The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Complete
One evening I was in the foyer of the Italian Comedy, where between the acts the highest noblemen were in the habit of coming, in order to converse and joke with the actresses who used to sit there waiting for their turn to appear on the stage, and I was seated near Camille, Coraline’s sister, whom I amused by making love to her. A young councillor, who objected to my occupying Camille’s attention, being a very conceited fellow, attacked me upon some remark I made respecting an Italian play, and took the liberty of shewing his bad temper by criticizing my native country. I was answering him in an indirect way, looking all the time at Camille, who was laughing. Everybody had congregated around us and was attentive to the discussion, which, being carried on as an assault of wit, had nothing to make it unpleasant.
But it seemed to take a serious turn when the young fop, turning the conversation on the police of the city, said that for some time it had been dangerous to walk alone at night through the streets of Paris.
“During the last month,” he added, “the Place de Greve has seen the hanging of seven men, among whom there were five Italians. An extraordinary circumstance.”
“Nothing extraordinary in that,” I answered; “honest men generally contrive to be hung far away from their native country; and as a proof of it, sixty Frenchmen have been hung in the course of last year between Naples, Rome, and Venice. Five times twelve are sixty; so you see that it is only a fair exchange.”
The laughter was all on my side, and the fine councillor went away rather crestfallen. One of the gentlemen present at the discussion, finding my answer to his taste, came up to Camille, and asked her in a whisper who I was. We got acquainted at once.
It was M. de Marigni, whom I was delighted to know for the sake of my brother whose arrival in Paris I was expecting every day. M. de Marigni was superintendent of the royal buildings, and the Academy of Painting was under his jurisdiction. I mentioned my brother to him, and he graciously promised to protect him. Another young nobleman, who conversed with me, invited me to visit him. It was the Duke de Matalona.
I told him that I had seen him, then only a child, eight years before in Naples, and that I was under great obligations to his uncle, Don Lelio. The young duke was delighted, and we became intimate friends.
My brother arrived in Paris in the spring of 1751, and he lodged with me at Madame Quinson’s. He began at once to work with success for private individuals; but his main idea being to compose a picture to be submitted to the judgment of the Academy, I introduced him to M. de Marigni, who received him with great distinction, and encouraged him by assuring him of his protection. He immediately set to work with great diligence.
M. de Morosini had been recalled, and M. de Mocenigo had succeeded him as ambassador of the Republic. M. de Bragadin had recommended me to him, and he tendered a friendly welcome both to me and to my brother, in whose favour he felt interested as a Venetian, and as a young artist seeking to build up a position by his talent.
M. de Mocenigo was of a very pleasant nature; he liked gambling although he was always unlucky at cards; he loved women, and he was not more fortunate with them because he did not know how to manage them. Two years after his arrival in Paris he fell in love with Madame de Colande, and, finding it impossible to win her affections, he killed himself.
Madame la Dauphine was delivered of a prince, the Duke of Burgundy, and the rejoicings indulged in at the birth of that child seem to me incredible now, when I see what the same nation is doing against the king. The people want to be free; it is a noble ambition, for mankind are not made to be the slaves of one man; but with a nation populous, great, witty, and giddy, what will be the end of that revolution? Time alone can tell us.
The Duke de Matalona procured me the acquaintance of the two princes, Don Marc Antoine and Don Jean Baptiste Borghese, from Rome, who were enjoying themselves in Paris, yet living without display. I had occasion to remark that when those Roman princes were presented at the court of France they were only styled “marquis.” It was the same with the Russian princes, to whom the title of prince was refused when they wanted to be presented; they were called “knees,” but they did not mind it, because that word meant prince. The court of France has always been foolishly particular on the question of titles, and is even now sparing of the title of monsieur, although it is common enough everywhere every man who was not titled was called Sieur. I have remarked that the king never addressed his bishops otherwise than as abbes, although they were generally very proud of their titles. The king likewise affected to know a nobleman only when his name was inscribed amongst those who served him.
