Книга Toilers of the Sea - читать онлайн бесплатно, автор Виктор Мари Гюго. Cтраница 6
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Toilers of the Sea
Toilers of the Sea
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Toilers of the Sea

Thanks to his successful ingenuity, thanks to steam, and his engines, and the "Devil Boat," Mess Lethierry was fast becoming an important personage. When building his vessel he had been compelled to borrow money. He had become indebted at Brême, he had become indebted at St. Malo; but every year he diminished his obligations.

He had, moreover, purchased on credit, at the very entrance to the port of St. Sampson, a pretty stone-built house, entirely new, situate between the sea and a garden. On the corner of this house was inscribed the name of the "Bravées." Its front formed a part of the wall of the port itself, and it was remarkable for a double row of windows: on the north, alongside a little enclosure filled with flowers, and on the south commanding a view of the ocean. It had thus two façades, one open to the tempest and the sea, the other looking into a garden filled with roses.

These two frontages seemed made for the two inmates of the house – Mess Lethierry and Déruchette.

The "Bravées" was popular at St. Sampson, for Mess Lethierry had at length become a popular man. This popularity was due partly to his good nature, his devotedness, and his courage; partly to the number of lives he had saved; and a great deal to his success, and to the fact that he had awarded to St. Sampson the honour of being the port of the departure and arrival of the new steamboat. Having made the discovery that the "Devil Boat" was decidedly a success, St. Peter's, the capital, desired to obtain it for that port, but Lethierry held fast to St. Sampson. It was his native town. "It was there that I was first pitched into the water," he used to say; hence his great local popularity. His position as a small landed proprietor paying land-tax, made him, what they call in Guernsey, an unhabitant. He was chosen douzenier. The poor sailor had mounted five out of six steps of the Guernsey social scale; he had attained the dignity of "Mess"; he was rapidly approaching the Monsieur; and who could predict whether he might not even rise higher than that? who could say that they might not one day find in the almanack of Guernsey, under the heading of "Nobility and Gentry," the astonishing and superb inscription, —Lethierry, Esq.?

But Mess Lethierry had nothing of vanity in his nature, or he had no sense of it; or if he had, disdained it: to know that he was useful was his greatest pleasure; to be popular touched him less than being necessary; he had, as we have already said, only two objects of delight, and consequently only two ambitions: the Durande and Déruchette.

However this may have been, he had embarked in the lottery of the sea, and had gained the chief prize.

This chief prize was the Durande steaming away in all her pride.

VII

THE SAME GODFATHER AND THE SAME PATRON SAINT

Having created his steamboat, Lethierry had christened it: he had called it Durande – "La Durande." We will speak of her henceforth by no other name; we will claim the liberty, also, in spite of typographical usage, of not italicising this name Durande; conforming in this to the notion of Mess Lethierry, in whose eyes La Durande was almost a living person.

Durande and Déruchette are the same name. Déruchette is the diminutive.

This diminutive is very common in France.

In the country the names of saints are endowed with all these diminutives as well as all their augmentatives. One might suppose there were several persons when there is, in fact, only one. This system of patrons and patronesses under different names is by no means rare. Lise, Lisette, Lisa, Elisa, Isabelle, Lisbeth, Betsy, all these are simply Elizabeth. It is probable that Mahout, Maclou, Malo, and Magloire are the same saint: this, however, we do not vouch for.

Saint Durande is a saint of l'Angoumois, and of the Charente; whether she is an orthodox member of the calendar is a question for the Bollandists: orthodox or not, she has been made the patron saint of numerous chapels.

It was while Lethierry was a young sailor at Rochefort that he had made the acquaintance of this saint, probably in the person of some pretty Charantaise, perhaps in that of the grisette with the white nails. The saint had remained sufficiently in his memory for him to give the name to the two things which he loved most – Durande to the steamboat, Déruchette to the girl.

Of one he was the father, of the other the uncle.

Déruchette was the daughter of a brother who had died: she was an orphan child: he had adopted her, and had taken the place both of father and mother.

Déruchette was not only his niece, she was his godchild; he had held her in his arms at the baptismal font; it was he who had chosen her patron saint, Durande, and her Christian name, Déruchette.

