Jade:Said to be good for the heart, thymus, immune system and kidneys and for cleansing the blood and the nervous system. Jade is thought to help promote courage, knowledge, justice, compassion, emotional balance, humility, generosity, harmony, wealth and longevity. It remains the crystal most revered by the Chinese, where it is believed by some to be of divine origin. In magic, jade is used to help remember dreams and to use them to solve problems.
Kunzite:Discovered in 1902, this stunning pink stone is thought to be superb for women with gynaecological problems, and for women seeking to come to terms with all aspects of their sexuality. It is believed to be a reassuring, healing, calming stone.
Lapis lazuli:Honoured as a royal stone by the ancients, this blue and gold stone has always been used to help create a link between reality and the realm of intuition. Egyptian high priests used to wear it ground up as eye makeup and in jewellery during rituals. It is thought to be good for anyone undergoing spiritual awakening or instruction in a particular religion.
Malachite:Said to be good for the stomach, liver, kidney stones, respiratory system, immune system, vision and the circulatory system. It is often used to help ease pain, inflammation, depression and anger, and to stimulate psychic vision and concentration.
Opal:The common misconception that opal is unlucky is due to Sir Walter Scott’s fictional story Anne of Gererstein, but opal is in fact considered to have profound magical, spiritual and healing powers. Opals are said to enhance intuition and positive beliefs as well as bring luck and money to business leaders. They are also thought to reveal the state of your physical and emotional energy, being dull when energy is low and brilliant when it is high.
Pearl:Thought to be a gem of hope and inner strength. If a pearl loses its lustre, it is unlikely to regain it or attract good energy; crystal enthusiasts believe when it has lost its life force a pearl becomes dull.
Quartz:Generally a term for a number of crystals, including amethyst and topaz, but clear quartz is the substance used to make crystal balls. Rose quartz is thought to have special powers to attract affection and is used in love spells or at times of high emotion, like the break-up of a relationship or a bereavement. Along with amethyst, no person serious about crystals would be without this versatile, powerful stone, believed to emit a form of electrical energy that helps to stimulate psychic powers. Many people believe that wearing quartz crystals benefits a person’s health and spiritual wellbeing. Quartz is typically used to rid an environment of unhealthy vibrations and electromagnetic toxins. In magic quartz is used as a protective amulet against evil and for spells, and for centuries quartz has been used to enhance a person’s ability to foretell the future.
Ruby:Thought to boost blood circulation and to attract love, courage, confidence, vitality, stamina and strength, and to help one triumph over adversity.
Sapphire:Thought to be a stone of control that can help you overcome temptation and guide your thoughts to higher things. Also thought to be good for reducing fever.
Tourmaline:Thought to be a stone of transition, both physical and emotional, and to help people through the processes of birth, menopause and death, as well as other rites of passage. It is believed to be good for people who feel the world is against them and for those who have a great need to forgive - especially themselves.
Turquoise:An ancient symbol of the sky, this stone is thought to benefit lungs and throat, and because it contains a good deal of copper it is believed to be a superb conductor for the healing force. It is also good for those terrified of speaking in public or of appearing physically or emotionally weak.
Practitioners of modern-day crystal therapy believe that the stones’ ability to work as conductors allow them to focus energy by way of a person’s thoughts to stimulate healing - both physical and non-physical - and thousands of people worldwide swear by the use of crystals to help a variety of mental, emotional and physical problems.
Many people who work with crystals believe that the stones choose whom to work with, not the other way round. But whatever you believe you need to be selective with the stones you use. Once selected it is suggested that you should never let anyone touch your crystals, and should programme’ it to attune to your particular energy. Each crystal should be cleansed before use to clear any stored energy, by either soaking it in salted water or by wrapping it in silk and burying it in the ground for 24 hours.
CURSES
Associated with black magic and intended to cause someone harm, curses are deliberately malevolent or vengeful oaths, spells or invocations of spirits directed against another person by psychic means.
See also Psychic attack.
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DACTYLOMANCY
An ancient form of divination involving rings. A ring was tied to a string, or dropped into a bowl of water, with the position of the ring at the end of the string, or at the bottom of the bowl, determining the answer or response to the question asked. Dactylomancy is thought to be one of the earliest forms of divination involving the use of pendulums.
DAGG POLTERGEIST
Poltergeist activity that eventually manifested itself as a speaking entity in 1889 on a farm in Quebec owned by George Dagg.
According to records the activity began with streaks of animal faeces or manure appearing on the floor of the house. A young boy, Dean, was blamed; however, when the boy was out of the house the stains continued to appear, proving that he was not the cause. Soon the activity increased: windows were smashed, objects were thrown and fires broke out. This time the focus was identified as 11-year-old Dinah McLean, an adopted child of the family.
