Cook’s most prominent control spirit was called Katie King. Cook would retire into a cabinet and be tied to a chair with rope, the knots sealed with wax. After a few minutes King, who could not speak but only nod and smile, would emerge in front of the cabinet. After the spirit disappeared, the sitters waited for Cook’s instructions to release her, and they always found her in the cabinet still clothed and tied and exhausted from the experience.
Cook was not reluctant to allow the press in, and a reporter from the Daily Telegraph attended several of her séances. On the first occasion, he saw faces, and the following year he witnessed the materialization of Katie King and took photographs of her. In view of the precautions taken, such as Cook being bound with seals, ‘he was baffled’.
Cook’s abilities led to various prominent persons attending her séances, and in 1872 she begun to receive financial support from the businessman and spiritualist Charles Blackburn. She also attracted the attention of spiritualist investigators, including the British scientist Sir William Crookes.
The appearances of Katie King were investigated many times, with sitters regularly reporting that they were able to see Katie and Cook at the same time, for the cabinet would be opened and Cook would be visible in the back while Katie appeared out front. Many sitters also reported that Katie King and Florence Cook were very similar in appearance, and some charged that Cook and Katie were, in fact, the same person.
Cook was caught at least twice in fraud. On one occasion a sitter grabbed a spirit hand and found he had grabbed Cook. On another occasion in 1880, Sir George Sitwell noticed that King was wearing corsets. He seized her and pulled aside the curtain to reveal an empty chair and the ropes untied.
Sir William Crookes vigorously investigated the case, taking photographs, witnessing both Cook and Katie at the same time and even attaching Cook to a galvanometer to record Cook’s movements while Katie appeared. Despite allegations of fraud, Sir William and other supporters remained convinced that Florence Cook was a genuine medium.
In 1874 Katie King departed. Afterwards first Leila, and then a French girl calling herself Marie became Cook’s controls. Marie remained her control until shortly before Florence Cook’s death in 1904. A photograph was taken of her at a séance in about 1902, which later appeared in Psychic Science (January 1927); one of the sitters made the important observation that those present ‘saw the form of the tall slim young woman that appears in the picture; Mrs Corner [Florence Cook] being short, rather stout, and of darker complexion’.
COOKE, GRACE [1892–1979]
Grace Cooke, born in London in 1892, became a spiritualist medium in 1913. Unlike most mediums of the day, intent on communicating with the dead, Cooke focused on spiritual development, which she felt the world badly needed.
From an early age Cooke experienced psychic visions of a Native American spirit guide called White Eagle, who told her they would accomplish great spiritual work together. In 1936 White Eagle instructed Cooke to form a church for people ready to be light bearers and to practise brotherhood and sisterhood. After several false starts, the White Eagle Lodge was established in Hampshire in 1945. It soon grew into an international organization publishing tracts and books.
Until her death in 1979 Cooke emphasized living by the light of love and healing. In her later years she experienced vivid memories of previous lives, and the stories of these past lives are recorded in her book The Illuminated Ones.
CORPSE CANDLES
According to British folklore, corpse candles are mysterious candles that float through the air by night and hover near locations where death is imminent. They are said to vanish when approached and warn of death to those who see them or of the death of a loved one. In Welsh folklore a pale bluish corpse candle is said to presage the death of a child, a bigger candle the death of an adult and multiple candles a multiple loss.
Although corpse candles have been witnessed all over the British Isles, their origin is supposed to date back to fifth-century Wales. Legend says that St David, the patron saint of Wales, was concerned that the people he served were always unprepared for death, so he prayed that they might have some kind of warning. He received a vision in which he was told that the Welsh people would always be forewarned of a death by the dim light of mysterious candles.
CORPSE LIGHTS
Corpse lights are similar to corpse candles in that they are seen at night and are believed to be death omens. They are believed to be phosphorescent lights in white, red, or blue that can appear almost anywhere, inside or outside a house, on the ground, on the roof or over a person’s chest. They are also known as jack-o’-lanterns, ignis fatuus, corposant, fetch-candles and fetch lights. It is possible they are produced by atmospheric gas, but in folklore there are many reports of their seemingly mysterious and supernatural appearance.