Déruchette, as we have said, was born at St. Peter's Port. Her name was inscribed at its date on the register of the parish.

As long as the niece was a child, and the uncle poor, nobody took heed of her appellation of Déruchette; but when the little girl became a miss, and the sailor a gentleman, the name of Déruchette shocked the feelings of Guernsey society. The uncouthness of the sound astonished every one. Folks asked Mess Lethierry "why Déruchette?" He answered, "It is a very good name in its way." Several attempts were made to get him to obtain a change in the baptismal name, but he would be no party to them. One day, a fine lady of the upper circle of society in St. Sampson, the wife of a rich retired ironfounder, said to Mess Lethierry, "In future, I shall call your daughter Nancy."

"If names of country towns are in fashion," said he, "why not Lons le Saulnier?" The fine lady did not yield her point, and on the morrow said, "We are determined not to have it Déruchette; I have found for your daughter a pretty name —Marianne." "A very pretty name, indeed," replied Mess Lethierry, "composed of two words which signify – a husband and an ass."4 He held fast to Déruchette.

It would be a mistake to infer from Lethierry's pun that he had no wish to see his niece married. He desired to see her married, certainly; but in his own way: he intended her to have a husband after his own heart, one who would work hard, and whose wife would have little to do. He liked rough hands in a man, and delicate ones in a woman. To prevent Déruchette spoiling her pretty hands he had always brought her up like a young lady; he had provided her with a music-master, a piano, a little library, and a few needles and threads in a pretty work-basket. She was, indeed, more often reading than stitching; more often playing than reading. This was as Mess Lethierry wished it. To be charming was all that he expected of her. He had reared the young girl like a flower. Whoever has studied the character of sailors will understand this: rude and hard in their nature, they have an odd partiality for grace and delicacy. To realise the idea of the uncle, the niece ought to have been rich; so indeed felt Mess Lethierry. His steamboat voyaged for this end. The mission of Durande was to provide a marriage portion for Déruchette.

VIII

"BONNIE DUNDEE"

Déruchette occupied the prettiest room at the Bravées. It had two windows, was furnished with various articles made of fine-grained mahogany, had a bed with four curtains, green and white, and looked out upon the garden, and beyond it towards the high hill, on which stands the Vale Castle. Gilliatt's house, the Bû de la Rue, was on the other side of this hill.

Déruchette had her music and piano in this chamber; she accompanied herself on the instrument when singing the melody which she preferred – the melancholy Scottish air of "Bonnie Dundee." The very spirit of night breathes in this melody; but her voice was full of the freshness of dawn. The contrast was quaint and pleasing; people said, "Miss Déruchette is at her piano."

The passers-by at the foot of the hill stopped sometimes before the wall of the garden of the Bravées to listen to that sweet voice and plaintive song.

Déruchette was the very embodiment of joy as she went to and fro in the house. She brought with her a perpetual spring. She was beautiful, but more pretty than beautiful; and still more graceful than pretty. She reminded the good old pilots, friends of Mess Lethierry, of that princess in the song which the soldiers and sailors sing, who was so beautiful:

"Qu'elle passait pour telle dans le regiment."

Mess Lethierry used to say, "She has a head of hair like a ship's cable."

From her infancy she had been remarkable for beauty. The learned in such matters had grave doubts about her nose, but the little one having probably determined to be pretty, had finally satisfied their requirements. She grew to girlhood without any serious loss of beauty; her nose became neither too long nor too short; and when grown up, her critics admitted her to be charming.

She never addressed her uncle otherwise than as father.

Lethierry allowed her to soil her fingers a little in gardening, and even in some kind of household duties: she watered her beds of pink hollyhocks, purple foxgloves, perennial phloxes, and scarlet herb bennets. She took good advantage of the climate of Guernsey, so favourable to flowers. She had, like many other persons there, aloes in the open ground, and, what is more difficult, she succeeded in cultivating the Nepaulese cinquefoil. Her little kitchen-garden was scientifically arranged; she was able to produce from it several kinds of rare vegetables. She sowed Dutch cauliflower and Brussels cabbages, which she thinned out in July, turnips for August, endive for September, short parsnip for the autumn, and rampions for winter. Mess Lethierry did not interfere with her in this, so long as she did not handle the spade and rake too much, or meddle with the coarser kinds of garden labour. He had provided her with two servants, one named Grace, and the other Douce, which are favourite names in Guernsey. Grace and Douce did the hard work of the house and garden, and they had the right to have red hands.