In November 1889 an investigator named Percy Woodstock asked Dinah to take him to the woodshed where she had reported seeing a strange man. To Woodstock’s amazement, from the middle of the empty shed a few feet away came the clearly audible voice of an old man. It cursed them both in a deep, gruff voice, using language Woodstock would not record. It said, ‘I am the devil, I’ll have you in my clutches, I’ll break your neck.’ Woodstock talked to the voice for several hours, during which it admitted causing the fires, spreading the manure, smashing the windows and moving objects. Eventually it calmed down and admitted it was only doing the haunt-ings for fun.
A crowd soon heard about the phenomena and gathered around the house and woodshed, where the entity allegedly performed incredible feats for the audience. Woodstock organized a statement signed by 17 witnesses acknowledging that they had seen the phenomena of flying stones and a mouth organ playing by itself:
To whom it may concern:
We, the undersigned, solemnly declare that the following curious proceedings, which began on the 15th day of September, 1889, and are still going on, on the 17th day of November, 1889, in the home of Mr George Dagg, a farmer living seven miles from Shawville, Clarendon Township, Pontiac County, Province of Quebec, actually occurred as below described.
1st, That fires have broken out spontaneously through the house, as many as eight occurring on one day, six being in the house and two outside; that the window curtains were burned whilst on the windows, this happening in broad daylight whilst the family and neighbors were in the house.
2nd, That stones were thrown by invisible hands through the windows, as many as eight panes of glass being broken; that articles such as waterjug, milk pitcher, a wash basin, cream jug, butter tub and other articles were thrown about the house by the same invisible agency; a jar of water being thrown in the face of Mrs John Dagg, also in the face of Mrs George Dagg, whilst they were busy about their household duties, Mrs George Dagg being alone in the house at the time it was thrown in her face; that a large shelf [mouth organ] was heard distinctly to be played and was seen to move across the room on to the floor; immediately after, a rocking chair began rocking furiously. That a washboard was sent flying down the stairs from the garret, no one being in the garret at the time. That when the child Dinah is present, a deep gruff voice like that of an aged man has been heard at various times, both in the house and outdoors, and when asked questions answered so as to be distinctly heard, showing that he is cognizant of all that has taken place, not only in Mr Dagg’s family but also in the families of the surrounding neighborhood. That he claims to be a discarnated being who died twenty years ago, aged eighty years; that he gave his name to Mr George Dagg and to Mr Willie Dagg, forbidding them to tell it. That this intelligence is able to make himself visible to Dinah, little Mary and Johnnie, who have seen him under different forms at different times, at one time as a tall thin man with a cow’s head, horns and cloven foot, at another time as a big black dog, and finally as a man with a beautiful face and long white hair, dressed in white, wearing a crown with stars in it.
What is of particular interest is that the entity made itself visible in a variety of guises to Dinah and the two younger children of the house - as a devil, a black dog and a man in white robes. Finally, when the entity had got the attention it craved, it was said to have departed from the farm singing beautiful music in the sky.
Sceptics argue that Dinah and the children may have been responsible for the whole phenomena, tricking their parents into believing an entity existed, but this does not explain how they could convince a whole crowd of adults. The case has never been resolved but some experts believe that the poltergeist, having finally got some attention, calmed down and went away. According to this theory, poltergeists can act like humans at times, perhaps behaving badly out of boredom or a need to attract attention. Once they get the attention they want their disruptive behaviour ceases.
DAPHNOMANCY
A form of divination that predicted the future through burning a branch of laurel in an open fire. If the laurel burned with a good crackling sound this was a good omen, but if the laurel burned slowly and quietly this was a bad sign.
The practice dates back to ancient Rome where a sacred grove of laurel trees was planted by each emperor when they ascended to the throne. In the year AD 68 the laurel grove withered and died. This was the same year Emperor Nero died and the long line of Caesars came to an end.
DAVENPORT BROTHERS
The Davenport brothers conducted one of the most popular and successful séance acts of the nineteenth century. Ira Erastas and William Henry Davenport added the spirit cabinet to the medium’s repertoire and their sophisticated performances amazed and mystified audiences all over America and Europe.
Ira Davenport was born in Buffalo, New York on 17 September 1839, and his brother William two years later, on 1 February 1841. Their father, a New York policeman, was interested in stories of rappings reported in nearby Rochester and decided to try a sitting at home with his family. Almost immediately they got results and Mr Davenport would later tell friends that the boys and their younger sister Elizabeth levitated about the room.