Yet the haughtiness of Louis XV. had been innoculated into him by education; it was not in his nature. When an ambassador presented someone to him, the person thus presented withdrew with the certainty of having been seen by the king, but that was all. Nevertheless, Louis XV. was very polite, particularly with ladies, even with his mistresses, when in public. Whoever failed in respect towards them in the slightest manner was sure of disgrace, and no king ever possessed to a greater extent the grand royal virtue which is called dissimulation. He kept a secret faithfully, and he was delighted when he knew that no one but himself possessed it.
The Chevalier d’Eon is a proof of this, for the king alone knew and had always known that the chevalier was a woman, and all the long discussions which the false chevalier had with the office for foreign affairs was a comedy which the king allowed to go on, only because it amused him.
Louis XV. was great in all things, and he would have had no faults if flattery had not forced them upon him. But how could he possibly have supposed himself faulty in anything when everyone around him repeated constantly that he was the best of kings? A king, in the opinion of which he was imbued respecting his own person, was a being of a nature by far too superior to ordinary men for him not to have the right to consider himself akin to a god. Sad destiny of kings! Vile flatterers are constantly doing everything necessary to reduce them below the condition of man.
The Princess of Ardore was delivered about that time of a young prince. Her husband, the Neapolitan ambassador, entreated Louis XV. to be god-father to the child; the king consented and presented his god-son with a regiment; but the mother, who did not like the military career for her son, refused it. The Marshal de Richelieu told me that he had never known the king laugh so heartily as when he heard of that singular refusal.
At the Duchess de Fulvie’s I made the acquaintance of Mdlle. Gaussin, who was called Lolotte. She was the mistress of Lord Albemarle, the English ambassador, a witty and very generous nobleman. One evening he complained of his mistress praising the beauty of the stars which were shining brightly over her head, saying that she ought to know he could not give them to her. If Lord Albemarle had been ambassador to the court of France at the time of the rupture between France and England, he would have arranged all difficulties amicably, and the unfortunate war by which France lost Canada would not have taken place. There is no doubt that the harmony between two nations depends very often upon their respective ambassadors, when there is any danger of a rupture.
As to the noble lord’s mistress, there was but one opinion respecting her. She was fit in every way to become his wife, and the highest families of France did not think that she needed the title of Lady Albemarle to be received with distinction; no lady considered it debasing to sit near her, although she was well known as the mistress of the English lord. She had passed from her mother’s arms to those of Lord Albemarle at the age of thirteen, and her conduct was always of the highest respectability. She bore children whom the ambassador acknowledged legally, and she died Countess d’Erouville. I shall have to mention her again in my Memoirs.
I had likewise occasion to become acquainted at the Venetian Embassy with a lady from Venice, the widow of an English baronet named Wynne. She was then coming from London with her children, where she had been compelled to go in order to insure them the inheritance of their late father, which they would have lost if they had not declared themselves members of the Church of England. She was on her way back to Venice, much pleased with her journey. She was accompanied by her eldest daughter—a young girl of twelve years, who, notwithstanding her youth, carried on her beautiful face all the signs of perfection.
She is now living in Venice, the widow of Count de Rosenberg, who died in Venice ambassador of the Empress-Queen Maria Theresa. She is surrounded by the brilliant halo of her excellent conduct and of all her social virtues. No one can accuse her of any fault, except that of being poor, but she feels it only because it does not allow her to be as charitable as she might wish.
The reader will see in the next chapter how I managed to embroil myself with the French police.
CHAPTER VIII
My Broil With Parisian Justice—Mdlle. Vesian
The youngest daughter of my landlady, Mdlle. Quinson, a young girl between fifteen and sixteen years of age, was in the habit of often coming to my room without being called. It was not long before I discovered that she was in love with me, and I should have thought myself ridiculous if I had been cruel to a young brunette who was piquant, lively, amiable, and had a most delightful voice.
During the first four or five months nothing but childish trifles took place between us; but one night, coming home very late and finding her fast asleep on my bed, I did not see the necessity of waking her up, and undressing myself I lay down beside her.... She left me at daybreak.