COTTAGE CITY POLTERGEIST
A fascinating and curious case that was the inspiration behind the 1971 best-selling book by William Peter Blatty The Exorcist. In the book, later made into a film, a young girl is possessed by the devil and subject to exorcism by a Roman Catholic priest, but in the original 1949 case that inspired the book, the subject was a 13-year-old boy.
The case began in Cottage City, Maryland. The family of a young boy, called in some newspaper reports ‘Roland Doe’, began to experience poltergeist activity. It started with scratching noises from the house walls, and then the boy’s bed began shaking and moving on its own, with similar events occurring at school.
A psychiatrist was called in to examine the boy but could find nothing wrong with him. The family called in a minister who believed that a ghost, perhaps the spirit of the dead aunt, might be involved. Some reports say that a Lutheran minister performed an exorcism or a series of exorcisms, while other reports say exorcisms were performed by a pair of Jesuit priests.
After the movie appeared, new reports surfaced of a detailed diary kept by one of the Jesuit priests of the entire exorcism process. The diary says that the exorcism took place in a hospital, the boy’s reactions to the exorcism were violent and that it took four months for the ‘demon’ to be expelled. Afterwards the boy remembered nothing and the case was quietly buried. The room at the hospital where the exorcism took place was rumoured to be haunted in the years following. Many people who worked near the room continued to report cold waves of air and unusual noises coming from inside the room.
What truly happened in the case remains a mystery. Were there natural or psychological explanations for what occurred in the case? Or was this simply the story of an attention-starved boy tricking the adults around him into believing he was possessed by the devil?
COTTINGLEY FAIRIES
In July 1917, 16-year-old Elsie Wright and her 10-year-old cousin Frances Griffiths claimed they could see fairies in the small wooded creek behind Elsie’s house in Cot-tingley, West Yorkshire. Elsie’s father dismissed their claims, and so one day the girls borrowed his camera to take a picture of them.
The picture, when developed, showed Elsie with a group of fairies dancing in front of her. A month later the girls took a picture of Elsie with a gnome. Elsie’s parents were startled by the photographs, but her father remained unconvinced. Her mother, however, took the pictures to a Theosophist meeting one evening, and soon the photos were published. The girls’ most famous supporter became Sir Arthur Conan Doyle, the creator of Sherlock Holmes. Conan Doyle printed the first two pictures in Strand Magazine in 1920 and three more photos a couple of years later. He then expanded his articles into a book, The Coming of the Fairies. Shortly after, Frances’s family moved away from Elsie’s, and the girls stopped seeing fairies.
In the decades that followed, the photographs were widely circulated and deemed false, and even Conan Doyle himself finally admitted that he may have been the victim of a hoax. It wasn’t until the 1980s, though, that Frances and Elsie admitted that they had faked the photographs to get back at the adults who had told them off for believing in fairies. They said that when Conan Doyle had got involved they didn’t want to embarrass him by admitting that the photos were faked. They also said that as young girls they had actually seen fairies, but that the fairies didn’t like to be photographed.
CRANDON, Mina STINSON [1888–194,1]
This Boston medium, also known as Margery, left a controversial legacy behind her. Opinion is divided as to whether she was one of the greatest mediums of her day or a complete fraud.
Unusually for mediums, Crandon’s early life did not offer any hints of her future psychic power. It wasn’t until her divorce in 1918 and second marriage to prominent surgeon Le Roi Goddard Crandon, who had an interest in the paranormal and set up a psychic home circle, that her abilities began to surface. Soon she was demonstrating remarkable abilities as a medium managed by her control, Walter. Walter was in fact Mina’s brother who had died five years earlier, with whom she had been very close.
Several investigations of Crandon’s power were put together by prominent academics and psychical investigators, including Harry Houdini the magician, who was utterly convinced that she was a fraud. Despite causing bitter controversy, Crandon had many supporters at the American Society for Psychical Research, and a book published in 1925, Margery the Medium by Malcolm Bird, editor of the Scientific American, was very favourable to her.
Mina Crandon appeared to enjoy all the attention she received from press and public alike. By all accounts it wasn’t just her psychic powers that her supporters admired. She was a vivacious and charismatic person who was not adverse to holding séances in the nude and to having extramarital affairs with more than one of her investigators.
When asked on her deathbed if fraud had taken place, she refused to set the record straight. With the hint of a smile and a twinkle in her eye, she is said to have replied, Why don’t you guess? You’ll all be guessing for the rest of your lives.’