With regard to Mess Lethierry, his room was a little retreat with a view over the harbour, and communicating with the great lower room of the ground floor, on which was situated the door of the house, near which the various staircases met.

His room was furnished with his hammock, his chronometer, and his pipe: there were also a table and a chair. The ceiling had been whitewashed, as well as the four walls. A fine marine map, bearing the inscription W. Faden, 5 Charing Cross, Geographer to His Majesty, and representing the Channel Islands, was nailed up at the side of the door, and on the left, stretched out and fastened with other nails, appeared one of those large cotton handkerchiefs on which are printed, in colours, the signals of all countries in the world, having at the four corners the standards of France, Russia, Spain, and the United States, and in the centre the union-jack of England.

Douce and Grace were two faithful creatures within certain limits. Douce was good-natured enough, and Grace was probably good-looking. Douce was unmarried, and had secretly "a gallant." In the Channel Islands the word is common, as indeed is the fact itself. The two girl's regarded as servants had something of the Creole in their character, a sort of slowness in their movements, not out of keeping with the Norman spirit pervading the relations of servant and master in the Channel Islands. Grace, coquettish and good-looking, was always scanning the future with a nervous anxiety. This arose from the fact of her not only having, like Douce, "a gallant," but also, as the scandal-loving averred, a sailor husband, whose return one day was a thing she dreaded. This, however, does not concern us. In a household less austere and less innocent, Douce would have continued to be the servant, but Grace would have become the soubrette. The dangerous talents of Grace were lost upon a young mistress so pure and good as Déruchette. For the rest, the intrigues of Douce and Grace were cautiously concealed. Mess Lethierry knew nothing of such matters, and no token of them had ever reached Déruchette.

The lower room of the ground floor, a hall with a large fireplace and surrounded with benches and tables, had served in the last century as a meeting-place for a conventicle of French Protestant refugees. The sole ornament of the bare stone wall was a sheet of parchment, set in a frame of black wood, on which were represented some of the charitable deeds of the great Bossuet, Bishop of Meaux. Some poor diocesans of this famous orator, surnamed the "Eagle," persecuted by him at the time of the Revocation of the Edict of Nantes, and driven to take shelter at Guernsey, had hung this picture on the wall to preserve the remembrance of those facts. The spectator who had the patience to decipher a rude handwriting in faded ink might have learnt the following facts, which are but little known: – "29th October, 1685, Monsieur the Bishop of Meaux, appeals to the king to destroy the temples of Morcef and Nanteuil" – "2nd April, 1686, Arrest of Cochard, father and son, for their religious opinions, at the request of Monsieur the Bishop of Meaux. Released: the Cochards having recanted." – "28th October, 1699, Monsieur the Bishop of Meaux sent to Mde. Pontchartrain a petition of remonstrance, pointing out that it will be necessary to place the young ladies named Chalandes and de Neuville, who are of the reformed religion, in the House of the 'New Catholics' at Paris." – "7th July, 1703, the king's order executed as requested by Monsieur the Bishop of Meaux, for shutting up in an asylum Baudouin and his wife, two bad Catholics of Fublaines."

At the end of the hall, near the door of Mess Lethierry's room, was a little corner with a wooden partition, which had been the Huguenot's sanctum, and had become, thanks to its row of rails and a small hole to pass paper or money through, the steamboat office; that is to say, the office of the Durande, kept by Mess Lethierry in person. Upon the old oaken reading-desk, where once rested the Holy Bible, lay a great ledger with its alternate pages headed Dr. and Cr.

IX

THE MAN WHO DISCOVERED RANTAINE'S CHARACTER

As long as Mess Lethierry had been able to do duty, he had commanded the Durande, and had had no other pilot or captain but himself; but a time had come, as we have said, when he had been compelled to find a successor. He had chosen for that purpose Sieur Clubin, of Torteval, a taciturn man. Sieur Clubin had a character upon the coast for strict probity. He became the alter ego, the double, of Mess Lethierry.

