of those who were to attract the public eye, or direct the public mind, should indicate also the will of the public in some respects; not that I think that "will" always wise, but I think you would then have pointed out in what way those who are teaching the public should best regulate the teaching; and also it would give the public itself an interest in art, and a sense of responsibility, which in the present state of things they never can have.

Will you explain more fully the precedent of music to which you have just adverted?—The fame of any great singer or any great musician depends upon the public enthusiasm and feeling respecting him. No Royal Academy can draw a large audience to the opera by stating that such and such a piece of music is good, or that such and such a voice is clear; if the public do not feel the voice to be delicious, and if they do not like the music, they will not go to hear it. The fame of the musician, whether singer, instrumentalist, or composer, is founded mainly upon his having produced a strong effect upon the public intellect and imagination. I should like that same effect to be produced by painters, and to be expressed by the public enthusiasm and approbation; not merely by expressions of approbation in conversation, but by the actual voice which in the theater is given by the shout and by the clapping of the hands. You cannot clap a picture, nor clap a painter at his work, but I should like the public in some way to bring their voice to bear upon the painter's work.