Mimi had not been gone three hours when a milliner came with a charming young girl, to invite herself and her friend to breakfast; I thought the young girl well worth a breakfast, but I was tired and wanted rest, and I begged them both to withdraw. Soon after they had left me, Madame Quinson came with her daughter to make my bed. I put my dressing-gown on, and began to write.
“Ah! the nasty hussies!” exclaims the mother.
“What is the matter, madam?”
“The riddle is clear enough, sir; these sheets are spoiled.”
“I am very sorry, my dear madam, but change them, and the evil will be remedied at once.”
She went out of the room, threatening and grumbling,
“Let them come again, and see if I don’t take care of them!”
Mimi remained alone with me, and I addressed her some reproaches for her imprudence. But she laughed, and answered that Love had sent those women on purpose to protect Innocence! After that, Mimi was no longer under any restraint, she would come and share my bed whenever she had a fancy to do so, unless I sent her back to her own room, and in the morning she always left me in good time. But at the end of four months my beauty informed me that our secret would soon be discovered.
“I am very sorry,” I said to her, “but I cannot help it.”
“We ought to think of something.”
“Well, do so.”
“What can I think of? Well, come what will; the best thing I can do is not to think of it.”
Towards the sixth month she had become so large, that her mother, no longer doubting the truth, got into a violent passion, and by dint of blows compelled her to name the father. Mimi said I was the guilty swain, and perhaps it was not an untruth.
With that great discovery Madame Quinson burst into my room in high dudgeon. She threw herself on a chair, and when she had recovered her breath she loaded me with insulting words, and ended by telling me that I must marry her daughter. At this intimation, understanding her object and wishing to cut the matter short, I told her that I was already married in Italy.
“Then why did you come here and get my daughter with child?”
“I can assure you that I did not mean to do so. Besides, how do you know that I am the father of the child?”
“Mimi says so, and she is certain of it.”
“I congratulate her; but I warn you, madam, that I am ready to swear that I have not any certainty about it.”
“What then?”
“Then nothing. If she is pregnant, she will be confined.”
She went downstairs, uttering curses and threats: the next day I was summoned before the commissary of the district. I obeyed the summons, and found Madame Quinson fully equipped for the battle. The commissary, after the preliminary questions usual in all legal cases, asked me whether I admitted myself guilty towards the girl Quinson of the injury of which the mother, there present personally, complained.
“Monsieur le Commissaire, I beg of you to write word by word the answer which I am going to give you.”
“Very well.”
“I have caused no injury whatever to Mimi, the plaintiff’s daughter, and I refer you to the girl herself, who has always had as much friendship for me as I have had for her.”
“But she declares that she is pregnant from your doings.”
“That may be, but it is not certain.”
“She says it is certain, and she swears that she has never known any other man.”
“If it is so, she is unfortunate; for in such a question a man cannot trust any woman but his own wife.”
“What did you give her in order to seduce her?”
“Nothing; for very far from having seduced her, she has seduced me, and we agreed perfectly in one moment; a pretty woman does not find it very hard to seduce me.”
“Was she a virgin?”
“I never felt any curiosity about it either before or after; therefore, sir, I do not know.”
“Her mother claims reparation, and the law is against you.”
“I can give no reparation to the mother; and as for the law I will obey it when it has been explained to me, and when I am convinced that I have been guilty against it.”
“You are already convinced. Do you imagine that a man who gets an honest girl with child in a house of which he is an inmate does not transgress the laws of society?”
“I admit that to be the case when the mother is deceived; but when that same mother sends her daughter to the room of a young man, are we not right in supposing that she is disposed to accept peacefully all the accidents which may result from such conduct?”
“She sent her daughter to your room only to wait on you.”
“And she has waited on me as I have waited on her if she sends her to my room this evening, and if it is agreeable to Mimi, I will certainly serve her as well as I can; but I will have nothing to do with her against her will or out of my room, the rent of which I have always paid punctually.”
“You may say what you like, but you must pay the fine.”