Sieur Clubin, although he had rather the look of a notary than of a sailor, was a mariner of rare skill. He had all the talents which are required to meet dangers of every kind. He was a skilful stower, a safe man aloft, an able and careful boatswain, a powerful steersman, an experienced pilot, and a bold captain. He was prudent, and he carried his prudence sometimes to the point of daring, which is a great quality at sea. His natural apprehensiveness of danger was tempered by a strong instinct of what was possible in an emergency. He was one of those mariners who will face risks to a point perfectly well known to themselves, and who generally manage to come successfully out of every peril. Every certainty which a man can command, dealing with so fickle an element as the sea, he possessed. Sieur Clubin, moreover, was a renowned swimmer; he was one of that race of men broken into the buffeting of the waves, who can remain as long as they please in the water – who can start from the Havre-des-Pas at Jersey, double the Colettes, swim round the Hermitage and Castle Elizabeth, and return in two hours to the point from which they started. He came from Torteval, where he had the reputation of often having swum across the passage so much dreaded, from the Hanway rocks to the point of Pleinmont.

One circumstance which had recommended Sieur Clubin to Mess Lethierry more than any other, was his having judged correctly the character of Rantaine. He had pointed out to Lethierry the dishonesty of the man, and had said "Rantaine will rob you." His prediction was verified. More than once – in matters, it is true, not very important – Mess Lethierry had put his ever-scrupulous honesty to the proof; and he freely communicated with him on the subject of his affairs. Mess Lethierry used to say, "A good conscience expects to be treated with perfect confidence."

X

LONG YARNS

Mess Lethierry, for the sake of his own ease, always wore his seafaring clothes, and preferred his tarpaulin overcoat to his pilot jacket. Déruchette felt vexed, occasionally, about this peculiarity. Nothing is prettier than a pouting beauty. She laughed and scolded. "My dear father," she would say, "what a smell of pitch!" and she would give him a gentle tap upon his broad shoulders.

This good old seaman had gathered from his voyages many wonderful stories. He had seen at Madagascar birds' feathers, three of which sufficed to make a roof of a house. He had seen in India, field sorrel, the stalks of which were nine inches high. In New Holland he had seen troops of turkeys and geese led about and guarded by a bird, like a flock by a shepherd's dog; this bird was called the Agami. He had visited elephants' cemeteries. In Africa, he had encountered gorillas, a terrible species of man-monkey. He knew the ways of all the ape tribe, from the wild dog-faced monkey, which he called the Macaco-bravo, to the howling monkey or Macaco-barbado. In Chili, he had seen a pouched monkey move the compassion of the huntsman by showing its little one. He had seen in California a hollow trunk of a tree fall to the ground, so vast that a man on horseback could ride one hundred paces inside. In Morocco, he had seen the Mozabites and the Bisskris fighting with matraks and bars of iron – the Bisskris, because they had been called kelbs, which means dogs; and the Mozabites, because they had been treated as khamsi, which means people of the fifth sect. He had seen in China the pirate Chanh-thong-quan-larh-Quoi cut to pieces for having assassinated the Ap of a village. At Thu-dan-mot, he had seen a lion carry off an old woman in the open market-place. He was present at the arrival of the Great Serpent brought from Canton to Saigon to celebrate in the pagoda of Cho-len the fête of Quan-nam, the goddess of navigators. He had beheld the great Quan-Sû among the Moi. At Rio de Janeiro, he had seen the Brazilian ladies in the evening put little balls of gauze into their hair, each containing a beautiful kind of firefly; and the whole forming a head-dress of little twinkling lights. He had combated in Paraguay with swarms of enormous ants and spiders, big and downy as an infant's head, and compassing with their long legs a third of a yard, and attacking men by pricking them with their bristles, which enter the skin as sharp as arrows, and raise painful blisters. On the river Arinos, a tributary of the Tocantins, in the virgin forests to the north of Diamantina, he had determined the existence of the famous bat-shaped people, the Murcilagos, or men who are born with white hair and red eyes, who live in the shady solitudes of the woods, sleep by day, awake by night, and fish and hunt in the dark, seeing better then than by the light of the moon. He told how, near Beyrout, once in an encampment of an expedition of which he formed part, a rain gauge belonging to one of the party happened to be stolen from a tent. A wizard, wearing two or three strips of leather only, and looking like a man having nothing on but his braces, thereupon rang a bell at the end of a horn so violently, that a hyena finally answered the summons by bringing back the missing instrument. The hyena was, in fact, the thief. These veritable histories bore a strong resemblance to fictions; but they amused Déruchette.