CREATIVE VISUALIZATION
Creative visualization is the process by which the creation of a visual image is believed to promote the desired outcome.
Creative visualization is built on the ancient belief in the power of the mind to create what you want in your life. If you think about what you’d like to achieve in your life, you can do just that, as positive images and thoughts attract positive energy. Creative visualization is widely used in business, sport, art, psychotherapy, psychic development, mystical and occult arts and personal self-development.
Imagination has a powerful influence on self-image, and a poor self-image can often mean the difference between success and failure in life. Creative visualization, which seems to be most effective when practised in a relaxed state, can be used to feed your mind positive images to create a better self-image and improve your personal experiences. For example, if you want to develop your psychic awareness, you need to imagine being psychic. If you want to pass an exam, you imagine yourself passing it. Those who practise visualization say it’s important to fill in all the details of your experience so that the image is as real to the mind as possible.
CREWE CIRCLE
The Crewe Circle was a group of spirit photographers based in Crewe, England, in the latter half of the nineteenth century. Led by William Hope, the circle claimed to be able to photograph the souls of the dead. Many psychical research organizations investigated the claims, but the most documented are those sponsored by the Royal Photographic Society and Sir Arthur Conan Doyle, the author of the Sherlock Holmes novels. Conan Doyle was so intrigued by the Crewe Circle that he wrote a book about it entitled The Case for Spirit Photography (1922).
Over the years the spirit photographs taken by the members of the Crewe Circle have come under detailed examination, and have been dismissed as fraudulent by many, but so far none has been proven conclusively to be a hoax. It is possible that the photos could be spontaneous images of spirits captured on the film plates.
CROISET, Gerard [1909–1980]
Born in the Netherlands, Croiset grew up to become an internationally renowned clairvoyant, highly regarded as a police psychic for his ability to find missing people, animals and objects.
Croiset was raised in foster homes and orphanages and began to experience clairvoyance at the age of six. He dropped out of school at 13 and drifted into unskilled work. The turning point in his life came in 1935 when he was introduced to a group of local spiritualists, and over the next few years his reputation as a psychic and healer grew. In 1945 Croiset volunteered to be a test subject for the parapsychologist Willem Tenhaef from the University of Utrecht. Tenhaef was so impressed by Croiset’s ability that he began to mentor him, and introduced him to police work. In the years that followed Croiset became famous for his help in solving crimes all over the world. His passion was finding missing children.
Croiset never accepted payment for his psychic readings, but he did accept donations for his healing clinic where he treated thousands of clients. He was able to diagnose a person instantly on seeing them. Perhaps his most famous contribution to the field of parapsychology was to popularize the chair test. In this test, chairs in a room would be numbered, and Croiset was able to predict successfully who would sit in a selected chair a month or so before a meeting took place.
CROOKES, SIR WILLIAM [1832–1919]
Sir William Crookes is perhaps best known as a ground-breaking chemist and physicist who discovered X rays and explored the existence of subatomic particles such as the electron. For much of his life he was also deeply committed to spiritualism. He served as president of the Ghost Club of London for a while and took a great interest in the cases investigated by this organization. During his own investigations Crookes believed that many times he did in fact witness the materialization of human forms, and he also studied and photographed teleplasm and ectoplasm.
Published posthumously in 1926, Crookes’s work, Researches in the Phenomena of Spiritualism, is still considered required reading for any serious student of the subject.
CROP CIRCLES
Patterns, typically circle shaped, that appear mysteriously in the middle of grain fields in the middle of the night. The grain inside the circles is usually crushed as if knocked down by force. No tracks have been found leading to these circles, resulting in the belief that some paranormal force must have been involved in their creation. Some crop circles have been exposed as hoaxes, but others remain unexplained.
Crop circles have been reported all over the world, including in the USA, but they began appearing in southern England in the 1970s. They vary in size from about 10 feet to 200 or even 300 feet in diameter. They aren’t always circles but can also appear in elaborate formations and patterns. They are always immaculate and cleanly made.
Natural forces, such as violent or freak weather patterns, stationary whirlwinds or the effects of irrigation have been put forward as theories, but all these fail to explain the more complex patterns, which often resemble pictograms. There are those who believe some intelligent life force is trying to communicate with humankind, while others believe extraterrestrial forces must be at work. The mystery remains unsolved.