“I will say what I believe to be just, and I will pay nothing; for there can be no fine where there is no law transgressed. If I am sentenced to pay I shall appeal even to the last jurisdiction and until I obtain justice, for believe me, sir, I know that I am not such an awkward and cowardly fellow as to refuse my caresses to a pretty woman who pleases me, and comes to provoke them in my own room, especially when I feel myself certain of the mother’s agreement.”
I signed the interrogatory after I had read it carefully, and went away. The next day the lieutenant of police sent for me, and after he had heard me, as well as the mother and the daughter, he acquitted me and condemned Madame Quinson in costs. But I could not after all resist the tears of Mimi, and her entreaties for me to defray the expenses of her confinement. She was delivered of a boy, who was sent to the Hotel Dieu to be brought up at the nation’s expense. Soon afterwards Mimi ran away from her mother’s house, and she appeared on the stage at St. Laurent’s Fair. Being unknown, she had no difficulty in finding a lover who took her for a maiden. I found her very pretty on the stage.
“I did not know,” I said to her, “that you were a musician.”
“I am a musician about as much as all my companions, not one of whom knows a note of music. The girls at the opera are not much more clever, and in spite of that, with a good voice and some taste, one can sing delightfully.”
I advised her to invite Patu to supper, and he was charmed with her. Some time afterwards, however, she came to a bad end, and disappeared.
The Italian comedians obtained at that time permission to perform parodies of operas and of tragedies. I made the acquaintance at that theatre of the celebrated Chantilly, who had been the mistress of the Marechal de Saxe, and was called Favart because the poet of that name had married her. She sang in the parody of ‘Thetis et Pelee’, by M. de Fontelle, the part of Tonton, amidst deafening applause. Her grace and talent won the love of a man of the greatest merit, the Abbe de Voisenon, with whom I was as intimate as with Crebillon. All the plays performed at the Italian Comedy, under the name of Madame Favart, were written by the abbe, who became member of the Academie after my departure from Paris. I cultivated an acquaintance the value of which I could appreciate, and he honoured me with his friendship. It was at my suggestions that the Abbe de Voisenon conceived the idea of composing oratorios in poetry; they were sung for the first time at the Tuileries, when the theatres were closed in consequence of some religious festival. That amiable abbe, who had written several comedies in secret, had very poor health and a very small body; he was all wit and gracefulness, famous for his shrewd repartees which, although very cutting, never offended anyone. It was impossible for him to have any enemies, for his criticism only grazed the skin and never wounded deeply. One day, as he was returning from Versailles, I asked him the news of the court.
“The king is yawning,” he answered, “because he must come to the parliament to-morrow to hold a bed of justice.”
“Why is it called a bed of justice?”
“I do not know, unless it is because justice is asleep during the proceedings.”
I afterwards met in Prague the living portrait of that eminent writer in Count Francois Hardig, now plenipotentiary of the emperor at the court of Saxony.
The Abbe de Voisenon introduced me to Fontenelle, who was then ninety-three years of age. A fine wit, an amiable and learned man, celebrated for his quick repartees, Fontenelle could not pay a compliment without throwing kindness and wit into it. I told him that I had come from Italy on purpose to see him.
“Confess, sir,” he said to me, “that you have kept me waiting a very long time.”
This repartee was obliging and critical at the same time, and pointed out in a delicate and witty manner the untruth of my compliment. He made me a present of his works, and asked me if I liked the French plays; I told him that I had seen ‘Thetis et Pelee’ at the opera. That play was his own composition, and when I had praised it, he told me that it was a ‘tete pelee’.
“I was at the Theatre Francais last night,” I said, “and saw Athalie.”
“It is the masterpiece of Racine; Voltaire, has been wrong in accusing me of having criticized that tragedy, and in attributing to me an epigram, the author of which has never been known, and which ends with two very poor lines:
“Pour avoir fait pis qu’Esther, Comment diable as-to pu faire”I have been told that M. de Fontenelle had been the tender friend of Madame du Tencin, that M. d’Alembert was the offspring of their intimacy, and that Le Rond had only been his foster-father. I knew d’Alembert at Madame de Graffigny’s. That great philosopher had the talent of never appearing to be a learned man when he was in the company of amiable persons who had no pretension to learning or the sciences, and he always seemed to endow with intelligence those who conversed with him.