The family began to hold regular séances and at one in 1850 the family made contact with their spirit guide, an entity named John King. It was King who allegedly told the family to rent a hall and give public performances, and in 1855, the boys went on stage for the first time, aged 16 and 14. At first their act consisted of table tilting and rapping but soon the Davenport brothers began to introduce new phenomena, such as floating musical instruments playing under their own power and playful spirit hands that touched and pulled at audience members. By the end of the year the brothers had introduced escapes from complicated rope bindings and knots into their séances and, what would eventually become the signature for their act, the spirit cabinet.
The cabinet was a box, similar to a closet, which would be erected on stage. A sceptical member of the audience would be asked to bind and tie the brothers inside the cabinet, making it seemingly impossible for them to escape. However, as soon as the cabinet doors were closed, and the lights turned off, spirit music would play and disembodied hands would appear through apertures that had been left open on the exterior walls.
On occasion, a volunteer from the audience would be placed between the brothers in the cabinet. A few moments after the doors were closed the volunteer would be tossed out of the box with a tambourine on his head. When the doors were opened the Davenports would be found tied up, in exactly the same way they were before.
The act was billed as a séance and created a sensation. Although the brothers never admitted to being mediums - leaving that to the audience to decide - and critics labelled them mere stage magicians, spiritualists hailed their act as genuine proof of spirit phenomena.
In 1864 Southern preacher Jesse Bab-cock Ferguson joined the brothers to act as master of ceremonies. He travelled with them on their controversial but successful four-year tour of Europe, and claimed to know of no occasion when their phenomena were not genuinely paranormal.
William died suddenly in July 1877 on a trip to Australia and Ira, lost without his brother, retired from performing. During his retirement he was interviewed and befriended by the magician and anti-spiritualist Harry Houdini. According to Houdini, Ira confessed that the brothers were expert conjurers, not spiritualists, but had got carried away with the public’s enthusiasm for all things supernatural. Ira explained many of the brothers’ escape tricks, such as rubbing their hands with oil so that they could slip out of the ropes more easily, and employing as many as ten hidden accomplices at a time. The most important part of their escapes took place during the binding, when they managed to get plenty of slack into the ropes by twisting, flexing and contorting their limbs. Once they relaxed, the ropes could be easily slipped off.
Despite their natural ability many people remained convinced that they were spirit mediums and that Houdini’s testimony contradicted the signed statements of distinguished believers and reporters. Newspaper accounts, such as the one below, which appeared in the conservative London Post, gave them credit for producing miracles.
The musical instruments, bells, etc., were placed on the table; the Davenport Brothers were then manacled, hands and feet, and securely bound to the chairs by ropes. A chain of communication (though not a circular one) was formed, and the instant the lights were extinguished the musical instruments appeared to be carried about the room. The current of air, which they occasioned in their rapid transit, was felt upon the faces of all present.
The bells were loudly rung; the trumpets made knocks upon the floor, and the tambourine appeared running around the room, jingling with all its might. At the same time sparks were observed as if passing from south to west. Several persons exclaimed that they were touched by the instruments, which on occasion became so demonstrative that one gentleman received a knock on the nasal organ which broke the skin and caused a few drops of blood to flow.
With the media in awe of the brothers and convinced of their powers, it is hardly surprising that spectators were equally amazed and that the Davenports - who were never caught cheating once in their performing career - created a sensation.
DAVIS, Andrew JACKSON [1826–1910]
A nineteenth-century medium who was able to detail the creation and spiritual evolution of the world through trance revelations, Andrew Jackson Davis was born in Blooming Grove, Orange County, New York on 11 August 1826. Davis’s family was poor and he had little formal schooling, drifting from job to job. In 1843 he began work as a clairvoyant after discovering that under trance he could see through the body as if it were transparent and make astonishing medical diagnosis.
In March 1844 Davis went into a trance and wandered about 40 miles from his home into the Catskill Mountains, where he had a series of mystical visions of Galen, the Greek physician, and Emanuel Swe-denborg. Repeated visions convinced Davis that he was to serve as an oracle of divine truth, and he moved to New York City with S Silas Lyon, a botanic doctor who was to act as his mesmerist. Within a few months Davis selected Rev William Fishbough, a Universalist minister, to be his scribe and in November 1845 the three men began their work.
In their New York apartment Lyon would hypnotize Davis. After a few minutes Davis would go into shock and become rigid and cold, hardly breathing. Then Davis would begin talking and Fish-bough would write everything down. Typically there would be three witnesses watching the dictation. Edgar Allan Poe was frequently present. The most influential visitor was a professor of Hebrew at New York University, George Bush, and he endorsed the accuracy of Davis’s trance pronouncements, calling Davis the greatest prodigy since Swedenborg.