The poupée or "doll" of the Durande, as the people of the Channel Islands call the figure-head of a ship, was the connecting link between the vessel and Lethierry's niece. In the Norman Islands the figure-head of a ship, a roughly-carved wooden statue, is called the Poupée. Hence the local saying, meaning to sail, "être entre poupe et poupée."

The poupée of the Durande was particularly dear to Mess Lethierry. He had instructed the carver to make it resemble Déruchette. It looked like a rude attempt to cut out a face with a hatchet; or like a clumsy log trying hard to look like a girl.

This unshapely block produced a great effect upon Mess Lethierry's imagination. He looked upon it with an almost superstitious admiration. His faith in it was complete. He was able to trace in it an excellent resemblance to Déruchette. Thus the dogma resembles the truth, and the idol the deity.

Mess Lethierry had two grand fête days in every week; one was Tuesday, the other Friday. His first delight consisted in seeing the Durande weigh anchor; his second in seeing her enter the port again. He leaned upon his elbows at the window contemplating his work, and was happy.

On Fridays, the presence of Mess Lethierry at his window was a signal. When people passing the Bravées saw him lighting his pipe, they said, "Ay! the steamboat is in sight." One kind of smoke was the herald of the other.

The Durande, when she entered the port, made her cable fast to a huge iron ring under Mess Lethierry's window, and fixed in the basement of the house. On those nights Lethierry slept soundly in his hammock, with a soothing consciousness of the presence of Déruchette asleep in her room near him, and of the Durande moored opposite.

The moorings of the Durande were close to the great bell of the port. A little strip of quay passed thence before the door of the Bravées.

The quay, the Bravées and its house, the garden, the alleys bordered with edges, and the greater part even of the surrounding houses, no longer exist. The demand for Guernsey granite has invaded these too. The whole of this part of the town is now occupied by stone-cutters' yards.

XI

MATRIMONIAL PROSPECTS

Déruchette was approaching womanhood, and was still unmarried.

Mess Lethierry in bringing her up to have white hands had also rendered her somewhat fastidious. A training of that kind has its disadvantages; but Lethierry was himself still more fastidious. He would have liked to have provided at the same time for both his idols; to have found in the guide and companion of the one a commander for the other. What is a husband but the pilot on the voyage of matrimony? Why not then the same conductor for the vessel and for the girl? The affairs of a household have their tides, their ebbs and flows, and he who knows how to steer a bark, ought to know how to guide a woman's destiny, subject as both are to the influences of the moon and the wind. Sieur Clubin being only fifteen years younger than Lethierry, would necessarily be only a provisional master for the Durande. It would be necessary to find a young captain, a permanent master, a true successor of the founder, inventor, and creator of the first channel steamboat. A captain for the Durande who should come up to his ideal, would have been, already, almost a son-in-law in Lethierry's eyes. Why not make him son-in-law in a double sense? The idea pleased him. The husband in posse of Déruchette haunted his dreams. His ideal was a powerful seaman, tanned and browned by weather, a sea athlete. This, however, was not exactly the ideal of Déruchette. Her dreams, if dreams they could even be called, were of a more ethereal character.

The uncle and the niece were at all events agreed in not being in haste to seek a solution of these problems. When Déruchette began to be regarded as a probable heiress, a crowd of suitors had presented themselves. Attentions under these circumstances are not generally worth much. Mess Lethierry felt this. He would grumble out the old French proverb, "A maiden of gold, a suitor of brass." He politely showed the fortune-seekers to the door. He was content to wait, and so was Déruchette.

It was, perhaps, a singular fact, that he had little inclination for the local aristocracy. In that respect Mess Lethierry showed himself not entirely English. It will hardly be believed that he even refused for Déruchette a Ganduel of Jersey, and a Bugnet Nicolin of Sark. People were bold enough to affirm, although we doubt if this were possible, that he had even declined the proposals of a member of the family of Edou, which is evidently descended from "Edou-ard" (Anglicè Edward) the Confessor.