When I went to Paris for the second time, after my escape from The Leads of Venice, I was delighted at the idea of seeing again the amiable, venerable Fontenelle, but he died a fortnight after my arrival, at the beginning of the year 1757.
When I paid my third visit to Paris with the intention of ending my days in that capital, I reckoned upon the friendship of M. d’Alembert, but he died, like Fontenelle, a fortnight after my arrival, towards the end of 1783. Now I feel that I have seen Paris and France for the last time. The popular effervescence has disgusted me, and I am too old to hope to see the end of it.
Count de Looz, Polish ambassador at the French court, invited me in 1751 to translate into Italian a French opera susceptible of great transformations, and of having a grand ballet annexed to the subject of the opera itself. I chose ‘Zoroastre’, by M. de Cahusac. I had to adapt words to the music of the choruses, always a difficult task. The music remained very beautiful, of course, but my Italian poetry was very poor. In spite of that the generous sovereign sent me a splendid gold snuff-box, and I thus contrived at the same time to please my mother very highly.
It was about that time that Mdlle. Vesian arrived in Paris with her brother. She was quite young, well educated, beautiful, most amiable, and a novice; her brother accompanied her. Her father, formerly an officer in the French army, had died at Parma, his native city. Left an orphan without any means of support, she followed the advice given by her friends; she sold the furniture left by her father, with the intention of going to Versailles to obtain from the justice and from the generosity of the king a small pension to enable her to live. As she got out of the diligence, she took a coach, and desired to be taken to some hotel close by the Italian Theatre; by the greatest chance she was brought to the Hotel de Bourgogne, where I was then staying myself.
In the morning I was told that there were two young Italians, brother and sister, who did not appear very wealthy, in the next room to mine. Italians, young, poor and newly arrived, my curiosity was excited. I went to the door of their room, I knocked, and a young man came to open it in his shirt.
“I beg you to excuse me, sir,” he said to me, “if I receive you in such a state.”
“I have to ask your pardon myself. I only come to offer you my services, as a countryman and as a neighbour.”
A mattress on the floor told me where the young man had slept; a bed standing in a recess and hid by curtains made me guess where the sister was. I begged of her to excuse me if I had presented myself without enquiring whether she was up.
She answered without seeing me, that the journey having greatly tried her she had slept a little later than usual, but that she would get up immediately if I would excuse her for a short time.
“I am going to my room, mademoiselle, and I will come back when you send for me; my room is next door to your own.”
A quarter of an hour after, instead of being sent for, I saw a young and beautiful person enter my room; she made a modest bow, saying that she had come herself to return my visit, and that her brother would follow her immediately.
I thanked her for her visit, begged her to be seated, and I expressed all the interest I felt for her. Her gratitude shewed itself more by the tone of her voice than by her words, and her confidence being already captivated she told me artlessly, but not without some dignity, her short history or rather her situation, and she concluded by these words:
“I must in the course of the day find a less expensive lodging, for I only possess six francs.”
I asked her whether she had any letters of recommendation, and she drew out of her pocket a parcel of papers containing seven or eight testimonials of good conduct and honesty, and a passport.
“Is this all you have, my dear countrywoman?”
“Yes. I intend to call with my brother upon the secretary of war, and I hope he will take pity on me.”
“You do not know anybody here?”
“Not one person, sir; you are the first man in France to whom I have exposed my situation.”
“I am a countryman of yours, and you are recommended to me by your position as well as by your age; I wish to be your adviser, if you will permit me.”
“Ah, sir! how grateful I would be!”
“Do not mention it. Give me your papers, I will see what is to be done with them. Do not relate your history to anyone, and do not say one word about your position. You had better remain at this hotel. Here are two Louis which I will lend you until you are in a position to return them to me.”